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Kristy H (1252 KP) rated The Furies in Books
Sep 26, 2019
Violet joins Elm Hollow after the death of her little sister and father. It's a private girls school that has a history of magic and witchcraft thanks to an association with the 17th century witch trials. Violet finds herself drawn to three girls--Robin, Grace, and Alex. She becomes close with them, particularly Robin, and finds herself invited to an advanced study group led by their art teacher, Annabel, which goes into more depth about the witchcraft practiced at the school so long ago. The girls seem to think the magic is real, and that they can harness it. Always lurking in the background is Emily Frost--Robin's former best friend--who died before Violet came to Elm Hollow. She and Violet look very similar. As time passes, Violet starts to wonder if the witchcraft is real. And what really happened to Emily?
The girl is found dead on a swing on a playground on Elm Hollow Academy property--no known cause of death. That's how this novel opens, and then we have Violet, who tells us the story looking back, recounting her time at Elm Hollow. So the story opens dramatically and we know something has terrible happened. And that Violet makes it out okay.
"Inconclusive, they said, as though that changed the fact of it, which was this: a sixteen-year-old girl, dead on school property, without a single clue to suggest why or how."
This book should be been really good--I'm a sucker for private school tales (I thought it was a boarding school one, as well, but it wasn't)--but it just didn't work for me. I thought about putting it aside several times, but I just couldn't. I need to work on my DNF skills.
There is a lot here: two dead girls; witchcraft and the occult; mythology; friendship and coming of age--and none of it feels fully explored. A lot of the book focuses on mythology as Annabel teaches some of it to the girls (I felt myself skimming over that, and I like mythology). There's the focus on witchcraft, but it never seems fully embraced. There's a lot of violence (won't go too far for spoilers) but there are never really any consequences. It's very strange, and honestly, not the sort of YA book I'd encourage for teens.
And, then, I just didn't care for these characters. Robin is hateful, and I couldn't form a bond with Violet, our narrator. That would be all well and good if the action was enough to keep my interest, but it wasn't. The book just felt jumbled, and I wasn't interested in picking it up. Even a few late twists didn't really redeem things for me.
Lots of others have found the story powerful, however, so if you like mean girls with a side of possible witchcraft, you may enjoy this more. 2 stars.
The girl is found dead on a swing on a playground on Elm Hollow Academy property--no known cause of death. That's how this novel opens, and then we have Violet, who tells us the story looking back, recounting her time at Elm Hollow. So the story opens dramatically and we know something has terrible happened. And that Violet makes it out okay.
"Inconclusive, they said, as though that changed the fact of it, which was this: a sixteen-year-old girl, dead on school property, without a single clue to suggest why or how."
This book should be been really good--I'm a sucker for private school tales (I thought it was a boarding school one, as well, but it wasn't)--but it just didn't work for me. I thought about putting it aside several times, but I just couldn't. I need to work on my DNF skills.
There is a lot here: two dead girls; witchcraft and the occult; mythology; friendship and coming of age--and none of it feels fully explored. A lot of the book focuses on mythology as Annabel teaches some of it to the girls (I felt myself skimming over that, and I like mythology). There's the focus on witchcraft, but it never seems fully embraced. There's a lot of violence (won't go too far for spoilers) but there are never really any consequences. It's very strange, and honestly, not the sort of YA book I'd encourage for teens.
And, then, I just didn't care for these characters. Robin is hateful, and I couldn't form a bond with Violet, our narrator. That would be all well and good if the action was enough to keep my interest, but it wasn't. The book just felt jumbled, and I wasn't interested in picking it up. Even a few late twists didn't really redeem things for me.
Lots of others have found the story powerful, however, so if you like mean girls with a side of possible witchcraft, you may enjoy this more. 2 stars.
Secret of Mana
Games
App
--- July 18, 2014 Gamepad support has been added. --- Initially released in Japan in 1993, Secret of...
