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Lilyn G - Sci-Fi & Scary (91 KP) rated The Sick House in Books
Feb 9, 2018
Gory fun with fun dialogue
The Sick House was a delight to read. I had just finished the first novel of Richard Fox’s Terra Nova series, so I was searching for a horror novel to flip to when I came across a friend’s review of this on Goodreads. Her review, along with the fact that it was on Kindle Unlimited, meant that it was an instant grab for me with little thought required. Especially because I’ve previously read Strand’s The Haunted Forest tour and loved it.
My favorite part of The Sick House was without a doubt the family’s dialogue and relationships. The bonds between them felt so real and the quips were exactly the type of thing you’re liable to hear at my house. It made me instantly get attached to all of the characters, and that carried me easily through the book. On the flip side, though, I didn’t like that Gina was also very mouthy. I felt like it would have made the family feel a bit more special if Strand had restrained the banter to just them.
I did like Gina, though. She reminded me very much of the character Gina Silvers from the Amazon series Just Add Magic. (Yes, that’s a kid show, but if you’ve ever watched Just Add Magic, you could totally see her pulling the stunts that happen in The Sick House.) I won’t say more because I don’t want to spoil any of it for readers.
A family that I can root for, a house that’s got a serious ‘something’s fishy’ vibe, and the grossness that ensues almost as soon as they move in makes for a lovely read. Well, lovely in an aspect that horror fans will understand at least. Jeff Strand has a talent for descriptions that set the scene perfectly without going into unneeded oodles of detail. It also has perfect pacing, tons of violence, and reads so quickly and easily that it’s an afternoon treat.
Highly recommend horror fans check out The Sick House. Great, fun read.
My favorite part of The Sick House was without a doubt the family’s dialogue and relationships. The bonds between them felt so real and the quips were exactly the type of thing you’re liable to hear at my house. It made me instantly get attached to all of the characters, and that carried me easily through the book. On the flip side, though, I didn’t like that Gina was also very mouthy. I felt like it would have made the family feel a bit more special if Strand had restrained the banter to just them.
I did like Gina, though. She reminded me very much of the character Gina Silvers from the Amazon series Just Add Magic. (Yes, that’s a kid show, but if you’ve ever watched Just Add Magic, you could totally see her pulling the stunts that happen in The Sick House.) I won’t say more because I don’t want to spoil any of it for readers.
A family that I can root for, a house that’s got a serious ‘something’s fishy’ vibe, and the grossness that ensues almost as soon as they move in makes for a lovely read. Well, lovely in an aspect that horror fans will understand at least. Jeff Strand has a talent for descriptions that set the scene perfectly without going into unneeded oodles of detail. It also has perfect pacing, tons of violence, and reads so quickly and easily that it’s an afternoon treat.
Highly recommend horror fans check out The Sick House. Great, fun read.
Zuky the BookBum (15 KP) rated The Dumb House: (Scottish Classics) in Books
Mar 15, 2018
This book was nothing like what I thought it would, and for that reason, it disappointed me.
I believed this novel was going to be a creepy, man-holds-children-captive kind of story, but unfortunately it wasn’t. This was far more intelligent, with lots of complex writing than I had expected, and due to that, I couldn’t really get into it. I’m not the sharpest tool in the shed so I feel like a lot of this book went over my head.
There’s no doubt about it, our narrator is one of the most terrifying and disturbed narrators I’ve ever come across, and thanks to my love for the macabre, this made reading his story sometimes enjoyable. When he was simply recalling his actions in the here and now, I was interested, but when he got into his ramblings about his ideas on testing the innateness of language, my mind moved onto different things. Hence it taking me almost a week and a half to read 204 pages.
Burnside is an incredibly beautiful writer, it doesn’t surprise me to see he’s a poetry writer as well as a fiction writer. I’m always one to praise an author for their poetic prose, but sometimes things get a little too complex for me and all meaning is lost on me. This happened a lot throughout reading The Dumb House.
In terms of the story, this wasn’t exactly what I had hoped it would be. It was very slow to get anywhere, and even when we did get to learning his experiment on his children, that whole section was equally slow-moving. It didn’t feel like an awful lot happened other than several uncomfortable sex scenes and some horrifying violence.
