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RəX Regent (349 KP) rated Tarzan's New York Adventure (1942) in Movies
Feb 19, 2019
This trend would continue into the final outing with MGM and the original cast as Johnny Weissmuller and John Sheffield (Boy) would continue on with RKO, but Maureen O’Sullivan, who had clearly grown tired of the role after ten years would depart. And good.
In the early films, especially the first two, Tarzan and Jane’s relationship was paramount. A romantic fairy-tale of sexual and social freedom as Jane would shed her clothes and with them, the shackles of modern civilization in order to live with Tarzan in his idyllic Eden like Jungle home. Hopping from tree to tree, diving into lakes and frolicking where they fell.
By now, they live in a Flintstones style western home with more western trappings than we have today, with Jane being nothing more than an obedient, devoted housewife whilst Tarzan is becoming more civilized and their adopted some has somehow developed and strong American accent!
Jane’s journey was a dead end, and here, as the pair travel to New York to rescue Boy from a circus, she might as well not return to her jungle tree-house at all.
But having said that, this is fun if not a silly adventure, with the fish out of water tropes played out to some comic effect. The scene with Tarzan in the shower is funny but Cheeta’s rampage through Janes suitcase is just annoying as is the fact that she needed so many make up products in the first place!
In the early films, especially the first two, Tarzan and Jane’s relationship was paramount. A romantic fairy-tale of sexual and social freedom as Jane would shed her clothes and with them, the shackles of modern civilization in order to live with Tarzan in his idyllic Eden like Jungle home. Hopping from tree to tree, diving into lakes and frolicking where they fell.
By now, they live in a Flintstones style western home with more western trappings than we have today, with Jane being nothing more than an obedient, devoted housewife whilst Tarzan is becoming more civilized and their adopted some has somehow developed and strong American accent!
Jane’s journey was a dead end, and here, as the pair travel to New York to rescue Boy from a circus, she might as well not return to her jungle tree-house at all.
But having said that, this is fun if not a silly adventure, with the fish out of water tropes played out to some comic effect. The scene with Tarzan in the shower is funny but Cheeta’s rampage through Janes suitcase is just annoying as is the fact that she needed so many make up products in the first place!
Rhubarbio (27 KP) rated Escape From Sunset Island in Tabletop Games
May 26, 2019
Co-operative survival game (3 more)
Hidden traitor mechanic, which plays well against the impetus to work together
Challenging gameplay
Players who are turned into zones can continue to play as zombies, rather than being eliminated
Artwork is basic (1 more)
Longevity of gameplay will depend heavily on your group
A decent enough zombie game
I have very fond memories playing this game, based primarily on the enthusiasm of my gaming group to play this 2/3 times a night, approximately twice a week, for a year! This game places a group of people on an island, with zombies that are about to awaken and chase you down to turn you. Each player has a special action and may pick up a weapon along their travels across the island, whilst on search of fuel and water, both of which are needed to leave the island. The catch? Carrying these items slows you down, so you have to work together to get to one of two points on the island to get away and win...but if the zombies turn players, there are more after the survivors, and there is also the potential for a traitor in your midst, so who can you trust? This is a difficult game to win, but is the more enjoyable for it. That said, it includes basic mechanics and therefore the strength of the game will depend heavily on the enthusiasm of your gaming group.
Mark @ Carstairs Considers (2103 KP) rated Malice Domestic 14: Mystery Most Edible in Books
Jun 11, 2019
Delicious Short Story Collection
This is a collection of 36 short stories originally available at the Malice Domestic conference in 2019. As the title suggests, each story revolves around food in some way. Whether it’s a poisoned tea party or death by airline food, you’ll find plenty of murder and mayhem here. Some of the authors use this to tell a story with their series sleuths. That’s the case with Parnell Hall, who opens the collection with his puzzle lady, Cora Felton. Some authors take you back in time, like Victoria Thompson. Others weave a great tale with characters created for their story here, like Nancy Cole Silverman.
As if often the case with short story collections, a few weren’t to my taste, particularly those stories where the villain managed to get out of the hot water he or she should have been in. Most, however, are purely delectable, with a fun twist or two along the way to the climax and characters that draw you in. Whether the author included their series characters or not, each story can be read on its own. There might be a wink and a nod that series fans will get, but nothing that will distract you as you sample that author’s world. There aren’t any recipes, but with a book that is almost 400 pages long, it’s hard to imagine how large it would have been if they had included some.