Lottie disney bookworm (1056 KP) rated The Stars That Guide You Home in Books
Oct 25, 2021
Wow.
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Heather Cranmer (2721 KP) rated Serenade (The Dark Nocturne #1) in Books
Aug 1, 2022
I don't normally read young adult books anymore, but when I read the synopsis for Serenade by Morgan Shamy, I was intrigued. I decided to get the eBook, and I am happy I did because I ended up loving Serenade!
I felt as if the plot of Serenade by Morgan Shamy was very original. Yes, it does have some of the other elements of paranormal fantasy that others of the same genre have such as the evil supernatural and paranormal creatures, but Shamy uses all of that and changes it all around to form a very different narrative. Her background in music and dance really shines through throughout Serenade. Whilst reading this novel, I was kept on the edge of my seat waiting to see what would happen next to November and her school. I also enjoyed how Morgan Shamy is not afraid of killing off any character whether they are minor or major. It made the book that much more suspenseful. There was one major plot twist that I didn't see coming. Although Serenade is a series, there's no major cliff hanger which was a plus.
I loved each and every character in Serenade. Each was well fleshed out, and I felt as if I was reading about actual people instead of characters in a book. November was an awesome main character! While there were a few times, I felt as if she made the wrong decision, I could easily see why she chose to do/act the way she did. It was interesting to see her hatch her plan to take on the baddies of the book as well as how she would stand up for her cousin. There was something very endearing about April, and I think she was my favorite character. There was something so innocent and sweet about her. I wanted a friend like April. In fact, I think I kind of was like April in high school - low self-esteem and never quite fitting in. I never liked Cam, not because he wasn't written well, but I hated how assured of himself he was. I was always drawn to Vincent even if he was moody and broody a lot of the time. My favorite creatures in Serenade were definitely the sylphs. I loved how they could go from being beautiful and alluring to deadly quite suddenly.
Trigger warnings for Serenade include violence, death, and murder.
Overall, Serenade is an original take on the whole paranormal fantasy genre that's full of relatable characters and a plot that sucks you in from the very first page. Once you start reading this novel, you will struggle to put it down. It will have that affect on you. I would definitely recommend Serenade by Morgan Shamy to those aged 14+ who are after a book with a fresh new plot full of action, adventure, and some really cool monsters. I have already started reading Etude, the next book in The Dark Nocturne series by Morgan Shamy!
I felt as if the plot of Serenade by Morgan Shamy was very original. Yes, it does have some of the other elements of paranormal fantasy that others of the same genre have such as the evil supernatural and paranormal creatures, but Shamy uses all of that and changes it all around to form a very different narrative. Her background in music and dance really shines through throughout Serenade. Whilst reading this novel, I was kept on the edge of my seat waiting to see what would happen next to November and her school. I also enjoyed how Morgan Shamy is not afraid of killing off any character whether they are minor or major. It made the book that much more suspenseful. There was one major plot twist that I didn't see coming. Although Serenade is a series, there's no major cliff hanger which was a plus.
I loved each and every character in Serenade. Each was well fleshed out, and I felt as if I was reading about actual people instead of characters in a book. November was an awesome main character! While there were a few times, I felt as if she made the wrong decision, I could easily see why she chose to do/act the way she did. It was interesting to see her hatch her plan to take on the baddies of the book as well as how she would stand up for her cousin. There was something very endearing about April, and I think she was my favorite character. There was something so innocent and sweet about her. I wanted a friend like April. In fact, I think I kind of was like April in high school - low self-esteem and never quite fitting in. I never liked Cam, not because he wasn't written well, but I hated how assured of himself he was. I was always drawn to Vincent even if he was moody and broody a lot of the time. My favorite creatures in Serenade were definitely the sylphs. I loved how they could go from being beautiful and alluring to deadly quite suddenly.
Trigger warnings for Serenade include violence, death, and murder.
