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Mystery Case Files: Ravenhearst Unlocked - A Hidden Object Adventure
Games and Entertainment
App
Play the trial for FREE! Pay once & complete the adventure! Alister Dalimar returns again, as does...
Jim Shooter: Conversations
Jason Sacks, Eric Hoffman and Dominick Grace
Book
As an American comic book writer, editor, and businessman, Jim Shooter (b. 1952) remains among the...
LeftSideCut (3776 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2021
I've got a lot a love for the first Thor movie, but like many others, the second one is probably my least favourite of the whole franchise. So, when one of the mightiest Avengers threatens to become stale, what is the solution? Taika fucking Waititi is the solution.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
LeftSideCut (3776 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 4, 2021
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
LeftSideCut (3776 KP) rated The Avengers (2012) in Movies
Sep 17, 2020
The first Avengers movie is a real treat - it was at the time of the release and it is now. In 2012, the culmination of the first handful of MCU movies was just glorious, seeing all these heroes together for the first time. Now in 2020, we've become accustomed to that, spoilt by the more recent Infinity War and Endgame, it's easy to forget just how special Avengers is in it's comparative humbleness, especially for people who grew up reading these stories in comic books.
The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.
The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.
I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
The main bulk of the cast, comprised of Robert Downey Jr, Chris Hemsworth, Chris Evans, Scarlett Johansson, Mark Ruffalo (in his first appearance as Bruce Banner/Hulk), Samuel L. Jackson, and Jeremy Renner all bounce off of each other so naturally. The balance of dramatic moments and back and forth humour on display laid the blueprint for many MCU films to come, most notably Guardians of the Galaxy.
Tom Hiddleston steps up his game from the first Thor film and gives us an instantly iconic villain in Loki, one that has only been rivalled since by Thanos in terms of character development and story.
The set pieces are fantastic as well, most memorably, the Hulk and Thor battle on the Helicarrier, and of course the huge and ridiculous final show down in Manhattan, and the CGI still looks great 8 years down the line. A big event movie such as this was only made possible by introducing the individual characters slowly over a number of years, and it's proof that patience pays off. A formula that Marvel Studios have since mastered.
I know that none of these films are The Shawshank Redemption or Citizen Kane, but fuck me, films like Avengers Assemble (it's UK title) are so stupidly entertaining, and everything a kid who grew up reading comics could possibly want.
Ross (3284 KP) rated Blindspot - Season 4 in TV
Jun 28, 2019
Gone are the puzzles. Now just a brain-deadening copy of 24
Blindspot started with such a strong premise - a woman found with no memory and covered in tattoos and each tattoo turning out to be a puzzle which leads the FBI to solve a crime or stop a terrorist attack. As with so many TV shows, however, the original premise of strong, isolated episodes was gradually eroded in favour of an over-arching larger plot.
Here we have that same issue, while the season 3 villain has been ousted, lo and behold a new one has cropped up to take his place. This relegates the show to be something of a low quality reboot of 24 as the team struggle with conspiracy, terrorism, underworld shenanigans and corruption to try and stop the eventual attack.
However, the producers seem to have set the number of episodes in advance and then struggled to fill the 22 episode series with quality output. So instead we get a number of rejected 24 scripts hashed out with implausible solving of tattoo puzzles that generally add nothing to the overall series. So many times, the team seem to have been staring at a puzzle for months, only to suddenly realise that if they convert the numbers to letters, turn those into chemical symbols, add up their periodic table entries and divide that by the square root of the number of bananas produced per annum in the Caribbean and lo and behold it gives the password to a Hotmail account of an international terrorist who literally just landed in the country. Almost every episode has one of these mind-farts where so much is just shat out the screen in lazy exposition. The writers should have abandoned the tattoo nonsense a long time ago as tired and exhausted.
Here we have that same issue, while the season 3 villain has been ousted, lo and behold a new one has cropped up to take his place. This relegates the show to be something of a low quality reboot of 24 as the team struggle with conspiracy, terrorism, underworld shenanigans and corruption to try and stop the eventual attack.
