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Gareth von Kallenbach (980 KP) rated Knack in Video Games
Jun 19, 2019
Launch titles are often subject to some very harsh scrutiny by gamers and the new Playstation 4 game Knack is just one such example. The game was created by Sony’s Japan Studio to be a launch title for the new system and in an ironic twist, is not schedule to release in Japan until late Feb 2014.
Players play as Knack, a shape changing creation that was created by a professor using powerful and ancient relics. The relics are used as power in the societies of the world and when the Goblin race breaks a longstanding truce with new and powerful weapons of war, humanity finds itself needed to answer the threat.
A wealthy industrialist named Victor wants to use his army of robots to answer the Goblin threat but the Doctor who created Knack convinces the leaders that his creation is a more capable solution to the problem and as such is assigned to investigate and resolve the Goblin threat.
The game is divided into chapters and sub chapters and playing as Knack players must travel through caves, temples, fortresses, and other locales in missions which combine platform jumping, fighting, and puzzle solving. Players can locate hidden objects that when combined offer power ups such a relic finder and many other options that will help with the completion of the game.
Knack grows and regains health when relics are found and in time will learn how to add rocks, ice, and other substances to his matrix which in turn will allow him to be gigantic in nature for some of the games bigger battles. I will admit to taking some fiendish delight in swatting aside smaller enemies like gnats when I was able to bulk Knack up to a massive size. The game limits when Knack can reach gargantuan size as it keeps his scale in check with what the level requirements are.
There are also sun crystals that Knack can obtain which will allow him to unleash some super moves. Players can store up to three such power ups and once used, several crystals are needed to replenish what was used.
While the gameplay is fairly basic in that jumping, fighting, climbing, and avoiding enemy attacks there is some frustration with the at times repetitive nature of the levels and in game combat. While fun, it at times became boring as the game went along and it was also hampered by some of the camera angles in games that often made me resort to trial and error. This is frustrating as the game uses a checkpoint save and respawn system as once I was able to get through a tricky part of the game, I went over a cliff and had to replay a large portion of the game. This was frustrating as the camera only gave me an over the shoulder view and I could not see how much space was ahead of me. Other chapters cut to a cut scene in a similar situation but this one required me to inch forwards carefully to trigger the cutscene.
While the game does allow you to continue if you quit, I find myself having to re-watch tons of animation and replay several early stages of a level to get back to where I left off.
While the voice acting and story are nothing special the game is fun to play for what it is and I did enjoy several parts of the game despite the frustrations I mentioned earlier. The graphics are solid and while not showcases for the power of the system provide an interesting and engaging setting for the game and the numerous enemies and traps players will face.
The game has received some negative press to date which I think is highly unfair. Many people in my opinion are judging the game for what it was not rather than what it was. While it could have been a better game, it is a fun and enjoyable game for those who have more moderate expectations and would be ideal for younger players who are looking for something to play on the Playstation 4 that is age appropriate.
http://sknr.net/2014/01/26/knack/
Players play as Knack, a shape changing creation that was created by a professor using powerful and ancient relics. The relics are used as power in the societies of the world and when the Goblin race breaks a longstanding truce with new and powerful weapons of war, humanity finds itself needed to answer the threat.
A wealthy industrialist named Victor wants to use his army of robots to answer the Goblin threat but the Doctor who created Knack convinces the leaders that his creation is a more capable solution to the problem and as such is assigned to investigate and resolve the Goblin threat.
The game is divided into chapters and sub chapters and playing as Knack players must travel through caves, temples, fortresses, and other locales in missions which combine platform jumping, fighting, and puzzle solving. Players can locate hidden objects that when combined offer power ups such a relic finder and many other options that will help with the completion of the game.
Knack grows and regains health when relics are found and in time will learn how to add rocks, ice, and other substances to his matrix which in turn will allow him to be gigantic in nature for some of the games bigger battles. I will admit to taking some fiendish delight in swatting aside smaller enemies like gnats when I was able to bulk Knack up to a massive size. The game limits when Knack can reach gargantuan size as it keeps his scale in check with what the level requirements are.
There are also sun crystals that Knack can obtain which will allow him to unleash some super moves. Players can store up to three such power ups and once used, several crystals are needed to replenish what was used.
While the gameplay is fairly basic in that jumping, fighting, climbing, and avoiding enemy attacks there is some frustration with the at times repetitive nature of the levels and in game combat. While fun, it at times became boring as the game went along and it was also hampered by some of the camera angles in games that often made me resort to trial and error. This is frustrating as the game uses a checkpoint save and respawn system as once I was able to get through a tricky part of the game, I went over a cliff and had to replay a large portion of the game. This was frustrating as the camera only gave me an over the shoulder view and I could not see how much space was ahead of me. Other chapters cut to a cut scene in a similar situation but this one required me to inch forwards carefully to trigger the cutscene.
While the game does allow you to continue if you quit, I find myself having to re-watch tons of animation and replay several early stages of a level to get back to where I left off.
While the voice acting and story are nothing special the game is fun to play for what it is and I did enjoy several parts of the game despite the frustrations I mentioned earlier. The graphics are solid and while not showcases for the power of the system provide an interesting and engaging setting for the game and the numerous enemies and traps players will face.
The game has received some negative press to date which I think is highly unfair. Many people in my opinion are judging the game for what it was not rather than what it was. While it could have been a better game, it is a fun and enjoyable game for those who have more moderate expectations and would be ideal for younger players who are looking for something to play on the Playstation 4 that is age appropriate.
http://sknr.net/2014/01/26/knack/
Lucy Buglass (45 KP) rated Ghost Stories (2018) in Movies
Jun 20, 2019
For years, mankind has pondered over the existence of ghosts, demons and the paranormal. Many have claimed to have experienced it firsthand, while others dedicate their lives and careers to debunking those experiences. It seems to be a question that no one has been able to answer or prove one way or the other, and this fear of the unknown has been the basis of a number of popular horror stories.
Based on the stage play of the same name, ‘Ghost Stories’ follows skeptic Professor Phillip Goodman’s (Nyman) investigation of three unsolved cases, each one detailing a different haunting. After meeting with his idol and fellow skeptic Charles Cameron, and feeling deflated when he begins to question his lifelong skepticism, Goodman meets with former night watchman Tony Matthews (Whitehouse), teenager Simon Rifkind (Lawther), and businessman Mike Priddle (Freeman) to learn about their firsthand experiences with the supernatural. The film is split into three segments, allowing each character to explain their case through the use of flashbacks where we get to see exactly what happened to the characters.