Overall, Serenade is an original take on the whole paranormal fantasy genre that's full of relatable characters and a plot that sucks you in from the very first page. Once you start reading this novel, you will struggle to put it down. It will have that affect on you. I would definitely recommend Serenade by Morgan Shamy to those aged 14+ who are after a book with a fresh new plot full of action, adventure, and some really cool monsters. I have already started reading Etude, the next book in The Dark Nocturne series by Morgan Shamy!
Tomas Cudzis and the Struggle for Justice and Truth: Quadrilogy
Book
Tomas’s sense of inferiority since his childhood has forced him to transform himself physically,...
thriller psychological thriller dark thriller
Jordan Binkerd (567 KP) rated The Long Earth in Books
Aug 13, 2019
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
I’m a huge fan of Terry Pratchett’s work, in case you hadn’t noticed. I’m slowly working my way through his Discworld novels and Good Omens: The Nice and Accurate Predictions of Agnes Nutter, Witch, cowritten with Neil Gaiman, is among my favorite books of all time.* So when I discovered The Long Earth at my local library, I was ecstatic. I’d heard good things about Stephen Baxter, but never actually read any of his material. What I found was one of the best novels I have read in a very long time.
The premise here is that there are infinite worlds parallel to ours, spread out across the vast “contingency tree” of possible Earths, and in all of the Long Earth only one iteration has developed Human life–ours. Throughout our history there have always been a few with the natural ability to “step” between worlds at will, and still others who did so unintentionally and disappeared forever, but the world at large was unaware of this phenomenon until a reclusive scientist posted the blueprint for a “stepper” device on the internet and promptly disappeared from his apartment. Suddenly, the whole of the Long Earth is opened up to humanity. Suddenly, there is no shortage of land or resources. Economies are hard hit, jobs are lost, and once again humanity’s pioneer spirit is stirred to go out into the frontier and try to make their way….
Joshua Valiente is a so-called “natural stepper,” but he is probably unique among humanity. In the stress of childbirth, his mother stepped out of her world and into a parallel forest before slipping back without him. She managed to get back and recover him pretty quickly, but nevertheless young Joshua spent the first ten minutes or so of his life completely alone in his universe. As a result, he is uniquely attuned to the Long Earth. He can step between worlds without nausea, and is keenly sensitive to the number of people around, growing intensely uncomfortable the more crowded things get. Now, fifteen years after the world learned of the Long Earth, he spends most of his time exploring where no man has gone before. Lobsang, on the other hand, is a keenly intelligent AI, who may or may not be the latest reincarnation of a Tibetan motorcycle repairman. In collaboration with the shadowy Black Corporation, Lobsang has conceived a plan to test just how far the Long Earth goes. And he wants Joshua to go with him….the resulting journey is as much an exploration of what may have been as it is a geographical one, with most worlds mirroring our own, but a few display the effects of a cosmic “toss of a coin” going the other way–for example, there’s one where the Earth was completely destroyed by an asteroid strike sometime in the distant past.
Put quite plainly, this was the best thing I’ve read in a very long time. Very original, and to my (admittedly limited) understanding very faithful to the relevant science without losing quality of narrative or character. Pratchett’s humor and sardonic narrative voice shines through quite often in the interpersonal or introspective moments as well as those detailing more plot driven points–those scenes that would, in a film, become some form of montage showing that time is passing and this is what’s happening in the meantime. As I mentioned, I’ve never read Baxter before, so it’s harder to pick out his voice from their collaboration.
