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BankofMarquis (1832 KP) rated All of Me (1984) in Movies
Jul 28, 2020
Wonderful physical comedy performance by Martin
Over the history of cinema, there are certain Director/Lead Actor pairings that are perfect for each other. John Ford/John Wayne, Alfred Hitchcock/Jimmy Stewart, Martin Scorcese/Robert DeNiro, Steven Spielberg/Tom Hanks all come to mind. Add to that the inspired comedic pairing of Director Carl Reiner and the great Steve Martin.
Starting with THE JERK (1979), Martin and Reiner would make 4 films together the last of which was the 1984 comedy ALL OF ME starring Martin and Lilly Tomlin. And like all Reiner/Martin comedies this one is smartly written with heart and a physically comedic performance by Martin that must be seen to believed.
Martin stars as Lawyer Martin Cobb, an aspiring musician who views his lawyer job as a means to support his dream of becoming a musician. Lilly Tomlin co-stars as one of Martin's clients - a dour, serious millionaire who's dying wish is to have her soul transferred into the body of a younger woman. When the transfer goes wrong, Tomlin finds herself inside Martin's body and the two polar opposites spar each other whilst inside the same body.
A pretty ridiculous premise that is executed wonderfully under the watchful Direction of Reiner. He pushes the premise far - but not too far - focusing (wisely) most of the attention of this movie on Martin and his body's maniacal behavior as both Martin and Tomlin wrestle for control of his body.
Martin, of course, is perfectly cast in a role that was tailor made for him. His physical comedy skills are well used by Reiner and the scene of Martin walking down the street in control of the left side of his body while Tomlin is in control of the right side of his body is worth the price of admission right there. But Martin brings a heart and warmth to his character as well as his well known personae of a person who thinks he is the only sane one in the room - where, in fact, he is the INSANE one.
Tomlin fares less well in her role - being trapped (literally) inside Martin's body and is only seen as reflections in a mirror. Here character is the polar opposite of Martin's, so while Martin is "wild and crazy", she is dour and buttoned up - and this doesn't do her any favors.
Special notice needs to be made of Richard Libertini's turn as Prahka Lasa, the well-meaning "yogi" who is the conduit of the body switching soul. His limited English, earnest and well meaning almost steals the film from Martin.
All in all, an enjoyable evening at the movies which showcases Reiner's ability as a Director and Martin's ability as a gifted, physical comedian very well.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starting with THE JERK (1979), Martin and Reiner would make 4 films together the last of which was the 1984 comedy ALL OF ME starring Martin and Lilly Tomlin. And like all Reiner/Martin comedies this one is smartly written with heart and a physically comedic performance by Martin that must be seen to believed.
Martin stars as Lawyer Martin Cobb, an aspiring musician who views his lawyer job as a means to support his dream of becoming a musician. Lilly Tomlin co-stars as one of Martin's clients - a dour, serious millionaire who's dying wish is to have her soul transferred into the body of a younger woman. When the transfer goes wrong, Tomlin finds herself inside Martin's body and the two polar opposites spar each other whilst inside the same body.
A pretty ridiculous premise that is executed wonderfully under the watchful Direction of Reiner. He pushes the premise far - but not too far - focusing (wisely) most of the attention of this movie on Martin and his body's maniacal behavior as both Martin and Tomlin wrestle for control of his body.
Martin, of course, is perfectly cast in a role that was tailor made for him. His physical comedy skills are well used by Reiner and the scene of Martin walking down the street in control of the left side of his body while Tomlin is in control of the right side of his body is worth the price of admission right there. But Martin brings a heart and warmth to his character as well as his well known personae of a person who thinks he is the only sane one in the room - where, in fact, he is the INSANE one.
Tomlin fares less well in her role - being trapped (literally) inside Martin's body and is only seen as reflections in a mirror. Here character is the polar opposite of Martin's, so while Martin is "wild and crazy", she is dour and buttoned up - and this doesn't do her any favors.
Special notice needs to be made of Richard Libertini's turn as Prahka Lasa, the well-meaning "yogi" who is the conduit of the body switching soul. His limited English, earnest and well meaning almost steals the film from Martin.