Throughout these flashbacks, Nyman and Dyson have utilised a number of popular horror techniques that will make you jump out of your seat, or hide behind your hands. There’s a serious feeling of unease throughout the entire film, and you have no idea what’s going to happen next. Even as an avid fan of the genre, I found myself genuinely terrified during a large portion of the film. ‘Ghost Stories’ knows exactly how to pace a horror film, and how to leave an audience uncomfortable yet unable to look away from the screen. Whilst the jump scare is inevitable, the film doesn’t overuse these and instead finds ways to build tension and fear, which actually heightens the experience because you find yourself trying to predict when something’s going to pop out at you. It leaves you on edge for the entire ninety minutes, which in my mind, is exactly what a horror film should do.
The stories told by each of the men are gripping, and the actors all do exceptional jobs of portraying their characters. Each of the men interviewed by Goodman are very different in their class backgrounds, beliefs and personalities, but are united in their adamancy that they did experience hauntings and that they left them completely shaken up afterwards. This reinforces the idea that the supernatural can target anyone, and leave anyone feeling helpless. Particular praise has to be given to Alex Lawther; after seeing him in season 3 of ‘Black Mirror’ I had high hopes, and he delivered. He’s certainly one to watch and I look forward to seeing what he gets up to next.
‘Ghost Stories’ is incredibly British in nature, mixing the right amount of dry humour and satire into what is an utterly terrifying experience overall. Other critics have said it’s the best British horror film in years, and I couldn’t agree more. It’s an incredibly gripping story that has a lot of twists and turns, and tugs at all of your heartstrings. Alongside the characters, I went through a number of emotions and felt fully invested in their lives. These are all characters that feel familiar, they’re your average human, which throws realism into the mix. Being able to identify with characters in a horror film makes your fear 100 times worse.
This film is best experienced with as little context as possible, if you walk into it completely blind, I believe you’ll get maximum enjoyment out of it. The trailers have done a great job at keeping it as vague as possible, which was a bonus. There’s nothing worse than trailers giving everything away in a few seconds. ‘Ghost Stories’ does have a twist ending, but I thought this was done brilliantly and I personally was unable to predict it. Nyman and Dyson have put so much effort into crafting an intense, thrilling, mysterious story and it’s seriously paid off. I’m now hoping ‘Ghost Stories’ will be returning to the stage soon, because I’ll be first in line for a ticket!
https://jumpcutonline.co.uk/ghost-stories/
Based on the stage play of the same name, ‘Ghost Stories’ follows skeptic Professor Phillip Goodman’s (Nyman) investigation of three unsolved cases, each one detailing a different haunting. After meeting with his idol and fellow skeptic Charles Cameron, and feeling deflated when he begins to question his lifelong skepticism, Goodman meets with former night watchman Tony Matthews (Whitehouse), teenager Simon Rifkind (Lawther), and businessman Mike Priddle (Freeman) to learn about their firsthand experiences with the supernatural. The film is split into three segments, allowing each character to explain their case through the use of flashbacks where we get to see exactly what happened to the characters.
Throughout these flashbacks, Nyman and Dyson have utilised a number of popular horror techniques that will make you jump out of your seat, or hide behind your hands. There’s a serious feeling of unease throughout the entire film, and you have no idea what’s going to happen next. Even as an avid fan of the genre, I found myself genuinely terrified during a large portion of the film. ‘Ghost Stories’ knows exactly how to pace a horror film, and how to leave an audience uncomfortable yet unable to look away from the screen. Whilst the jump scare is inevitable, the film doesn’t overuse these and instead finds ways to build tension and fear, which actually heightens the experience because you find yourself trying to predict when something’s going to pop out at you. It leaves you on edge for the entire ninety minutes, which in my mind, is exactly what a horror film should do.
The stories told by each of the men are gripping, and the actors all do exceptional jobs of portraying their characters. Each of the men interviewed by Goodman are very different in their class backgrounds, beliefs and personalities, but are united in their adamancy that they did experience hauntings and that they left them completely shaken up afterwards. This reinforces the idea that the supernatural can target anyone, and leave anyone feeling helpless. Particular praise has to be given to Alex Lawther; after seeing him in season 3 of ‘Black Mirror’ I had high hopes, and he delivered. He’s certainly one to watch and I look forward to seeing what he gets up to next.
‘Ghost Stories’ is incredibly British in nature, mixing the right amount of dry humour and satire into what is an utterly terrifying experience overall. Other critics have said it’s the best British horror film in years, and I couldn’t agree more. It’s an incredibly gripping story that has a lot of twists and turns, and tugs at all of your heartstrings. Alongside the characters, I went through a number of emotions and felt fully invested in their lives. These are all characters that feel familiar, they’re your average human, which throws realism into the mix. Being able to identify with characters in a horror film makes your fear 100 times worse.
This film is best experienced with as little context as possible, if you walk into it completely blind, I believe you’ll get maximum enjoyment out of it. The trailers have done a great job at keeping it as vague as possible, which was a bonus. There’s nothing worse than trailers giving everything away in a few seconds. ‘Ghost Stories’ does have a twist ending, but I thought this was done brilliantly and I personally was unable to predict it. Nyman and Dyson have put so much effort into crafting an intense, thrilling, mysterious story and it’s seriously paid off. I’m now hoping ‘Ghost Stories’ will be returning to the stage soon, because I’ll be first in line for a ticket!
https://jumpcutonline.co.uk/ghost-stories/
Darren (1599 KP) rated 10 Cloverfield Lane (2016) in Movies
Jun 20, 2019 (Updated Jun 20, 2019)
Contains spoilers, click to show
Story: 10 Cloverfield Lane starts as we see Michelle (Winstead) walking away from her married life with Ben only to find herself in a car accident. Upon waking up she finds her chained up in a bed as she desperately looks for a way out. Michelle’s capturer is Howard (Goodman) who claims to have saved her from an attack on America. Michelle isn’t the only other person in the bunker with Emmett (Gallagher Jr) also there.
Howard has been preparing this bunker for years and has everything needed to survive in luxury with electricity and plumbing. The three have to learn to live with each other as the paranoia about what has really happened keeps rising.
10 Cloverfield Lane is a very clever thriller that creates the paranoia of what could be going happening through nearly the whole film. We are sat wondering what is happening outside the bunker and what will happen inside the bunker. The downside from where I am sat was knowing it was a sequel, if this was just about the bunker and the final twist was that it was in the Cloverfield universe we would have found ourselves fully on Michelle’s side but as we know it is all real we kind of side with the paranoia filled Howard. This is good and tense throughout but the title alone takes away something truly special about the film.
