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Chris Sawin (602 KP) rated The Collector (2009) in Movies
Jun 22, 2019
Arkin wants to smooth over the rough patch his family is currently going through. He seems like a hard working man that's trying to make a living by doing some housework for a family who lives out in the country. It turns out that Arkin has more problems than he lets on though. His wife, Lisa, has quite a pile of debt resting on her shoulders and the loan sharks want their share that very night. Knowing his paycheck isn't enough to pay for their debt, Arkin assures Lisa that he'll have the money by midnight. Arkin is actually a thief who has been scoping out his employer's property the entire time he's been working for him. With the family away on vacation, the safe behind the mirror in the couple's bedroom is ripe for the taking. Unbeknownst to Arkin, however, is that the family never left and somebody else beat him to the punch. A man who's known as The Collector has already broken into the house Arkin had his eye on. After a quick investigation, Arkin notices the traps The Collector has set up in nearly every room and by every exit. As Arkin weighs his options, he realizes he must try to help the family he originally intended to steal from in a race against time.
The Collector is a film that is somewhat hurt by its own hype. It's written by Patrick Melton and Marcus Dunstan (who also directs), the writing team who penned the last three Saw films (including part VI). News broke right before its release that the film was almost a prequel to Saw. In the horror community, being a part of the Saw franchise is a rather large achievement. Even if you're not a fan of the franchise, it's hard to deny how well the Saw films do at the box office as their gross revenue is sometimes up to ten times what the film's budget was. The down side is that The Collector seems to make this point blatantly obvious. The film gives off a sense of deja vu throughout its entire duration. The Collector's traps are very reminiscent of Jigsaw's traps, at least in the way they're set up (reverse bear trap in Saw compared to the bear trap scene in The Collector). The Collector also looks and feels like a Saw film. The quick edits that a lot of people expressed their dislike for in Saw are used more often than not in The Collector. Grainy and high contrast filters along with those quick edits make it a bit hard to distinguish what events are actually occurring on screen at times. The first ten minutes or so of the film feel like an extended music video. These qualities don't necessarily make the film bad, but a film that's advertised as being original shouldn't have so much in common with a well distinguished franchise in the same genre; let alone when some of the same people are involved. Something that may have been easily averted if the marketing campaign didn't throw that fact in the public's face.
With all that being said, the film still has enough originality going for it to bring in horror fans. While the film does have its flaws (the main one being, how'd The Collector have time to set up all these traps?), they actually don't take away from the overall enjoyment for the film. What The Collector collects is rather interesting and even with its similarities to Saw, it's an original horror film that isn't a remake. Something we don't see a lot of anymore. What also might make or break the deal for horror fans seeing this film is that it doesn't shy away from blood and guts. The bear trap sequence alone is rather gruesome, but you do get to see some intestines make a cameo. So this definitely isn't for the squeamish. The film did leave a few open-ended questions, but they don't seem to be negative. The most memorable one is more of a sense of wondering why a certain character did a certain act rather than it being a glaring mistake. If this gets turned into a franchise (which depending on its reception, it just might), we'll probably get answers in the sequel(s). The Collector also seemed to establish a bit of tension at times, while the closing moments of the film were similar to a seesaw. The events that unfold seem to be going in one direction, but then quickly shift and go in another direction.
TV spots are saying things like, "Horror has a new icon," and that The Collector is the best horror film to come out in years. While the latter could be debated, the first part of that statement could very well be true. I, personally, wouldn't mind seeing more of The Collector as I like the idea and the character. The film as a whole, however, may have let its influences shine brighter than its original aspects. In retrospect, The Collector is an entertaining horror film composed of a decent antagonist, standard acting, an original storyline, and a few buckets of gore.
The Collector is a film that is somewhat hurt by its own hype. It's written by Patrick Melton and Marcus Dunstan (who also directs), the writing team who penned the last three Saw films (including part VI). News broke right before its release that the film was almost a prequel to Saw. In the horror community, being a part of the Saw franchise is a rather large achievement. Even if you're not a fan of the franchise, it's hard to deny how well the Saw films do at the box office as their gross revenue is sometimes up to ten times what the film's budget was. The down side is that The Collector seems to make this point blatantly obvious. The film gives off a sense of deja vu throughout its entire duration. The Collector's traps are very reminiscent of Jigsaw's traps, at least in the way they're set up (reverse bear trap in Saw compared to the bear trap scene in The Collector). The Collector also looks and feels like a Saw film. The quick edits that a lot of people expressed their dislike for in Saw are used more often than not in The Collector. Grainy and high contrast filters along with those quick edits make it a bit hard to distinguish what events are actually occurring on screen at times. The first ten minutes or so of the film feel like an extended music video. These qualities don't necessarily make the film bad, but a film that's advertised as being original shouldn't have so much in common with a well distinguished franchise in the same genre; let alone when some of the same people are involved. Something that may have been easily averted if the marketing campaign didn't throw that fact in the public's face.
