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James P. Sumner (65 KP) rated Brightburn (2019) in Movies
Jun 27, 2019
A dark, dark twist on the superhero genre.
Before I start, a disclaimer: I drastically misinterpreted the story of this movie from the trailer.
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Emma @ The Movies (1786 KP) rated Happy Death Day (2017) in Movies
Sep 25, 2019
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed. She heads back to her house dismissing everyone she sees, she throws out her roommate's cupcake, she carries on with her professor, and then gets murdered by a hooded figure wearing the mask of their campus mascot.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Emma @ The Movies (1786 KP) rated Sorry to Bother You (2018) in Movies
Sep 25, 2019
I... well, that took a turn.
Where to start? This felt like I was watching an episode of Dimension 404/Electric Dreams/Black Mirror... take your pick, and that's kind of my first problem with it. There are a lot of things that don't need to be there for it to work. It could easily have been an episode of something and had more of an impact (for a good reason).
Credit where credit is due though, I have never seen anything quite like this before. I'd like to say I hope I never do again but with my cinema policy of seeing nearly everything that comes out it's bound to happen. I just can't really work out how to sum it up. It starts with a little humour and an intriguing idea and then it takes such a bizarre turn that I lost any enjoyment I'd had for the rest of the film.
Cassius making calls and then being physically put into the life of that person was a triumph for the film. It was funny and worked with the off the wall nature of the entire production. Watching his rise at the company is actually an uplifting sequence of events. From his very first interview through to power caller there's a certain amount of joy watching him succeed. How I wish that feeling hadn't ended.
When we go to the party with Cassius and Mr ___ my enjoyment started to slide. It was an awkward kind of humour that I really don't like. Most of the elements seemed to be unnecessary and by the end we'd just reached gratuitous. Then of course we get the biggest twist of the film. That's when I really lost it.
I just can't think of anything else I want to say about this film.
What you should do
Lots of people seem to like it... but I'm not one of them. Just watch some of the TV shows listed above instead.
Movie thing you wish you could take home
I don't want anything from this film apart from the two hours of my life it took.
Where to start? This felt like I was watching an episode of Dimension 404/Electric Dreams/Black Mirror... take your pick, and that's kind of my first problem with it. There are a lot of things that don't need to be there for it to work. It could easily have been an episode of something and had more of an impact (for a good reason).
Credit where credit is due though, I have never seen anything quite like this before. I'd like to say I hope I never do again but with my cinema policy of seeing nearly everything that comes out it's bound to happen. I just can't really work out how to sum it up. It starts with a little humour and an intriguing idea and then it takes such a bizarre turn that I lost any enjoyment I'd had for the rest of the film.
Cassius making calls and then being physically put into the life of that person was a triumph for the film. It was funny and worked with the off the wall nature of the entire production. Watching his rise at the company is actually an uplifting sequence of events. From his very first interview through to power caller there's a certain amount of joy watching him succeed. How I wish that feeling hadn't ended.
When we go to the party with Cassius and Mr ___ my enjoyment started to slide. It was an awkward kind of humour that I really don't like. Most of the elements seemed to be unnecessary and by the end we'd just reached gratuitous. Then of course we get the biggest twist of the film. That's when I really lost it.
I just can't think of anything else I want to say about this film.
What you should do
Lots of people seem to like it... but I'm not one of them. Just watch some of the TV shows listed above instead.
Movie thing you wish you could take home
I don't want anything from this film apart from the two hours of my life it took.
Kristy H (1252 KP) rated This is Home in Books
Sep 26, 2019
Libby lives with her father, Bentley (Bent to nearly everyone) and their oversized, lazy dog Rooster Cogburn. And then there's also her Aunts Lucy and Desiree, who live in the apartment above them. And now there's Quinn. Quinn's husband John and Bent served together in Iraq. Bent invites Quinn to live in the basement apartment after John goes missing, suffering from PTSD. Libby feels the place is crowded enough already. And Quinn's not too thrilled to be there either. But, before either of them realize it, they are thrust together and slowly become friends.
This is one of those quiet, unassuming books that sneaks up on you, pulling you in with its beautiful writing and wonderful characters. There's no wild plot, insane mystery, or major twist--just elegant prose, a troubled cast, and some real and raw moments that will stick with you long after you finish the last page. Lisa Duffy is an excellent writer, and I so enjoyed her book.
"He'd come home from from the war a different person. A stranger to her. Someone she moved around carefully, gently, as if he were a bomb, ready to explode."
