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LeftSideCut (3776 KP) rated The Suicide Squad (2021) in Movies
Jul 31, 2021
Firstly, let it be known that The Suicide Squad is a far, far, superior movie to 2016's Suicide Squad (although, that's not exactly a tall order...)
It's fun, frantic, sweary, gory, and is, above all, unmistakably a James Gunn film.
The remants of the 2016 version that remain are improved, namely Rick Flag and Harley Quinn. Both characters are well fleshed out and likable. Stand them side by side with all the newcomers and you have a wonderfully weird line up of D-list DC villains. Amongst the massive ensemble, the meatier roles are given to Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka-Dot Man (David Dastmalchian), Thinker (Peter Capaldi) and of course, the show stealer King Shark (Sylvester Stallone). I would happily kill for him, and Sebastian the rat....
All of these characters are simply a pleasure to watch. Their interactions with eachother are frequently hilarious and the combined team give this movie a huge fricking heart that was so lacking back in 2016.
My main criticism is the pacing. After an amusingly brutal opening gambit, the whole thing takes a bit of a dive. The humour isn't quite enough to hold the slow-paced first hour together, and I found myself drifting on more than one occasion. I also wasn't a fan of the arty title cards that crop up throughout (with the exception of one during the films final act, which is quite possibly one of my favourite moments in the history of comic book movies...)
Sure, this whole part drags the experience down as a whole, but the last hour is an absolute riot. A fantastic scene involving Harley Quinn, a long hallway, and a javelin, marks a triumphant turn in proceedings, and the build up and resulting climax is batshit insane, with a villain I genuinely thought I'd never get to see in the big screen. It's horrifically entertaining and doesn't let up until the credits roll.
Ultimately, The Suicide Squad is heaps of gory fun, and a welcome addition to the mixed bag that is the DCEU. Personally, I would love to see Gunn return to the franchise in some form. Hell, give him the keys to the whole kingdom and see what happens.
It's fun, frantic, sweary, gory, and is, above all, unmistakably a James Gunn film.
The remants of the 2016 version that remain are improved, namely Rick Flag and Harley Quinn. Both characters are well fleshed out and likable. Stand them side by side with all the newcomers and you have a wonderfully weird line up of D-list DC villains. Amongst the massive ensemble, the meatier roles are given to Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka-Dot Man (David Dastmalchian), Thinker (Peter Capaldi) and of course, the show stealer King Shark (Sylvester Stallone). I would happily kill for him, and Sebastian the rat....
All of these characters are simply a pleasure to watch. Their interactions with eachother are frequently hilarious and the combined team give this movie a huge fricking heart that was so lacking back in 2016.
My main criticism is the pacing. After an amusingly brutal opening gambit, the whole thing takes a bit of a dive. The humour isn't quite enough to hold the slow-paced first hour together, and I found myself drifting on more than one occasion. I also wasn't a fan of the arty title cards that crop up throughout (with the exception of one during the films final act, which is quite possibly one of my favourite moments in the history of comic book movies...)
Sure, this whole part drags the experience down as a whole, but the last hour is an absolute riot. A fantastic scene involving Harley Quinn, a long hallway, and a javelin, marks a triumphant turn in proceedings, and the build up and resulting climax is batshit insane, with a villain I genuinely thought I'd never get to see in the big screen. It's horrifically entertaining and doesn't let up until the credits roll.
Ultimately, The Suicide Squad is heaps of gory fun, and a welcome addition to the mixed bag that is the DCEU. Personally, I would love to see Gunn return to the franchise in some form. Hell, give him the keys to the whole kingdom and see what happens.
LeftSideCut (3776 KP) rated Slumber Party Massacre II (1987) in Movies
Oct 14, 2020
I, and I can't stress this enough, fucking love Slumber Party Massacre II. It may not be as cinematically mature as the first one, but it's 100% more entertaining and batshit crazy.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
LeftSideCut (3776 KP) rated Friday the 13th Part VII: The New Blood (1988) in Movies
Jan 8, 2021
Fair play to this series, it's took 7 movies to get into telekinesis superpower territory, and it's predictably silly.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
ClareR (6118 KP) rated Tapestry of Treason in Books
Aug 26, 2019
Intrigue in Henry Vs Court.