Infodumping has become something of a cardinal sin in the science fiction world, but sometimes you just have to throw some information at the reader so that he doesn’t get lost. I felt that The Long Earth handled that very well. We get our first glimpse at the long earth in montage mode, a series of vignettes that don’t make sense on their own, people popping in and out of worlds without understanding themselves what is going on. This is followed by the main story, twenty years after the discovery of the Long Earth, in which the bare bones are presented via a TV interview a character is half-watching while he waits. These bare bones of the conceptual basis of the book are then fleshed out in more detail as Joshua and Lobsang and introduced and get to know each other, discussing the various theories regarding the Long Earth at length in an effort to better understand it themselves. This is interspersed with flashbacks, sometimes Joshua recalling his experiences, sometimes Lobsang telling stories of other people based on his research into early encounters with the Long Earth. In this way Pratchett and Baxter manage to convey how humanity as a whole is dealing, not just Joshua and Lobsang. If I have one complaint with this it is not always clear why or how we are being told this–you don’t discover until the end of the chapter that Lobsang is telling this to Joshua instead of the authors just throwing in a tangential bit with no direct connection. And it is all connected–every revelation, every character you visit and then abandon early in the book will come back and have significance later on.
This is perhaps not the easiest read–you do have to engage it to understand it properly–but neither is it an incomprehensible enigma. As long as you pay attention you should be fine.
CONTENT: Some R-rated language, but not nearly what you could find elsewhere. Some violence, some grisly aftermath of violence. Sexual references, but nothing explicit.
*I’m frankly a little surprised I don’t have a review of that one up here, I must have reread it last just before I started doing this. I’ll have to fix that in the near future….
Original post: https://jordanbinkerd.wordpress.com/2013/09/18/review-the-long-earth-by-terry-pratchett-stephen-baxter/
I’m a huge fan of Terry Pratchett’s work, in case you hadn’t noticed. I’m slowly working my way through his Discworld novels and Good Omens: The Nice and Accurate Predictions of Agnes Nutter, Witch, cowritten with Neil Gaiman, is among my favorite books of all time.* So when I discovered The Long Earth at my local library, I was ecstatic. I’d heard good things about Stephen Baxter, but never actually read any of his material. What I found was one of the best novels I have read in a very long time.
The premise here is that there are infinite worlds parallel to ours, spread out across the vast “contingency tree” of possible Earths, and in all of the Long Earth only one iteration has developed Human life–ours. Throughout our history there have always been a few with the natural ability to “step” between worlds at will, and still others who did so unintentionally and disappeared forever, but the world at large was unaware of this phenomenon until a reclusive scientist posted the blueprint for a “stepper” device on the internet and promptly disappeared from his apartment. Suddenly, the whole of the Long Earth is opened up to humanity. Suddenly, there is no shortage of land or resources. Economies are hard hit, jobs are lost, and once again humanity’s pioneer spirit is stirred to go out into the frontier and try to make their way….
Joshua Valiente is a so-called “natural stepper,” but he is probably unique among humanity. In the stress of childbirth, his mother stepped out of her world and into a parallel forest before slipping back without him. She managed to get back and recover him pretty quickly, but nevertheless young Joshua spent the first ten minutes or so of his life completely alone in his universe. As a result, he is uniquely attuned to the Long Earth. He can step between worlds without nausea, and is keenly sensitive to the number of people around, growing intensely uncomfortable the more crowded things get. Now, fifteen years after the world learned of the Long Earth, he spends most of his time exploring where no man has gone before. Lobsang, on the other hand, is a keenly intelligent AI, who may or may not be the latest reincarnation of a Tibetan motorcycle repairman. In collaboration with the shadowy Black Corporation, Lobsang has conceived a plan to test just how far the Long Earth goes. And he wants Joshua to go with him….the resulting journey is as much an exploration of what may have been as it is a geographical one, with most worlds mirroring our own, but a few display the effects of a cosmic “toss of a coin” going the other way–for example, there’s one where the Earth was completely destroyed by an asteroid strike sometime in the distant past.
Put quite plainly, this was the best thing I’ve read in a very long time. Very original, and to my (admittedly limited) understanding very faithful to the relevant science without losing quality of narrative or character. Pratchett’s humor and sardonic narrative voice shines through quite often in the interpersonal or introspective moments as well as those detailing more plot driven points–those scenes that would, in a film, become some form of montage showing that time is passing and this is what’s happening in the meantime. As I mentioned, I’ve never read Baxter before, so it’s harder to pick out his voice from their collaboration.
Infodumping has become something of a cardinal sin in the science fiction world, but sometimes you just have to throw some information at the reader so that he doesn’t get lost. I felt that The Long Earth handled that very well. We get our first glimpse at the long earth in montage mode, a series of vignettes that don’t make sense on their own, people popping in and out of worlds without understanding themselves what is going on. This is followed by the main story, twenty years after the discovery of the Long Earth, in which the bare bones are presented via a TV interview a character is half-watching while he waits. These bare bones of the conceptual basis of the book are then fleshed out in more detail as Joshua and Lobsang and introduced and get to know each other, discussing the various theories regarding the Long Earth at length in an effort to better understand it themselves. This is interspersed with flashbacks, sometimes Joshua recalling his experiences, sometimes Lobsang telling stories of other people based on his research into early encounters with the Long Earth. In this way Pratchett and Baxter manage to convey how humanity as a whole is dealing, not just Joshua and Lobsang. If I have one complaint with this it is not always clear why or how we are being told this–you don’t discover until the end of the chapter that Lobsang is telling this to Joshua instead of the authors just throwing in a tangential bit with no direct connection. And it is all connected–every revelation, every character you visit and then abandon early in the book will come back and have significance later on.
This is perhaps not the easiest read–you do have to engage it to understand it properly–but neither is it an incomprehensible enigma. As long as you pay attention you should be fine.
CONTENT: Some R-rated language, but not nearly what you could find elsewhere. Some violence, some grisly aftermath of violence. Sexual references, but nothing explicit.
*I’m frankly a little surprised I don’t have a review of that one up here, I must have reread it last just before I started doing this. I’ll have to fix that in the near future….
Original post: https://jordanbinkerd.wordpress.com/2013/09/18/review-the-long-earth-by-terry-pratchett-stephen-baxter/
Becs (244 KP) rated Beasts of the Frozen Sun in Books
Sep 22, 2019
The plot - so bloody action-packed that leaves you exhausted at times (3 more)
The Villain - makes you want to fall in love with him but then he does something terrible and you want to dismiss him
The enemies to lovers - the MC's are everything
The writing - Jill Criswell does an amazing job with descriptive text and lyrical writing. I was enthralled throughout.
This book is so underrated and it deserves all the hype!
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: war, violence, blood, gore, talk of sexual assault, child abuse, emotional abuse, animal violence, animal sacrifice, death of an animal, anger issues, arsony, death, murder, talk of drowning, absent parent, death of a parent, disowning, forced marriage, death of a sibling, manipulation, mind control, slavery, starvation, torture, trauma
REVIEW: First off, I want to say to not let all of those trigger warnings deter you from reading this breathtaking novel. Beasts of the Frozen Sun was extremely well-written and I will keep screaming this from the rooftops for as long as I am alive of how amazing this novel is.
Beasts of the Frozen Sun is loaded with badassery and brutally epic scenes. Also, that cover is one of the most beautiful covers I’ve ever seen. There was complexity to the world-building, relatable characters that you just can’t help but fall in love with, brutal wars and men as monstrous as some of the men in the world today. This fantasy novel was defiantly on the darker side, but it D E L I V E R E D ! And it delivered an immersive read that drowned you in the world until the very end.
Beasts of the Frozen Sun follows Lira, the heroine who is gifted from the gods and goddess’. This gift, the ability to read a person’s soul by just touching their chest, was used by others – mainly Lira’s father and uncle. But then a golden-haired giant washes ashore and Lira decides to help him heal. She hides him away and the two of them grow close, forming a bond that is forbidden by both of their clans. But then, the Dragon comes into the story and Lira is left fighting for her life, Reyker’s soul, and her people’s freedom.