Actor Review
John Goodman: Howard is the man who has built the bunker, he has let both Michelle and Emmett stay in his bunker as he believes America would come under attack from something. He is ex-navy and very paranoid, we are left wondering whether h is crazy or not though. John is great in this role where we see him using the talent he has.howard
Mary Elizabeth Winstead: Michelle is a young woman who is wondering about her life before finding herself being in a car crash. She wakes up in the bunker where she has to learn to live with Howard and Emmett. She is never comfortable there always trying to find a way out. Mary is great in this strong female role.michelle
John Gallagher Jr: Emmett was hired to help build the bunker and found himself inside when the attacks happened. He tries to be nice to Michele which only pushes Howard into his paranoia. John is good in this role if only the supporting of the three.
Support Cast: 10 Cloverfield Lane doesn’t have many other characters with most just being in one scene.
Director Review: Dan Trachtenberg – Dan gives us a thriller that really does keep up guessing what is real.
Horror: 10 Cloverfield Lane gives us the idea where we just don’t know what is going on showing the paranoia driving the horror.
Mystery: 10 Cloverfield Lane keeps us guessing from start to finish.
Sci-Fi: 10 Cloverfield Lane enters into a world which could have a post-apocalyptic world but never really understand.
Thriller: 10 Cloverfield Lane keeps us on edge for the whole film where we are left to wonder where the film will go.
Settings: 10 Cloverfield Lane has nearly the whole film inside the bunker where we see the tension rise.
Special Effects: 10 Cloverfield Lane has good effects when needed without being in the film being all about special effects.
Suggestion: 10 Cloverfield Lane is one for fans of the original to enjoy but just remember this is only in the same universe rather than a sequel. (Watch)
Best Part: Performances.
Worst Part: Title is misleading.
Believability: No
Chances of Tears: No
Chances of Sequel: We could have.
Post Credits Scene: No
Oscar Chances: No
Budget: $15 Million
Runtime: 1 Hour 43 Minutes
Tagline: Something is coming
Trivia: Howard states that he worked on satellites for the military. Michelle sees an envelope in the bunker from a company called Bold Futura. Bold Futura is the company responsible for the satellite that is seen crashing into the ocean in the ending of Cloverfield (2008) which is what is believed to be responsible for disturbing the creature.
Overall: Great concept we don’t see in sequels with this only being in the same universe only.
https://moviesreview101.com/2016/03/31/10-cloverfield-lane-2016/
Howard has been preparing this bunker for years and has everything needed to survive in luxury with electricity and plumbing. The three have to learn to live with each other as the paranoia about what has really happened keeps rising.
10 Cloverfield Lane is a very clever thriller that creates the paranoia of what could be going happening through nearly the whole film. We are sat wondering what is happening outside the bunker and what will happen inside the bunker. The downside from where I am sat was knowing it was a sequel, if this was just about the bunker and the final twist was that it was in the Cloverfield universe we would have found ourselves fully on Michelle’s side but as we know it is all real we kind of side with the paranoia filled Howard. This is good and tense throughout but the title alone takes away something truly special about the film.
Actor Review
John Goodman: Howard is the man who has built the bunker, he has let both Michelle and Emmett stay in his bunker as he believes America would come under attack from something. He is ex-navy and very paranoid, we are left wondering whether h is crazy or not though. John is great in this role where we see him using the talent he has.howard
Mary Elizabeth Winstead: Michelle is a young woman who is wondering about her life before finding herself being in a car crash. She wakes up in the bunker where she has to learn to live with Howard and Emmett. She is never comfortable there always trying to find a way out. Mary is great in this strong female role.michelle
John Gallagher Jr: Emmett was hired to help build the bunker and found himself inside when the attacks happened. He tries to be nice to Michele which only pushes Howard into his paranoia. John is good in this role if only the supporting of the three.
Support Cast: 10 Cloverfield Lane doesn’t have many other characters with most just being in one scene.
Director Review: Dan Trachtenberg – Dan gives us a thriller that really does keep up guessing what is real.
Horror: 10 Cloverfield Lane gives us the idea where we just don’t know what is going on showing the paranoia driving the horror.
Mystery: 10 Cloverfield Lane keeps us guessing from start to finish.
Sci-Fi: 10 Cloverfield Lane enters into a world which could have a post-apocalyptic world but never really understand.
Thriller: 10 Cloverfield Lane keeps us on edge for the whole film where we are left to wonder where the film will go.
Settings: 10 Cloverfield Lane has nearly the whole film inside the bunker where we see the tension rise.
Special Effects: 10 Cloverfield Lane has good effects when needed without being in the film being all about special effects.
Suggestion: 10 Cloverfield Lane is one for fans of the original to enjoy but just remember this is only in the same universe rather than a sequel. (Watch)
Best Part: Performances.
Worst Part: Title is misleading.
Believability: No
Chances of Tears: No
Chances of Sequel: We could have.
Post Credits Scene: No
Oscar Chances: No
Budget: $15 Million
Runtime: 1 Hour 43 Minutes
Tagline: Something is coming
Trivia: Howard states that he worked on satellites for the military. Michelle sees an envelope in the bunker from a company called Bold Futura. Bold Futura is the company responsible for the satellite that is seen crashing into the ocean in the ending of Cloverfield (2008) which is what is believed to be responsible for disturbing the creature.
Overall: Great concept we don’t see in sequels with this only being in the same universe only.
https://moviesreview101.com/2016/03/31/10-cloverfield-lane-2016/
Darren (1599 KP) rated 13 Sins (2014) in Movies
Jun 20, 2019
Story: 13 Sins starts as Elliot Brindle (Webber) about to get married to Shelby (Wesley) and start his own family but because he isn’t as ruthless in his salesman job he loses his job making it difficult to supporting his mentally disabled brother Michael (Graye) and his bitter father (Bower).
Running out of options a chance phone call promises him money for doing something as simple as killing a fly once complete Elliot gets a second phone call with the promise of more money for a task. With two challenges down Elliot get offered a chance to enter into a game to complete in 11 more challenges to get more money that could change his life forever.
When the challenge starts to become very twisted it grabs the attention of Detective Chilcoat (Perlman) but just how far will Elliot will go for the money.
REPORT THIS AD
13 Sins gives us a horror thriller that pushes our character to the limit which is why I do think this is a very enjoyable. I will say it starts out slow and puts the character in a position that you would expect them to take the challenge by not knowing how far they would be pushed. This helps us think this would be hard to say no to. I will say this really pulls you in but I do think the certain moments at the end feel forced.
Actor Review
Mark Webber: Elliot Brindle is a down on his luck salesman who is about to get married, have his own child all while supporting his mentally disabled brother and alcoholic father. When he gets phone call he gets a chance to end all of his money troubles by completing a set of challenges, this will test Elliot to the very limits leaving us to wonder how far he will do. Mark is great in this role making us feel like he really is an average man struggling.