As if often the case with short story collections, a few weren’t to my taste, particularly those stories where the villain managed to get out of the hot water he or she should have been in. Most, however, are purely delectable, with a fun twist or two along the way to the climax and characters that draw you in. Whether the author included their series characters or not, each story can be read on its own. There might be a wink and a nod that series fans will get, but nothing that will distract you as you sample that author’s world. There aren’t any recipes, but with a book that is almost 400 pages long, it’s hard to imagine how large it would have been if they had included some.
Fishing for Bodies
In order to help her family deal with their grief, Flavia, her two older sisters, and the family’s servant Dogger have been shipped off on holiday. They are supposed to be enjoying several peaceful days of boating, and Dogger has just happened to pick a location where a vicar poisoned three ladies in his congregation with the communion wine. While Flavia is thinking about this crime, she is letting her hand drift in the water and suddenly grabs something. Instead of the fish she thinks it might be, she discovers it’s a body. Was there foul play? Can Flavia figure out what happened to the corpse?
Series fans, like myself, will be anxious to get this book to find out what is happening to Flavia and her family. We get those updates quite early and then settle in for the latest mystery. The characters are in top form; I loved the develop on Dogger especially. The new characters are sharp, and Flavia charms as always. However, the mystery was poor. We get a strange portion of the book where Flavia is imaging something that happened a few years before. The ending is very weak with guesses instead of facts and deductions. And if Flavia is right on the motive, it is extremely poor. Fans will want to read this one, but definitely start with a stronger book if you are new to the series.
Series fans, like myself, will be anxious to get this book to find out what is happening to Flavia and her family. We get those updates quite early and then settle in for the latest mystery. The characters are in top form; I loved the develop on Dogger especially. The new characters are sharp, and Flavia charms as always. However, the mystery was poor. We get a strange portion of the book where Flavia is imaging something that happened a few years before. The ending is very weak with guesses instead of facts and deductions. And if Flavia is right on the motive, it is extremely poor. Fans will want to read this one, but definitely start with a stronger book if you are new to the series.
Awix (3310 KP) rated No Escape (2015) in Movies
Mar 26, 2018 (Updated Mar 26, 2018)
Technically competent suspense-thriller can't help coming across as a little bit suspect in the signals it's sending (also, title may not be strictly accurate). Nice American family go to a country which looks like Thailand but definitely isn't, dearie me no, and find themselves imperilled by a native uprising triggered by the Prime Minister's new water works. Can they escape before Pierce Brosnan starts singing again?
As I say, solidly put together, and if nothing else Lake Bell's performance is pretty much immaculate - but you have to wonder if the film's depiction of Asian countries isn't defamatory, or at least scare-mongering. It's not surprising this film was banned in some parts of Asia. There's a lot of bafflegab about the hordes of machete-wielding psychos being locals upset about globalisation, but c'mon, guys, this is clearly a film inspired by fears of radical Islamist terrorism, and as such it seems to be presenting every person in Indonesia, Cambodia, Thailand, etc, as a potential psychopathic killer. For something which is basically second-cousin to a zombie movie, it takes itself terribly seriously; a bit too seriously given how implausible the plot rapidly becomes. Perks up a bit when Brosnan is on screen (not often enough), but is this kind of subject matter really the stuff of such broad entertainment? As a thriller this is okay, but a point knocked off for the dubious subtext.
As I say, solidly put together, and if nothing else Lake Bell's performance is pretty much immaculate - but you have to wonder if the film's depiction of Asian countries isn't defamatory, or at least scare-mongering. It's not surprising this film was banned in some parts of Asia. There's a lot of bafflegab about the hordes of machete-wielding psychos being locals upset about globalisation, but c'mon, guys, this is clearly a film inspired by fears of radical Islamist terrorism, and as such it seems to be presenting every person in Indonesia, Cambodia, Thailand, etc, as a potential psychopathic killer. For something which is basically second-cousin to a zombie movie, it takes itself terribly seriously; a bit too seriously given how implausible the plot rapidly becomes. Perks up a bit when Brosnan is on screen (not often enough), but is this kind of subject matter really the stuff of such broad entertainment? As a thriller this is okay, but a point knocked off for the dubious subtext.
Steve Fearon (84 KP) rated Hostile (2017) in Movies
Nov 7, 2018
Claustraphobic (1 more)
Good ramping up of tension
Here in my car, I feel safest of all...
An interesting if not overly original premise, Hostile tells the post apocalyptic tale of a woman in the desert, trapped and injured under her overturned vehicle, whilst being stalked by a mutant creature.
It does a decent job of creating a world and setting for a modest budget, and though its attempts to avoid showing too much for financial reasons are a little transparent at times.
