Kristy H (1252 KP) rated The Poison Garden in Books
Oct 24, 2019
"On the ferry ride home, I was not yet planning to kill anyone. I was still full of hope, eager to land on Chinook Island..."
This is one of those thrillers where you have to go in willing to suspend a little disbelief. It's a bit crazy and a little preposterous, sure. But I have to admit, this was a fun one. I was a little hesitant for a while, pretty sure I had it all figured out and it wasn't going to surprise me. But, I'll gladly admit, I was wrong! This turned out to be a very enthralling read, and I consumed the last half breathlessly, quite intrigued to find out what happened with Elise and Keiran.
I was doubtful about this one in the beginning because it relies on the somewhat overused unreliable narrator trope: can we trust Elise? It seems she's been a sleepwalker in the past, and now, stressed once again, has turned back to her old habits. (At least she wasn't an alcoholic.) I didn't really love Elise, but I admire a book that can keep me engaged even when I'm not 100% behind our protagonist.
"Was I going mad? Padding around in the dark, my subconscious alter ego seizing control?
In fact none of our cast of characters is a real winner: Elise's new husband; her ex, who seems a bit stalkery; her flirtatious neighbor... There is a lot of focus on herbs and medicinal plants, which Elise's mom used in her store. You're never really sure where or why some of the details are thrown in.
But... where this book succeeds and what makes it worth reading is its unpredictability. All of those details are, in fact, quite important. By the end, when it all came together, I was quite surprised (a little mad at myself for not putting more together sooner) and impressed. This one kept me guessing and outwitted me. It was a very easy read and a fun, different thriller. 3.75 stars--rounded to 4 here.
Gareth von Kallenbach (980 KP) rated Funny People (2009) in Movies
Aug 9, 2019
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Gareth von Kallenbach (980 KP) rated Bridesmaids (2011) in Movies
Aug 7, 2019
A failed baker now working in a jewelry shop, Annie is facing a crisis. She is in her thirties and no longer satisfied with “booty calls.” Rooming with two bizarre Brits, Annie also has to put up with a mother who is addicted to speaking at AA meetings yet has never had an alcoholic beverage. However Annie did get the job working in a jewelry store as a favor provided by an AA member that her mother sponsors. Will this wedding be the end of the mess she’s made of her life, or will she continue down this pathetic path?
Meanwhile, Lillian, who is marrying a very wealthy man, has become close friends with Helen (Rose Byrne), the wife of her fiance’s boss. When Annie and Helen meet at the engagement party, tension arises and a battle ensues over the microphone to see who can give the bride the best speech. Annie feels threatened by Lillian’s new “best friend” and declares war against Helen. Her first move is a bridesmaids’ brunch at a sketchy Brazilian restaurant with highly uncomfortable results. Unfortunately the results don’t reveal themselves until Lillian, Hellen, Annie and bridesmaids Megan, Rita and Becca (Melissa McCarthy,Wendi McLendon-Covey and Elli Kemper) are in the middle of trying on bridesmaids dresses in a very swanky high-end bridal shop.
This and other unfortunate bridal mishaps that drive “Bridesmaids” are the products of the writing collaboration of Kristen Wigg and Annie Mumolo (who can be seen in a plane scene as the nervous neighbor). Directed by Paul Feig, “Bridesmaids” is this year’s “Hangover” for women. It is great to finally see a raunchy rom-com that does not leave any room for a dull moment. Some of the funny dialogue was drowned out by the audience who, including myself, were still recovering from the prior funny lines. Kristen Wigg, along with all the actresses in this film, bring a hilarious and seemingly improvised story to the big screen in grand style. This is one of those comedies you don’t want to miss. I give this a 4 out of 5 star rating and will be back in the theater to see it again.
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