Devon Graye: Michael Brindle is the mentally disabled brother of Elliot who is about to find himself back in a home if his brother doesn’t find money to support him. Devon seems like an important character that just seems to get forgotten through the final outcome of the film.
Rutina Wesley: Shelby is the fiancée of Elliot who is getting ever so upset with Elliot on the day of the challenges because he is coming off distant but her relationship is important to everything that is happening. Rutina is basic in this supporting role because we don’t get the screen time.
Ron Perlman: Detective Chilcoat takes the case that Elliot finds himself causing him to discover what has been happening for years. Ron is solid in this supporting role that has a moment that is worth the wait nearer the end.
Support Cast: 13 Sins has a supporting cast that is included in the game in ways you have to figure out how they are involved.
Director Review: Daniel Stamm – Daniel gives us a thriller that is shocking in places as we just have to see how far we see our character go.
Horror: 13 Sins has gore moments that shock but filled with suspense around the gore.
Thriller: 13 Sins keeps us on edge as we wonder what will happen next in the game.
Settings: 13 Sins doesn’t have the most iconic locations which helps make us think it is in a small city but with the bigger picture of the game doesn’t work.
Special Effects: 13 Sins has great special effects used throughout with the gore factors.
Suggestion: 13 Sins is one for the horror fans to watch. (Horror Fans Watch)
Best Part: Final twist.
Worst Part: Slow starting.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Would You Rather, Cheap Thrills
Oscar Chances: No
Budget: $4 Million
Runtime: 1 Hour 33 Minutes
Tagline: You don’t play the game. It plays you.
Overall: Surprisingly entertaining horror thriller keeping us guessing throughout.
https://moviesreview101.com/2016/10/03/movie-reviews-101-midnight-halloween-horror-13-sins-2014/
Running out of options a chance phone call promises him money for doing something as simple as killing a fly once complete Elliot gets a second phone call with the promise of more money for a task. With two challenges down Elliot get offered a chance to enter into a game to complete in 11 more challenges to get more money that could change his life forever.
When the challenge starts to become very twisted it grabs the attention of Detective Chilcoat (Perlman) but just how far will Elliot will go for the money.
REPORT THIS AD
13 Sins gives us a horror thriller that pushes our character to the limit which is why I do think this is a very enjoyable. I will say it starts out slow and puts the character in a position that you would expect them to take the challenge by not knowing how far they would be pushed. This helps us think this would be hard to say no to. I will say this really pulls you in but I do think the certain moments at the end feel forced.
Actor Review
Mark Webber: Elliot Brindle is a down on his luck salesman who is about to get married, have his own child all while supporting his mentally disabled brother and alcoholic father. When he gets phone call he gets a chance to end all of his money troubles by completing a set of challenges, this will test Elliot to the very limits leaving us to wonder how far he will do. Mark is great in this role making us feel like he really is an average man struggling.
Devon Graye: Michael Brindle is the mentally disabled brother of Elliot who is about to find himself back in a home if his brother doesn’t find money to support him. Devon seems like an important character that just seems to get forgotten through the final outcome of the film.
Rutina Wesley: Shelby is the fiancée of Elliot who is getting ever so upset with Elliot on the day of the challenges because he is coming off distant but her relationship is important to everything that is happening. Rutina is basic in this supporting role because we don’t get the screen time.
Ron Perlman: Detective Chilcoat takes the case that Elliot finds himself causing him to discover what has been happening for years. Ron is solid in this supporting role that has a moment that is worth the wait nearer the end.
Support Cast: 13 Sins has a supporting cast that is included in the game in ways you have to figure out how they are involved.
Director Review: Daniel Stamm – Daniel gives us a thriller that is shocking in places as we just have to see how far we see our character go.
Horror: 13 Sins has gore moments that shock but filled with suspense around the gore.
Thriller: 13 Sins keeps us on edge as we wonder what will happen next in the game.
Settings: 13 Sins doesn’t have the most iconic locations which helps make us think it is in a small city but with the bigger picture of the game doesn’t work.
Special Effects: 13 Sins has great special effects used throughout with the gore factors.
Suggestion: 13 Sins is one for the horror fans to watch. (Horror Fans Watch)
Best Part: Final twist.
Worst Part: Slow starting.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Would You Rather, Cheap Thrills
Oscar Chances: No
Budget: $4 Million
Runtime: 1 Hour 33 Minutes
Tagline: You don’t play the game. It plays you.
Overall: Surprisingly entertaining horror thriller keeping us guessing throughout.
https://moviesreview101.com/2016/10/03/movie-reviews-101-midnight-halloween-horror-13-sins-2014/
Heather Cranmer (2721 KP) rated Hello Again in Books
Dec 26, 2018 (Updated Dec 26, 2018)
Held my Interest (1 more)
Interesting Premise
Not enough character backstory (2 more)
Pacing all over the place
Not very paranormal
Not Very Paranormal
I love the premise of Hello Again by Stan Schatt. I'm very much into ghosts, so I knew I had to read this book. When it came up for review, I knew I had to read it. Unfortunately, this book was just okay, nothing special.
The plot for Hello Again sounded interesting enough. I loved the idea of a guy getting texts from his dead girlfriend. However, there just wasn't enough of the paranormal aspect for me which was disappointing. Personally, I wouldn't really label Hello Again as a paranormal read at all. It was fun to read about though. I kept trying to figure out who was sending the texts from Amber's phone after she died especially since they were coming from her apartment. I also found it interesting to read about Bill's cafe and how he was struggling to get the money to renew the lease. Anyway, the story did take awhile to get going before he meets his girlfriend, Amber Love, at a speed dating event. Amber is very mysterious and doesn't reveal too much of herself to Ben. I found their relationship to be a bit forced and stagnant myself. They hadn't even been on very many dates before she is blown up by a car bomb. What I found weird was that Ben never even googled Amber's name when he found out she had given him a false last name. If it were me, this day in age, I would have been googling her as soon as I had free time. I also felt like we need more information about how Ben found out about Amber's funeral. I will say that by the time this book ended, all of my questions were answered. There are no cliff hangers, and I felt like what was supposed to be the plot twist was too predictable.
I never really connected to any of the characters in Hello Again, and as much as I tried, I never really found myself caring for any of them. I would have liked a bit more backstory into Ben and Amber. I would have liked it if Ben and Amber's relationship had a chance to flourish instead of them just going on about 3 or 4 dates. I would have even liked more backstory for Josh, the psychic. It was hard to connect to these characters when I didn't know much about them. Oh, one of the characters is described as looking like a terrorist and of Middle Eastern descent. I found this to be stereotypical and thought that some readers may find this offensive.