The film oscillates between the post apocalyptic and the pre-catastrophe, and the performances of the main cast are good enough to maintain interest even when going though the largely melodramatic character building of the contemporary setting.
It is ultimately reminiscent of movies like open water, 47 feet under, and even some episodes of the Walking Dead, with the stranded survivor having to survive whilst essentially trapped in one location.
It is a slow burn movie, and very character based, so you spend a lot of time with our protagonist, who was a little cliched, and hard to like most of the time, but a decent enough performance that you can get through the more dialogue heavy parts.
A decent film, and at only 80 minutes, not a huge investment of your time, so might be worth a look if you like your survival movies a bit wasteland-y.
It does a decent job of creating a world and setting for a modest budget, and though its attempts to avoid showing too much for financial reasons are a little transparent at times.
The film oscillates between the post apocalyptic and the pre-catastrophe, and the performances of the main cast are good enough to maintain interest even when going though the largely melodramatic character building of the contemporary setting.
It is ultimately reminiscent of movies like open water, 47 feet under, and even some episodes of the Walking Dead, with the stranded survivor having to survive whilst essentially trapped in one location.
It is a slow burn movie, and very character based, so you spend a lot of time with our protagonist, who was a little cliched, and hard to like most of the time, but a decent enough performance that you can get through the more dialogue heavy parts.
A decent film, and at only 80 minutes, not a huge investment of your time, so might be worth a look if you like your survival movies a bit wasteland-y.
Bob Mann (459 KP) rated Destroyer (2018) in Movies
Jul 23, 2019
Nicole Kidman: a career best performance (2 more)
Slow burn build of characters, through flashback
Brilliant twist in the third act I didn't see coming
Gritty but unpredictable version of an oft-told tale
The plot is both familiar (think “The Departed” mixed with “Hell or High Water”) but at the same time intricate. Nicole Kidman plays police detective Erin Bell who’s in a bad place. She looks to be on her last legs through drink and drugs, but she is being propped up in her post by an understanding boss and a tolerant partner (who spends most of his time leaving “Where the hell are you?” voicemails).
Erin is in pursuit of a truly evil man – Silas (Toby Kebbell) – who is back after a long absence. Erin and Silas have a past that is only unfolded as the film evolves. (To say more would ruin what is an outstandingly well-constructed screenplay). Aside from the “day job”, what Erin also has to contend with her truly wayward 16 year old daughter Shelby (Jade Pettyjohn).
“Destroyer” seems to have had mixed reviews, but it is really one of the most gripping watches I’ve seen in 2019. A career best from Kidman (imho) and an intelligent, slow and thoughtful motion picture.
For the full graphical review please go to One Mann's Movies here - https://bob-the-movie-man.com/2019/07/20/one-manns-movies-dvd-review-destroyer-2019/
Erin is in pursuit of a truly evil man – Silas (Toby Kebbell) – who is back after a long absence. Erin and Silas have a past that is only unfolded as the film evolves. (To say more would ruin what is an outstandingly well-constructed screenplay). Aside from the “day job”, what Erin also has to contend with her truly wayward 16 year old daughter Shelby (Jade Pettyjohn).
“Destroyer” seems to have had mixed reviews, but it is really one of the most gripping watches I’ve seen in 2019. A career best from Kidman (imho) and an intelligent, slow and thoughtful motion picture.
For the full graphical review please go to One Mann's Movies here - https://bob-the-movie-man.com/2019/07/20/one-manns-movies-dvd-review-destroyer-2019/
Phil Leader (619 KP) rated 2061: Odyssey Three (Space Odyssey, #3) in Books
Nov 8, 2019
Arthur C. Clarke was always keen on incorporating the latest scientific discoveries into his works, and when a flyby of the most famous comet of them all - Halley's Comet - by the probe Giotto revealed an icy surface ravaged by guysers of gas and liquids as the sun boiled away the water and hydrocarbons, Clarke saw a scenario that could get Dr Heywood Floyd out of retirement.
With the return of Halley's Comet in 2061, a luxury trip is proposed which Floyd's sense of adventure can't resist. However when things don't quite go to plan his resourcefulness comes to the fore - as well as his connection to long-lost astronaut Dave Bowman and computer HAL9000.
As a neat piece of science fiction, leaning heavily on the science, this books works well and it's a compelling read, especially the encounter with the comet, a world so utterly alien Clarke does well to capture it in his descriptions. As a sequal to 2001 and 2010 it works perhaps a little less well as it doesn't have a great deal to do with the future of mankind, as the first books do. The sequence around the comet would have worked with any protagonist, it didn't need to be Floyd, but would have been a shorter work. But it just about fits into the Space Odyssey ouvre and it's always good to meet up with old friends.