Unfortunately, this one didn’t do it for me, which is a shame, because I was so looking forward to reading it. I suppose if you love intelligent fiction that is reasonably ambiguous, this might be great for you. I personally like a book that challenges my mind, but this one went too far for me.
I believed this novel was going to be a creepy, man-holds-children-captive kind of story, but unfortunately it wasn’t. This was far more intelligent, with lots of complex writing than I had expected, and due to that, I couldn’t really get into it. I’m not the sharpest tool in the shed so I feel like a lot of this book went over my head.
There’s no doubt about it, our narrator is one of the most terrifying and disturbed narrators I’ve ever come across, and thanks to my love for the macabre, this made reading his story sometimes enjoyable. When he was simply recalling his actions in the here and now, I was interested, but when he got into his ramblings about his ideas on testing the innateness of language, my mind moved onto different things. Hence it taking me almost a week and a half to read 204 pages.
Burnside is an incredibly beautiful writer, it doesn’t surprise me to see he’s a poetry writer as well as a fiction writer. I’m always one to praise an author for their poetic prose, but sometimes things get a little too complex for me and all meaning is lost on me. This happened a lot throughout reading The Dumb House.
In terms of the story, this wasn’t exactly what I had hoped it would be. It was very slow to get anywhere, and even when we did get to learning his experiment on his children, that whole section was equally slow-moving. It didn’t feel like an awful lot happened other than several uncomfortable sex scenes and some horrifying violence.
Unfortunately, this one didn’t do it for me, which is a shame, because I was so looking forward to reading it. I suppose if you love intelligent fiction that is reasonably ambiguous, this might be great for you. I personally like a book that challenges my mind, but this one went too far for me.
Louise (64 KP) rated Rat Queens, Vol. 1: Sass & Sorcery in Books
Jul 2, 2018
Meet the Rat Queens! Betty, Dee, Hannah and Violet. The depiction of sass!
Due to their unruly behaviour of drunkenness and bar brawls, the mayor of Palisade has assigned the rat queens to the task of clearing out some Goblins in a cave, however if they fail they will have to leave the town.
I really loved this comic for so many reasons, first and foremost I loved the humour from all of the characters. I literally laughed out loud and that doesn’t happen often when reading a book. It was fun and very easy to read. The pace is constantly fast so you will speed through this book or you can take your time to appreciate the amazing artwork (I loved the artwork). The only thing that let it down was there wasn’t much of a plot, mostly battle scenes and not enough character development, however I chose to ignore this due to it being so friggin good!
First off this is a feminist graphic novel and appears that is becoming somewhat of a trend which is great to see. The main characters are all so different, they are all shapes and sizes, and not perfect with perfect tits and asses. The women are drawn to be attractive but each in their own way. They also got the LGTBQ theme going on in the story – Betty the Smidgen is a lesbian but done in a casual way. There is also different races in the book and interracial relationships. It’s so refreshing to see all, races, genders, sexualities in books now and done so with perfection.
This book is not for children or the easily offended so if you don’t like violence, bad language, gore and sexual discussions then it’s really really not for you as this is what most of the book is about.
I would definitely recommend this book to anyone that likes magic, battles, Orc’s, assassin’s, goblins, gore and more… This is a bind up of the first 5 comics in the series.
Due to their unruly behaviour of drunkenness and bar brawls, the mayor of Palisade has assigned the rat queens to the task of clearing out some Goblins in a cave, however if they fail they will have to leave the town.
I really loved this comic for so many reasons, first and foremost I loved the humour from all of the characters. I literally laughed out loud and that doesn’t happen often when reading a book. It was fun and very easy to read. The pace is constantly fast so you will speed through this book or you can take your time to appreciate the amazing artwork (I loved the artwork). The only thing that let it down was there wasn’t much of a plot, mostly battle scenes and not enough character development, however I chose to ignore this due to it being so friggin good!
First off this is a feminist graphic novel and appears that is becoming somewhat of a trend which is great to see. The main characters are all so different, they are all shapes and sizes, and not perfect with perfect tits and asses. The women are drawn to be attractive but each in their own way. They also got the LGTBQ theme going on in the story – Betty the Smidgen is a lesbian but done in a casual way. There is also different races in the book and interracial relationships. It’s so refreshing to see all, races, genders, sexualities in books now and done so with perfection.