All in all, an enjoyable evening at the movies which showcases Reiner's ability as a Director and Martin's ability as a gifted, physical comedian very well.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated A Quiet Place (2018) in Movies
Apr 11, 2018
Not a "horror" movie, but a tense, taught, suspense film
There are many things the new film A QUIET PLACE is. What it is NOT is a "horror" film (as it is being promoted). What this film is is tense, suspenseful, well written, acted & directed, and quite good.
Co-written and Directed by John Krasinski (THE OFFICE) and starring Krasinski and his real-life wife, Emily Blunt (LIVE, DIE, REPEAT, the upcoming MARY POPPINS RETURNS), A QUIET PLACE tells the story of an Earth that has been overrun by aliens who hunt humans as food. These creatures are blind and have limited olfactory senses, but what they do have is extremely good hearing, so to stay alive, you must stay quiet.
We are introduced to this world by a family of 5 that have, thus far, survived. It consists of a Mother (Blunt) and Father (Kasinski) and their 3 children, one of whom is deaf. They have learned how to live in this world and we watch them struggle to stay alive - and stay together as a family unit.
This is the Directorial debut of Kasinski and he acquits himself quite well. This film is strongly paced with a sure eye for what this film should look and feel like. His handling of the actors is strong and he is smart enough to realize that this film could wear it's welcome out, so he keeps things short and to the point.
The acting of the children are good and Krasinski is very good in his role, but it is the work of Emily Blunt that really pulls this film along. As the matriarch of the family, you can see the care and concern on her face, her futility in trying to hold things together. Someone get this actress an Oscar already! Maybe not for this film...but...she is an Oscar-caliber actress showing off her abilities.
But...it is the silence that is the differentiating factor of this cinematic experience.
Because of the nature of the premise, this film - by necessity - is (in essence) a silent film. Because of this, an interesting thing happened in the movie theater I was in. At the beginning of the film, I could hear wrappers being handled and popcorn being eaten and drinks being drunk. But...after about 10 minutes, the theater became just as silent as the screen and you were pulled into the silent world of the film.
All in all, a fantastic, unique time at the cinema. As I said, I would not classify this as a "horror" film, but rather a taught, tense, suspense film that had me jumping out of my seat on more than one occasion.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Co-written and Directed by John Krasinski (THE OFFICE) and starring Krasinski and his real-life wife, Emily Blunt (LIVE, DIE, REPEAT, the upcoming MARY POPPINS RETURNS), A QUIET PLACE tells the story of an Earth that has been overrun by aliens who hunt humans as food. These creatures are blind and have limited olfactory senses, but what they do have is extremely good hearing, so to stay alive, you must stay quiet.
We are introduced to this world by a family of 5 that have, thus far, survived. It consists of a Mother (Blunt) and Father (Kasinski) and their 3 children, one of whom is deaf. They have learned how to live in this world and we watch them struggle to stay alive - and stay together as a family unit.
This is the Directorial debut of Kasinski and he acquits himself quite well. This film is strongly paced with a sure eye for what this film should look and feel like. His handling of the actors is strong and he is smart enough to realize that this film could wear it's welcome out, so he keeps things short and to the point.
The acting of the children are good and Krasinski is very good in his role, but it is the work of Emily Blunt that really pulls this film along. As the matriarch of the family, you can see the care and concern on her face, her futility in trying to hold things together. Someone get this actress an Oscar already! Maybe not for this film...but...she is an Oscar-caliber actress showing off her abilities.
But...it is the silence that is the differentiating factor of this cinematic experience.
Because of the nature of the premise, this film - by necessity - is (in essence) a silent film. Because of this, an interesting thing happened in the movie theater I was in. At the beginning of the film, I could hear wrappers being handled and popcorn being eaten and drinks being drunk. But...after about 10 minutes, the theater became just as silent as the screen and you were pulled into the silent world of the film.
All in all, a fantastic, unique time at the cinema. As I said, I would not classify this as a "horror" film, but rather a taught, tense, suspense film that had me jumping out of my seat on more than one occasion.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Horse Girl (2020) in Movies
Apr 13, 2020
Pacing Was One Problem of Many
In Horse Girl, Sarah (Alison Brie) finds herself confusing her dreams with reality as her visions start to become more and more real.