The pacing for Hello Again starts out slow. About halfway through, the pacing does pick up, but I feel it does go too fast in many places which left scratching my head wondering what had happened. Sometimes, I had to go back to see if I missed anything which I didn't. The pacing just didn't flow very well in the second half. However, this book did hold my attention until the very end though, but I wasn't in a rush to finish it. Luckily, it's a short read.
Trigger warnings for Hello Again include some profanity, a couple of sex scenes although they aren't graphic, violence, murder, and alcoholic drinking.
All in all, Hello Again was an okay albeit disappointing read for me. I had been expecting more of a paranormal read which this really wasn't. I could never connect to the characters which left me feeling empty. However, I did find that this book held my attention on the plus side. Because it held my attention and was a short read, I would recommend Hello Again by Stan Schatt for those aged 18+ who are looking for a short read.
--
(A special thank you to Xpresso Book Tours for providing me with an eBook of Hello Again in exchange for an honest and unbiased review.)
The plot for Hello Again sounded interesting enough. I loved the idea of a guy getting texts from his dead girlfriend. However, there just wasn't enough of the paranormal aspect for me which was disappointing. Personally, I wouldn't really label Hello Again as a paranormal read at all. It was fun to read about though. I kept trying to figure out who was sending the texts from Amber's phone after she died especially since they were coming from her apartment. I also found it interesting to read about Bill's cafe and how he was struggling to get the money to renew the lease. Anyway, the story did take awhile to get going before he meets his girlfriend, Amber Love, at a speed dating event. Amber is very mysterious and doesn't reveal too much of herself to Ben. I found their relationship to be a bit forced and stagnant myself. They hadn't even been on very many dates before she is blown up by a car bomb. What I found weird was that Ben never even googled Amber's name when he found out she had given him a false last name. If it were me, this day in age, I would have been googling her as soon as I had free time. I also felt like we need more information about how Ben found out about Amber's funeral. I will say that by the time this book ended, all of my questions were answered. There are no cliff hangers, and I felt like what was supposed to be the plot twist was too predictable.
I never really connected to any of the characters in Hello Again, and as much as I tried, I never really found myself caring for any of them. I would have liked a bit more backstory into Ben and Amber. I would have liked it if Ben and Amber's relationship had a chance to flourish instead of them just going on about 3 or 4 dates. I would have even liked more backstory for Josh, the psychic. It was hard to connect to these characters when I didn't know much about them. Oh, one of the characters is described as looking like a terrorist and of Middle Eastern descent. I found this to be stereotypical and thought that some readers may find this offensive.
The pacing for Hello Again starts out slow. About halfway through, the pacing does pick up, but I feel it does go too fast in many places which left scratching my head wondering what had happened. Sometimes, I had to go back to see if I missed anything which I didn't. The pacing just didn't flow very well in the second half. However, this book did hold my attention until the very end though, but I wasn't in a rush to finish it. Luckily, it's a short read.
Trigger warnings for Hello Again include some profanity, a couple of sex scenes although they aren't graphic, violence, murder, and alcoholic drinking.
All in all, Hello Again was an okay albeit disappointing read for me. I had been expecting more of a paranormal read which this really wasn't. I could never connect to the characters which left me feeling empty. However, I did find that this book held my attention on the plus side. Because it held my attention and was a short read, I would recommend Hello Again by Stan Schatt for those aged 18+ who are looking for a short read.
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(A special thank you to Xpresso Book Tours for providing me with an eBook of Hello Again in exchange for an honest and unbiased review.)
Darren (1599 KP) rated The Unborn (2009) in Movies
Jun 21, 2019
Story: The Unborn starts when young woman Casey (Annable) starts seeing visions and getting warnings about someone wanting to be born, with her best friend Romy (Good) and her boyfriend Mark (Gigandet) Casey starts to investigate and learns that she did in fact have a twin brother who died in the womb.
When Casey turns to a friend of her mother’s she learns about a spirit that is trying to find his way into the real world and she must turn to Rabbi Sendak (Oldman) for answers and a potential cure from the possession.
Thoughts on The Unborn
Characters – Casey is a young woman that seems to have a normal life until one day she starts seeing visions, getting strange messages, she must research her past to protect her future, a past that is filled with pain and loss as well as a secret she would never be prepared for. We do follow Casey for most part of this film, the problem with her character is that we don’t learn anything about her before the unusual starts happening, is she a good or bad person, we learn nothing, it just starts with her being visited. Rabbi Sendak is the man Casey must turn to for help, he understands how the exorcizing would need to be done while offering the basic advice to Casey before stepping in himself. Mark is the boyfriend, that is about all we learn about him, he isn’t as supportive of the supernatural side of the events. Romy is the best friend, she will help on everything Casey is going through in an attempt to save her friend from the evil haunting her.
Performances – Odette Annable is the perfect fit for the leading role, she is a beautiful woman whose life is falling apart, she has a good horror scream and you believe it when she is scared. Gary Oldman, well the guy needs to make money, he does bring class to the role even in his limited role. Cam Gigandet is fine without doing too much Meagan Good gives us the only laughs in the film without being anything great in the supporting role.
Story – The story here follows one young woman that gets starts getting haunted by visions of a young boy and must figure out how to rid herself of this haunting. This story doesn’t take long to start with us going instantly into the first haunting and this pace doesn’t seem to let off, we are constantly going from moment of scares or explanation to what is causing the haunting. This hinders the story because we don’t get a chance to learn anything about the characters we are meant to be supporting, mostly Casey we know nothing about her or what her everyday life is, making it harder to support her. The story follows the horror genre with ease and is saved by a strong twist ending.
Horror/Mystery – The horror in the film comes from jump scares, well attempted jump scares, most of the horror happens in the dark and is a small child haunting Casey, it does the basics well, though it won’t get the hardcore horror fan to jump. The mystery is more interesting as we must learn the truth about the haunting which goes in direction you wouldn’t see coming.
Settings – The film is set in Chicago which only adds to the horror because of the big city feeling to everything Casey is experience showing that even in the biggest crowd people could suffer possessional activity.
Special Effects – The effects have good moments, we the body folding moments being the highlights of the effects which gives us more towards the horror in the film.
Scene of the Movie – Sofi’s last night.
That Moment That Annoyed Me – Not learning anything about who or what these people do in everyday life.
Final Thoughts – This is a basic horror that gets the scares done simply, gives us weakly written characters and could pass the time simply enough.
Overall: Simple late night horror.
https://moviesreview101.com/2019/06/18/the-unborn-2009/
When Casey turns to a friend of her mother’s she learns about a spirit that is trying to find his way into the real world and she must turn to Rabbi Sendak (Oldman) for answers and a potential cure from the possession.