This book is not for children or the easily offended so if you don’t like violence, bad language, gore and sexual discussions then it’s really really not for you as this is what most of the book is about.
I would definitely recommend this book to anyone that likes magic, battles, Orc’s, assassin’s, goblins, gore and more… This is a bind up of the first 5 comics in the series.
Hazel (1853 KP) rated Polaris Awakening (Polaris Anthology, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Polaris Awakening</i> is a young adult science fiction anthology containing several short stories about the human race thousand of years from now where everyone lives aboard giant space stations. <i>Polaris</i> is a collaborative project between numerous authors that are rising up in the young adult world: Kelli Sheridan, E. Latimer, Erica Crouch, Janna Jennings, Hannah Davies, Terra Harmony and Meghan Jashinky. Although each story is different, they all revolve around <i>Polaris</i> – the largest human built space station in the universe.
Despite the different authors’ input, it could be easily believed that only one person wrote the anthology, as their writing styles are so similar. Whilst being labeled as science fiction, there are a lot of themes throughout the book such as a dystopian setting, social and political injustice, romance and violence. There are many strong male and female characters, which make these stories suitable to readers of both genders. The main characters are roughly the same age as the target audience thus generating appropriate language and scenarios for young adults to read and become interested in.
Naturally, some of the stories are better than others. Some are so full of action and suspense, making the reader want to stay with those characters forever, whereas others feel rather short and incomplete. What happens to those certain individuals once they are off the page?
Whilst reading this book I kept thinking about a novel that was recently published: <i>Way Down Dark</i> by J. P. Smythe. The plots of these short stories were very similar to the general story line portrayed within that book. The setting was almost the same as the spacecraft written about by Smythe. If you enjoy this anthology, I am sure you would also love <i>Way Down Dark</i>, and vice versa.
Polaris Awakening</i> is a young adult science fiction anthology containing several short stories about the human race thousand of years from now where everyone lives aboard giant space stations. <i>Polaris</i> is a collaborative project between numerous authors that are rising up in the young adult world: Kelli Sheridan, E. Latimer, Erica Crouch, Janna Jennings, Hannah Davies, Terra Harmony and Meghan Jashinky. Although each story is different, they all revolve around <i>Polaris</i> – the largest human built space station in the universe.
Despite the different authors’ input, it could be easily believed that only one person wrote the anthology, as their writing styles are so similar. Whilst being labeled as science fiction, there are a lot of themes throughout the book such as a dystopian setting, social and political injustice, romance and violence. There are many strong male and female characters, which make these stories suitable to readers of both genders. The main characters are roughly the same age as the target audience thus generating appropriate language and scenarios for young adults to read and become interested in.
Naturally, some of the stories are better than others. Some are so full of action and suspense, making the reader want to stay with those characters forever, whereas others feel rather short and incomplete. What happens to those certain individuals once they are off the page?
Whilst reading this book I kept thinking about a novel that was recently published: <i>Way Down Dark</i> by J. P. Smythe. The plots of these short stories were very similar to the general story line portrayed within that book. The setting was almost the same as the spacecraft written about by Smythe. If you enjoy this anthology, I am sure you would also love <i>Way Down Dark</i>, and vice versa.
LeftSideCut (3776 KP) rated American Horror Story - Season 3 in TV
Nov 2, 2019 (Updated Nov 2, 2019)
Season 3 of AHS is a firm fan favourite - subtitled 'Coven', it centres around a school for young witches to discover and nurture their powers, all whilst preparing for trials to determine who will become the next Supreme witch.
Front and centre once again are Sarah Paulson and Jessica Lange. I enjoy Sarah Paulson in pretty much every season of AHS, and Coven is no different.
Her character, Cordelia Foxx, is her most likable character to date.
Jessica Lange plays her mother, Fiona Goode, and I struggled to get on board with her character. Unlike her character from Asylum, there's just nothing redeemable about her. Jessica Lange is still a powerhouse though...
It's nice to see Frances Conroy also.
