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We are Not Afraid: 2017
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Devastated by the series of terrorist attacks that killed 130 people - the deadliest attacks on...
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Effective Strategies for Protecting Human Rights: Economic Sanctions, Use of National Courts and International Fora and Coercive Power
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This title was first published in 2001: This book brings together the experiences of a diverse range...
Off the Grid
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The Red Desert of Wyoming is a bleak, beautiful, punishing place for anybody, but never more...
Bong Mines Entertainment (15 KP) rated Wild Things - Single by Annprincess in Music
Jun 21, 2019
Annprincess is an up-and-coming singer-songwriter based in Oslo, Norway. Not too long ago, she released a dance video for her “Wild Things” single.
‘Wild Things’ contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with electro-pop and tropical-dance elements.
Also, the likable tune showcases Annprincess’ effortless gift for writing R&B-infused pop tunes.
Annprincess fled her home country of Liberia at the age of seven as a refugee. Shortly afterward, she and her mother found sanctuary in Norway, the place she now calls home.
At the time, Liberia had internal conflict and attempted coups were an everyday occurrence.
Also, Annprincess’ father, Prince Yormie Johnson, was one of the prominent figures in the first Liberian Civil War (1989-1997).
He became notorious for killing anyone who opposed his views or actions. And Annprincess’ mother was repeatedly jailed for her opposition to him.
Also, his role in the torture and murder of President Samuel Doe in 1990 is well documented on video, a part for which there is a regular talk of him being indicted for war crimes.
One of ten children to Prince Yormie’s multiple wives, Annprincess grew up with a dysfunctional view of relationships.
Even those closest to her, leading to her songwriting in which many of her lyrics deal with failed interactions between people.
Forever feeling she has been the underdog in life, Annprincess’ resilience sees her balancing two jobs alongside her music career, not to mention being a successful football player and coach.
Along with her mother, she has overcome every obstacle life has thrown at her and adapted to an alien culture and language.
Also, she used the negative experiences of her story to become an inspirational example to others to never give up in the pursuit of your dreams.
‘Wild Things’ contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with electro-pop and tropical-dance elements.
Also, the likable tune showcases Annprincess’ effortless gift for writing R&B-infused pop tunes.
Annprincess fled her home country of Liberia at the age of seven as a refugee. Shortly afterward, she and her mother found sanctuary in Norway, the place she now calls home.
At the time, Liberia had internal conflict and attempted coups were an everyday occurrence.
Also, Annprincess’ father, Prince Yormie Johnson, was one of the prominent figures in the first Liberian Civil War (1989-1997).
He became notorious for killing anyone who opposed his views or actions. And Annprincess’ mother was repeatedly jailed for her opposition to him.
Also, his role in the torture and murder of President Samuel Doe in 1990 is well documented on video, a part for which there is a regular talk of him being indicted for war crimes.
One of ten children to Prince Yormie’s multiple wives, Annprincess grew up with a dysfunctional view of relationships.
Even those closest to her, leading to her songwriting in which many of her lyrics deal with failed interactions between people.
Forever feeling she has been the underdog in life, Annprincess’ resilience sees her balancing two jobs alongside her music career, not to mention being a successful football player and coach.
Along with her mother, she has overcome every obstacle life has thrown at her and adapted to an alien culture and language.
Also, she used the negative experiences of her story to become an inspirational example to others to never give up in the pursuit of your dreams.
Bob Mann (459 KP) rated Hacksaw Ridge (2016) in Movies
Sep 29, 2021
In God, and Doss, we Trust.
Those dreaded words – “Based On A True Story” – emerge again from the blackness of the opening page. Actually, no. In a move that could be considered arrogant if it wasn’t so well researched, here we even lose the first two words.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
ClareR (5721 KP) rated The Brief (Charles Holborne #1) in Books
Jun 14, 2019
An exciting legal thriller
Sapere books just seem to keep publishing books that I really enjoy reading. This is another one. Again, a book that I wouldn’t normally read - although I don’t think I can keep saying that about thrillers, I seem to be reading a lot of them lately! This is a very good one though.
Charles Holborne wasn’t born as a Holborne, he was originally Charlie Horowitz. After a successful war for him, he left the RAF and went to Cambridge, which for a Jew from the East End at that time was both unusual and remarkable. He becomes a barrister, which is again unusual, and changes his surname due to the prejudice of those in chambers. He’s very good at his job, and specialises in criminal cases. Not everyone appreciates his success, and he soon runs in to some serious problems.
This book just seemed to speed by for me. It was interesting, fast-paced and the second half was rather exciting. We even get to meet the Krays (there’s some historical crimes and criminals to help the reader get some sort of context)!
Charlie Holborne is a really likeable character, and I’d be very interested to read more books in this series.
Thanks to Sapere Books for my copy of this book to read and honestly review.
Charles Holborne wasn’t born as a Holborne, he was originally Charlie Horowitz. After a successful war for him, he left the RAF and went to Cambridge, which for a Jew from the East End at that time was both unusual and remarkable. He becomes a barrister, which is again unusual, and changes his surname due to the prejudice of those in chambers. He’s very good at his job, and specialises in criminal cases. Not everyone appreciates his success, and he soon runs in to some serious problems.
This book just seemed to speed by for me. It was interesting, fast-paced and the second half was rather exciting. We even get to meet the Krays (there’s some historical crimes and criminals to help the reader get some sort of context)!
Charlie Holborne is a really likeable character, and I’d be very interested to read more books in this series.
Thanks to Sapere Books for my copy of this book to read and honestly review.
Forensics: The Anatomy of Crime
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