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Merissa (12051 KP) rated Agrippa My Heart: MM Daddy Romance (Destination Daddies Season Two) by J.P. Sayle in Books
Jun 24, 2022 (Updated Jun 24, 2023)
AGRIPPA MY HEART is a Destination Daddies story and is just what I needed to come next on my reading list! You know how sometimes, you read a couple of books that just don't quite do it for you, and then you find a gem which makes you smile? This is what happened to me in this book. I will admit to loving the Destination Daddies collection so call it a weakness if you want.
It starts off quite badly, with Patrick in a bad situation with a so-called daddy who doesn't listen. I don't want to say too much, but let's just say, I was glad when it moved on. Patrick and Akker are perfect for each other and, although Akker gives fate a helping hand, he does come clean to Patrick as soon as he can. Their idyll in Sorrento is interrupted by something unpleasant which has to be dealt with. Not only then, but after Patrick returns to London, he has to deal with his boss that has it in for him too. I honestly thought these two things were connected somehow. Maybe through friendship? I was surprised when they weren't.
Patty regresses further back than I have read before but I didn't find it off-putting or 'weird'. I thought their relationship was beautiful, with each of them providing what the other needed. If it works for them, then who am I to judge? What gives me the right?
One thing made me yelp with excitement! My name - the one that has never shown up on a mug, ruler, pen, etc. - was in here!!!! Blink and you miss it, but I didn't. Woohoo. It made my day.
I needed this warm and fuzzy story to give me a hug and that is exactly what it did. I loved the overlap with other stories from this author, especially Jessie and Smithy, who play supporting roles here.
Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 16, 2022
It starts off quite badly, with Patrick in a bad situation with a so-called daddy who doesn't listen. I don't want to say too much, but let's just say, I was glad when it moved on. Patrick and Akker are perfect for each other and, although Akker gives fate a helping hand, he does come clean to Patrick as soon as he can. Their idyll in Sorrento is interrupted by something unpleasant which has to be dealt with. Not only then, but after Patrick returns to London, he has to deal with his boss that has it in for him too. I honestly thought these two things were connected somehow. Maybe through friendship? I was surprised when they weren't.
Patty regresses further back than I have read before but I didn't find it off-putting or 'weird'. I thought their relationship was beautiful, with each of them providing what the other needed. If it works for them, then who am I to judge? What gives me the right?
One thing made me yelp with excitement! My name - the one that has never shown up on a mug, ruler, pen, etc. - was in here!!!! Blink and you miss it, but I didn't. Woohoo. It made my day.
I needed this warm and fuzzy story to give me a hug and that is exactly what it did. I loved the overlap with other stories from this author, especially Jessie and Smithy, who play supporting roles here.
Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 16, 2022
Debbiereadsbook (1197 KP) rated Cruising Right into Love in Books
Jul 19, 2024
loved this, cannot fault it!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Sometimes, Ms Sayle writes incredibly dark tales, sometimes they are just plain weird (fingerlings, come to mind) and then there are these kinda books: just a beautifully told tale of two men doing something about the attraction between them, and letting it all happen, while on a cruise.
I loved this book, I cannot fault it!
Victor comes to Sweet Haven to recover and heal after breaking up with his abusive partner. That last scene with them two together is the start of this book. It was not easy reading, what he did to Vic, but I think it was needed to get the full horro of what he had suffered. Very well written, but hard reading. Getting a job with Leeson and Garrett (from the book Sweet Haven, I had to look!) gives him time to heal. It helps that Denton is easy on the eye, but taken. Then Denton isn't and then they are sharing a room on the cruise, and all bets are off!
What I loved about this most, was that, apart from that first chapter, and some reference to Vic's history, there is very little about that history. Sometimes, reliving past trauma takes up a lot of book, but it's been 2 years and Vic is far more confident now about a lot of things. And it shows when dealing with Mr Polished who takes a shine to Denton on the crusie and Vic is "he's MINE"!
I loved that while Denton was spoken for, nothing happened between them. I loved that Denton's ex is Vic friend, but they were able to get past the breakup and still be friends. I loved how fast things moved for these two. But it's been two years that they have lusted over each other, so things were not going to go at a snail's pace!
