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David McK (3188 KP) rated Van Helsing (2004) in Movies
Aug 28, 2019 (Updated Oct 7, 2019)
Early 2000s (2004?) movie, that re-imagines the role of van Helsing (from the Dracula novel) as a Monster hunter, rather than the elderly scientist he is usually portrayed as, and with Hugh Jackman stepping into the central role as just that character.
Also starring Kate Beckinsale as Anna Valerious (and, yes, again wearing tight fitting trousers a la Underworld) and with Richard Roxburgh doing all but chewing the scenery as Count Dracula, this see's Van Helsing travel to Transylvania in an effort to uncover the mystery of his past and aid Anna in stopping her family's curse in a film that also sees many of Universals 'classic' monsters (Wolfman, Dracula's brides, Frankenstein's Monster, Jekyll and Hyde) involved.
Also starring Kate Beckinsale as Anna Valerious (and, yes, again wearing tight fitting trousers a la Underworld) and with Richard Roxburgh doing all but chewing the scenery as Count Dracula, this see's Van Helsing travel to Transylvania in an effort to uncover the mystery of his past and aid Anna in stopping her family's curse in a film that also sees many of Universals 'classic' monsters (Wolfman, Dracula's brides, Frankenstein's Monster, Jekyll and Hyde) involved.
David McK (3188 KP) rated V for Vendetta (2005) in Movies
Oct 23, 2022
Remember, remember, the fifth of November ...
2005 adaptation of the 1980's Alan Moore classic, set in a near-future dystopian Britain where the populous is afraid of the (fascist) government, and where a vigilant known only as V uses terrorist tactics to rebel against said government and slowly falls for a young reporter named Evie
The story, then, has more than a hint of The Phantom of the Opera about it - both involve masked figures who live in the shadowy underworld, both involve melodrama and a star-crossed love story - with Hugo Weaving never once showing his face through the entire runtime, but still - impressively - able to convey his emotions through his acting.
The story, then, has more than a hint of The Phantom of the Opera about it - both involve masked figures who live in the shadowy underworld, both involve melodrama and a star-crossed love story - with Hugo Weaving never once showing his face through the entire runtime, but still - impressively - able to convey his emotions through his acting.
Gareth von Kallenbach (965 KP) rated Underworld: Evolution (2006) in Movies
Aug 14, 2019
The battle between the Death Dealers (Vampires) and Lychans (Werewolves) continues in Underworld Evolution, the sequel to the smash “Underworld” that detailed the battles between the two horror mainstays. The sequel picks up shortly after the film and deals with Selene (Kate Beckinsale), and Michael (Scott Speedman), on the run after Selene was forced to turn on the Vampires following events at the conclusion of the previous film.
Of course being a Vampire traveling with a Vampire/Werewolves hybrid is not an easy thing, especially when Selene can only move around at night and must seek refuge from daylight. Through a series of flashbacks, we learn that the war between Lychans and Death Dealers began centuries ago, when two brothers each heading one faction of the conflict were drawn to a decisive battle. The losing Lychan brother, William, is imprisoned for all ages in a specially designed tomb, thanks to his brother Marcus’s insistence that he would only help capture him, if he were to remain alive.
Since William is capable of utter destruction, his location is a closely guarded secret for centuries that is until Marcus re-emerges and seeks to locate Selene. Marcus upon emerging from hibernation learns what Selene has done, and is convinced she has betrayed her own kind, unaware of the real reasons behind her actions. In short order, Marcus, Selene, and Michael play a deadly game of cat and mouse with each trying to unlock the mystery of Williams’s location. Marcus wants to exploit the power of William while Selene to protect the world from the evil that William and his followers would represent.
Along the way, there are plenty of battles, odd characters, and romance to keep most viewers entertained, which leads up to an action packed finale, that for me was the high point of the film. The plot has its share of holes but also deals with a series of complexities as it attempts to take the topics of bloodlines, centuries of history, and mythos in a tight 100 minute package. The two leads work well with one another though their do not have the most dynamic chemistry ever seen on screen. For this type of film, it does work as one does not come to a monster film expecting great acting, story, or characterization.
What Underworld Evolution has going for it, are good effects, a few good action moments and a plot, that at times tricky for the casual viewer to follow, more than surpasses the average storyline for the genre. The tight pacing of the film by Director Len Wiseman keeps the film moving a clip that was much brisker than the original and allowed the film to get to the highlights quickly and not be weighed down by fluff.
The finale as I mentioned was the highlight for me, as the buildup to that point was at times, slow, and had me wishing for more. That being said, the final 15 minutes of the film more than saved it, and got more than a few cheers from the audience at my press screening.
While it would be easy to find faults with the film, the important thing to remember is the spirit and intention of the film. They were not out to make classic cinema, they were out to make a fun and entertaining monster film, blemishes and all. In that, Underworld Evolution succeeds.
