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Scott Tostik (389 KP) rated You're Next (2013) in Movies
Oct 11, 2017
One fucked up family gathering... Hey, who invited the sheep??
Contains spoilers, click to show
When I sing the praises of a movie in it's entirety, people who read my reviews know I think it's amazing.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
*＊✿❀ Maki ❀✿＊* (7 KP) rated Crown of Midnight in Books
May 3, 2018
Crown of Midnight was a wonderful sequel - it improved on pretty much everything from the first book.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Celaena doesn't really do much assassination? Now she's the King's Champion, and it's her job. <spoiler>Well, okay - maybe there's still not too much assassination going on. But there's definitely more action!</spoiler>
That pesky love triangle gets completely done away with (which makes me question why it was an issue in the first place, aside from being there to create drama), and in its place a believable, sweet romance is started.
(I am Team Chaol. All the way.)
Dorian actually grows as a character, and is more than just a stereotypical womanizer.
Even the scope of the story is larger. Where the first book was primarily centered around the castle, Crown of Midnight actually gives us a look at the city. Or, well, certain parts of it, at any rate. And while the threat is still the same vague threat as the first book, by the end, things start to fall into place about what exactly happened ten years ago, and where magic disappeared to.
I really enjoyed this one, which was nice, given my lukewarm feelings about the first book in the series. A good portion of my change of opinion is because of the growth of Dorian and Chaol - particularly Chaol.
I am a sucker for many things in fantasy. I love a good assassin. I love magic, especially when the magic system is well thought out. I love thieves. And I also love loyal knights who have to deal with the bombshell of finding out that everything they thought they were protecting was a lie.
Just watching Chaol fight to reconcile his old loyalties and what he grew up believing with what he now knows to be the truth was beautiful. He goes through an amazing amount of character development, and is easily the most complex character in the story. (Which is why I'm Team Chaol. Even though Celaena doesn't really deserve him.)
He actually reminded me a lot of Darres, from the [b:Vampire Game, Volume 01|282294|Vampire Game, Volume 01|JUDAL|https://d.gr-assets.com/books/1343116853s/282294.jpg|273847] manga. Dang it. I need to reread that entire series.
Unfortunately, Celaena stopped me from absolutely adoring this book. She didn't grow very much as a character - in places she actually seemed to regress - and the "twist" was painfully predictable. Even if I hadn't guessed it back at the start of the first book, based on the type of story this is, there's more than enough to pick up on what's going on.
So my reaction was less, <i>"GASP!!!"</i> and more, <i>"Why has nobody else figured this out???"</i>
Especially the king. You'd think he'd be all over that.
Acanthea Grimscythe (300 KP) rated Little Darlings in Books
Feb 3, 2019
I looked at Melanie Golding’s debut novel, Little Darlings, several times on NetGalley before I decided to click the read now button, and after spending the whole day reading it, I’m certainly glad I did. I’m not a mother myself, but Golding’s prose brings to life the very real concerns that any parent faces: the fear of losing their children. In this beautifully written book, readers are introduced to a deliciously dark fairytale, alongside the ultimate horror a parent can encounter.
Lauren Tranter is a new mother to beautiful twin boys. Cautious and brimming with worries common to becoming a parent, she finds herself quickly in a predicament: a woman has shown up at the maternity ward, demanding Lauren’s children in exchange for her own. When Lauren refuses, things quickly become murky and, when her children go missing at the park, her life is turned upside down.
I have a bit of a tumultuous relationship with a few of the characters in this book, and it’s a bit difficult to really nail down how I feel about them. For the most part, I absolutely adore Lauren–perhaps because I feel she’s portrayed exceptionally. Her husband, on the other hand, I can’t stand. Arrogant and self-centered, all Patrick seems to care about is himself. The detective, Jo Harper, falls squarely in between these two. Coming off as unlikable early on, she quickly finds her way into the reader’s heart with her go get ’em attitude. In part, it’s because of her noble desire to get to the bottom of things: to determine whether or not Lauren is mad, or if there might be some truth to what the new mother is saying.
Golding’s command of language lends a dark atmosphere to her novel. With excerpts from tales on changelings spaced throughout the book, she creates a deeply disturbing reality, where as a reader I found myself questioning everything. She simultaneously makes both sides of the plot’s story, that is Lauren’s side and the side conducting the investigation into the attempted abduction of her children, equally believable. I’m still asking questions, even after finishing the book. Oh, and the things uncovered toward the end of the book adds a delicious twist on top of Lauren’s plight.
Little Darlings is a wonderful read, and I read the majority of it in one sitting. It starts out a bit slowly, but once things begin picking up, Golding’s style drives the story forward at break-neck speed. After reading this, I was thrilled to discover it’s already been optioned for a film and I eagerly await its release. This book is definitely a must read for fans of psychological thrillers.