It's steamy and smexy. It's emotional and it's fun. It's beauitfully written and delivered. I cannot fault it!
I loved it, so bloody much, so it can only get:
5 full and shiny stars!
*same worded review will appear elsewhere
Sometimes, Ms Sayle writes incredibly dark tales, sometimes they are just plain weird (fingerlings, come to mind) and then there are these kinda books: just a beautifully told tale of two men doing something about the attraction between them, and letting it all happen, while on a cruise.
I loved this book, I cannot fault it!
Victor comes to Sweet Haven to recover and heal after breaking up with his abusive partner. That last scene with them two together is the start of this book. It was not easy reading, what he did to Vic, but I think it was needed to get the full horro of what he had suffered. Very well written, but hard reading. Getting a job with Leeson and Garrett (from the book Sweet Haven, I had to look!) gives him time to heal. It helps that Denton is easy on the eye, but taken. Then Denton isn't and then they are sharing a room on the cruise, and all bets are off!
What I loved about this most, was that, apart from that first chapter, and some reference to Vic's history, there is very little about that history. Sometimes, reliving past trauma takes up a lot of book, but it's been 2 years and Vic is far more confident now about a lot of things. And it shows when dealing with Mr Polished who takes a shine to Denton on the crusie and Vic is "he's MINE"!
I loved that while Denton was spoken for, nothing happened between them. I loved that Denton's ex is Vic friend, but they were able to get past the breakup and still be friends. I loved how fast things moved for these two. But it's been two years that they have lusted over each other, so things were not going to go at a snail's pace!
It's steamy and smexy. It's emotional and it's fun. It's beauitfully written and delivered. I cannot fault it!
I loved it, so bloody much, so it can only get:
5 full and shiny stars!
*same worded review will appear elsewhere
Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
theVman (16 KP) rated Twin Peaks - Season 3 in TV
May 22, 2017
The Cast (1 more)
The new mysterys
Lack of the familar Twin Peaks stuff (2 more)
The way the story unfolds
Very Slow
The first four episodes
Twin Peaks: The Return
*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***
I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.
I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.
Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.
What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.
Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.
We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.
Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.
*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***
I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.
I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.
Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.
What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.
Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.
We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.
Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.
Alice (12 KP) rated Summoned (Summoned, #1) in Books
Jul 3, 2018
<em>Summoned</em> follows a 23-year-old genie named Dimitri - who, in typical genie fashion - is bound by his master to fulfill wishes. The twist is that Dimitri's master isn't limited to just 3 but has no limit.
The story opens with Dimitri fulfilling a kidnapping request followed by his inevitable rest period directly after - where he meets Syd in a dive bar. From there the story just gets a little weird - Dimitri takes Syd home and they end up having sex literally right away (nothing against it cause whatever floats your boat right?) But it was practically as soon as they got in Dimitri's house.
For a book that generally is considered fantasy with a bit of romance thrown in there's an awful lot of sex and it's rushed sex - almost as if the author felt a little weird writing the scenes - Syd is all kinds of crazy stalker as well, like she steals his number from his phone, turns up on his doorstep unannounced and threatens to slash his tires kinda crazy.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
The master - Karl - is an millionaire arse. I have nothing good to say about him whatsoever. Generally, Dimitri can rest for a day or two before Karl makes another wish but Karl starts to make make a new wish every day - Silvia is Karl's daughter and she screams spoiled rich girl who wants to breed with Dimitri - her inheritance.
It's all kinds of messed up.
Dimitri does a job for Karl and goes home to rest only to get a call from Stalker Syd going a little crazy on him for abandoning her - I forgot to mention that when Karl wants a wish he summons Dimitri to a chamber - the following day after yet more rushed sex Karl has another wish for Dimitri where he has to steal a safe - only he <em>fails</em>.
When Dimitri fails to fulfill a wish the buzz in his head grows and he ends up getting a really bad migraine until he fulfills his wish or pigs fly and Karl recant the wish.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
Syd is all kinds of crazy. I don't think much of her character at all, it's like she's got her heart invested after a one night stand and then goes crazy everyone Dimitri doesn't do what she expects him to do.