Acting: 10
I didn’t love this movie, but I did love Brie’s performance as Sarah. It’s an earnest performance and she did extremely well within the confines of the script she was given. With a solid supporting cast in tow, I enjoyed the acting all the way around.
Beginning: 5
Characters: 2
I wasn’t in love with Sarah’s character or at least how she was portrayed. Without giving away any of the story, I’ll just say I think her arc could have been delved into a bit more. In Horse Girl, it felt like the main issue was being skirted more than anything. I also felt like the other characters were just around for the sake of being fillers.
Cinematography/Visuals: 10
The movie is shot well from a visual standpoint. I love how the dreams blend seamlessly into reality and you have a hard time discerning what’s what at times. It’s those kind of things that keep you guessing and almost manage to salvage the movie.
Conflict: 5
Entertainment Value: 3
If I’m being honest, I was mostly bored throughout the movie. Sure there were a couple of moments that piqued my interest, but I think the movie showed it’s hand too fast by presenting the issue, then not really doing much to resolve the issue. I understand the theme of what the movie is supposed to represent, but where is the light in all of it? It felt like a movie descending more and more into darkness with no hope of getting out.
Memorability: 3
Pace: 4
Slow-moving to the point of being painful at times. I remember repeatedly checking the time hoping that things would eventually pick up. I found myself chasing storylines in my head that didn’t even matter. It felt slower overall because I continued to question the direction.
Plot: 3
The attempt to tackle this type of story could have been handled a lot better. If I compare it to another movie that comes to mind, you will automatically know what Horse Girl is about, but I will say said movie handles the topic like night and day compared to this movie. It lacked any kind of cohesiveness to keep me interested.
Resolution: 3
Ends worse than it started. It drained me of hope which is the complete opposite of a movie’s aim. It’s a shame as there were so many different directions they could have chosen.
Overall: 48
About fifteen minutes in, this movie starts to go downhill for me and never really rebounds. Instead, what happens next is a descent into madness that is neither fun nor hopeful.
Acting: 10
I didn’t love this movie, but I did love Brie’s performance as Sarah. It’s an earnest performance and she did extremely well within the confines of the script she was given. With a solid supporting cast in tow, I enjoyed the acting all the way around.
Beginning: 5
Characters: 2
I wasn’t in love with Sarah’s character or at least how she was portrayed. Without giving away any of the story, I’ll just say I think her arc could have been delved into a bit more. In Horse Girl, it felt like the main issue was being skirted more than anything. I also felt like the other characters were just around for the sake of being fillers.
Cinematography/Visuals: 10
The movie is shot well from a visual standpoint. I love how the dreams blend seamlessly into reality and you have a hard time discerning what’s what at times. It’s those kind of things that keep you guessing and almost manage to salvage the movie.
Conflict: 5
Entertainment Value: 3
If I’m being honest, I was mostly bored throughout the movie. Sure there were a couple of moments that piqued my interest, but I think the movie showed it’s hand too fast by presenting the issue, then not really doing much to resolve the issue. I understand the theme of what the movie is supposed to represent, but where is the light in all of it? It felt like a movie descending more and more into darkness with no hope of getting out.
Memorability: 3
Pace: 4
Slow-moving to the point of being painful at times. I remember repeatedly checking the time hoping that things would eventually pick up. I found myself chasing storylines in my head that didn’t even matter. It felt slower overall because I continued to question the direction.
Plot: 3
The attempt to tackle this type of story could have been handled a lot better. If I compare it to another movie that comes to mind, you will automatically know what Horse Girl is about, but I will say said movie handles the topic like night and day compared to this movie. It lacked any kind of cohesiveness to keep me interested.
Resolution: 3
Ends worse than it started. It drained me of hope which is the complete opposite of a movie’s aim. It’s a shame as there were so many different directions they could have chosen.
Overall: 48
About fifteen minutes in, this movie starts to go downhill for me and never really rebounds. Instead, what happens next is a descent into madness that is neither fun nor hopeful.
