"I was twenty-four years old when I made my first film, Pusher (about the Danish drug underworld), and for it I stole everything I could, both visually and technically, from this film and Cannibal Holocaust."

"Richard Widmark’s finest moment. Jules Dassin’s too. Following the ten-cent dreams of a five-cent loser to become a wrestling promoter in the seedy London underworld, Widmark and Dassin locate the authentic heart of noir: working-class tragedy played out for Shakespearean stakes."

"The Greek legend, updated to take place in a favela in Rio during Carnival. Beautiful. The soundtrack by Antonio Carlos Jobim and Luis Bonfá is incredible. Good for the eyes and ears and soul. Any time someone goes into the underworld to get a dead lover back to the tune of a samba, I’m at least a little interested."

"With the compilation albums, I am cheating. It meant I didn't know which album to choose. I sometimes DJ. When I DJ, I use a system to take people into an ecstatic trance through music. I might start with Brian Eno and some ambient music and then move to other genres. I might use classical music or Indian music. But, invariably, when I get to the third rhythm of trance and when I really want to take people into that state, I am almost forced to go to Underworld again and again. Underworld brought together song and dance in a way that I have not heard anyone match. The Chemical Brothers are great and New Order are obviously great, but Underworld take me to a tribal edge that is so ferocious and yet, simultaneously, so intelligent. 'Rez' is one of my favourite songs – even though that is not one of their most tribal. 'Moaner' and 'Born Slippy' are their more tribal tunes. I find their textures and landscapes and vocals – which don't get in the way and help you lose yourself when you are dancing – make Underworld difficult to surpass. I was so proud of them when they got to do the Olympics in 2012. I felt that was their due. I contacted them before the Olympics and had a lovely communication with them. I told them that I thought they were the most revolutionary and iconoclastic band of the last 20 years. Then, about a year later, Danny Boyle used them during the opening ceremony. I saw them play recently at the Hollywood Bowl and I danced so much that I badly twisted my ankle and couldn't walk for about two weeks. It was still worth it. Dancing injuries are to be worn like medals of honour."