The rest of the Coven are made up younger witches, and this is where the season trips up for me. I have nothing against any of the actors, but Coven very much feels like a high school drama for a good chunk of the runtime, and after the darker first two seasons, it's a bit jarring. I feel like a lighter touch can definitely the work (the currently running '1984' has been pretty fun for example), but first time round here, it didn't hit the right notes for me, and I grew quickly tired and bored of the constant high school bickering between characters.
Elsewhere, we're introduced to Voodoo magic, with characters such as the mysterious Papa Legba, Marie Laveau (Angela Bassett), and Madame Delphine LaLaurie, played by Kathy Bates.
Her first role for AHS is possibly her best and she is definitely the season highlight for me.
The Voodoo side of Coven was much more appealing and entertaining.
There's still a bucket load of very well done and gratuitous violence and gore on display, and the music score is pretty good.
Coven is certainly one of my least favorite seasons of AHS, but it's by no means bad, and it's still great to have a horror show this entertaining on prime time television.
Front and centre once again are Sarah Paulson and Jessica Lange. I enjoy Sarah Paulson in pretty much every season of AHS, and Coven is no different.
Her character, Cordelia Foxx, is her most likable character to date.
Jessica Lange plays her mother, Fiona Goode, and I struggled to get on board with her character. Unlike her character from Asylum, there's just nothing redeemable about her. Jessica Lange is still a powerhouse though...
It's nice to see Frances Conroy also.
The rest of the Coven are made up younger witches, and this is where the season trips up for me. I have nothing against any of the actors, but Coven very much feels like a high school drama for a good chunk of the runtime, and after the darker first two seasons, it's a bit jarring. I feel like a lighter touch can definitely the work (the currently running '1984' has been pretty fun for example), but first time round here, it didn't hit the right notes for me, and I grew quickly tired and bored of the constant high school bickering between characters.
Elsewhere, we're introduced to Voodoo magic, with characters such as the mysterious Papa Legba, Marie Laveau (Angela Bassett), and Madame Delphine LaLaurie, played by Kathy Bates.
Her first role for AHS is possibly her best and she is definitely the season highlight for me.
The Voodoo side of Coven was much more appealing and entertaining.
There's still a bucket load of very well done and gratuitous violence and gore on display, and the music score is pretty good.
Coven is certainly one of my least favorite seasons of AHS, but it's by no means bad, and it's still great to have a horror show this entertaining on prime time television.
Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies
Aug 9, 2019
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
Phil Leader (619 KP) rated Blood Moon in Books
Nov 8, 2019
When businessman Recidio Suarez is kidnapped it is the start of a brutal ordeal of beatings and torture as the gang try to steal as many of his assets as they can, and once they have done so it is clear they will kill him.
The police fail to investigate and it is up to Suarez' lawyer Nolan Stevens to track down the gang and try to stop them before they strike again. He races against time to put the evidence together that he needs, but will his efforts be enough?
Based on a true story, there are two distinct phases of this story. Firstly the kidnapping, torture and theft carried out by the gang. The second that of the attempt to capture them. The first part manage to convey the plight Suarez finds himself in well, the panic, the desperation, the pain and the realisation that he is unlikely to get out of this alive.
But it is with the investigation that this novel really steps up a gear. Stevens is a great foil, using the law to his advantage but also carefully breaking it when he needs to. As he tracks the gang down, piecing together their identities, actions and motivations bit by bit the reader is drawn along too, wanting him to succeed.
Everything is described well, from the sticky heat Suarez has to endure in captivity to the indifference of the police and the planning of the gang and the violence of their crimes. I also couldn't help but chuckle as Stevens find time to settle an old score at the same time.
As crime thrillers go this is a good one. Not a 'whodunnit' as that is revealed very early on, but more showing not only how far some people will go for money but also how guile, wit and tenacity will often produce results in the end.
The police fail to investigate and it is up to Suarez' lawyer Nolan Stevens to track down the gang and try to stop them before they strike again. He races against time to put the evidence together that he needs, but will his efforts be enough?
Based on a true story, there are two distinct phases of this story. Firstly the kidnapping, torture and theft carried out by the gang. The second that of the attempt to capture them. The first part manage to convey the plight Suarez finds himself in well, the panic, the desperation, the pain and the realisation that he is unlikely to get out of this alive.