<blockquote>"You're just gone so much." Syd's voice sounds so empty and hollow. "I never really know when you'll be back, what you're doing, or anything at all. I don't want to be that needy girlfriend, but it's so frustrating. I know it was meant to be casual, but I thought it could be... more. I just wanted some way to know you were thinking of me."</blockquote>
They've been having sex - not even dating - for what feels like 2 days but is more like 3 weeks or so. Little cray cray.
Silvia Walker is also all kinds of crazy - she wants to breed with Dimitri even if it's against his wishes, she murders small furry animals and she smokes like a chimney. She's got it into her head that Dimitri is the love of her life even though he makes it abundantly clear that he can't stand the sight of her. To make matters worse, she finds out that her daddy is trying to sire a son to make sure she doesn't receive her inheritance.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
Although it's a very good concept - a power hungry, slightly crazy millionaire with his own personal genie to fulfill any and every wish he wants - there was just something missing. I don't know maybe the book was too short and the story was a little rushed for me, the insta-love between Dimitri and Syd bugged the ever-loving crap out of me.
The story as a whole was just too rushed for my tastes and at times I didn't get why something was happening or why Dimitri sounded like a stupid teenager, or why for an "all-powerful" master Karl was an absolute douchebag about a lot of stuff.Like wishing Dimitri kills Syd for one - what's his deal?
It had one <em>hell</em> of a twist at the end though. I didn't expect that all which is what pushed this review up from a 3 to a 3.5.
<blockquote>I'm no longer Leo, or Alan, or Alex.
I'm Dimitri.
And I'm free.</blockquote>
The story opens with Dimitri fulfilling a kidnapping request followed by his inevitable rest period directly after - where he meets Syd in a dive bar. From there the story just gets a little weird - Dimitri takes Syd home and they end up having sex literally right away (nothing against it cause whatever floats your boat right?) But it was practically as soon as they got in Dimitri's house.
For a book that generally is considered fantasy with a bit of romance thrown in there's an awful lot of sex and it's rushed sex - almost as if the author felt a little weird writing the scenes - Syd is all kinds of crazy stalker as well, like she steals his number from his phone, turns up on his doorstep unannounced and threatens to slash his tires kinda crazy.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
The master - Karl - is an millionaire arse. I have nothing good to say about him whatsoever. Generally, Dimitri can rest for a day or two before Karl makes another wish but Karl starts to make make a new wish every day - Silvia is Karl's daughter and she screams spoiled rich girl who wants to breed with Dimitri - her inheritance.
It's all kinds of messed up.
Dimitri does a job for Karl and goes home to rest only to get a call from Stalker Syd going a little crazy on him for abandoning her - I forgot to mention that when Karl wants a wish he summons Dimitri to a chamber - the following day after yet more rushed sex Karl has another wish for Dimitri where he has to steal a safe - only he <em>fails</em>.
When Dimitri fails to fulfill a wish the buzz in his head grows and he ends up getting a really bad migraine until he fulfills his wish or pigs fly and Karl recant the wish.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
Syd is all kinds of crazy. I don't think much of her character at all, it's like she's got her heart invested after a one night stand and then goes crazy everyone Dimitri doesn't do what she expects him to do.
<blockquote>"You're just gone so much." Syd's voice sounds so empty and hollow. "I never really know when you'll be back, what you're doing, or anything at all. I don't want to be that needy girlfriend, but it's so frustrating. I know it was meant to be casual, but I thought it could be... more. I just wanted some way to know you were thinking of me."</blockquote>
They've been having sex - not even dating - for what feels like 2 days but is more like 3 weeks or so. Little cray cray.
Silvia Walker is also all kinds of crazy - she wants to breed with Dimitri even if it's against his wishes, she murders small furry animals and she smokes like a chimney. She's got it into her head that Dimitri is the love of her life even though he makes it abundantly clear that he can't stand the sight of her. To make matters worse, she finds out that her daddy is trying to sire a son to make sure she doesn't receive her inheritance.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
Although it's a very good concept - a power hungry, slightly crazy millionaire with his own personal genie to fulfill any and every wish he wants - there was just something missing. I don't know maybe the book was too short and the story was a little rushed for me, the insta-love between Dimitri and Syd bugged the ever-loving crap out of me.
