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Lottie disney bookworm (1056 KP) rated Promises and Pixie Dust in Books
Jun 17, 2021
Thank you to the gorgeously talented Elle and Robin for granting me the opportunity to read their beautiful book in exchange for an honest review.
Promises and Pixie Dust is the first Thumbelina retelling I have seen in the current MASSIVE trend of retellings.
Initially this magical tale featured within the Enchanted Kingdoms collection of retellings but Elle and Robin have now released Lina upon the world as the debut novel in “The Unfabled Series”.
Naturally, a Thumbelina story by Elle and Robin is never going to be your average retelling and, when the story opens on "Lina" drinking pints in 'The Poisoned Apple', it is safe to say that this novel will be just as brilliant as their other works.
At a whole 12 cm tall, Lina has never entirely fit in with the world around her. Everything she owns is adapted to fit her size and she has never met anyone similar to herself. After the death of her mother Lina is determined to find someone else of her kind and, along with her childhood friend Edrich, journeys into the Enchanted forest in search of answers.
Edrich is an unwilling companion to put it mildly and the relationship between him and Lina is very intriguing for the reader. Elle and Robin purposefully drip feed us information regarding the friends and the challenges they have faced up to this point but the undercurrent of tension between the pair make it clear that there is more than friendship and obligation at play here.
This doesn't mean that the reader is not entirely unsympathetic to Edrich's frustration with Lina though. She is often sickeningly chirpy and optimistic with no sense of danger. At the end of the day though, a tiny woman whose mood shows on her skin and rides a hedgehog is a winner in any story.
Promises and Pixie Dust also hints heavily at a recent backstory involving Edrich as he experiences flashbacks and guilt linked to his current line of work. I really hope Edrich gets the chance to tell his own story as I know Piper and Neira will.
I really appreciated the little changes between the Enchanted Kingdoms story and The Unfabled series version. Poor Edrich was very difficult to love in the previous version but has definitely been hit with the empathy stick in recent months! Once his circumstances are (forcibly) changed Edrich almost has a newfound respect for Lina and even before this he isn’t as condescending as his Enchanted Kingdoms counterpart was – I no longer want to punch him in the face anyway so that’s a bonus!
Elle and Robin also developed the world of the fairies a little more, providing more of an insight into their dependence on woodland creatures and even inventing a new sport! The imagery here was so beautiful that I was desperate for illustrations to accompany it.
If you are a fan of retellings, Once Upon a Time, fairies and friends to lovers storylines then this is the tale for you. Promises and Pixie Dust has a freshly manicured hedgehog, a villain with a heart and the best curse words ever imagined.
Frolicking centaurs it's a good read!
Promises and Pixie Dust is the first Thumbelina retelling I have seen in the current MASSIVE trend of retellings.
Initially this magical tale featured within the Enchanted Kingdoms collection of retellings but Elle and Robin have now released Lina upon the world as the debut novel in “The Unfabled Series”.
Naturally, a Thumbelina story by Elle and Robin is never going to be your average retelling and, when the story opens on "Lina" drinking pints in 'The Poisoned Apple', it is safe to say that this novel will be just as brilliant as their other works.
At a whole 12 cm tall, Lina has never entirely fit in with the world around her. Everything she owns is adapted to fit her size and she has never met anyone similar to herself. After the death of her mother Lina is determined to find someone else of her kind and, along with her childhood friend Edrich, journeys into the Enchanted forest in search of answers.
Edrich is an unwilling companion to put it mildly and the relationship between him and Lina is very intriguing for the reader. Elle and Robin purposefully drip feed us information regarding the friends and the challenges they have faced up to this point but the undercurrent of tension between the pair make it clear that there is more than friendship and obligation at play here.
This doesn't mean that the reader is not entirely unsympathetic to Edrich's frustration with Lina though. She is often sickeningly chirpy and optimistic with no sense of danger. At the end of the day though, a tiny woman whose mood shows on her skin and rides a hedgehog is a winner in any story.
Promises and Pixie Dust also hints heavily at a recent backstory involving Edrich as he experiences flashbacks and guilt linked to his current line of work. I really hope Edrich gets the chance to tell his own story as I know Piper and Neira will.