Of course being a Vampire traveling with a Vampire/Werewolves hybrid is not an easy thing, especially when Selene can only move around at night and must seek refuge from daylight. Through a series of flashbacks, we learn that the war between Lychans and Death Dealers began centuries ago, when two brothers each heading one faction of the conflict were drawn to a decisive battle. The losing Lychan brother, William, is imprisoned for all ages in a specially designed tomb, thanks to his brother Marcus’s insistence that he would only help capture him, if he were to remain alive.
Since William is capable of utter destruction, his location is a closely guarded secret for centuries that is until Marcus re-emerges and seeks to locate Selene. Marcus upon emerging from hibernation learns what Selene has done, and is convinced she has betrayed her own kind, unaware of the real reasons behind her actions. In short order, Marcus, Selene, and Michael play a deadly game of cat and mouse with each trying to unlock the mystery of Williams’s location. Marcus wants to exploit the power of William while Selene to protect the world from the evil that William and his followers would represent.
Along the way, there are plenty of battles, odd characters, and romance to keep most viewers entertained, which leads up to an action packed finale, that for me was the high point of the film. The plot has its share of holes but also deals with a series of complexities as it attempts to take the topics of bloodlines, centuries of history, and mythos in a tight 100 minute package. The two leads work well with one another though their do not have the most dynamic chemistry ever seen on screen. For this type of film, it does work as one does not come to a monster film expecting great acting, story, or characterization.
What Underworld Evolution has going for it, are good effects, a few good action moments and a plot, that at times tricky for the casual viewer to follow, more than surpasses the average storyline for the genre. The tight pacing of the film by Director Len Wiseman keeps the film moving a clip that was much brisker than the original and allowed the film to get to the highlights quickly and not be weighed down by fluff.
The finale as I mentioned was the highlight for me, as the buildup to that point was at times, slow, and had me wishing for more. That being said, the final 15 minutes of the film more than saved it, and got more than a few cheers from the audience at my press screening.
While it would be easy to find faults with the film, the important thing to remember is the spirit and intention of the film. They were not out to make classic cinema, they were out to make a fun and entertaining monster film, blemishes and all. In that, Underworld Evolution succeeds.
Lee KM Pallatina (951 KP) rated Big Trouble in Little China (1986) in Movies
Jun 18, 2019
Escape from china town
Big Trouble in Little China is a 1986 martial arts comedy movie.
the story follows Jack Burton, a man who agrees to help his friend Wang Chi rescue his green-eyed fiancée from bandits in San Francisco's Chinatown. Their mission leads them to a mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
Directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong
Great storyline, cheesy old school graphics and action, brilliant characters and cast.
Absolute classic.
release date: July 2, 1986
Running time: 99 minutes
Fun fact:
The project fulfilled Carpenter's long-standing desire to make a martial arts movie.
the story follows Jack Burton, a man who agrees to help his friend Wang Chi rescue his green-eyed fiancée from bandits in San Francisco's Chinatown. Their mission leads them to a mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
Directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong
Great storyline, cheesy old school graphics and action, brilliant characters and cast.
Absolute classic.
release date: July 2, 1986
Running time: 99 minutes
Fun fact:
The project fulfilled Carpenter's long-standing desire to make a martial arts movie.
Merissa (11661 KP) rated Lord of the Vampires (Royal House of Shadows, #1) in Books
Dec 17, 2018
This book is the first of a set of four, written by four different authors. It started with a single idea - rewrite fairytales with a mystical twist. Collectively, it's called the Royal House of Shadows.
I've enjoyed Gena Showalter's Lords of the Underworld series and wanted to see how she would write under a "Mills & Boon" title!!!
I enjoyed this book and read it in one evening. It is a fast-paced book, not 'heavy' at all, although there are some twists and turns to the story as it involves memories being taken and you have to stay up to date with who did what to whom.
On the whole, a pleasant read. It didn't blow my socks off or make me blush but wasn't a waste of time either.
I've enjoyed Gena Showalter's Lords of the Underworld series and wanted to see how she would write under a "Mills & Boon" title!!!
I enjoyed this book and read it in one evening. It is a fast-paced book, not 'heavy' at all, although there are some twists and turns to the story as it involves memories being taken and you have to stay up to date with who did what to whom.
On the whole, a pleasant read. It didn't blow my socks off or make me blush but wasn't a waste of time either.
Emily (1430 KP) rated Barbara Barbara, We Face a Shining Future by Underworld in Music
Jun 16, 2020
You hear the beat of the first track and you know it's going to be a good Underworld album. This whole album seems to be more beat/bass focused than their more melodic ones, but it works well. Starts off quite energetic and bright at the beginning, then allows down and has a darker feel for tracks 4 and 5 before lightening up again towards the end. I didn't really dislike any tracks, although preferred the more energetic ones, but also nothing really stood out, unlike previous albums where there have been one or two tracks that I just love listening to again and again. If I had to pick a favourite track it would be the first one, "I Exhale".