With all that being said, the film still has enough originality going for it to bring in horror fans. While the film does have its flaws (the main one being, how'd The Collector have time to set up all these traps?), they actually don't take away from the overall enjoyment for the film. What The Collector collects is rather interesting and even with its similarities to Saw, it's an original horror film that isn't a remake. Something we don't see a lot of anymore. What also might make or break the deal for horror fans seeing this film is that it doesn't shy away from blood and guts. The bear trap sequence alone is rather gruesome, but you do get to see some intestines make a cameo. So this definitely isn't for the squeamish. The film did leave a few open-ended questions, but they don't seem to be negative. The most memorable one is more of a sense of wondering why a certain character did a certain act rather than it being a glaring mistake. If this gets turned into a franchise (which depending on its reception, it just might), we'll probably get answers in the sequel(s). The Collector also seemed to establish a bit of tension at times, while the closing moments of the film were similar to a seesaw. The events that unfold seem to be going in one direction, but then quickly shift and go in another direction.
TV spots are saying things like, "Horror has a new icon," and that The Collector is the best horror film to come out in years. While the latter could be debated, the first part of that statement could very well be true. I, personally, wouldn't mind seeing more of The Collector as I like the idea and the character. The film as a whole, however, may have let its influences shine brighter than its original aspects. In retrospect, The Collector is an entertaining horror film composed of a decent antagonist, standard acting, an original storyline, and a few buckets of gore.
Purple Phoenix Games (2266 KP) rated Wish You Were Here in Tabletop Games
Nov 3, 2020
I thought I was smart. I thought my wife was smarter. I thought that combined, we would have a great shot at figuring out anything thrown at us. Then The Enigma Emporium threw Wish You Were Here at us, and now we feel the American school system has failed us miserably. The level of defeat we feel is immense and can only hope to redeem ourselves during the next game.
Wish You Were Here is a puzzle-on-some-postcards-that-make-you-feel-like-a-Kindergarten-version-of-Indiana-Jones-minus-the-physical-adventuring game. I really cannot describe it any better for you, but will let you know what to expect and how we fared.
DISCLAIMER: We were provided a copy of the entire Wish You Were Here series of games for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your envelope. I do not intend to cover every single rule included in the rulebook, as there is no rulebook. For more information and to order your own, visit the publisher’s website. Also, I am purposely hiding or not showing certain things because I wish to avoid any spoilers. -T
To setup, make sure your phone or tablet are fully charged, grab yourself a nice chai tea latte (or three), a pad of paper and writing utensil, open the game envelope and pull out the five postcards. You are now ready to “play” Wish You Were Here.
Why am I being so sparse and cryptic? Well, Wish You Were Here is a game that is played by figuring out puzzles and clues printed on postcards to catch a criminal and suss out their crime(s). The postcards are simply full of different puzzles and different TYPES of puzzles. I am really unable to go into much further detail for fear of spoilers, but before you tackle this adventure, I would brush up on your Dan Brown to channel your inner Robert Langdon (the guy from the Da Vinci Code books and movies).
Inside the envelope are five postcards from which you will need to assemble a working idea of what is actually going on and what is being communicated to you through these clues. Speaking of clues, the publisher has thankfully included their website to visit when you are simply stuck on something provided.
Players will be tackling the puzzles provided by attacking separately or as a group and putting together their thoughts and findings. Once the players have it figured out (good luck) then they must collaborate their answers within the game.
Components. This game is five postcards in a paper envelope. The envelope is fine and holds the postcards well. The postcards themselves are normal postcard stock, but every little item on them may be important toward solving the case. They are all vastly different in style and, I’ll give you a tiny hint, each card may have its own theme. The components here are strange to try to review, but for being the type of game it is, the components are excellent..?
Okay so like I said in my intro, I found my wife and I to be highly intelligent people. We both have college degrees and one of us was a high school valedictorian (not me). So imagine my surprise as we are cookin’ on the first postcard, have some items and ideas written down, but then get super stuck on what it is trying to tell us. So we think that there is no harm in checking out the clues on the publisher website and check it out. Once we find what we are looking for, we realize that maybe we are in way over our heads here.
The clues are incredibly helpful to solving the information provided on each postcard. I just wish we didn’t become so dependent on them to figure out each card. Once we pulled up the clues site the first time, it became more and more tempting to just get as many clues as we could there and then the game became more an activity of following clue instructions and applying their suggestions than us actually trying to figure them out ourselves. It might have had something to do with the fact that we started the game at 10pm, and were nowhere near finished at midnight, but the chai and cookies helped a little.
All in all, this game is incredibly unique and really really tough, unless the players are all into ciphers and codices. Being able to recognize what puzzle style is being employed is the first step in solving each one. Using that information to apply to the puzzle at hand is the other side of that coin. That said, we at Purple Phoenix Games give this one a solid, but hidden 12 / 18. Our brains are still reeling from that playthrough, but we are determined to figure out more items independently once we attempt the next game in the series. If you are looking for a small footprint, brain-wrecking, incredibly thinky game to pull out with your more academic friends, then definitely order your copy of Wish You Were Here from theenigmaemporium.com, and grab all the others while you are there as well.
Wish You Were Here is a puzzle-on-some-postcards-that-make-you-feel-like-a-Kindergarten-version-of-Indiana-Jones-minus-the-physical-adventuring game. I really cannot describe it any better for you, but will let you know what to expect and how we fared.
DISCLAIMER: We were provided a copy of the entire Wish You Were Here series of games for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your envelope. I do not intend to cover every single rule included in the rulebook, as there is no rulebook. For more information and to order your own, visit the publisher’s website. Also, I am purposely hiding or not showing certain things because I wish to avoid any spoilers. -T
To setup, make sure your phone or tablet are fully charged, grab yourself a nice chai tea latte (or three), a pad of paper and writing utensil, open the game envelope and pull out the five postcards. You are now ready to “play” Wish You Were Here.
Why am I being so sparse and cryptic? Well, Wish You Were Here is a game that is played by figuring out puzzles and clues printed on postcards to catch a criminal and suss out their crime(s). The postcards are simply full of different puzzles and different TYPES of puzzles. I am really unable to go into much further detail for fear of spoilers, but before you tackle this adventure, I would brush up on your Dan Brown to channel your inner Robert Langdon (the guy from the Da Vinci Code books and movies).
Inside the envelope are five postcards from which you will need to assemble a working idea of what is actually going on and what is being communicated to you through these clues. Speaking of clues, the publisher has thankfully included their website to visit when you are simply stuck on something provided.
Players will be tackling the puzzles provided by attacking separately or as a group and putting together their thoughts and findings. Once the players have it figured out (good luck) then they must collaborate their answers within the game.
Components. This game is five postcards in a paper envelope. The envelope is fine and holds the postcards well. The postcards themselves are normal postcard stock, but every little item on them may be important toward solving the case. They are all vastly different in style and, I’ll give you a tiny hint, each card may have its own theme. The components here are strange to try to review, but for being the type of game it is, the components are excellent..?
Okay so like I said in my intro, I found my wife and I to be highly intelligent people. We both have college degrees and one of us was a high school valedictorian (not me). So imagine my surprise as we are cookin’ on the first postcard, have some items and ideas written down, but then get super stuck on what it is trying to tell us. So we think that there is no harm in checking out the clues on the publisher website and check it out. Once we find what we are looking for, we realize that maybe we are in way over our heads here.
The clues are incredibly helpful to solving the information provided on each postcard. I just wish we didn’t become so dependent on them to figure out each card. Once we pulled up the clues site the first time, it became more and more tempting to just get as many clues as we could there and then the game became more an activity of following clue instructions and applying their suggestions than us actually trying to figure them out ourselves. It might have had something to do with the fact that we started the game at 10pm, and were nowhere near finished at midnight, but the chai and cookies helped a little.
All in all, this game is incredibly unique and really really tough, unless the players are all into ciphers and codices. Being able to recognize what puzzle style is being employed is the first step in solving each one. Using that information to apply to the puzzle at hand is the other side of that coin. That said, we at Purple Phoenix Games give this one a solid, but hidden 12 / 18. Our brains are still reeling from that playthrough, but we are determined to figure out more items independently once we attempt the next game in the series. If you are looking for a small footprint, brain-wrecking, incredibly thinky game to pull out with your more academic friends, then definitely order your copy of Wish You Were Here from theenigmaemporium.com, and grab all the others while you are there as well.
Zuky the BookBum (15 KP) rated The Merciless in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/the-merciless-by-danielle-vega
<b><i>Forgive us, Father, for we have sinned.</b></i>
Well, well, well, what can I say? This thoroughly disappointed me, after giving it some more thought, Ive taken this down to 2 stars.