However, the producers seem to have set the number of episodes in advance and then struggled to fill the 22 episode series with quality output. So instead we get a number of rejected 24 scripts hashed out with implausible solving of tattoo puzzles that generally add nothing to the overall series. So many times, the team seem to have been staring at a puzzle for months, only to suddenly realise that if they convert the numbers to letters, turn those into chemical symbols, add up their periodic table entries and divide that by the square root of the number of bananas produced per annum in the Caribbean and lo and behold it gives the password to a Hotmail account of an international terrorist who literally just landed in the country. Almost every episode has one of these mind-farts where so much is just shat out the screen in lazy exposition. The writers should have abandoned the tattoo nonsense a long time ago as tired and exhausted.
Emma @ The Movies (1786 KP) rated The Little Mermaid (1989) in Movies
Sep 25, 2019
There are just some things that probably shouldn't be seen again, and for me the Little Mermaid is one of them. Any Disney movie with singable song in is a win for me, and of course, throw in a singalong version and it's even better. It doesn't really change the fact that... perhaps... *hushed tones* this one isn't a particularly good film. I know. I'm sorry. But apart from the bits with the big three songs in, nothing overly exciting happens. And poor old Ursula's song really isn't that good either, and I love a good villain song.
By far the best bit about this whole event was the audience. There were 17 of us watching, including the Ariel from the lobby, three children, 1 father, with the rest exclusively women over the age of 25. But out of those it was the family of four in front of me that won the evening.
They were wonderful. Mum, dad, daughter of about three and baby. Never judge a book by it's cover, I honestly thought dad was there under duress... but no I'll get to that in a bit. Cue the trailers, and The Incredibles 2. Frozone comes on the screen and daughter goes "daddy he looks like you!" And yes, the similarity was uncanny. Daughter is laughing, mum is laughing, I'm laughing. Dad turns to her completely deadpan and says "it's not funny, we don't laugh about it." But we all did. The movie starts and daughter is humming the Disney tune as the logo comes up. It was one of the cutest things I've witnessed, until the film itself starts up. Dad is singing along with he rest of us, he's even reciting the words of the script to his daughter... with voices. People... that's family goals right there.
By far the best bit about this whole event was the audience. There were 17 of us watching, including the Ariel from the lobby, three children, 1 father, with the rest exclusively women over the age of 25. But out of those it was the family of four in front of me that won the evening.
They were wonderful. Mum, dad, daughter of about three and baby. Never judge a book by it's cover, I honestly thought dad was there under duress... but no I'll get to that in a bit. Cue the trailers, and The Incredibles 2. Frozone comes on the screen and daughter goes "daddy he looks like you!" And yes, the similarity was uncanny. Daughter is laughing, mum is laughing, I'm laughing. Dad turns to her completely deadpan and says "it's not funny, we don't laugh about it." But we all did. The movie starts and daughter is humming the Disney tune as the logo comes up. It was one of the cutest things I've witnessed, until the film itself starts up. Dad is singing along with he rest of us, he's even reciting the words of the script to his daughter... with voices. People... that's family goals right there.
Emma @ The Movies (1786 KP) rated Nativity Rocks! (2018) in Movies
Sep 25, 2019
It's becoming a habit for me that I haven't seen previous films in franchises, I apologise, at some point I'll find the time to get them all in. I'm led to believe that the Nativity films are all very similar in concept though.
Nativity Rock! is what would happen if School Of Rock did a Christmas remix, and it was definitely an enthusiastic way to edge into Christmas.
The jokes flow quite freely and Jerry spends basically his entire time being the comedy relief. His childish character became frustrating fairly quickly, but I can't argue with the fact he was amusing. I really need to find out how to do the invisible dog trick he's mastered.
What occurred to me quite quickly is that this film is ridiculous. There are story lines aplenty. All equally implausible. Some that seemingly defy the laws of time and motion when it comes to geography. Where they all needed? Probably not.
As far as the cast goes it's a wide group of familiar faces who generally do a good job of their parts... but even as a villain Craig Revel Horwood is just terrible, what is he even famous for?