With the return of Halley's Comet in 2061, a luxury trip is proposed which Floyd's sense of adventure can't resist. However when things don't quite go to plan his resourcefulness comes to the fore - as well as his connection to long-lost astronaut Dave Bowman and computer HAL9000.
As a neat piece of science fiction, leaning heavily on the science, this books works well and it's a compelling read, especially the encounter with the comet, a world so utterly alien Clarke does well to capture it in his descriptions. As a sequal to 2001 and 2010 it works perhaps a little less well as it doesn't have a great deal to do with the future of mankind, as the first books do. The sequence around the comet would have worked with any protagonist, it didn't need to be Floyd, but would have been a shorter work. But it just about fits into the Space Odyssey ouvre and it's always good to meet up with old friends.
Mark @ Carstairs Considers (2103 KP) rated Murder at the Mansion in Books
Nov 15, 2019
Redwood Cove Faces a Second Killer
Kelly Jackson has returned to Redwood Cove, California, ready to take on her new job as manager of one of the B&B’s in town. While it finishes up some renovations, she is helping out at a sister property, Redwood Heights. Redwood Heights has been having issue with jewelry being stolen from guest’s rooms, but things escalate when Kelly finds one of the guests murdered in that guest’s room. With the aid of the local senior citizen community watch, the Silver Sentinels, Kelly starts digging around. Can she figure out what happened?
Having grown up visiting the redwoods, I love this setting. I would love to visit in real life, between murders, of course. This book starts off strongly and never lets up, always giving us some complication or clue until Kelly pieces everything together. I didn’t have any problem remembering the characters, which is good since there are quite a few of them, but I do feel the cast could be a little better developed. I’m hoping that will come as the series continues. I also stumbled over a few editing errors. They were minor overall, fortunately. While there aren’t any recipes, there is more than enough talk about food to make your mouth water as you read the book. Overall, this is a good second in the series, and I hope to visit Kelly again soon.
Having grown up visiting the redwoods, I love this setting. I would love to visit in real life, between murders, of course. This book starts off strongly and never lets up, always giving us some complication or clue until Kelly pieces everything together. I didn’t have any problem remembering the characters, which is good since there are quite a few of them, but I do feel the cast could be a little better developed. I’m hoping that will come as the series continues. I also stumbled over a few editing errors. They were minor overall, fortunately. While there aren’t any recipes, there is more than enough talk about food to make your mouth water as you read the book. Overall, this is a good second in the series, and I hope to visit Kelly again soon.
Matthew Krueger (10051 KP) rated Gremlins (1984) in Movies
Dec 17, 2019
After Midnight
Gremlins- a classic christmas horror movie, with cute creatures and then if you dont follow the rules the creatures turn into mad creatures. So you better follow the rules cause ifnt than you might get killed or eatting or bitten by them.
Also by the way this movie was PG, yes PG, and this movie does have some gore, death, dark humor and more. IE the mircowave sence. A Family Pitcure, a classic christmas movie by the way and its PG. In response to this and to similar complaints about Indiana Jones and the Temple of Doom, Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release, creating a new PG-13 rating
The Plot: A gadget salesman is looking for a special gift for his son and finds one at a store in Chinatown. The shopkeeper is reluctant to sell him the `mogwai' but sells it to him with the warning to never expose him to bright light, water, or to feed him after midnight. All of this happens and the result is a gang of gremlins that decide to tear up the town on Christmas Eve.
Steven Spielberg was the film's executive producer, written by Chris Columbus and directed by Joe Dante.
A classic christmas horror film, that all people should see and watch.
Also by the way this movie was PG, yes PG, and this movie does have some gore, death, dark humor and more. IE the mircowave sence. A Family Pitcure, a classic christmas movie by the way and its PG. In response to this and to similar complaints about Indiana Jones and the Temple of Doom, Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release, creating a new PG-13 rating
The Plot: A gadget salesman is looking for a special gift for his son and finds one at a store in Chinatown. The shopkeeper is reluctant to sell him the `mogwai' but sells it to him with the warning to never expose him to bright light, water, or to feed him after midnight. All of this happens and the result is a gang of gremlins that decide to tear up the town on Christmas Eve.
Steven Spielberg was the film's executive producer, written by Chris Columbus and directed by Joe Dante.
A classic christmas horror film, that all people should see and watch.