But it is with the investigation that this novel really steps up a gear. Stevens is a great foil, using the law to his advantage but also carefully breaking it when he needs to. As he tracks the gang down, piecing together their identities, actions and motivations bit by bit the reader is drawn along too, wanting him to succeed.
Everything is described well, from the sticky heat Suarez has to endure in captivity to the indifference of the police and the planning of the gang and the violence of their crimes. I also couldn't help but chuckle as Stevens find time to settle an old score at the same time.
As crime thrillers go this is a good one. Not a 'whodunnit' as that is revealed very early on, but more showing not only how far some people will go for money but also how guile, wit and tenacity will often produce results in the end.
Phil Leader (619 KP) rated Guns of the Dawn in Books
Nov 14, 2019
A couple of years a go I was involved in a Twitter conversation about strong female characters in fantasy. The conclusion what that they were there but not very common. This book addresses this by adding another in the shape of Emily Marshwic.
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
LeftSideCut (3776 KP) rated Alien (1979) in Movies
Nov 16, 2019
A masterpiece through and through
Alien is simply put is on of the most perfect horror movies ever committed to film. Decades worth of sequels, prequels, and spin offs don't match it (although Aliens comes pretty damn close) and that is a true testament to the quality of Alien.
The plot is straightforward, and immediately gripping, as a merchant space vessel called The Nostromo, and it's crew, pick up an unidentified distress signal from a nearby moon.
Upon arrival, one of the Crue is attacked by an alien lifeform, and accidentally smuggles something back onto the ship with him, resulting in the infamous chest bursting scene, and a crew trapped floating through space, whilst being hunted one by one.
Said chest bursting scene is one of the single most disturbing scenes in horror, with genuine reactions of surprise by the cast, and horrific practical effects.
Once the plot kicks in, we're presented with a master class of tension. The shadowy setting hides the Xenomorph alien for most of the runtime, offering fleeting glimpses, and occasional bursts of violence.
H. R. Gigers design of the creature is of course iconic, abrasive, and terrifying.
Sigourney Weaver offers a strong female lead in Ellen Ripley, a character that remains a highlight, even throughout the later underwhelming sequels.
Even though Ripley is thrown front and centre in the aftermath of Alien, during this film, she is part of a crew that don't boast any heroes. Everyone aboard feels like real people, way out of their depth in what they're dealing with, and it just adds to the already unsettled surroundings.
Ridley Scott's directing and camera work in Alien manages to be claustrophobic, atmospheric and isolating all at, combining uneasy sound cues with amazing visuals to create a sci-fi horror like no other.
Alien is a film I never tire of watching. As far as this genre goes, it's near perfect.
The plot is straightforward, and immediately gripping, as a merchant space vessel called The Nostromo, and it's crew, pick up an unidentified distress signal from a nearby moon.
Upon arrival, one of the Crue is attacked by an alien lifeform, and accidentally smuggles something back onto the ship with him, resulting in the infamous chest bursting scene, and a crew trapped floating through space, whilst being hunted one by one.
Said chest bursting scene is one of the single most disturbing scenes in horror, with genuine reactions of surprise by the cast, and horrific practical effects.
Once the plot kicks in, we're presented with a master class of tension. The shadowy setting hides the Xenomorph alien for most of the runtime, offering fleeting glimpses, and occasional bursts of violence.
H. R. Gigers design of the creature is of course iconic, abrasive, and terrifying.
Sigourney Weaver offers a strong female lead in Ellen Ripley, a character that remains a highlight, even throughout the later underwhelming sequels.
Even though Ripley is thrown front and centre in the aftermath of Alien, during this film, she is part of a crew that don't boast any heroes. Everyone aboard feels like real people, way out of their depth in what they're dealing with, and it just adds to the already unsettled surroundings.
Ridley Scott's directing and camera work in Alien manages to be claustrophobic, atmospheric and isolating all at, combining uneasy sound cues with amazing visuals to create a sci-fi horror like no other.
Alien is a film I never tire of watching. As far as this genre goes, it's near perfect.
Phil Leader (619 KP) rated Deadly Harm in Books
Nov 25, 2019
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended