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Star Wars: Bloodline
Star Wars: Bloodline
Claudia Gray | 2016 | Fiction & Poetry
4
8.0 (3 Ratings)
Book Rating
By and large, most of the Star Wars books to date (including in the old EU), have pretty much belonged to the 'boys club', dfocusing more on the male characters (Han, Luke, the X-Wing pilots, etc) than on their female contemporaries.

I think that's to be expected, given the predominantly male targer audience of the film series - an expectation that Disney themselves are trying to shake up, both in the new films (both of which - The Force Awakens and Rogue One - , so far, have female leads), and in the wider media, as can be shown by their 'Princess Leia' series of comics.

This follows(?) (or did it come first?) in the latter footsteps, with nary a sign of Luke and Han only popping in to give Leia a hand towards the climax of the novel.

Set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens', this also seeks to bridge the gap between those two films, providing a bit of background to the history of The First Order and explaining why, if Leia was part of the Rebellion which toppled the Empire, just why she is now a key member in The Resistance - the Resistance to what, I hear you ask? This answers that question.

It's not a bad read by any strecth of the imagination - according to Goodreads own rating system, 2 stars is a 'I liked it'; I just personally found this a slower, somewhat heavier read than [a:Claudia Gray|1192311|Claudia Gray|https://images.gr-assets.com/authors/1234643683p2/1192311.jpg]'s other Star Wars title: '[b:Lost Stars|25067046|Lost Stars (Star Wars Journey to the Force Awakens)|Claudia Gray|https://images.gr-assets.com/books/1462731623s/25067046.jpg|44751860]';. And yes, I'm aware that this is aimed at a different audience.

How best to put it? I didn't find myself reading this quite so much in my spare time on the bus on the way to work!
  
Partners in Crime
Partners in Crime
Steve Hockensmith | 2023 | Mystery
9
9.0 (1 Ratings)
Book Rating
Five Cases of Crime in the Old West
This book collects five stories featuring Old Red and Big Red, the stars of the Holmes on the Range series. They are set during late fall 1893 and winter 1894, and find the brothers solving a variety of cases. The first story finds the brothers returning to their home town in Kansas with mixed results. When the brothers set out to find a Christmas tree for their landlady, they find a dead body instead. A series of strange events leads them to go to Idaho to try to help the sheep ranchers involved. A request in Colorado finds them in the middle of newspaper wars. Finally, they have to clear their own names when their landlady thinks they are responsible for the things that have been disappearing around their boarding house.

Combined, these five stories reach novel length. Individually, they vary in length. The first one seems to wander a bit at first, but as a fan of the series, I didn’t mind. The stories take place around two of the novels, but there aren’t any spoilers. Instead, we get Big Red and Old Red and some great new characters in each story to keep us engaged. The crimes don’t always involve murder, which I enjoyed seeing. If you haven’t tried the series yet, this would be a fun way to sample the characters. If you’re already a fan, you’ll enjoy seeing what the brothers get up to here.
  
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Jordan Binkerd (567 KP) rated Mercy Kill (X-Wing #10) in Books

Aug 15, 2019 (Updated Aug 20, 2019)  
Mercy Kill (X-Wing #10)
Mercy Kill (X-Wing #10)
Aaron Allston | 2012 | Fiction & Poetry, Humor & Comedy, Science Fiction/Fantasy
10
10.0 (2 Ratings)
Book Rating
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….

NOTE: This novel is no longer canon following Disney’s acquisition of Star Wars. That’s not to say it isn’t good, just that it belongs to the old Canon - I prefer to think of it as an alternate universe.

Do you remember fondly the Star Wars novels of the 90s? Are you into Star Wars but a newcomer to the Expanded Universe? Do you enjoy your Star Wars with an undertone of comedy, so long as a certain floppy-eared terror is nowhere in sight? If so, X-WING: MERCY KILL may be a good book for you to check out.

Unlike most of the books being released set in the “modern” era of the Star Wars universe (44 ABY–i.e., 44 Years post-Episode IV), MERCY KILL lets you jump right in, more or less without knowing the situation to that point. A lot of the others you could read cold, but they wouldn’t make much sense. MERCY KILL, however, has little to do with the ongoing plot of the Expanded Universe. It’s rooted in recent events, but the setup is very simple and easily grasped. It would pay to know the characters from the X-Wing novels of the 90s, but even that is not really necessary. You could check out three or four articles on Wookiepedia and be fine–I did, just to refresh my memory.