The story as a whole was just too rushed for my tastes and at times I didn't get why something was happening or why Dimitri sounded like a stupid teenager, or why for an "all-powerful" master Karl was an absolute douchebag about a lot of stuff.Like wishing Dimitri kills Syd for one - what's his deal?
It had one <em>hell</em> of a twist at the end though. I didn't expect that all which is what pushed this review up from a 3 to a 3.5.
<blockquote>I'm no longer Leo, or Alan, or Alex.
I'm Dimitri.
And I'm free.</blockquote>
Steven Sklansky (231 KP) rated Get Out (2017) in Movies
Dec 14, 2017
I put off seeing this movie for the longest time. At one point I didn't want to see it. I thought I had seen a lot of movies just like it. But this was definitely something different.
From the start of the movie you just new something crazy was going to happen. You see a black guy just snatched from the street and you just know something is going down. Now I thought all the men were brought to the house by the girl, because that just was how it looked by the photos in her closet. So it was kind of weird to see the brother kidnap someone at the start of the movie. But it just showed how insane the family was.
Like most horror movies they always start very lighthearted. You have the fun girlfriend, the smart ass best friend and even the cute little dog. Then as the movie progresses it really makes you start to get nervous in the right places. You know something is gong to happen but you don't know what. And then BAM! They lay the hammer down and you know you better run. Now the twist was done in a very curious way, they didn't just throw it in your face like some horror movies. They really eased you in and took there time to let it play out.
One cool thing I liked about the movie is the comic relief every once in awhile. I think it made it seem more real and then back into the shit. But thats what you get with Jordan Peele. By the time you got to the end you knew what was going to happen and that's ok, sometimes you can still enjoy a movie when you know how it will end.
Last thing I will say is the this movie had an Eli Roth feel to it. If you have never seen his movies, shame on you. But it was really refreshing to see a movie that another director did that had the same appeal. A lot of time you get a director or writer trying to copy another style and just failing, but this worked out regardless of Jordan trying to mimic that style or not.
Well thats about all the time I have. Please leave comments below if you agree with me or not. Pass out those kodus. Until next time, enjoy the show.
From the start of the movie you just new something crazy was going to happen. You see a black guy just snatched from the street and you just know something is going down. Now I thought all the men were brought to the house by the girl, because that just was how it looked by the photos in her closet. So it was kind of weird to see the brother kidnap someone at the start of the movie. But it just showed how insane the family was.
Like most horror movies they always start very lighthearted. You have the fun girlfriend, the smart ass best friend and even the cute little dog. Then as the movie progresses it really makes you start to get nervous in the right places. You know something is gong to happen but you don't know what. And then BAM! They lay the hammer down and you know you better run. Now the twist was done in a very curious way, they didn't just throw it in your face like some horror movies. They really eased you in and took there time to let it play out.
One cool thing I liked about the movie is the comic relief every once in awhile. I think it made it seem more real and then back into the shit. But thats what you get with Jordan Peele. By the time you got to the end you knew what was going to happen and that's ok, sometimes you can still enjoy a movie when you know how it will end.
Last thing I will say is the this movie had an Eli Roth feel to it. If you have never seen his movies, shame on you. But it was really refreshing to see a movie that another director did that had the same appeal. A lot of time you get a director or writer trying to copy another style and just failing, but this worked out regardless of Jordan trying to mimic that style or not.
Well thats about all the time I have. Please leave comments below if you agree with me or not. Pass out those kodus. Until next time, enjoy the show.
Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Kristy H (1252 KP) rated After Night Fall in Books
Mar 18, 2019
Page-turner with some irritating characters
Marissa Parlette is newly engaged to Nathan, an EMT, and working on integrating herself into his life and that of his young daughter, Anna. She is also trying to slowly reconcile with Nathan's neighbor, Lauren, who also happens to be Marissa's childhood best friend. The two parted ways after an incident in college. But then--after a dinner party at Nathan's to celebrate his birthday--Marissa awakens early and finds Lauren's battered body at the bottom of the cliff behind her house. What happened to Lauren? Did she jump? Fall? Or was she pushed? Marissa starts to investigate what happened, but soon finds she can't trust anything or anyone, including her own fiance.
This was my second A.J. Banner book, and it was a bit of a strange one. I didn't enjoy it as much as The Twilight Wife, but it is definitely a quick and interesting read. I flew through the pages, as Bannon is extremely good at casting suspicion on everyone in the novel. It becomes apparent quickly that Lauren's death wasn't an accident, so you start trying to guess who did it, and while everyone seems a suspect, I had difficultly figuring out "whodunnit," which was fun.
Not so fun was the fact that Marissa, our main character, drove me a bit crazy. I understand that she would be upset by the death of her former best friend, but she became utterly obsessed, investigating in a strange tunnel vision sort of way that seemed almost deranged. Yet, it seemed like she was clueless in some ways, unable to grasp some facts that were pretty easy for the rest of us to figure out. She was also rather self-centered, insecure, and whiny, and I had a tough time rooting for her. I really didn't enjoy any of the characters, honestly, beside Nathan's daughter, Anna. (Poor kid; she didn't deserve having to live with any of those people.)
Overall, I enjoyed the page-turner aspect of this one, and the fact I was constantly kept guessing. The characters and their weird motivations? Eh. Not so much. Still, this was a quick, easy read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was my second A.J. Banner book, and it was a bit of a strange one. I didn't enjoy it as much as The Twilight Wife, but it is definitely a quick and interesting read. I flew through the pages, as Bannon is extremely good at casting suspicion on everyone in the novel. It becomes apparent quickly that Lauren's death wasn't an accident, so you start trying to guess who did it, and while everyone seems a suspect, I had difficultly figuring out "whodunnit," which was fun.
Not so fun was the fact that Marissa, our main character, drove me a bit crazy. I understand that she would be upset by the death of her former best friend, but she became utterly obsessed, investigating in a strange tunnel vision sort of way that seemed almost deranged. Yet, it seemed like she was clueless in some ways, unable to grasp some facts that were pretty easy for the rest of us to figure out. She was also rather self-centered, insecure, and whiny, and I had a tough time rooting for her. I really didn't enjoy any of the characters, honestly, beside Nathan's daughter, Anna. (Poor kid; she didn't deserve having to live with any of those people.)
Overall, I enjoyed the page-turner aspect of this one, and the fact I was constantly kept guessing. The characters and their weird motivations? Eh. Not so much. Still, this was a quick, easy read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Saerie_Faerie (18 KP) rated Downsizing (2017) in Movies
Jan 27, 2018
Contains spoilers, click to show
When I saw the trailer for this movie I was very intrigued by the premise and I still am if I am honest. I also really like Matt Damon as an actor and was expecting to see him in a more serious role, though The Martian was fairly serious. It started out fine and made sense but as soon as his wife leaves him small and stays big nothing is ever resolved after that. The movie even ends on an odd note that, to me felt like they ran out of time and literally could not cut any more and it was mildly necessary for the story so left it. I do believe the reactions to "downsizing" is realistic though in my opinion which was really nice.
Spoilers from here forward.
Ngoc Lan's prosthetic is never mentioned again after her and Paul have sex. Really? Walking around on a peg leg and having really bad chafing but doesn't mention it? Unrealistic.
Paul takes a random pill from a girl at a party and has crazy visions of his wife and friends but never has to do anything about his underlying feelings.
Paul's neighbor has some weird career supplying the small people with "luxury" items, but no one ever actually talks about them or uses them? Like huge bottles of vodka just exist and don't get used and get left out from the safe underground bunker? Just a convenient plot device for them to go to Norway.
Ngoc Lan illegally enters America and the only thing that happens to her is she goes to the hospital to get treated? Absolutely completely unrealistic.