Things I loved about Beasts of the Frozen Sun:
1. The main character being a badass heroine who gets angry when her sword is taken from her.
2. The love interest being a tough “bad boy” on the outside, but deep down he’s a big ole softie.
3. Gods/Goddess’ that walk the Earth with humans (even sometimes messing with them)
4. Magical powers that were once used for evil but now are used for good.
5. The whole ‘pretend to be sick so we can get close’ ordeal.
“Looking into his eyes was like gazing at the ocean – swirling shades of deep cobalt and steel gray. Fathomless. Familiar.”
When each of the characters were introduced, I was amazed at how spectacular, unique, and so very strong each of them were! Lira and Reyker’s bond was intense and absolutely addictive. They are literally EVERYTHING. The two are star-crossed lovers but also enemies to lovers and I NEED MORE OF THEM.
The world is out to keep them apart but the two are magnets. And nothing can keep them apart for very long, not even the world no matter how hard it tries too. Reyker is the beast. He was saved from drowning by Lira, who helped him heal by hiding him away. She teaches him her language and she stands by his side. Even when the rest of the world has chewed him up and spit him back out.
Lira battles with being used and caged. She hates feeling like “property” by her father and uncle. She also refuses to believe that Reyker isn’t worth saving. She is one badass heroine and I strive to be her. Smash these two together and you get one powerful couple!
I also want to take a moment to say that Quinlan has my heart and I need to see more of him in book 2 please dear author! I will pay you in my tears and heart if I have too.
“If I die in a cage tomorrow, or I die in a cage in ten years – what is the difference? A cage is not a life.”
The world-building in Beasts of the Frozen Sun was… OMG seriously some of the best I’ve ever read. With history, there is always brutality and this novel does include that. Death, torture, the treatment of woman were all horrible and at times a bit hard to read but Jill Criswell has such raw talent at describing things that she does an amazing job writing those style of scenes. And with this being a story set back in history, those themes are inevitable. But each theme included, made Beasts of the Frozen Sun seem more and more realistic with each passing page.
The plot of this novel is everything!! Wars to villages raids to snuggles between Lira and Reyker. There was never a boring moment within Beasts of the Frozen Sun. It was packed with so much intensity that at times, it left you a bit exhausted. The plot was also dark and brutal but it fit with the story. This was a bloody amazing action-packed novel of magic and redemption, high stakes and brutal fights, powerful woman and monstrous men.
I am on my first ever book hangover. That ending… Jill Criswell is a cruel woman to leave me hanging in the way she did. But OHMAGAWD, I CAN NOT WAIT for book two of this series. Please, if you only ever pick up one book that I recommend, please please please pick this amazing novel up!
“When that dark womb of stillness engulfed him, he embraced it with a flood of relief. Reyker welcomed whatever torments waited him on the other side of this world, knowing it was nothing less than he deserved.”
TRIGGER WARNINGS: war, violence, blood, gore, talk of sexual assault, child abuse, emotional abuse, animal violence, animal sacrifice, death of an animal, anger issues, arsony, death, murder, talk of drowning, absent parent, death of a parent, disowning, forced marriage, death of a sibling, manipulation, mind control, slavery, starvation, torture, trauma
REVIEW: First off, I want to say to not let all of those trigger warnings deter you from reading this breathtaking novel. Beasts of the Frozen Sun was extremely well-written and I will keep screaming this from the rooftops for as long as I am alive of how amazing this novel is.
Beasts of the Frozen Sun is loaded with badassery and brutally epic scenes. Also, that cover is one of the most beautiful covers I’ve ever seen. There was complexity to the world-building, relatable characters that you just can’t help but fall in love with, brutal wars and men as monstrous as some of the men in the world today. This fantasy novel was defiantly on the darker side, but it D E L I V E R E D ! And it delivered an immersive read that drowned you in the world until the very end.
Beasts of the Frozen Sun follows Lira, the heroine who is gifted from the gods and goddess’. This gift, the ability to read a person’s soul by just touching their chest, was used by others – mainly Lira’s father and uncle. But then a golden-haired giant washes ashore and Lira decides to help him heal. She hides him away and the two of them grow close, forming a bond that is forbidden by both of their clans. But then, the Dragon comes into the story and Lira is left fighting for her life, Reyker’s soul, and her people’s freedom.