Thoughts on The Unborn
Characters – Casey is a young woman that seems to have a normal life until one day she starts seeing visions, getting strange messages, she must research her past to protect her future, a past that is filled with pain and loss as well as a secret she would never be prepared for. We do follow Casey for most part of this film, the problem with her character is that we don’t learn anything about her before the unusual starts happening, is she a good or bad person, we learn nothing, it just starts with her being visited. Rabbi Sendak is the man Casey must turn to for help, he understands how the exorcizing would need to be done while offering the basic advice to Casey before stepping in himself. Mark is the boyfriend, that is about all we learn about him, he isn’t as supportive of the supernatural side of the events. Romy is the best friend, she will help on everything Casey is going through in an attempt to save her friend from the evil haunting her.
Performances – Odette Annable is the perfect fit for the leading role, she is a beautiful woman whose life is falling apart, she has a good horror scream and you believe it when she is scared. Gary Oldman, well the guy needs to make money, he does bring class to the role even in his limited role. Cam Gigandet is fine without doing too much Meagan Good gives us the only laughs in the film without being anything great in the supporting role.
Story – The story here follows one young woman that gets starts getting haunted by visions of a young boy and must figure out how to rid herself of this haunting. This story doesn’t take long to start with us going instantly into the first haunting and this pace doesn’t seem to let off, we are constantly going from moment of scares or explanation to what is causing the haunting. This hinders the story because we don’t get a chance to learn anything about the characters we are meant to be supporting, mostly Casey we know nothing about her or what her everyday life is, making it harder to support her. The story follows the horror genre with ease and is saved by a strong twist ending.
Horror/Mystery – The horror in the film comes from jump scares, well attempted jump scares, most of the horror happens in the dark and is a small child haunting Casey, it does the basics well, though it won’t get the hardcore horror fan to jump. The mystery is more interesting as we must learn the truth about the haunting which goes in direction you wouldn’t see coming.
Settings – The film is set in Chicago which only adds to the horror because of the big city feeling to everything Casey is experience showing that even in the biggest crowd people could suffer possessional activity.
Special Effects – The effects have good moments, we the body folding moments being the highlights of the effects which gives us more towards the horror in the film.
Scene of the Movie – Sofi’s last night.
That Moment That Annoyed Me – Not learning anything about who or what these people do in everyday life.
Final Thoughts – This is a basic horror that gets the scares done simply, gives us weakly written characters and could pass the time simply enough.
Overall: Simple late night horror.
https://moviesreview101.com/2019/06/18/the-unborn-2009/
Chris Sawin (602 KP) rated Daybreakers (2009) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
In the not too distant future, the majority of the population are vampires and the world has been modified to adjust to the daylight. Remaining humans are "farmed" for blood, but the supply is running thin and the human race is on the verge of extinction. Dr. Edward Dalton (Ethan Hawke) is a hematologist that works at Bromley Marks, the empire of Charles Bromley (Sam Neill), and is put in charge of finding a blood substitute, but has come up empty handed up until this point. Dalton is convinced that the vampire race has its work cut out for them with the blood supply being so low. He runs into a small group of humans one night at work and is eventually introduced to Lionel "Elvis" Cormac (Willem Dafoe), a former vampire who has something better than a blood substitute; a cure. Now Dalton finds himself risking everything on an experimental treatment that could be the key to saving mankind.
Daybreakers had all the ingredients of a film that should be loved by any horror fan. First and foremost, it's a new vampire movie that isn't Twilight. On top of that, it's R-rated so it doesn't pull any punches when it comes to blood and gore (and trust me, there's quite a bit). It also offers a bit of a new twist on what was otherwise exhausted when it comes to stories relating to vampires. With all that being said, however, it still wasn't as good as it should have been.
It was great to see Willem Dafoe and Sam Neill not only as part of the cast, but also both have decent amounts of screen time. Sam Neill was in John Carpenter's In the Mouth of Madness, which is a favorite of mine that managed to make me a fan of the Irish actor. Willem Dafoe just seems underrated and doesn't get the credit he deserves. Not that his role in this will really change anyone's minds regarding him as a great actor or anything, but that's jumping the gun a bit. The story is the film's strong point, but is still pretty flawed. Humans being farmed for blood and dying out is a great concept. The cure is rather different and unique than what you've become used to in vampire films, which lead to an interesting third act. The ending is probably where the film could potentially make someone dislike the film. Not everyone is going to like the finale, but it was a nice change of pace to not have the same recycled storyline or ending for once.
Regarding the acting though, there isn't much of it. Willem Dafoe shows a little personality and has a one-liner or two that will get a few laughs. Sam Neill also shows some signs of life and fits the role as the main villain of the film rather well. Every other character felt rather flat and showed no depth at all. While the blood used in the film was a fantastic color, some of the special effects seemed rather cheesy at times. Mainly the scene where a vampire is hanging from the ceiling fighting Ethan Hawke and his brother comes to mind. The cuts were quick, which seemed to try and cover up the fact, but it still stuck out. That may be nitpicking a bit since it was pretty top notch the rest of the time. The Underworld films (at least the first two) come to mind as they left the same kind of bitter aftertaste and seemed to suffer similar problems.
It's a shame Daybreakers didn't live up to its potential. It contains a strong cast and delivers an original take on something that's been associated with horror for nearly 200 years. The acting is what seems to hurt the film the most though since the way everyone says their lines makes it seem like they don't want to be there. It's still worth viewing, but you may want to rent before buying. In all honesty, it may be worth supporting just to get an R-rated vampire film a bit more recognition and slightly dim the spotlight currently shining on whatever teenage vampire franchise is currently taking off for whatever reason.
Daybreakers had all the ingredients of a film that should be loved by any horror fan. First and foremost, it's a new vampire movie that isn't Twilight. On top of that, it's R-rated so it doesn't pull any punches when it comes to blood and gore (and trust me, there's quite a bit). It also offers a bit of a new twist on what was otherwise exhausted when it comes to stories relating to vampires. With all that being said, however, it still wasn't as good as it should have been.
It was great to see Willem Dafoe and Sam Neill not only as part of the cast, but also both have decent amounts of screen time. Sam Neill was in John Carpenter's In the Mouth of Madness, which is a favorite of mine that managed to make me a fan of the Irish actor. Willem Dafoe just seems underrated and doesn't get the credit he deserves. Not that his role in this will really change anyone's minds regarding him as a great actor or anything, but that's jumping the gun a bit. The story is the film's strong point, but is still pretty flawed. Humans being farmed for blood and dying out is a great concept. The cure is rather different and unique than what you've become used to in vampire films, which lead to an interesting third act. The ending is probably where the film could potentially make someone dislike the film. Not everyone is going to like the finale, but it was a nice change of pace to not have the same recycled storyline or ending for once.