I’d like to thank NetGalley and Crooked Lane Books for providing me with a free copy of this book in exchange for an honest review.
Lauren Tranter is a new mother to beautiful twin boys. Cautious and brimming with worries common to becoming a parent, she finds herself quickly in a predicament: a woman has shown up at the maternity ward, demanding Lauren’s children in exchange for her own. When Lauren refuses, things quickly become murky and, when her children go missing at the park, her life is turned upside down.
I have a bit of a tumultuous relationship with a few of the characters in this book, and it’s a bit difficult to really nail down how I feel about them. For the most part, I absolutely adore Lauren–perhaps because I feel she’s portrayed exceptionally. Her husband, on the other hand, I can’t stand. Arrogant and self-centered, all Patrick seems to care about is himself. The detective, Jo Harper, falls squarely in between these two. Coming off as unlikable early on, she quickly finds her way into the reader’s heart with her go get ’em attitude. In part, it’s because of her noble desire to get to the bottom of things: to determine whether or not Lauren is mad, or if there might be some truth to what the new mother is saying.
Golding’s command of language lends a dark atmosphere to her novel. With excerpts from tales on changelings spaced throughout the book, she creates a deeply disturbing reality, where as a reader I found myself questioning everything. She simultaneously makes both sides of the plot’s story, that is Lauren’s side and the side conducting the investigation into the attempted abduction of her children, equally believable. I’m still asking questions, even after finishing the book. Oh, and the things uncovered toward the end of the book adds a delicious twist on top of Lauren’s plight.
Little Darlings is a wonderful read, and I read the majority of it in one sitting. It starts out a bit slowly, but once things begin picking up, Golding’s style drives the story forward at break-neck speed. After reading this, I was thrilled to discover it’s already been optioned for a film and I eagerly await its release. This book is definitely a must read for fans of psychological thrillers.
I’d like to thank NetGalley and Crooked Lane Books for providing me with a free copy of this book in exchange for an honest review.
RəX Regent (349 KP) rated The Wicker Man (1973) in Movies
Feb 18, 2019
Come. It is time to keep your appointment with the Wicker Man.
Though we never even lay eyes on it until the final few moments of the film, the Wicker Man, both as pagan image and classic horror flick, has become an icon of the genre.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
Ross (3284 KP) rated Perfect Crime in Books
Feb 19, 2019 (Updated Feb 19, 2019)
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
RəX Regent (349 KP) rated Chitty Chitty Bang Bang (1968) in Movies
Mar 7, 2019
Contains spoilers, click to show
This was the first time that I've seen this children's classic since I was a child, and I suppose that I'd hoped that it would live up to its reputation. In all fairness though, I din't like it that much when I was a child, if I'm honest and my children, though some DO like it, others seemed to have mixed feelings. At best, it's likable but never lovable and at worst, it just isn't liked at all.
So, as an adult I watched this loose adaptation of James Bond's, Ian Flemming's novel, with every good intention, but in the end was left disappointed. Firstly, at 2 hours and 20 minutes long, it feels like an epic, and a completely unnecessary one at that. Its intermission is turned into a Batfink or Adam West's Batman styled cliffhanger rather than a thematic or narrative break that it traditionally should have been, even going so far as to recap the action in the second act!
The songs weren't great either, generally bordering on tedium rather than holding my interest. The story seems to be a little off kilter too, with a seemingly fatal crash destroying the eponymous car before its eventual restoration by Dick van Dyke. This was the culmination of a five-minute title sequence showcasing the early Grand Prix's of 1907 and '08 which for a family film seemed to drag somewhat.
But after an hour of songs and character development, we finally take off in the flying car to the fantasy land of Vulgaria, only for the whole experience to be a fantastical story told by Van Dyke's, Caractacus Potts! All in all, this was a strange film, but not in an entertaining way like Willy Wonka's Chocolate Factory, the connection being Roald Dahl's involvement with the screenplay, but in a rather boring way, with events just seeing to happen without any really cause or need. One hour of story, then another one of fantasy. How many other films can boast this kind narrative twist and get away with it. It just seemed to be indulgent and plodding.
It would defiantly have been improved if the car was actually magical and did actually take them on this adventure rather than suggesting that it is perfectly okay to sing and dance around the real world but it's a stretch too far to have a flying car! It should have been a fantasy through and through rather than six of one and half a dozen of the other.
Ultimately, Overrated in my opinion and since the view of FOUR children, boys and girls ranging from 7 – 15, is that it's watchable rather than fully enjoyable, I suspect that this film is being viewed through rose tinted glasses.