Things I loved about Beasts of the Frozen Sun:
1. The main character being a badass heroine who gets angry when her sword is taken from her.
2. The love interest being a tough “bad boy” on the outside, but deep down he’s a big ole softie.
3. Gods/Goddess’ that walk the Earth with humans (even sometimes messing with them)
4. Magical powers that were once used for evil but now are used for good.
5. The whole ‘pretend to be sick so we can get close’ ordeal.
“Looking into his eyes was like gazing at the ocean – swirling shades of deep cobalt and steel gray. Fathomless. Familiar.”
When each of the characters were introduced, I was amazed at how spectacular, unique, and so very strong each of them were! Lira and Reyker’s bond was intense and absolutely addictive. They are literally EVERYTHING. The two are star-crossed lovers but also enemies to lovers and I NEED MORE OF THEM.
The world is out to keep them apart but the two are magnets. And nothing can keep them apart for very long, not even the world no matter how hard it tries too. Reyker is the beast. He was saved from drowning by Lira, who helped him heal by hiding him away. She teaches him her language and she stands by his side. Even when the rest of the world has chewed him up and spit him back out.
Lira battles with being used and caged. She hates feeling like “property” by her father and uncle. She also refuses to believe that Reyker isn’t worth saving. She is one badass heroine and I strive to be her. Smash these two together and you get one powerful couple!
I also want to take a moment to say that Quinlan has my heart and I need to see more of him in book 2 please dear author! I will pay you in my tears and heart if I have too.
“If I die in a cage tomorrow, or I die in a cage in ten years – what is the difference? A cage is not a life.”
The world-building in Beasts of the Frozen Sun was… OMG seriously some of the best I’ve ever read. With history, there is always brutality and this novel does include that. Death, torture, the treatment of woman were all horrible and at times a bit hard to read but Jill Criswell has such raw talent at describing things that she does an amazing job writing those style of scenes. And with this being a story set back in history, those themes are inevitable. But each theme included, made Beasts of the Frozen Sun seem more and more realistic with each passing page.
The plot of this novel is everything!! Wars to villages raids to snuggles between Lira and Reyker. There was never a boring moment within Beasts of the Frozen Sun. It was packed with so much intensity that at times, it left you a bit exhausted. The plot was also dark and brutal but it fit with the story. This was a bloody amazing action-packed novel of magic and redemption, high stakes and brutal fights, powerful woman and monstrous men.
I am on my first ever book hangover. That ending… Jill Criswell is a cruel woman to leave me hanging in the way she did. But OHMAGAWD, I CAN NOT WAIT for book two of this series. Please, if you only ever pick up one book that I recommend, please please please pick this amazing novel up!
“When that dark womb of stillness engulfed him, he embraced it with a flood of relief. Reyker welcomed whatever torments waited him on the other side of this world, knowing it was nothing less than he deserved.”
Hazel (1853 KP) rated Glass Sword in Books
May 25, 2017
Good Sequel
This ARC was provided by the publisher via NetGalley in exchange for an honest review
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
Haley Mathiot (9 KP) rated Lips Touch: Three Times in Books
Apr 27, 2018
Lips Touch: Three Times by Laini Taylor
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Acanthea Grimscythe (300 KP) rated Insidious (2010) in Movies
May 12, 2018
I finally have access to all the Insidious films. Because of this, I’m in the process of re-watching the first two – something I haven’t done since their initial release. I watched the first of the films yesterday and my thoughts are a bit mixed on it. Don’t get me wrong – I like the movie, but I think it’s PG-13 rating held it back a bit.
Dalton (Ty Simpkins) is, undoubtedly, the central figure of the story. His role throughout much of the movie is to lay comatose in a bed whilst demons fight for possession of his body. He’s got two siblings, a brother named Foster (I think I got that right) and a sister named Cali. His parents, Renai (Rose Byrne) and Josh (Patrick Wilson) are the supposed doting parents – Josh on the other hand could benefit from an actor that’s a bit more invested in his role. I could feel him rolling his eyes between scenes, he was so unenthused.