Regarding the acting though, there isn't much of it. Willem Dafoe shows a little personality and has a one-liner or two that will get a few laughs. Sam Neill also shows some signs of life and fits the role as the main villain of the film rather well. Every other character felt rather flat and showed no depth at all. While the blood used in the film was a fantastic color, some of the special effects seemed rather cheesy at times. Mainly the scene where a vampire is hanging from the ceiling fighting Ethan Hawke and his brother comes to mind. The cuts were quick, which seemed to try and cover up the fact, but it still stuck out. That may be nitpicking a bit since it was pretty top notch the rest of the time. The Underworld films (at least the first two) come to mind as they left the same kind of bitter aftertaste and seemed to suffer similar problems.
It's a shame Daybreakers didn't live up to its potential. It contains a strong cast and delivers an original take on something that's been associated with horror for nearly 200 years. The acting is what seems to hurt the film the most though since the way everyone says their lines makes it seem like they don't want to be there. It's still worth viewing, but you may want to rent before buying. In all honesty, it may be worth supporting just to get an R-rated vampire film a bit more recognition and slightly dim the spotlight currently shining on whatever teenage vampire franchise is currently taking off for whatever reason.
Emma @ The Movies (1786 KP) rated What Men Want (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Who wouldn't want to know what goes through a man's mind on occasion? Actually, you know what... I'm fine, I'm not sure I really want to hear everything... *shudder*
Ali is looking for the recognition she deserves for the hard work she puts in. She's successful, but in an office full of men she might not get out of her lane and be equal with the men around her. Without the supernatural twist the outcome could have eventually been the same, but that wouldn't have made for such an entertaining movie.
What Men Want is entirely predictable, after all we saw it all before in What Women Want but it's also like a whole bunch of romcoms out there. Character encounters an obstacle, character finds romance, character finds a way to fix the obstacle and in the process of that mucks up romance, obstacle gets fixed, character realises that none of it is worthwhile without romance and gets them back with big gesture, The End.
Taraji P. Henson is right up near the top of my favourite actresses, she's got so many great performances under her belt. Ali isn't going to appear very near the top of that list. Everything in Ali, as well as the film, seems to be at opposite ends of the scale. When we have comedy it sometimes feels over the top, when we have real life it's serious. Had there been more of a balance I think we could have had a better result. That being said, I thought she was great, she's very good at visual acting.
When it comes to the supporting cast it doesn't quite hit the spot. Again, this is partly due to the Jekyll and Hyde nature of everything. You've got characters who are serious, textbook romcomers, some for comedy and a handful of sports stars doing cameos, it's difficult to make them all gel. Pete Davidson and Tracy Morgan in both stick out from the rest because they bring quite a harsh comedy which I didn't find all that entertaining.
On the flip side though I was pleased to see Aldis Hodge make an appearance, he's got just the right amount of humour and serious in there and against Henson in scenes he works particularly well. Josh Brener also brought something fun to the mix, and possibly had the best part overall. Getting to sit on both sides of the storyline allows him to interact in fun ways with Ali when she's discovering her abilities as well as later on when he's trying to hide his inner thoughts.
Speaking of which, men's inner thoughts throughout aren't badly done, though there's the occasional over the top effort. Jamal Barry/Shane Paul McGhie had the winner for me when he was meeting his sporting hero though.
Looking back at this film I think I'm actually talking it out of stars in my head. I enjoyed it a lot at the cinema, it was funny (if a little excessive at times) and it eventually shows Ali being able to empower herself even if she does cock it up along the way. It flowed well and I wasn't finding myself urging it along... but... it's not a massively consistent film. The storyline with her female friends in obviously essential to the beginning but its addition later on holds little impact apart from giving her multiple points to claim some redemption.
I can honestly say that on first viewing I was amused and entertained, but I'm not sure how well it would hold up to a second.
What you should do
When talking to people who have seen What Men Want it is fairly consistent, men tend not to like it while women say they found it entertaining (admittedly that's somewhere between 2.5 and 4 stars). I think it's worth watching, and it would probably make a good film for a girls night.
Movie thing you wish you could take home
I've completely talked myself out of hearing men's thoughts so maybe box seats instead?
Ali is looking for the recognition she deserves for the hard work she puts in. She's successful, but in an office full of men she might not get out of her lane and be equal with the men around her. Without the supernatural twist the outcome could have eventually been the same, but that wouldn't have made for such an entertaining movie.
What Men Want is entirely predictable, after all we saw it all before in What Women Want but it's also like a whole bunch of romcoms out there. Character encounters an obstacle, character finds romance, character finds a way to fix the obstacle and in the process of that mucks up romance, obstacle gets fixed, character realises that none of it is worthwhile without romance and gets them back with big gesture, The End.
Taraji P. Henson is right up near the top of my favourite actresses, she's got so many great performances under her belt. Ali isn't going to appear very near the top of that list. Everything in Ali, as well as the film, seems to be at opposite ends of the scale. When we have comedy it sometimes feels over the top, when we have real life it's serious. Had there been more of a balance I think we could have had a better result. That being said, I thought she was great, she's very good at visual acting.
When it comes to the supporting cast it doesn't quite hit the spot. Again, this is partly due to the Jekyll and Hyde nature of everything. You've got characters who are serious, textbook romcomers, some for comedy and a handful of sports stars doing cameos, it's difficult to make them all gel. Pete Davidson and Tracy Morgan in both stick out from the rest because they bring quite a harsh comedy which I didn't find all that entertaining.
On the flip side though I was pleased to see Aldis Hodge make an appearance, he's got just the right amount of humour and serious in there and against Henson in scenes he works particularly well. Josh Brener also brought something fun to the mix, and possibly had the best part overall. Getting to sit on both sides of the storyline allows him to interact in fun ways with Ali when she's discovering her abilities as well as later on when he's trying to hide his inner thoughts.
Speaking of which, men's inner thoughts throughout aren't badly done, though there's the occasional over the top effort. Jamal Barry/Shane Paul McGhie had the winner for me when he was meeting his sporting hero though.
Looking back at this film I think I'm actually talking it out of stars in my head. I enjoyed it a lot at the cinema, it was funny (if a little excessive at times) and it eventually shows Ali being able to empower herself even if she does cock it up along the way. It flowed well and I wasn't finding myself urging it along... but... it's not a massively consistent film. The storyline with her female friends in obviously essential to the beginning but its addition later on holds little impact apart from giving her multiple points to claim some redemption.