So, as an adult I watched this loose adaptation of James Bond's, Ian Flemming's novel, with every good intention, but in the end was left disappointed. Firstly, at 2 hours and 20 minutes long, it feels like an epic, and a completely unnecessary one at that. Its intermission is turned into a Batfink or Adam West's Batman styled cliffhanger rather than a thematic or narrative break that it traditionally should have been, even going so far as to recap the action in the second act!
The songs weren't great either, generally bordering on tedium rather than holding my interest. The story seems to be a little off kilter too, with a seemingly fatal crash destroying the eponymous car before its eventual restoration by Dick van Dyke. This was the culmination of a five-minute title sequence showcasing the early Grand Prix's of 1907 and '08 which for a family film seemed to drag somewhat.
But after an hour of songs and character development, we finally take off in the flying car to the fantasy land of Vulgaria, only for the whole experience to be a fantastical story told by Van Dyke's, Caractacus Potts! All in all, this was a strange film, but not in an entertaining way like Willy Wonka's Chocolate Factory, the connection being Roald Dahl's involvement with the screenplay, but in a rather boring way, with events just seeing to happen without any really cause or need. One hour of story, then another one of fantasy. How many other films can boast this kind narrative twist and get away with it. It just seemed to be indulgent and plodding.
It would defiantly have been improved if the car was actually magical and did actually take them on this adventure rather than suggesting that it is perfectly okay to sing and dance around the real world but it's a stretch too far to have a flying car! It should have been a fantasy through and through rather than six of one and half a dozen of the other.
Ultimately, Overrated in my opinion and since the view of FOUR children, boys and girls ranging from 7 – 15, is that it's watchable rather than fully enjoyable, I suspect that this film is being viewed through rose tinted glasses.
Goddess in the Stacks (553 KP) rated Slayer (Slayer #1) in Books
Apr 1, 2019
I am a Buffy fan. I'm not the biggest Buffy fan I know - that honor goes to a friend of mine, who I just gave a giant box of Buffy comic to, since we're downsizing in preparation for the move to the new house. I haven't seen anyone that happy in a while, and it made my day. (And hers, judging from the bouncing and squeeeeing and hugging!) But I am still a Buffy fan. I own DVDs of the entire show, plus Angel, plus the original movie. The box of comics I just gave away was Season 8 and some spin offs. Slayer takes place after all of that.
First I'm going to say, if you're not a Buffy fan, seriously don't bother with this book. You won't understand a lot of what goes on, and while there are cursory explanations given in the book, it's really not meant for people that haven't watched/read the rest of the world. You'd be okay not knowing much about Angel, but you really do need to have watched the TV show of Buffy, especially that last season. While the book takes place after the comics, they're not necessary to understand the plot as that, at least, is explained.
So, for the rest of us Buffy fans, this is a great continuation of the Buffy-verse. Nina is the daughter of Watchers - in fact the daughter of Buffy's first watcher, the one before Giles. Given what befell the Watchers, the ones that are left are kind of antagonistic towards Slayers in general and Buffy in particular. So when Nina becomes a Slayer, her world goes sideways.
The world is mostly the same, but with a twist due to events in the comics. (It's explained. You don't need to have read them.) The book expands on how Slayer powers work, a bit, especially their dreams now that there's more than one of them alive at a time. We do see mentions of familiar characters, with one notable scene where an old favorite appears briefly.
I really enjoyed the book, and I'm eager to read the second half of the duology when it comes out. I need to know how Nina's story ends! The book ended on a subtle cliffhanger; the main conflict has been resolved, and the characters think it's over, but we know it's not. Similar to how many episodes of Buffy ended, actually.
So yeah. If you're a Buffy fan, pick up this book, it's pretty great. If you're not - take a pass. Or start with the TV show and get yourself a new fandom if you're feeling bored!
You can find all my reviews at http://goddessinthestacks.com
First I'm going to say, if you're not a Buffy fan, seriously don't bother with this book. You won't understand a lot of what goes on, and while there are cursory explanations given in the book, it's really not meant for people that haven't watched/read the rest of the world. You'd be okay not knowing much about Angel, but you really do need to have watched the TV show of Buffy, especially that last season. While the book takes place after the comics, they're not necessary to understand the plot as that, at least, is explained.
So, for the rest of us Buffy fans, this is a great continuation of the Buffy-verse. Nina is the daughter of Watchers - in fact the daughter of Buffy's first watcher, the one before Giles. Given what befell the Watchers, the ones that are left are kind of antagonistic towards Slayers in general and Buffy in particular. So when Nina becomes a Slayer, her world goes sideways.
The world is mostly the same, but with a twist due to events in the comics. (It's explained. You don't need to have read them.) The book expands on how Slayer powers work, a bit, especially their dreams now that there's more than one of them alive at a time. We do see mentions of familiar characters, with one notable scene where an old favorite appears briefly.
