Theta Double Dot
Book
Saddled with the project everyone dreaded, Mark Hammond finds himself ensnared in a nightmare that...
Nine Lives (2002)
Movie
Nine friends retreat to an old Scottish mansion for a weekend of partying without knowing the...
Europa Blues
Book
A Greek gangster arrives in Stockholm, only to be murdered in a macabre fashion at Skansen zoo, his...
Shakespeare's Landlord (Lily Bard, #1)
Book
Welcome to Shakespeare, Arkansas. Lily Bard came to the small town of Shakespeare to escape her...
Indiana Jones and the Hollow Earth
Book
A violent storm, a dying Arctic explorer, and a curious wooden box make Indy the target of fanatical...
Kevin Phillipson (10072 KP) rated Copshop (2021) in Movies
Sep 23, 2021
ClareR (6238 KP) rated Edge of The Grave in Books
May 16, 2023
Corruption is rife, as is poverty and unemployment (it’s the Depression). Everyone is out for themselves - and that includes the police.
This is a hard, gritty read, not for the faint hearted, but compelling nonetheless. I was gripped from start to finish, and I’ve spotted that there’s more to come from Dreghorn and McDaid in a second book - it’s on my wish list already!
BankofMarquis (1832 KP) rated The Gentlemen (2020) in Movies
Jun 27, 2020
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)