The plot of Insidious is fairly straightforward, though there is at least one glaring continuity issue that we encounter. For the most part it’s pretty standard haunting and possession, but somehow halfway through the movie (okay, maybe a little later than that) two characters vanish completely. Foster and Cali, the entire time we’re dealing with the Further – another plane of existence – are nowhere to be found. No one’s worried about their safety, no one’s trying to protect them. They’re just… gone. Unless I missed something critical in which they were sent off to a friend’s house or something, then we’ve got a glaring plot hole that gives this film a bit of a blemish when it comes to its polish.
PG-13 is the rating given to a horror film whose goal is to make money. The whole reason it doesn’t cross that boundary is so that all the teenagers can go to the theatre without their parents for what they hope will be a good scare. I learned this the hard way when I had to walk out of the Prom Night remake because kids wouldn’t shut up. (As a result, I rarely go to see a movie that is PG-13.) In Insidious we see the affects of this in the severity of the “hauntings.” Even the demons are downplayed – there’s a distinct lack of violence in the film that one might expect when a powerful entity is trying to take hold of a kid’s body. Sure, we’ve got a few bloody handprints, a little bit of poltergeist-like activity, but that’s it. It’s most stuff you’d expect to see in a scary movie directed at children, with the addition of a few jump-scares that rely heavily on auditory senses.
Needless to say, there are far worse movies than Insidious out there and I still intend to watch the other films. I’m a bit indecisive on how I want to rate this – I enjoyed watching it up until things get a bit silly toward the end, where the Further is involved. At the same time, I don’t dislike the movie. That said, I’ve decided to go with a three out of five.
Dalton (Ty Simpkins) is, undoubtedly, the central figure of the story. His role throughout much of the movie is to lay comatose in a bed whilst demons fight for possession of his body. He’s got two siblings, a brother named Foster (I think I got that right) and a sister named Cali. His parents, Renai (Rose Byrne) and Josh (Patrick Wilson) are the supposed doting parents – Josh on the other hand could benefit from an actor that’s a bit more invested in his role. I could feel him rolling his eyes between scenes, he was so unenthused.
The plot of Insidious is fairly straightforward, though there is at least one glaring continuity issue that we encounter. For the most part it’s pretty standard haunting and possession, but somehow halfway through the movie (okay, maybe a little later than that) two characters vanish completely. Foster and Cali, the entire time we’re dealing with the Further – another plane of existence – are nowhere to be found. No one’s worried about their safety, no one’s trying to protect them. They’re just… gone. Unless I missed something critical in which they were sent off to a friend’s house or something, then we’ve got a glaring plot hole that gives this film a bit of a blemish when it comes to its polish.
PG-13 is the rating given to a horror film whose goal is to make money. The whole reason it doesn’t cross that boundary is so that all the teenagers can go to the theatre without their parents for what they hope will be a good scare. I learned this the hard way when I had to walk out of the Prom Night remake because kids wouldn’t shut up. (As a result, I rarely go to see a movie that is PG-13.) In Insidious we see the affects of this in the severity of the “hauntings.” Even the demons are downplayed – there’s a distinct lack of violence in the film that one might expect when a powerful entity is trying to take hold of a kid’s body. Sure, we’ve got a few bloody handprints, a little bit of poltergeist-like activity, but that’s it. It’s most stuff you’d expect to see in a scary movie directed at children, with the addition of a few jump-scares that rely heavily on auditory senses.
Needless to say, there are far worse movies than Insidious out there and I still intend to watch the other films. I’m a bit indecisive on how I want to rate this – I enjoyed watching it up until things get a bit silly toward the end, where the Further is involved. At the same time, I don’t dislike the movie. That said, I’ve decided to go with a three out of five.