I really appreciated the little changes between the Enchanted Kingdoms story and The Unfabled series version. Poor Edrich was very difficult to love in the previous version but has definitely been hit with the empathy stick in recent months! Once his circumstances are (forcibly) changed Edrich almost has a newfound respect for Lina and even before this he isn’t as condescending as his Enchanted Kingdoms counterpart was – I no longer want to punch him in the face anyway so that’s a bonus!
Elle and Robin also developed the world of the fairies a little more, providing more of an insight into their dependence on woodland creatures and even inventing a new sport! The imagery here was so beautiful that I was desperate for illustrations to accompany it.
If you are a fan of retellings, Once Upon a Time, fairies and friends to lovers storylines then this is the tale for you. Promises and Pixie Dust has a freshly manicured hedgehog, a villain with a heart and the best curse words ever imagined.
Frolicking centaurs it's a good read!
Emma @ The Movies (1786 KP) rated Cruella (2021) in Movies
Jun 26, 2021
Until going back to the cinema this year I'd not watched a trailer or read any reviews of Cruella. When I finally saw it on the big screen, I was excited... but also terrified of the Disney live action antics.
Estella is a young aspiring designer with a wild side and an even wilder hairstyle. Making friends with a ragtag duo in London, she sets up in the shadows of a high profile department store that sets her down a path with a dark future.
Of all the live action films recently this has definitely given me some hope (which I'm sure I'll regret saying at some point). It starts the set-up of what we know Cruella to be. Origin story, villain, you know I'm in. And I loved the way that she wasn't inherently evil, it was the circumstances around her that created it by twisting her wild side.
My two favourite Emmas in one movie, it's a dream. Let's start with the lead, Emma Stone. It must have been amazing fun doing this role, at least it looked like that was the case and she could really let loose. You see Estella's spark of creativity, the embers of the young Cruella inside her even as an adult, and the blazing fire as the evil starts to peek through. I loved how they managed to get some nods in to the animated movie, and how she managed to capture them perfectly. If you asked me to cast someone in this role, I'm not sure I could have come up with someone better.
Emma Thompson was a surprise to me, it wasn't until the trailer that I realised she was in this. The instant I saw her I knew that I was going to love her. The Baroness is a force to be reckoned with and you can see the influence that she has. Ruthless and driven, every scene felt right.
Henchmen next, and of course I'm using "henchmen" in its loosest terms for Jasper and Horace. Another perfect vision of what's to come. Joel Fry as Jasper makes for an interesting take on the story, and while I can see why it's there, and I generally enjoy Fry's acting, I did not love Jasper quite as much as everyone around him. Particularly as he was paired with Paul Walter Hauser. Hauser is a great actor, if a little typecast in the slightly bumbling characters. His take on Horace is my favourite thing about this whole film. As a double act with Wink it was glorious and understated humour. I'd happily sit through a film entirely of them just being them.
I can't really talk Cruella without talking costume design. If this doesn't win all the awards then quite frankly it's complete insanity. Everything design-wise in this was amazing as far as I'm concerned. Cruella's hair changes and dresses blew me away. Eccentric, flamboyant, and just the right amount of crazy.
I'm not sure how I feel about the possibility of a sequel, but I really enjoyed this one. Everything from the film itself, to the posters, it ticked all the boxes.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/cruella-movie-review.html
Estella is a young aspiring designer with a wild side and an even wilder hairstyle. Making friends with a ragtag duo in London, she sets up in the shadows of a high profile department store that sets her down a path with a dark future.
Of all the live action films recently this has definitely given me some hope (which I'm sure I'll regret saying at some point). It starts the set-up of what we know Cruella to be. Origin story, villain, you know I'm in. And I loved the way that she wasn't inherently evil, it was the circumstances around her that created it by twisting her wild side.
My two favourite Emmas in one movie, it's a dream. Let's start with the lead, Emma Stone. It must have been amazing fun doing this role, at least it looked like that was the case and she could really let loose. You see Estella's spark of creativity, the embers of the young Cruella inside her even as an adult, and the blazing fire as the evil starts to peek through. I loved how they managed to get some nods in to the animated movie, and how she managed to capture them perfectly. If you asked me to cast someone in this role, I'm not sure I could have come up with someone better.
