Lyndsey Gollogly (2893 KP) rated Mexican Gothic in Books
Feb 22, 2022
Book
Mexican Gothic
By Sylvia Moreno-Garcia
⭐️⭐️⭐️⭐️
When glamorous socialite Noemí Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but her claims that her husband is poisoning her and her visions of restless ghosts seem remarkable, even for her.
Noemí's more suited to cocktail parties than amateur sleuthing, but she heads immediately to High Place, a remote mansion in the Mexican countryside, determined to discover what is so affecting her cousin. She's tough and smart, with an indomitable will, and she is not afraid: not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who is fascinated by Noemí; and not of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he wants to help - but he might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
I found this book on TikTok and it’s one of those that you worry won’t live up to the hype, well I thought it did I loved the setting it had such an atmosphere. This creepy tale had me feeling uncomfortable all the way through! I’ve never read this author before but I will definitely be looking for more of her books. This is one I would seriously recommend especially if you love creepy.
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Hazel (2934 KP) rated Sins of Fathers in Books
Dec 11, 2021
I just couldn't get past the author's use of the word "naughty" to describe some pretty horrific and violent behaviour. According to the Collins English Dictionary, naughty is defined as "(esp of children or their behaviour) mischievous or disobedient; bad" and/or "mildly indecent; titillating". To me, that definition does not correlate with fatally stabbing someone and that is just one instance; the word "naughty" is used a lot and I mean, a lot.
Another thing that irked me somewhat was the glamorisation and glorification of a life of crime and violence and I felt the voice of the book was quite childish and there were times when I struggled to keep up with where I was in the timeline.
Having said all of the above, I realise this is Michael's story; it is his life he is writing about ... warts and all ... and therefore he should be forgiven for using the words and language that is the norm for him but, for me, I just couldn't get on with it and therefore struggled to read it.
In the end though, what I took from this book is that anyone can change; it might take a couple of tries but it can happen and those that do, should be applauded because it's easy just to keep doing what you have always known regardless of the hurt and pain it causes you, those you love and those you come into contact with.
My thanks must go to HarperCollins UK / HarperInspire via NetGalley for providing me with a copy in return for an honest, unbiased and unedited review.
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BankofMarquis (1832 KP) rated Cold Pursuit (2019) in Movies
Mar 1, 2019
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)