There won't be awards waiting for this one, it doesn't have a massive amount going for it apart from the fact it's entertaining. I spent most of my time smiling and tapping my foot. It's not a masterpiece but it'll make a good Christmas diversion.
What you should do
If you're looking for a festive family outing then this isn't a bad option. I'd pick it second to The Grinch but I think either way the kids will have a good time.
Movie thing you wish you could take home
Jerry's unrelenting optimism, mine occasionally fluctuates.
Nativity Rock! is what would happen if School Of Rock did a Christmas remix, and it was definitely an enthusiastic way to edge into Christmas.
The jokes flow quite freely and Jerry spends basically his entire time being the comedy relief. His childish character became frustrating fairly quickly, but I can't argue with the fact he was amusing. I really need to find out how to do the invisible dog trick he's mastered.
What occurred to me quite quickly is that this film is ridiculous. There are story lines aplenty. All equally implausible. Some that seemingly defy the laws of time and motion when it comes to geography. Where they all needed? Probably not.
As far as the cast goes it's a wide group of familiar faces who generally do a good job of their parts... but even as a villain Craig Revel Horwood is just terrible, what is he even famous for?
There won't be awards waiting for this one, it doesn't have a massive amount going for it apart from the fact it's entertaining. I spent most of my time smiling and tapping my foot. It's not a masterpiece but it'll make a good Christmas diversion.
What you should do
If you're looking for a festive family outing then this isn't a bad option. I'd pick it second to The Grinch but I think either way the kids will have a good time.
Movie thing you wish you could take home
Jerry's unrelenting optimism, mine occasionally fluctuates.
Sarah (7800 KP) rated Joker (2019) in Movies
Oct 10, 2019
Why so serious?
This is the first film in a long time that I've come out of feeling very divided, and it's taken a rather lengthy internal debate on the way home to figure out how I really feel about it.
This starts off slow, very slow and I was worried that I was going to get very bored very quickly. However Joaquin Phoenix's performance is phenomenal and although he is disturbingly thin for this, he's brilliant to watch, even considering the subject matter. If it wasn't for the Gotham setting and mention of the Wayne's, this wouldn't feel like a DC superhero/villain film and this is my main criticism. I love how dark and gritty Joker is and that this is mainly a study about mental health, but I do wish it had a little more in it to tie it to it's source material. Even just a nod to his most well known origin story as seen in some of the other films would've made this even better. I've heard a lot of people say this is uncomfortable viewing, but I didnt see that myself. It's just a stark portrayal of mental health and it does very well in this respect. The violence is sparse yet fits well - I didn't think it was overdone or excessive. And the final act with the talk show and ending was sheer brilliance and really brought Joker towards the character we know and love. It's this final part that sold this film for me, and I'm interested to see how they fit this into the rest of the DC universe, and if we start seeing more superhero films that are much darker and realistic. This is definitely a good example to follow!
This starts off slow, very slow and I was worried that I was going to get very bored very quickly. However Joaquin Phoenix's performance is phenomenal and although he is disturbingly thin for this, he's brilliant to watch, even considering the subject matter. If it wasn't for the Gotham setting and mention of the Wayne's, this wouldn't feel like a DC superhero/villain film and this is my main criticism. I love how dark and gritty Joker is and that this is mainly a study about mental health, but I do wish it had a little more in it to tie it to it's source material. Even just a nod to his most well known origin story as seen in some of the other films would've made this even better. I've heard a lot of people say this is uncomfortable viewing, but I didnt see that myself. It's just a stark portrayal of mental health and it does very well in this respect. The violence is sparse yet fits well - I didn't think it was overdone or excessive. And the final act with the talk show and ending was sheer brilliance and really brought Joker towards the character we know and love. It's this final part that sold this film for me, and I'm interested to see how they fit this into the rest of the DC universe, and if we start seeing more superhero films that are much darker and realistic. This is definitely a good example to follow!
Iron Desert - Fire Storm
Games and Entertainment
App
Iron Desert is a free cross-platform war game that can be played on any device. This is a game...