Emma Thompson was a surprise to me, it wasn't until the trailer that I realised she was in this. The instant I saw her I knew that I was going to love her. The Baroness is a force to be reckoned with and you can see the influence that she has. Ruthless and driven, every scene felt right.
Henchmen next, and of course I'm using "henchmen" in its loosest terms for Jasper and Horace. Another perfect vision of what's to come. Joel Fry as Jasper makes for an interesting take on the story, and while I can see why it's there, and I generally enjoy Fry's acting, I did not love Jasper quite as much as everyone around him. Particularly as he was paired with Paul Walter Hauser. Hauser is a great actor, if a little typecast in the slightly bumbling characters. His take on Horace is my favourite thing about this whole film. As a double act with Wink it was glorious and understated humour. I'd happily sit through a film entirely of them just being them.
I can't really talk Cruella without talking costume design. If this doesn't win all the awards then quite frankly it's complete insanity. Everything design-wise in this was amazing as far as I'm concerned. Cruella's hair changes and dresses blew me away. Eccentric, flamboyant, and just the right amount of crazy.
I'm not sure how I feel about the possibility of a sequel, but I really enjoyed this one. Everything from the film itself, to the posters, it ticked all the boxes.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/cruella-movie-review.html
Ivana A. | Diary of Difference (1171 KP) rated Not My Daughter in Books
Oct 5, 2020
I am so happy to have the opportunity to be part of the blog tour for Not My Daughter by Suzy K. Quinn. Thank you to the team at HQ, for sending me an e-copy in exchange for an honest review. Have a look at the Blog Tour Banner below and check out the other bloggers.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
LeftSideCut (3776 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 22, 2020 (Updated Jul 5, 2021)
In this sequel to the so far best film of the DCEU, Patty Jenkins dares to ask, what if Wishmaster was a family friendly superhero movie?
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Emma @ The Movies (1786 KP) rated The Hummingbird Project (2018) in Movies
Jun 24, 2019 (Updated Sep 25, 2019)
The trailer for this offered a glimpse at something that looked intriguing but the final result wasn't quite as impactful as you might have imagined.
Vincent has the drive and cunning to launch a project that could make them millions, Anton is the brains to make it a success. In investment you have to be a step ahead of the competition, so the competition is where you'll get the best deal on the next big thing. When they both quit with immediate effect their boss is suspicious does everything to find out what they're up to. She eventually gets a break and is soon hot on their heels to come up with something bigger and better. The stakes are high and the game is dirty, but someone has to win.
The Hummingbird Project certainly didn't lack acting talent. While I've not seen much from Jesse Eisenberg apart from Lex Luthor in the DCEU I was impressed with what he gives in this, there are a lot of powerful moments as we get towards the end of the film and he treats them well. Alexander Skarsgård plays Anton, the awkward genius cousin who spends most of his time with his eyes glued to a computer screen. His role is heavy on physical acting rather than dialogue and it's very effective against the pushy characters around him.
The duo are pitted against their ex-boss, Eva Torres, beautifully brought to life as a ruthless villain by Salma Hayek. Hayek has the bitchy boss thing down and had she been talking at me with heavily threatening undertones I think I'd have just started crying.
I found the story easy to get along with, the script wasn't overly complicated which was nice considering it could have been with all the technical things going on. As the story overall is about them fulfilling their project it means that at several points we get reminders about what's going on, and that probably helps it because every so often they get out some plans and go "this is what we're doing and this is the problem" so you don't have to really remember much as we progress.
At points it seems like it's a little rushed, which is intriguing because it feels like it's longer than billed. I assumed that some scenes are included because they're a nod to the real-life story... but it isn't a real-life story... and that in itself should be the most confusing thing about this film. I genuinely went in thinking it was "history", but it's not history, so why did they bother making it? It's just not thrilling enough to hold up as a new story. If I'm honest, finding out it's fictional after thinking it was real has knocked off some star rating.
What you should do
There are much more thrilling tales out there for this sort of story, despite the good acting I would suggest seeing something else. Seeing something else would also preserve the beautiful image of Alexander Skarsgård from being tarnished.
Movie thing you wish you could take home
A multi-million dollar idea would be quite nice.