Annie Chanse (15 KP) rated Death is but a Dream in Books
Dec 19, 2017
Contains spoilers, click to show
*contains spoilers*
A police detective -- Callista, Callie for short -- saves a little girl from getting hit by a bus. She, herself, is then hit instead. She wakes up to find herself in the Underworld where she is taken before Hades and offered a deal. Protect his son, Plutus, and find out who wants him dead, and Hades will restore her to life. However, if Callie fails in her objective or dies while in the Underworld, she will die an eternal death, and her soul will never be allowed to have an afterlife.
It doesn't seem like a super great choice, but when a god offers you a deal, the "offering" part is really just a polite term to cover up the fact that you are going to do what that god wants you to do or your screwed. And so Callie has little choice but to accept Hades' offer. She meets several interesting characters along the way, including one of the Furies, Tisiphone, who becomes Callie's friend and ally in the Underworld.
Callie's job is complicated, however, by the fact that Hades forbids her to interview, interrogate, or even outwardly suspect any of his royal family of trying to kill his son, and even FURTHER complicated by the fact that Hades lies to her and manipulates her at every turn.
"Death is but a Dream" is a beautiful and original story of the Olympian gods, and it is quite unique in its view of Greek mythology. Perhaps the closest comparison I can make to a book/series already out there in the market is with Amber Benson's series that starts with "Death's Daughter." (I'm sorry. I can't actually remember what the series is called as a whole.) It has the same tone. Both feature strong, independent female protagonists who are thrown into a fantastical world that they want no part of, so yes, fans of Amber Benson's work will really enjoy this book, I think.
The only complaint I have is that the book could have benefited from some series editing. I had an e-book copy of the novel, and there were quite a few more errors than I would expect a published, completed book to have. Most of the errors were inconsequential -- missing commas, wrong words, etc. -- and could be easily overlooked or fixed by the reader simply inserting the correct word while reading, but still, a polished book should be as free of errors as is possible, and this book had a good number.
I still really, really enjoyed the book, though. I highly recommend it.
A police detective -- Callista, Callie for short -- saves a little girl from getting hit by a bus. She, herself, is then hit instead. She wakes up to find herself in the Underworld where she is taken before Hades and offered a deal. Protect his son, Plutus, and find out who wants him dead, and Hades will restore her to life. However, if Callie fails in her objective or dies while in the Underworld, she will die an eternal death, and her soul will never be allowed to have an afterlife.
It doesn't seem like a super great choice, but when a god offers you a deal, the "offering" part is really just a polite term to cover up the fact that you are going to do what that god wants you to do or your screwed. And so Callie has little choice but to accept Hades' offer. She meets several interesting characters along the way, including one of the Furies, Tisiphone, who becomes Callie's friend and ally in the Underworld.
Callie's job is complicated, however, by the fact that Hades forbids her to interview, interrogate, or even outwardly suspect any of his royal family of trying to kill his son, and even FURTHER complicated by the fact that Hades lies to her and manipulates her at every turn.
"Death is but a Dream" is a beautiful and original story of the Olympian gods, and it is quite unique in its view of Greek mythology. Perhaps the closest comparison I can make to a book/series already out there in the market is with Amber Benson's series that starts with "Death's Daughter." (I'm sorry. I can't actually remember what the series is called as a whole.) It has the same tone. Both feature strong, independent female protagonists who are thrown into a fantastical world that they want no part of, so yes, fans of Amber Benson's work will really enjoy this book, I think.
The only complaint I have is that the book could have benefited from some series editing. I had an e-book copy of the novel, and there were quite a few more errors than I would expect a published, completed book to have. Most of the errors were inconsequential -- missing commas, wrong words, etc. -- and could be easily overlooked or fixed by the reader simply inserting the correct word while reading, but still, a polished book should be as free of errors as is possible, and this book had a good number.
I still really, really enjoyed the book, though. I highly recommend it.
Mekhi Phifer recommended The Godfather: Part II (1974) in Movies (curated)
Phil Leader (619 KP) rated Holiday for Skins (Bongo Fury #2) in Books
Nov 11, 2019
Following on from the events in the first Bongo Fury book, this novella once again follows the music shop owner Jimmy Black as he unwillingly gets mired in the underworld of Northern Ireland. After the events of the first book, a silent struggle for power among the criminal elements is escalating and people are dying. All Jimmy wants to do is make sure he isn't one of them.
As with the first book the charm of this sequel is in the leading character. Wry, witty, foul mouthed with an eye for the darkly humorous observation, having Jimmy once again show us his world is very welcome. Together with the twists and turns of the plot (a little less straightforward than the first novel) this makes a cracking quick read that combines noir thriller and laugh out loud humour.
As with the first book the charm of this sequel is in the leading character. Wry, witty, foul mouthed with an eye for the darkly humorous observation, having Jimmy once again show us his world is very welcome. Together with the twists and turns of the plot (a little less straightforward than the first novel) this makes a cracking quick read that combines noir thriller and laugh out loud humour.