A Tapestry of Treason follows the life and intrigues of Constance of York, Lady Despenser from 1399 through to the early 1400s. And she was an absolutely fascinating woman. Hers was a totally dysfunctional family - but you do wonder how anyone could have a ‘normal’ family when mothers gave birth, handed their baby over to a wet nurse and went back to the Royal Court as soon as they were Churched. And the fathers didn’t seem to be there either. But this did make for some pretty interesting family dynamics. I’m surprised that there weren’t more illegitimate children, what with all the arranged, loveless marriages that seemed to be going on (although there were probably loads, and plenty of loving marriages too!).
Anyway, Constance was involved with her family in two plots against Henry V. York had been big supporters and cousins of Richard II, and were luckily also relatives of Henry V. So when Henry ousted Richard and imprisoned him, the Yorks were relatively safe. That was until they tried to reinstate Richard. Constance was fully a part of this plot: she’s portrayed as a strong-minded, confident woman who made her own mind up, and was loyal to her family. I do like female characters like this, and I like that Anne O’Brien didn’t make her into a caricature of a strident, bossy woman, as often happens in these cases.
I thought that the whole book was sensitively done. Henry isn’t made out to be a villain, in fact he’s always fair, and in some instances he may well have been thought of as too soft towards his York cousins (they were certainly dangerous to know).
I loved this book, actually. My mum has been pointing out Anne O’Brien books to me for ages, but I’ve avoided them because I knew I’d want to read everything once I started. Ah well, looks like I’ve started then (and always listen to your mum!).
Many thanks to The Pigeonhole for choosing yet another fabulous book, and to Anne O’Brien for reading along with the serialisation and answering questions. I had the best time!
Anyway, Constance was involved with her family in two plots against Henry V. York had been big supporters and cousins of Richard II, and were luckily also relatives of Henry V. So when Henry ousted Richard and imprisoned him, the Yorks were relatively safe. That was until they tried to reinstate Richard. Constance was fully a part of this plot: she’s portrayed as a strong-minded, confident woman who made her own mind up, and was loyal to her family. I do like female characters like this, and I like that Anne O’Brien didn’t make her into a caricature of a strident, bossy woman, as often happens in these cases.
I thought that the whole book was sensitively done. Henry isn’t made out to be a villain, in fact he’s always fair, and in some instances he may well have been thought of as too soft towards his York cousins (they were certainly dangerous to know).
I loved this book, actually. My mum has been pointing out Anne O’Brien books to me for ages, but I’ve avoided them because I knew I’d want to read everything once I started. Ah well, looks like I’ve started then (and always listen to your mum!).
Many thanks to The Pigeonhole for choosing yet another fabulous book, and to Anne O’Brien for reading along with the serialisation and answering questions. I had the best time!
The Grimm Forest
8.4
Rate It
Tabletop Game
Who will benefit most from the cunning of Robin Hood, the beauty of Snow White, the bountiful gifts...
Lottie disney bookworm (1056 KP) rated The Prince And The Puppet Thief in Books
Aug 30, 2021
I really loved The Prince and the Puppet Thief. This was a true fairy tale retelling that definitely didn't take itself too seriously.
Simon the Squirm is the son of the (second) most feared bandit in the kingdom and when we meet him he is stuffed into a cannon, ready to be fired to the tallest tower of the castle in order to steal some jewelled slippers. See what I mean about not taking itself seriously?
Simon also loves fairytales and the botched robbery sets into motion his own fairytale adventure, complete with dancing rats, sassy handmaids, the funniest bandits ever and some seriously cute queer relationships.
I loved everything about this book - did I mention I loved it? The writing style was very witty and I loved the little references and "skits" that poked fun at the fairytales we know and love. We even get an alternative version of The Snuggly Duckling pub from Tangled!
The villain of the story is captivating: they are both misunderstood and jaded by their past; trying to help but ruining lives when things don't go their way. The fact that the reader ends up sympathising with them really says a lot about both the writing and character development within this story.
But for me the relationships stole the show: I loved the contrast between one relationship which was very new and tension-filled, where the characters didn't know if their feelings were going to be accepted, never mind reciprocated and the second, forbidden but very settled relationship where the characters had been in love for some time.