Vincent has the drive and cunning to launch a project that could make them millions, Anton is the brains to make it a success. In investment you have to be a step ahead of the competition, so the competition is where you'll get the best deal on the next big thing. When they both quit with immediate effect their boss is suspicious does everything to find out what they're up to. She eventually gets a break and is soon hot on their heels to come up with something bigger and better. The stakes are high and the game is dirty, but someone has to win.
The Hummingbird Project certainly didn't lack acting talent. While I've not seen much from Jesse Eisenberg apart from Lex Luthor in the DCEU I was impressed with what he gives in this, there are a lot of powerful moments as we get towards the end of the film and he treats them well. Alexander Skarsgård plays Anton, the awkward genius cousin who spends most of his time with his eyes glued to a computer screen. His role is heavy on physical acting rather than dialogue and it's very effective against the pushy characters around him.
The duo are pitted against their ex-boss, Eva Torres, beautifully brought to life as a ruthless villain by Salma Hayek. Hayek has the bitchy boss thing down and had she been talking at me with heavily threatening undertones I think I'd have just started crying.
I found the story easy to get along with, the script wasn't overly complicated which was nice considering it could have been with all the technical things going on. As the story overall is about them fulfilling their project it means that at several points we get reminders about what's going on, and that probably helps it because every so often they get out some plans and go "this is what we're doing and this is the problem" so you don't have to really remember much as we progress.
At points it seems like it's a little rushed, which is intriguing because it feels like it's longer than billed. I assumed that some scenes are included because they're a nod to the real-life story... but it isn't a real-life story... and that in itself should be the most confusing thing about this film. I genuinely went in thinking it was "history", but it's not history, so why did they bother making it? It's just not thrilling enough to hold up as a new story. If I'm honest, finding out it's fictional after thinking it was real has knocked off some star rating.
What you should do
There are much more thrilling tales out there for this sort of story, despite the good acting I would suggest seeing something else. Seeing something else would also preserve the beautiful image of Alexander Skarsgård from being tarnished.
Movie thing you wish you could take home
A multi-million dollar idea would be quite nice.
Best Fiends Forever
Games
App
Get ready for the very big adventure with very small heroes! The sequel to the...
Bob Mann (459 KP) rated Thor: Ragnarok (2017) in Movies
Sep 29, 2021
Guaranteeing a “safe passage through the anus”!
I’m neither a Marvel fan, nor (in particular) a Thor fan….. but I have to admit “Thor: Ragnarok” was brilliant from beginning to end.
Thor (Chris Hemsworth) has been travelling the universe in search of… stuff… (I neither remember nor care)… but returns to his home planet of Asgard with a dire warning of impending ‘Raganrok’: this being the ‘End of Days’ for Asgard. But he finds the court engaged in serious leisure time!
ragnarok4
“Shave and a hair cut… two stripes”
Things go from bad to worse when Hela (Cate Blanchett, “Carol“) – someone with more than a passing relationship to Thor – arrives with a mission to assume the throne. Teamed uncomfortably with half-brother Loki (Tom Hiddleston, “High Rise”), the brothers get cast millions of light years away to a planet lorded over by a ‘grand master’ (a lovely performance, that I will leave anonymous here) who pits new gladiators in an arena against his latest champion. You’ll never guess who his champion is? Well, OK (cos the trailer gives it away)… he’s big and green!
ragnarok2
The grand master’s champion. Opponents are green with envy.
The film’s script is hilarious. It generates an enormous volume of entertainment with laugh-out loud moments throughout; the unforseen involvement of other Marvel characters; some startling cameos all mixed with the usual brand of spectacular fights and action. Some of the action is surprising: a real eye-opener you might say.
ragnarok3
Tessa Thompson as the Valkyrie in full flight.
The lead cast (Hemsworth, Hiddleston, Blanchett and Ruffalo) all perform admirably and are joined by heavyweight cameos from Anthony Hopkins (“Westworld”) and Idris Elba (“Bastille Day“) reprising their roles from “Thor: The Dark World”. Particularly impressive is Tessa Thompson (“Creed“) as Thor’s Valkyrie warrior side-kick and Karl Urban (“Star Trek: Into Darkness“) as the turn-coat Asgardian Skurge.
ragnarok5
The real McCoy. Karl Urban as the Skurge of Asgard.
Directed by young New Zealander Taika Waititi (behind last year’s successful indie hit “Hunt for the Wilderpeople”) it’s a breath of fresh air for the Thor franchise, more similar to the style of “Guardians of the Galaxy” rather than the previous films in the series. Waititi also saves all the best comedy lines for himself as the ‘rock warrior’ character Korg: his New Zealand twang delivering just side-splitting dialogue.
Hela (Cate Blanchett)
Hela may be a super-villain, but she still hasn’t learned to hold a hammer by the right end.
As with most Marvel films, its a little bit flabby in places, running to 130 minutes: some of the dialogue, particularly scenes between Hemsworth and Ruffalo, feel like they needed tightening up in the editing suite. This time of course includes the scrolling of endless teams of visual effect artists in the closing titles which – naturally – 90% of the audience stay for to see if there are any “monkeys“. In fact,there are two: one fairly early on; the other right at the end. (To be honest, I thought neither of them was particularly worth waiting for).
However overall the movie is highly recommended for a fun night out at the cinema.
Thor (Chris Hemsworth) has been travelling the universe in search of… stuff… (I neither remember nor care)… but returns to his home planet of Asgard with a dire warning of impending ‘Raganrok’: this being the ‘End of Days’ for Asgard. But he finds the court engaged in serious leisure time!
ragnarok4
“Shave and a hair cut… two stripes”
Things go from bad to worse when Hela (Cate Blanchett, “Carol“) – someone with more than a passing relationship to Thor – arrives with a mission to assume the throne. Teamed uncomfortably with half-brother Loki (Tom Hiddleston, “High Rise”), the brothers get cast millions of light years away to a planet lorded over by a ‘grand master’ (a lovely performance, that I will leave anonymous here) who pits new gladiators in an arena against his latest champion. You’ll never guess who his champion is? Well, OK (cos the trailer gives it away)… he’s big and green!
ragnarok2
The grand master’s champion. Opponents are green with envy.
The film’s script is hilarious. It generates an enormous volume of entertainment with laugh-out loud moments throughout; the unforseen involvement of other Marvel characters; some startling cameos all mixed with the usual brand of spectacular fights and action. Some of the action is surprising: a real eye-opener you might say.
ragnarok3
Tessa Thompson as the Valkyrie in full flight.
The lead cast (Hemsworth, Hiddleston, Blanchett and Ruffalo) all perform admirably and are joined by heavyweight cameos from Anthony Hopkins (“Westworld”) and Idris Elba (“Bastille Day“) reprising their roles from “Thor: The Dark World”. Particularly impressive is Tessa Thompson (“Creed“) as Thor’s Valkyrie warrior side-kick and Karl Urban (“Star Trek: Into Darkness“) as the turn-coat Asgardian Skurge.
ragnarok5
The real McCoy. Karl Urban as the Skurge of Asgard.
Directed by young New Zealander Taika Waititi (behind last year’s successful indie hit “Hunt for the Wilderpeople”) it’s a breath of fresh air for the Thor franchise, more similar to the style of “Guardians of the Galaxy” rather than the previous films in the series. Waititi also saves all the best comedy lines for himself as the ‘rock warrior’ character Korg: his New Zealand twang delivering just side-splitting dialogue.
Hela (Cate Blanchett)
Hela may be a super-villain, but she still hasn’t learned to hold a hammer by the right end.
As with most Marvel films, its a little bit flabby in places, running to 130 minutes: some of the dialogue, particularly scenes between Hemsworth and Ruffalo, feel like they needed tightening up in the editing suite. This time of course includes the scrolling of endless teams of visual effect artists in the closing titles which – naturally – 90% of the audience stay for to see if there are any “monkeys“. In fact,there are two: one fairly early on; the other right at the end. (To be honest, I thought neither of them was particularly worth waiting for).
However overall the movie is highly recommended for a fun night out at the cinema.
LeftSideCut (3776 KP) rated Eternals (2021) in Movies
Nov 5, 2021
Contains spoilers, click to show
Fair warning - I'm going to be briefly discussing some major spoilers down below...
Straight up, Eternals is extremely close to being a perfect movie (in my opinion of course, I understand that it's proving to be divisive).