I really enjoyed the book, and I'm eager to read the second half of the duology when it comes out. I need to know how Nina's story ends! The book ended on a subtle cliffhanger; the main conflict has been resolved, and the characters think it's over, but we know it's not. Similar to how many episodes of Buffy ended, actually.
So yeah. If you're a Buffy fan, pick up this book, it's pretty great. If you're not - take a pass. Or start with the TV show and get yourself a new fandom if you're feeling bored!
You can find all my reviews at http://goddessinthestacks.com
Ryan Hill (152 KP) rated Spider-Man: Homecoming (2017) in Movies
May 11, 2019
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
TheBookMother (105 KP) rated Christine in Books
May 26, 2019
Think classic slasher come Top Gear.
Contains spoilers, click to show
Like alot of my recent reads I picked up a very well loved copy from a supermarket fundraising bookcase.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Sassy Brit (97 KP) rated Stray Magic in Books
Jun 5, 2019
Stray Magic is a fun, spirited second chance story that comes with a supernatural twist – in the shape of a two-foot tall, wish-granting leprechaun called Vincent.
You’d think with a wish-granting leprechaun rooting for the man of your dreams to walk into your life, there’d be no hitches, right?
But when the and get all muddled up, poor Cara doesn’t know whether to believe this cheeky little imp, or send him packing. But when he keeps magically appearing in Cara’s bathroom and taking her dog for a ride, (as Leprecahaun’s do) she decides to believe in his power and wait for the magic to happen – just in case it works and her dream guy walks into her place of work and whisks her off her feet – as promised by the little green fella.
Behind this doggy story, which is suitable for listeners of all ages, is a really entertaining plot. We hear not only about Cara’s love-life woes, but we are also privy to her relationship with her grownup daughter, and how she gets on in her job working for a horrible boss of whom takes all the credit for her hard work without any thanks. Even Cara’s beloved Corgi has something to say, and in no way did I think I’d enjoy a talking dog story. If you’d asked me before, I’d have said that sounded silly. Talking animals never go as planned in books, but this was heaps of fun.
Alongside this, we discover even Vincent has a heartbreaking story to tell. I mean, how can he have the love of his life, if he keeps botching up his magic for others. By his own omission he turned up at Cara’s house twelve years late. Just think about that? If he’d turned up on time Cara’s true love would have been with her for twelve years already. ?
The narrator of this story, Aisling Gray, has a great voice, and could really do the different characters well. Originally from Texas (I think) she has a whole array of accents, and they all sounded spot on, making a great story even better to listen to. In addition, there were quite a few funny, laugh out loud moments, during which I literally laughed out loud unexpectedly. Wherever I was. Yep, embarrassing at times! But well worth it.
This easily listening, magical story was a lighthearted treat for me, and I thoroughly enjoyed all the hours I was plugged in listening to this.
Disclosure: I listened to this story via a free audible token, so thank you to the author, narrator and publisher for this opportunity. This is my own opinion and not biased in any way.
You’d think with a wish-granting leprechaun rooting for the man of your dreams to walk into your life, there’d be no hitches, right?
But when the and get all muddled up, poor Cara doesn’t know whether to believe this cheeky little imp, or send him packing. But when he keeps magically appearing in Cara’s bathroom and taking her dog for a ride, (as Leprecahaun’s do) she decides to believe in his power and wait for the magic to happen – just in case it works and her dream guy walks into her place of work and whisks her off her feet – as promised by the little green fella.
Behind this doggy story, which is suitable for listeners of all ages, is a really entertaining plot. We hear not only about Cara’s love-life woes, but we are also privy to her relationship with her grownup daughter, and how she gets on in her job working for a horrible boss of whom takes all the credit for her hard work without any thanks. Even Cara’s beloved Corgi has something to say, and in no way did I think I’d enjoy a talking dog story. If you’d asked me before, I’d have said that sounded silly. Talking animals never go as planned in books, but this was heaps of fun.
Alongside this, we discover even Vincent has a heartbreaking story to tell. I mean, how can he have the love of his life, if he keeps botching up his magic for others. By his own omission he turned up at Cara’s house twelve years late. Just think about that? If he’d turned up on time Cara’s true love would have been with her for twelve years already. ?
The narrator of this story, Aisling Gray, has a great voice, and could really do the different characters well. Originally from Texas (I think) she has a whole array of accents, and they all sounded spot on, making a great story even better to listen to. In addition, there were quite a few funny, laugh out loud moments, during which I literally laughed out loud unexpectedly. Wherever I was. Yep, embarrassing at times! But well worth it.
This easily listening, magical story was a lighthearted treat for me, and I thoroughly enjoyed all the hours I was plugged in listening to this.
Disclosure: I listened to this story via a free audible token, so thank you to the author, narrator and publisher for this opportunity. This is my own opinion and not biased in any way.