There were some moments where the LGBTQ characters were not entirely accepted by others and I can't speak as to whether this would be triggering or not. Thankfully the main characters are very strong, they stand up for themselves and are so sure of their love that, by the end of the book, they are accepted for who they are.
If you're looking for a funny, cute but sassy, camp fairytale-turned-on-it's-head then this is the book for you!
I received an advance review copy for free, and I am leaving this review voluntarily.
Simon the Squirm is the son of the (second) most feared bandit in the kingdom and when we meet him he is stuffed into a cannon, ready to be fired to the tallest tower of the castle in order to steal some jewelled slippers. See what I mean about not taking itself seriously?
Simon also loves fairytales and the botched robbery sets into motion his own fairytale adventure, complete with dancing rats, sassy handmaids, the funniest bandits ever and some seriously cute queer relationships.
I loved everything about this book - did I mention I loved it? The writing style was very witty and I loved the little references and "skits" that poked fun at the fairytales we know and love. We even get an alternative version of The Snuggly Duckling pub from Tangled!
The villain of the story is captivating: they are both misunderstood and jaded by their past; trying to help but ruining lives when things don't go their way. The fact that the reader ends up sympathising with them really says a lot about both the writing and character development within this story.
But for me the relationships stole the show: I loved the contrast between one relationship which was very new and tension-filled, where the characters didn't know if their feelings were going to be accepted, never mind reciprocated and the second, forbidden but very settled relationship where the characters had been in love for some time.
There were some moments where the LGBTQ characters were not entirely accepted by others and I can't speak as to whether this would be triggering or not. Thankfully the main characters are very strong, they stand up for themselves and are so sure of their love that, by the end of the book, they are accepted for who they are.
If you're looking for a funny, cute but sassy, camp fairytale-turned-on-it's-head then this is the book for you!
I received an advance review copy for free, and I am leaving this review voluntarily.
Lyndsey Gollogly (2893 KP) rated Breathless ( Scarlet Suffragette book 2) in Books
Mar 29, 2022
54 of 230
Kindle
Breathless (Scarlet Suffragette book 2)
By Nicola Claire
⭐️⭐️⭐️⭐️
Nicola Claire's captivating new Gothic romance series continues with a dark and sinister London City at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Determined doctor? Interfering busybody? Fearless fighter?
The London of Anna Cassidy's memories is not the London she faces today. Having proved her worth as a physician, Dr Cassidy finds herself pitted against the stolid attitude of a male-dominated society.
But it's not only society she has to contend with.
A criminal mastermind has set themselves up in London, England; chosen the dirty streets of Whitechapel and Lambeth as their stage. Competing against a devious and cunning opponent sets Anna and her closest friends off on a dire adventure, which could culminate in a loss so great Anna may never recover again.
Steadfast police inspector? Loyal guardian? Caring lover?
Anna, however, is not alone. Or, at least, she won't be once Inspector Kelly finds her. Facing the ghosts of his past, Andrew Kelly rushes to face Anna's enemies and protect the woman he loves.
But Anna is not unable to defend herself.
Proving she needs him is a task Inspector Kelly would gladly undertake. But the city of Andrew's birth is more in the grip of evil machinations than it has ever been, bringing to mind memories of a dark London, ripped to within an inch of its life by a devil known to most simply as Jack.
Andrew knows otherwise. For his secrets are unravelling and within their shadowed corners lies a murderer, a poisoner, and a villain so deceitful that nothing is what it appears to be.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
Read preview >
This was so good I love the era and the references to Jack the Ripper and Sherlock Holmes. It has fabulous characters both good and bad. The story kept you wanting to read more. I’m not one for huge relationship storylines but this I loved. Highly recommended if you like murder mystery set in a gothic Victorian era.
Kindle
Breathless (Scarlet Suffragette book 2)
By Nicola Claire
⭐️⭐️⭐️⭐️
Nicola Claire's captivating new Gothic romance series continues with a dark and sinister London City at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Determined doctor? Interfering busybody? Fearless fighter?
The London of Anna Cassidy's memories is not the London she faces today. Having proved her worth as a physician, Dr Cassidy finds herself pitted against the stolid attitude of a male-dominated society.
But it's not only society she has to contend with.
A criminal mastermind has set themselves up in London, England; chosen the dirty streets of Whitechapel and Lambeth as their stage. Competing against a devious and cunning opponent sets Anna and her closest friends off on a dire adventure, which could culminate in a loss so great Anna may never recover again.