For starters, the narrative is wonderfully crafted. As expected, it jumps all over different time periods, from anywhere between 5000 BC to present day, and manages to not feel jarring. It's pacing is a little slow within the first half an hour or so, but it's forgivable considering the whole host of new faces being introduced. It's impressive then, that each character gets a decent amount of development, you know exactly what everyone is about in a pretty swift manor. The bonds that these characters share make for some genuinely emotional moments throughout a film that frequently feels like an odyssey.
The cast is solid as hell. Gemma Chan is the closest to a lead character, and she's great as always. LAST SPOILER WARNING Richard Madden manages to be a suitable leader, and then ruthless, convincing, and cold when he takes a more villanous turn. Gave me some semi Homelander vibes. It's wonderful to see the likes of Ma Dong-Seok and Lauren Ridloff make the jump into blockbuster territory. Barry Keoghan continues to be generally awesome in everything he's in. Brian Tyree Henry, Lia McHugh, and Kumail Nanjiani are all great as well, and the heavy hitters, Angelina Jolie and Salma Hayek, are left shy of the spotlight but still feel important. I was surprised to see Bill Skarsgård's name during the credits and can't help but feel he was a little wasted as CGI villain Kro. I would have liked to have seen more of Kit Harrington but I understand that he essentially a big tease for future projects (forever keeping my fingers crossed for a Midnight Sons movie...)
It's important to celebrate how visually breathtaking Eternals is from start to finish. There are of course some familiar Marvel aesthetics here and there, but Chloé Zhao has really laid down her own stamp. Even the fight scenes look unique, the Eternals powers always looking elegant. The climactic showdown is a particular highlight. This is all complimented by what is arguably the best music score in the MCU yet, with Game of Thrones veteran Ramin Djawadi coming through with something truly special.
In terms of wider MCU connection, Eternals very much feels like it's own thing, which works well with its unique feel. I am excited however to see some of these characters interact with other properties in the future. The proper introduction of Celestials is an exciting prospect, and that one shot near the end (you know the one), shows that technology is ready for the likes of Galactus to show up in the near future.
Eternals is yet another bold step for the MCU in a new phase. A movie with a hell of an ambitious scope that manages to stick the landing. I entered the cinema with slight trepidation due to it's early critical reception, and I left thinking that it's one of the best MCU entries so far, and I continue to be hyped for the future of the franchise.
Straight up, Eternals is extremely close to being a perfect movie (in my opinion of course, I understand that it's proving to be divisive).
For starters, the narrative is wonderfully crafted. As expected, it jumps all over different time periods, from anywhere between 5000 BC to present day, and manages to not feel jarring. It's pacing is a little slow within the first half an hour or so, but it's forgivable considering the whole host of new faces being introduced. It's impressive then, that each character gets a decent amount of development, you know exactly what everyone is about in a pretty swift manor. The bonds that these characters share make for some genuinely emotional moments throughout a film that frequently feels like an odyssey.
The cast is solid as hell. Gemma Chan is the closest to a lead character, and she's great as always. LAST SPOILER WARNING Richard Madden manages to be a suitable leader, and then ruthless, convincing, and cold when he takes a more villanous turn. Gave me some semi Homelander vibes. It's wonderful to see the likes of Ma Dong-Seok and Lauren Ridloff make the jump into blockbuster territory. Barry Keoghan continues to be generally awesome in everything he's in. Brian Tyree Henry, Lia McHugh, and Kumail Nanjiani are all great as well, and the heavy hitters, Angelina Jolie and Salma Hayek, are left shy of the spotlight but still feel important. I was surprised to see Bill Skarsgård's name during the credits and can't help but feel he was a little wasted as CGI villain Kro. I would have liked to have seen more of Kit Harrington but I understand that he essentially a big tease for future projects (forever keeping my fingers crossed for a Midnight Sons movie...)
It's important to celebrate how visually breathtaking Eternals is from start to finish. There are of course some familiar Marvel aesthetics here and there, but Chloé Zhao has really laid down her own stamp. Even the fight scenes look unique, the Eternals powers always looking elegant. The climactic showdown is a particular highlight. This is all complimented by what is arguably the best music score in the MCU yet, with Game of Thrones veteran Ramin Djawadi coming through with something truly special.