There is a lot going on here--the aftermath of war; family issues; a budding teen romance; marriage problems--but it all works. Libby and Quinn each tell their own story, and as their lives begin to intertwine, it's very heartwarming to watch each come into their own a bit. They each have their own unique voice, and it's hard not to fall for both of them. Libby, especially, tugged at my heart. (But I loved Quinn, too!)
There is, of course, darkness here. This novel offers a very thoughtful exploration of the aftermath of war, not only on the soldiers, but those who love them. It's not always an easy read, but I think it's a valuable one. It gives a very unwavering look at the PTSD these men and women face and how it can not only can ruin them, but their families as well.
Overall, I found this to be an excellent and poignant read, and I'm sorry I let it sit on my Kindle so long. Easily 4+ stars.
This is one of those quiet, unassuming books that sneaks up on you, pulling you in with its beautiful writing and wonderful characters. There's no wild plot, insane mystery, or major twist--just elegant prose, a troubled cast, and some real and raw moments that will stick with you long after you finish the last page. Lisa Duffy is an excellent writer, and I so enjoyed her book.
"He'd come home from from the war a different person. A stranger to her. Someone she moved around carefully, gently, as if he were a bomb, ready to explode."
There is a lot going on here--the aftermath of war; family issues; a budding teen romance; marriage problems--but it all works. Libby and Quinn each tell their own story, and as their lives begin to intertwine, it's very heartwarming to watch each come into their own a bit. They each have their own unique voice, and it's hard not to fall for both of them. Libby, especially, tugged at my heart. (But I loved Quinn, too!)
There is, of course, darkness here. This novel offers a very thoughtful exploration of the aftermath of war, not only on the soldiers, but those who love them. It's not always an easy read, but I think it's a valuable one. It gives a very unwavering look at the PTSD these men and women face and how it can not only can ruin them, but their families as well.
Overall, I found this to be an excellent and poignant read, and I'm sorry I let it sit on my Kindle so long. Easily 4+ stars.
Mark @ Carstairs Considers (2464 KP) rated Read It and Weep in Books
Oct 12, 2019
Romance Overshadows Mystery
This fall, Lindsey’s friend Violet La Rue is directing a local theater production of A Midsummer Night’s Dream, and she is encouraging everyone to try out for it. Lindsey is more interested in working behind the scenes on the costumes, but many of her friends land parts in the play. The one non-community member cast is Violet’s friend, Robbie Vine, a celebrated actor. He brings with him his wife and his girlfriend, but he still is immediately smitten with Lindsey, and he starts flirting with her, which does nothing but irritate Sully, Lindsey’s ex. However, Lindsey’s romantic troubles aren’t the biggest issue on the stage. Instead, a series of increasingly more serious accidents seem to be happening in the theater. Is someone out to destroy the production? Is any one person the target? Will Lindsey get to the bottom of things before someone dies?
Since I’m behind on this series, I knew that Lindsey was going to have some serious issues with her love life, and that is the case here. In fact, it feels more like the focus of the book with the mystery being a sub-plot. I’m a guy, so I don’t tend to read romances, and I stir clear of many romantic comedies because they aren’t my thing. The romantic comedy aspect of this book certainly bothered me. While there are some mysterious occurrences, it wasn’t really until the second half when the mystery really got going and even then, is often overshadowed by the romance. There is a good twist to the mystery, however. And I adore the series characters. We get to see a different side of a couple of them and finally spend some time getting to know Violet. On the other hand, the suspects were rather weak. I’ve read enough of author Jenn McKinlay’s books to know this is a blip from an author I usually adore. If you are a fan of her books, you’ll still want to see what happens here. If you are new to her books, you’ll be better served starting with a different book and coming back to this one later. Personally, I am looking forward to visiting Lindsey again soon.
Since I’m behind on this series, I knew that Lindsey was going to have some serious issues with her love life, and that is the case here. In fact, it feels more like the focus of the book with the mystery being a sub-plot. I’m a guy, so I don’t tend to read romances, and I stir clear of many romantic comedies because they aren’t my thing. The romantic comedy aspect of this book certainly bothered me. While there are some mysterious occurrences, it wasn’t really until the second half when the mystery really got going and even then, is often overshadowed by the romance. There is a good twist to the mystery, however. And I adore the series characters. We get to see a different side of a couple of them and finally spend some time getting to know Violet. On the other hand, the suspects were rather weak. I’ve read enough of author Jenn McKinlay’s books to know this is a blip from an author I usually adore. If you are a fan of her books, you’ll still want to see what happens here. If you are new to her books, you’ll be better served starting with a different book and coming back to this one later. Personally, I am looking forward to visiting Lindsey again soon.
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