Steadfast police inspector? Loyal guardian? Caring lover?
Anna, however, is not alone. Or, at least, she won't be once Inspector Kelly finds her. Facing the ghosts of his past, Andrew Kelly rushes to face Anna's enemies and protect the woman he loves.
But Anna is not unable to defend herself.
Proving she needs him is a task Inspector Kelly would gladly undertake. But the city of Andrew's birth is more in the grip of evil machinations than it has ever been, bringing to mind memories of a dark London, ripped to within an inch of its life by a devil known to most simply as Jack.
Andrew knows otherwise. For his secrets are unravelling and within their shadowed corners lies a murderer, a poisoner, and a villain so deceitful that nothing is what it appears to be.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
Read preview >
This was so good I love the era and the references to Jack the Ripper and Sherlock Holmes. It has fabulous characters both good and bad. The story kept you wanting to read more. I’m not one for huge relationship storylines but this I loved. Highly recommended if you like murder mystery set in a gothic Victorian era.
Movie Metropolis (309 KP) rated Avengers: Infinity War (2018) in Movies
Jun 10, 2019
An Exhausting Thrill Ride
The Marvel Cinematic Universe has been delighting fans of the comics and thrilling moviegoers since 2008 when Iron Man steamrolled itself onto the big screen in an epic fashion. From the special effects to the casting of Robert Downey Jr. as Tony Stark, it was the complete package.
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
Movie Metropolis (309 KP) rated The Incredibles 2 (2018) in Movies
Jun 10, 2019
Was it worth the wait?
It’s been fourteen years since Pixar introduced the likes of Violet, Dash, Robert and Helen Parr onto unsuspecting audiences across the globe. The quartet of superheroes swiftly became one of the studio’s best and most profitable films, with a loyal legion of fans begging for a sequel soon after.
Nevertheless, Pixar went on to create some of the greatest animated films of all time. Then the slump came. After Cars and its dreadful sequel came and went and The Good Dinosaur reminded us that not even Pixar was immune from the movie critic curse, they swiftly regrouped and brought us the thrilling Coco and new classic, Inside Out. Now, 14 years later, Mr Incredible and the team are back. But are we looking at a classic Pixar, or a sequel that is too little too late?
Everyone’s favourite family of superheroes is back, but this time Helen (Holly Hunter) is in the spotlight, leaving Bob (Craig T. Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of normal life. It’s a tough transition for everyone, made tougher by the fact that the family is unaware of Jack-Jack’s superpowers. When a new villain hatches a dangerous plot, the family and Frozone (Samuel L. Jackson) must find a way to work together again.
Picking up immediately after the events of its predecessor, Incredibles 2 is a thrilling and entertaining sequel that reeks of quality. Everything from the voice acting to the animation is leaps and bounds ahead of the first film and this is testament to the incredible technological gains Pixar has made over the last decade.
Brad Bird is once again in the director’s chair and that familiarity lends it the same heart and emotional engagement of its predecessor. We, as the audience, feel truly invested in the characters again, as we did all that time ago. This time however, the action is dialled up to 11 with some truly exceptional set-pieces.
Thankfully, this is not at the cost of what made The Incredibles such a hit, family drama. The central family unit remains as prevalent as it did before, but this time we have Jack-Jack’s powers thrown into the mix with Elastigirl taking centre stage over Mr. Incredible. This new dynamic is a welcome change from the very male-centric blockbusters we’ve had over the last few years; Wonder Woman being the obvious exception.
The animation is, well incredible. While the quirky character designs never let you forget you’re watching an animated feature, the over-the-top set design means it sits perfectly together. Where The Good Dinosaur went wrong was in its presentation of photo-realistic visuals paired with cartoon-like characters; it simply didn’t work.
Incredibles 2 is a sequel that was absolutely worth the wait
We also have a very interesting villain to contend with. The Screenslaver is pure popcorn wickedness at its very best. It’s amazing that The Incredibles series has scored 2/2 when it comes to their antagonists, yet Marvel still manages to struggle with its bad guys. The Screenslaver may not quite match up the brilliance of Syndrome from its predecessor, but it comes pretty close.