So….here’s what you need to know. In the 90s, they published a series of comics and then novels based around Rogue Squadron, led by Wedge Antilles and a number of the X-Wing pilots from the films along with some new faces. These comics and the first four novels were written by Michael Stackpole, but after the fourth he dropped out for a while citing other commitments he had to work on. So they hired in Aaron Allston to continue the series. Allston decided to let the Rogues go off on their own adventures while he created a new team for his novels–Wraith Squadron, a team of X-Wing pilots who would work equally well as a ground-based commando team. The result was a cross between The A-Team and The Dirty Dozen, with some aerial action thrown in. For the purposes of this new novel, notable characters included Garik “Face” Loran, a child star turned soldier and the eventual commander of the Wraiths; and Voort “Piggy” SaBinring, a genetically-modified Gamorrean. There are a few other returning faces, but these were the better developed and you can probably get by just knowing them.

The Star Wars publishing event of the early 2000s was the New Jedi Order series, in which a race of extra-galactic aliens called the Yuuzhan Vong invaded the Galaxy Far, Far Away and sought to subjugate its people. They almost did it, and they changed the way Star Wars novels worked in the process. Characters–MAIN CHARACTERS–died. Chewbacca, Han and Leia’s youngest son Anakin Solo, and countless others fell to the military might of the invaders. There have been other upheavals since, most notably a second Galactic Civil War when Han and Leia’s oldest son Jacen Solo fell to the Dark Side. In the aftermath of that war, a conspiracy was formed to take over both the Galactic Alliance and the Empire and merge them together once again, recapturing the glory of the height of the Old Empire. This conspiracy failed, but it may not have been completely rooted out…..

In this book, Garik Loran is called out of retirement by the head of the Alliance military. He wants Loran to quietly look into rumors that an up-and-coming officer may have been connected to the Lecerson Conspiracy. Wraith Squadron is back in business! The resulting adventure is a fun trip, dealing both in nostalgia for those of us who read the adventures of the original Wraiths long ago and in action that newer fans can get into, all the while serving up Allston’s signature undertone of humor mixed with heart. I heartily recommend it. The one caveat I will mention for fans of the original books is that there is comparatively little aerial combat in this book. The plot doesn’t call for it, and I certainly didn’t really miss it too much, but some may be disappointed by that.

If you want more reading suggestions, the X-Wing: Rogue Squadron comics and X-Wing novels are quite good. If you wanted to enhance your experience with this book, I would have you read at least the novels, but you may not have the patience for all nine of the previous books. If not, I won’t hold it against you.

Content-wise, they keep the Star Wars novels pretty PG. Mild language, mild violence, mild innuendos…..nothing to worry about.

Original post: https://jordanbinkerd.wordpress.com/2013/03/12/review-star-wars-x-wing-mercy-kill-by-aaron-allston/
  
Star Wars: Episode VIII - The Last Jedi (2017)
Star Wars: Episode VIII - The Last Jedi (2017)
2017 | Action, Sci-Fi
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.

At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.

For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.

Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.

Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.

The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.

The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.

The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.

Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.

http://sknr.net/2017/12/12/star-wars-last-jedi/
  
Razor's Edge (Star Wars: Empire and Rebellion, #1)
Razor's Edge (Star Wars: Empire and Rebellion, #1)
Martha Wells | 2013 | Science Fiction/Fantasy
6
8.0 (2 Ratings)
Book Rating
Razor's Edge is one of the books in a trilogy about our favourite characters. It focuses on Princess Leia Organa. This book takes place after the battle of Yavin, but before the next movie in the series. Leia is on a resistance mission with Han when they're attacked and must flee. There are only little cameos from Luke R2, Chewie and C3PO. I do wish we had seen more from Luke, because the books with Jedis (from my experience reading Star Wars books thus far) are more interesting. I understand why they wouldn't feature him, as the book is about Leia but Han was heavily included.

It was nice to get small glimpses into Lesia's character and it made her more human. She's tough and willing to do what needs to be dome. Most people underestimate her because she's a princess, much to their realized dismay.

The author assumes you are well-versed in the Star Wars universe. A casual fan will have no trouble following the story, but may not be able to imagine everything. Non-human beings are named but not always vividly described. Sometimes systems or locales are mentoned without further detail. For the benefit of a more casual reader and world building, it would have been nice if more details were provided.

Overall the story was enjoyable and a fitting addition to the universe, even if it isn't canon anymore. Recommended to any Star Wars fans as well as those that enjoy science fiction or adventure. Suggested that you rewatch the originals, at least 4 and 5 before reading this book.
  
Rogue One: A Star Wars Story (2016)
Rogue One: A Star Wars Story (2016)
2016 | Action, Drama, Fantasy, Sci-Fi
In this day and age, where Star Wars is beloved by so many, and more recently met with sighs and trepidation by just as many, it's a franchise that easily faces scrutiny.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.

The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.

In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.

The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.

Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.