In terms of wider MCU connection, Eternals very much feels like it's own thing, which works well with its unique feel. I am excited however to see some of these characters interact with other properties in the future. The proper introduction of Celestials is an exciting prospect, and that one shot near the end (you know the one), shows that technology is ready for the likes of Galactus to show up in the near future.
Eternals is yet another bold step for the MCU in a new phase. A movie with a hell of an ambitious scope that manages to stick the landing. I entered the cinema with slight trepidation due to it's early critical reception, and I left thinking that it's one of the best MCU entries so far, and I continue to be hyped for the future of the franchise.
LeftSideCut (3776 KP) rated Thor: Love and Thunder (2022) in Movies
Aug 8, 2022
Phase four of the MCU has been interesting so far to say the least. Some projects have been great, some have been a little uninspired, but in its attempts to set up multiple overarching story threads, it feels a little wayward, especially in comparison to the recently concluded Infinity Saga. Thor: Love & Thunder has unfortunately arrived right in the middle of this new era of uncertainty, and is a film that ultimately feels a little directionless itself. It adapts a hugely beloved comic arc, an arc that could have potentially used two movies to flesh everything out properly. In this arc, Gorr the God Butcher is a big deal, he feels threatening, menacing, dangerous. In the film, Christian Bale is giving it his all, and there are moments when Gorr is genuinely creepy as hell, but the stakes never feel particularly high, resulting in a villain that feels like a shadow of his comic counterpart. Chris Hemsworth has proven by now that he is a perfect fit for Thor himself, but by this fourth entry, it genuinely feels that he is a straight up dumbass, and is miles away from his character growth in the first Thor. Herein lies the main issue I had with Love & Thunder. Ragnarok was a well balanced MCU film in terms of tone. It provided a much needed shakeup after the disappointment of The Dark World, and Taika Waititi was an inspired choice to bring the quirk. The comedy is tight, lands more often than not, whilst boasting some memorable set pieces. L&T takes the comedy aspect, and doubles down hard. It's joke after joke, to a point where a lot of it falls flat. It reminded me of Guardians of the Galaxy 2 in that respect. It's not terrible by any means, but it's balance feels completely off. There are some great set pieces to be fair. An early scene that involves an attack on New Asgard is a highlight, and almost feels like a horror film at times. It's also where we meet Jane Fosters Thor, who looks comic accurate, and is a genuinely great addition to the movie overall. There's another scene later on that takes place in the shadow realm that provides another highlight. It's mostly in black and white, and it feels unique to the MCU. It's one of a few inspired moments that prevent L&T from becoming a complete misfire.
Any other gripes from me would require stepping into spoiler territory so I'll leave it there. Love & Thunder is frequently dumb, but equally fun, colourful and loud, despite being a bit of a mess. The more Marvel Studios venture into Phase Four, the more sporadic and shaky it feels. I have no doubt that everything will plateau into a solid narrative again, I just hope that moment comes sooner, rather than later.
On a final note, the person I watched this with leaned over to me around the halfway point, and said that Thor just sounds like Boris Johnson when he talks, and now I can't unhear it. If I have to suffer, then you do to.
Any other gripes from me would require stepping into spoiler territory so I'll leave it there. Love & Thunder is frequently dumb, but equally fun, colourful and loud, despite being a bit of a mess. The more Marvel Studios venture into Phase Four, the more sporadic and shaky it feels. I have no doubt that everything will plateau into a solid narrative again, I just hope that moment comes sooner, rather than later.
On a final note, the person I watched this with leaned over to me around the halfway point, and said that Thor just sounds like Boris Johnson when he talks, and now I can't unhear it. If I have to suffer, then you do to.
BankofMarquis (1832 KP) rated The Marvels (2022) in Movies
Nov 10, 2023
Fun. Lightweight Romp
If you, like many others, have opted out of the past few Marvel Cinematic Universe (MCU) films and are, likewise, suffering from “SuperHero” fatigue but are now looking for a re-entry into the MCU, then THE MARVELS is the film for you, for unlike some previous MCU films, it does not take much in the way of previous knowledge to get into the flow of this (somewhat) lightweight, fun action comic-book flick.
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.
In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.
Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.
And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).
All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)