LeftSideCut (3776 KP) rated Don't Breathe (2016) in Movies
Feb 22, 2020 (Updated Feb 22, 2020)
For the most part, Don't Breathe is a really tight gem of a thriller with some decent horror elements throughout.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
Charlotte (184 KP) rated The Mistake in Books
Mar 20, 2021
Although this is a review it will also serve as a letter to Mandy and any other person who has been in this or similar position.
Also this is trigger central with physical and emotional abuse, rape, bereavement, suicide attempts and self harm. If ANY of this affects you please seek help.
Let's start at the beginning.....yes maybe it was a mistake BUT remember you were being MANIPULATED. At the point you made that first 'mistake' he had already done the ground work, he'd slowly started controlling you and your environment......you didn't have a real choice.
He was a master of manipulation and deception, he already knew what words and phrases to use to get compliance........he had experience of it, he relished it. The guy had plausibility and knew how to create a good story....a believable one, well, multiple stories. The story to fool authorities, the story to fool family and friends, the story that became the script of your life.....this is NOT your fault! Whether due to generally being a trusting person or (for Mandy) being vulnerable from a previous bad relationship, you were taken advantage of.
Hope is a make or break feeling, meeting number 4 full of hope for things to get better was bittersweet. I don't have children but can only imagine what emotional trauma was caused from the very first moment of fear for the children. I take my hat off to all the survivors who steeled themselves and did what was necessary to protect their babies. Mandy did what was needed, not for her but her babies.....that's selflessness right there.
MB passing, for goodness sake! It's fluffing heartbreaking. Not going to lie I cried, for MB, for someone that deserved happiness but yet again was dealt a crap hand in life.
Totally unimpressed with flakey bake, I won't say anything else as I'll just swear a lot.
I've actually met Mandy a few times. She came across as outspoken, independent and strong in person, as well as fun (She's serious about the changing hair colours).
Having read this I have no doubt of the strength of this amazing woman. Followed for years by many demons yet still able to stand up and carry on, able to put into words, write a book, about things that most people wouldn't be capable of imagining let alone have touch their lives. A true inspiration.
I know how depression can creep up on you, stalk you, cloak itself so self doubt sets in......I also know how hard it is to ask for help but please ask, it's a lifesaver.
A story of freedom, survival, heartbreak, despair, hope and love as well as so much more.
This is a tissues and chocolate read from start to finish.
Also this is trigger central with physical and emotional abuse, rape, bereavement, suicide attempts and self harm. If ANY of this affects you please seek help.
Let's start at the beginning.....yes maybe it was a mistake BUT remember you were being MANIPULATED. At the point you made that first 'mistake' he had already done the ground work, he'd slowly started controlling you and your environment......you didn't have a real choice.
He was a master of manipulation and deception, he already knew what words and phrases to use to get compliance........he had experience of it, he relished it. The guy had plausibility and knew how to create a good story....a believable one, well, multiple stories. The story to fool authorities, the story to fool family and friends, the story that became the script of your life.....this is NOT your fault! Whether due to generally being a trusting person or (for Mandy) being vulnerable from a previous bad relationship, you were taken advantage of.
Hope is a make or break feeling, meeting number 4 full of hope for things to get better was bittersweet. I don't have children but can only imagine what emotional trauma was caused from the very first moment of fear for the children. I take my hat off to all the survivors who steeled themselves and did what was necessary to protect their babies. Mandy did what was needed, not for her but her babies.....that's selflessness right there.
MB passing, for goodness sake! It's fluffing heartbreaking. Not going to lie I cried, for MB, for someone that deserved happiness but yet again was dealt a crap hand in life.
Totally unimpressed with flakey bake, I won't say anything else as I'll just swear a lot.
I've actually met Mandy a few times. She came across as outspoken, independent and strong in person, as well as fun (She's serious about the changing hair colours).
Having read this I have no doubt of the strength of this amazing woman. Followed for years by many demons yet still able to stand up and carry on, able to put into words, write a book, about things that most people wouldn't be capable of imagining let alone have touch their lives. A true inspiration.
I know how depression can creep up on you, stalk you, cloak itself so self doubt sets in......I also know how hard it is to ask for help but please ask, it's a lifesaver.
A story of freedom, survival, heartbreak, despair, hope and love as well as so much more.
This is a tissues and chocolate read from start to finish.
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