There’s also the welcome return of Edna Mode (voiced by director Brad Bird). Her part is perhaps a little too short, but maintaining her cameo status means she doesn’t feel as overcooked as the minions did after their first solo outing. In the end, we want more Edna, rather than having too much and this is a good thing.
Plot wise, it’s fantastic. With a central storyline about a changing family dynamic, it’s sure to resonate with both children and adults. There are plot twists that wouldn’t look out of place in a live-action feature and some great voice acting by all of the cast.
Negatives? Well it’s hard to think of any whatsoever. This is a much more engaging film than its predecessor but at 118 minutes, it’s long by animation standards. The pacing is a little off just before the finale kicks off, but this is my main and only complaint.
Overall, Incredibles 2 is a sequel that was absolutely worth the wait. It’s filled with sparkling dialogue and great voice acting as well as superb animation and a thrilling plot that all combines to make it one of the year’s best films.
https://moviemetropolis.net/2018/07/15/incredibles-2-review-was-it-worth-the-wait/
Nevertheless, Pixar went on to create some of the greatest animated films of all time. Then the slump came. After Cars and its dreadful sequel came and went and The Good Dinosaur reminded us that not even Pixar was immune from the movie critic curse, they swiftly regrouped and brought us the thrilling Coco and new classic, Inside Out. Now, 14 years later, Mr Incredible and the team are back. But are we looking at a classic Pixar, or a sequel that is too little too late?
Everyone’s favourite family of superheroes is back, but this time Helen (Holly Hunter) is in the spotlight, leaving Bob (Craig T. Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of normal life. It’s a tough transition for everyone, made tougher by the fact that the family is unaware of Jack-Jack’s superpowers. When a new villain hatches a dangerous plot, the family and Frozone (Samuel L. Jackson) must find a way to work together again.
Picking up immediately after the events of its predecessor, Incredibles 2 is a thrilling and entertaining sequel that reeks of quality. Everything from the voice acting to the animation is leaps and bounds ahead of the first film and this is testament to the incredible technological gains Pixar has made over the last decade.
Brad Bird is once again in the director’s chair and that familiarity lends it the same heart and emotional engagement of its predecessor. We, as the audience, feel truly invested in the characters again, as we did all that time ago. This time however, the action is dialled up to 11 with some truly exceptional set-pieces.
Thankfully, this is not at the cost of what made The Incredibles such a hit, family drama. The central family unit remains as prevalent as it did before, but this time we have Jack-Jack’s powers thrown into the mix with Elastigirl taking centre stage over Mr. Incredible. This new dynamic is a welcome change from the very male-centric blockbusters we’ve had over the last few years; Wonder Woman being the obvious exception.
The animation is, well incredible. While the quirky character designs never let you forget you’re watching an animated feature, the over-the-top set design means it sits perfectly together. Where The Good Dinosaur went wrong was in its presentation of photo-realistic visuals paired with cartoon-like characters; it simply didn’t work.
Incredibles 2 is a sequel that was absolutely worth the wait
We also have a very interesting villain to contend with. The Screenslaver is pure popcorn wickedness at its very best. It’s amazing that The Incredibles series has scored 2/2 when it comes to their antagonists, yet Marvel still manages to struggle with its bad guys. The Screenslaver may not quite match up the brilliance of Syndrome from its predecessor, but it comes pretty close.
There’s also the welcome return of Edna Mode (voiced by director Brad Bird). Her part is perhaps a little too short, but maintaining her cameo status means she doesn’t feel as overcooked as the minions did after their first solo outing. In the end, we want more Edna, rather than having too much and this is a good thing.
Plot wise, it’s fantastic. With a central storyline about a changing family dynamic, it’s sure to resonate with both children and adults. There are plot twists that wouldn’t look out of place in a live-action feature and some great voice acting by all of the cast.
Negatives? Well it’s hard to think of any whatsoever. This is a much more engaging film than its predecessor but at 118 minutes, it’s long by animation standards. The pacing is a little off just before the finale kicks off, but this is my main and only complaint.
Overall, Incredibles 2 is a sequel that was absolutely worth the wait. It’s filled with sparkling dialogue and great voice acting as well as superb animation and a thrilling plot that all combines to make it one of the year’s best films.
https://moviemetropolis.net/2018/07/15/incredibles-2-review-was-it-worth-the-wait/
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/