I can honestly say that on first viewing I was amused and entertained, but I'm not sure how well it would hold up to a second.
What you should do
When talking to people who have seen What Men Want it is fairly consistent, men tend not to like it while women say they found it entertaining (admittedly that's somewhere between 2.5 and 4 stars). I think it's worth watching, and it would probably make a good film for a girls night.
Movie thing you wish you could take home
I've completely talked myself out of hearing men's thoughts so maybe box seats instead?
Phil Leader (619 KP) rated Cruise the Storm (John McBride #2) in Books
Nov 12, 2019
A group of terrorist hijackers on board a cruise ship. An ex SAS soldier on board teaching watercolour painting. A huge storm bearing down on the ship.
This might sound like the plot of some Hollywood blockbuster full of explosions and witty one liners from the hero but Chilcott delivers something a lot more cerebral than that. The story and characters have a sense of reality and this is more like a game of chess between the chief hijacker and the crew, a game where the ship is the board and the pawns the passengers which the terrorists are only too willing to dispose of to meet their aims.
Keith Bourne is the founder and leader of the White Christian League, an extreme right wing terrorist organisation who specialise in violent demonstration and the odd mosque burning. Bourne wants cash to further his rather nasty aims and decides that hijacking a cruise liner will fit the bill nicely. MI5 have been watching him and manage to get one of their agents onto the boat in an attempt to thwart Bourne and his cronies.
John McBride is a watercolour artist of some renown who is drafted onto the cruise to teach any interested passengers how to paint in watercolours, the scenes in the various Mediterranean ports they will be visitng being ideal subjects. McBride also happens to be a former member of the elite SAS and when he is made aware of the plot to hijack the ship is able to advise the captain and MI5.
The tension cranks up nicely through the first half of the book, seen mostly from the point of view of Bourne and McBride as each becomes aware of each other and both their plans have to be changed by circumstance. Everything comes to a head on the night the storm hits the ship.
At this point, with everything poised on a knife edge of success or failure for both sides, Chilcott pulls a deft narrative twist and goes back and tells the story again from the point of view of the chairman of the cruise line and one of the passengers, once again building up to the crisis point. This has the nice effect of filling in details that were previously only mentioned but also did lose the momentum which took a while to get going again. It may have been better to tell the story purely sequentially but seeing events from different perspectives again was interesting.
The characters and situations are written with a real authenticity. There are no miraculous escapes, no amazing feats of marksmanship and this is a very real strength of Chilcott's writing. Everthing happens in a way that seems very authentic - and in the case of the actions of the hijackers, worryingly so. Every action and reaction of the characters is plausible and there are frequent points where the story could go one way or another just on a chance encounter or random event.
This realism also felt a little like a weakness to me. Some things happen which provide some dramatic tension at the time but ultimately don't really have a bearing on the eventual outcome. Although this is very much like real life, perhaps it is not what is expected in a thriller of this type. In particlar (and these aren't really spoilers) the ship is damaged in the storm but this doesn't really affect anything, and also what happens when events are told from the point of view of one of the passengers looks to be building to something interesting but ultimately fizzles away. I would have liked to see more of these sub plots carried forward to the end of the story.
Despite this, the book was a good and interesting read and I am looking forward to reading more of Chilcott's McBride novels. I would recommend this book to anyone who likes their thrillers character driven and cerebral rather than all action. Plus you will pick up some excellent tips on painting in watercolours as a bonus.
Rated: Some violence, language and sexual references
This might sound like the plot of some Hollywood blockbuster full of explosions and witty one liners from the hero but Chilcott delivers something a lot more cerebral than that. The story and characters have a sense of reality and this is more like a game of chess between the chief hijacker and the crew, a game where the ship is the board and the pawns the passengers which the terrorists are only too willing to dispose of to meet their aims.
Keith Bourne is the founder and leader of the White Christian League, an extreme right wing terrorist organisation who specialise in violent demonstration and the odd mosque burning. Bourne wants cash to further his rather nasty aims and decides that hijacking a cruise liner will fit the bill nicely. MI5 have been watching him and manage to get one of their agents onto the boat in an attempt to thwart Bourne and his cronies.
John McBride is a watercolour artist of some renown who is drafted onto the cruise to teach any interested passengers how to paint in watercolours, the scenes in the various Mediterranean ports they will be visitng being ideal subjects. McBride also happens to be a former member of the elite SAS and when he is made aware of the plot to hijack the ship is able to advise the captain and MI5.
The tension cranks up nicely through the first half of the book, seen mostly from the point of view of Bourne and McBride as each becomes aware of each other and both their plans have to be changed by circumstance. Everything comes to a head on the night the storm hits the ship.
At this point, with everything poised on a knife edge of success or failure for both sides, Chilcott pulls a deft narrative twist and goes back and tells the story again from the point of view of the chairman of the cruise line and one of the passengers, once again building up to the crisis point. This has the nice effect of filling in details that were previously only mentioned but also did lose the momentum which took a while to get going again. It may have been better to tell the story purely sequentially but seeing events from different perspectives again was interesting.
The characters and situations are written with a real authenticity. There are no miraculous escapes, no amazing feats of marksmanship and this is a very real strength of Chilcott's writing. Everthing happens in a way that seems very authentic - and in the case of the actions of the hijackers, worryingly so. Every action and reaction of the characters is plausible and there are frequent points where the story could go one way or another just on a chance encounter or random event.
This realism also felt a little like a weakness to me. Some things happen which provide some dramatic tension at the time but ultimately don't really have a bearing on the eventual outcome. Although this is very much like real life, perhaps it is not what is expected in a thriller of this type. In particlar (and these aren't really spoilers) the ship is damaged in the storm but this doesn't really affect anything, and also what happens when events are told from the point of view of one of the passengers looks to be building to something interesting but ultimately fizzles away. I would have liked to see more of these sub plots carried forward to the end of the story.
Despite this, the book was a good and interesting read and I am looking forward to reading more of Chilcott's McBride novels. I would recommend this book to anyone who likes their thrillers character driven and cerebral rather than all action. Plus you will pick up some excellent tips on painting in watercolours as a bonus.
Rated: Some violence, language and sexual references
Emma @ The Movies (1786 KP) rated Joker (2019) in Movies
Dec 8, 2019
Contains spoilers, click to show
Had this been released on any regular week I'd have seen Joker the day it came out and not been overly bothered by the Twitter frenzy that happened in the aftermath of the opening... but, Joker came out two days into the London Film Festival and that meant I couldn't see it straight away. I ended up taking a day off in the middle of it and going out to have a regular cinema outing, it was only 6 days after release but the barrage of feedback online was enough to make me bored at the thought of seeing it.
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html