Also I don't think any women have a conversation besides once without Paul or without it being about a dude. Not sure how I feel about that; or about Ngoc Lan being a house cleaner because of course she is a house cleaner, probably with a side of being a nail artist.
This movie was totally disappointing to me and it could have been awesome. They tried too hard to have it make sense, address all the possible problems with it, have it be funny, and have it be serious at the same time that it just turned muddy. Will probably write a fic to fix it for myself at a later.
Spoilers from here forward.
Ngoc Lan's prosthetic is never mentioned again after her and Paul have sex. Really? Walking around on a peg leg and having really bad chafing but doesn't mention it? Unrealistic.
Paul takes a random pill from a girl at a party and has crazy visions of his wife and friends but never has to do anything about his underlying feelings.
Paul's neighbor has some weird career supplying the small people with "luxury" items, but no one ever actually talks about them or uses them? Like huge bottles of vodka just exist and don't get used and get left out from the safe underground bunker? Just a convenient plot device for them to go to Norway.
Ngoc Lan illegally enters America and the only thing that happens to her is she goes to the hospital to get treated? Absolutely completely unrealistic.
Also I don't think any women have a conversation besides once without Paul or without it being about a dude. Not sure how I feel about that; or about Ngoc Lan being a house cleaner because of course she is a house cleaner, probably with a side of being a nail artist.
This movie was totally disappointing to me and it could have been awesome. They tried too hard to have it make sense, address all the possible problems with it, have it be funny, and have it be serious at the same time that it just turned muddy. Will probably write a fic to fix it for myself at a later.
Steven Sklansky (231 KP) rated The Circle (2017) in Movies
Jan 28, 2018
This movie really shows us where we are headed with technology. It seems like privacy is going to end if we don't do something quick. Having a camera on everyone all the time without permission is such a hard choice to make. The majority of the time there is always a camera watching when we are not in our homes. It comes down to who and how the data is being used.
In this movie The Circle, it show what happens when a non-government company gets involved in make the choice to watch are every move. They make is seem like you have a choice to join them, which most people do. They feel like if they do not they are on the outside looking in and are looked down upon for not being part of the community. It is weird in our society that we care that much what people are doing all the time. I myself have a Facebook account but don't use it all to often. Now I do look at daily to see what other people are up to and see if I missed anything news worthy. But a lot of time it is just people complaining about their life to the masses. Every once in awhile I do see a cute animal video.
This company in this movie takes it one step farther. They want to follow your every move and know your health stats, who your talking to, if you voted or plan to and combining your life in to one program. As much as it seem like it would make your life easier, do you want one company knowing everything about you. I say no. Even the government in this movie was torn on whether or not to take down this company.
This was a well casted movie and a very good script, but I think the timeline of the movie could have been better and there could have been better character development. I would have like to have seen the story of Ty and where he fit in more. Mae's character could have had more plot with the take down of the company.
If you are freaked out at where we are headed with social media or even being watched all the time, you should totally watch this movie. It will probably change your mind about a few things. Enjoy the show.
In this movie The Circle, it show what happens when a non-government company gets involved in make the choice to watch are every move. They make is seem like you have a choice to join them, which most people do. They feel like if they do not they are on the outside looking in and are looked down upon for not being part of the community. It is weird in our society that we care that much what people are doing all the time. I myself have a Facebook account but don't use it all to often. Now I do look at daily to see what other people are up to and see if I missed anything news worthy. But a lot of time it is just people complaining about their life to the masses. Every once in awhile I do see a cute animal video.
This company in this movie takes it one step farther. They want to follow your every move and know your health stats, who your talking to, if you voted or plan to and combining your life in to one program. As much as it seem like it would make your life easier, do you want one company knowing everything about you. I say no. Even the government in this movie was torn on whether or not to take down this company.
This was a well casted movie and a very good script, but I think the timeline of the movie could have been better and there could have been better character development. I would have like to have seen the story of Ty and where he fit in more. Mae's character could have had more plot with the take down of the company.
If you are freaked out at where we are headed with social media or even being watched all the time, you should totally watch this movie. It will probably change your mind about a few things. Enjoy the show.