So we have 3 beautiful and popular God-fearing girls who adopt the new girl into their secretive little gang and warn her against demon-possessed Brooklyn. To cure Brooklyn of her devilish ways they decide to kidnap her, stick her in a basement and torture her, or exorcise her Sound like Im giving too much away? Well yes, I probably am, but the blurb tells you the exact same thing, making the whole suspense element of this book completely useless and a waste of the author's time. <b>Dont try to keep us on our toes when youve already told us whats going to happen.</b>
Due to this being a novel aimed at Young Adult readers, the language, for me, felt simple and lack lustre. I can only read so much before it becomes laughable for me, and laughable it became. All the characters speech was so unrealistic and straightforward it was almost impossible to believe anyone would actually talk like that. This unrealistic speech really made it difficult to connect to any of the characters on a deeper level so I had no empathy for any of them.
The plot, overall, is just a little bit completely ridiculous and nonsensical. The blandness of the characters, scenes and speech make the whole thing feel like a pretty demented, but dumb dream. <spoiler>If Brooklyn had just been evil in a normal teenage girl way and didnt rip out Rileys fucking heart, maybe it would have been a better book</spoiler> I didnt find myself shocked, scared or creeped out at any point in the entire book because it was all so juvenile and cheesy. The reasons the girls did what they did was childish and cringy and it just wouldnt happen in the way Vega wrote it down. And lets not get me started on all the loose ends...
Anyone up for reading one of the most predictable endings ever? My God, what an unexciting end to a pretty unexciting novel - at least it was consistent.
I did read this over the period of just one day, so it had me wanting to finish it, but not for any of the right reasons. I wasnt reading it quickly because I wanted to know what was going to happen next, I was reading it quickly because it was getting stupider and stupider and I wanted to get it over and done with. Do I want to put myself through reading the second book in the series? I dont know Ill give it some time first.
<b><i>Forgive us, Father, for we have sinned.</b></i>
Well, well, well, what can I say? This thoroughly disappointed me, after giving it some more thought, Ive taken this down to 2 stars.
So we have 3 beautiful and popular God-fearing girls who adopt the new girl into their secretive little gang and warn her against demon-possessed Brooklyn. To cure Brooklyn of her devilish ways they decide to kidnap her, stick her in a basement and torture her, or exorcise her Sound like Im giving too much away? Well yes, I probably am, but the blurb tells you the exact same thing, making the whole suspense element of this book completely useless and a waste of the author's time. <b>Dont try to keep us on our toes when youve already told us whats going to happen.</b>
Due to this being a novel aimed at Young Adult readers, the language, for me, felt simple and lack lustre. I can only read so much before it becomes laughable for me, and laughable it became. All the characters speech was so unrealistic and straightforward it was almost impossible to believe anyone would actually talk like that. This unrealistic speech really made it difficult to connect to any of the characters on a deeper level so I had no empathy for any of them.
The plot, overall, is just a little bit completely ridiculous and nonsensical. The blandness of the characters, scenes and speech make the whole thing feel like a pretty demented, but dumb dream. <spoiler>If Brooklyn had just been evil in a normal teenage girl way and didnt rip out Rileys fucking heart, maybe it would have been a better book</spoiler> I didnt find myself shocked, scared or creeped out at any point in the entire book because it was all so juvenile and cheesy. The reasons the girls did what they did was childish and cringy and it just wouldnt happen in the way Vega wrote it down. And lets not get me started on all the loose ends...
Anyone up for reading one of the most predictable endings ever? My God, what an unexciting end to a pretty unexciting novel - at least it was consistent.
I did read this over the period of just one day, so it had me wanting to finish it, but not for any of the right reasons. I wasnt reading it quickly because I wanted to know what was going to happen next, I was reading it quickly because it was getting stupider and stupider and I wanted to get it over and done with. Do I want to put myself through reading the second book in the series? I dont know Ill give it some time first.
Carma (21 KP) rated Cowboy SEAL Christmas (Navy SEAL Cowboys, #3) in Books
Jun 17, 2019
Love and a Llama, how can a book get any better than this?! Cowboy Seal Christmas is the 3rd book in the Navy Seal Cowboy series (a sort of spin off of Helms Big Sky Cowboy series). I have not read the first 2 books in this series (time constraints and a overwhelming TBR pile but I did read all the books in the Big Sky Cowboy series). This book has all the elements I loved from those books and more. Nicole Helm has a way of getting you right into the moment as if you were standing right there alongside the characters. 5/5 for Grouchy Gabe!!!
Gabe Cortez is a grouchy, ex Navy SEAL who hates Christmas. He hates most things actually and is more than happy to tell you how much it all sucks. He had a horrible childhood that led to him entering the military and losing a good friend in one horrifying instance. He comes to Revival ranch with his 2 friends, Jack and Alex, to help start a new program for injured military servicemen and women to get back on their feet. Jack and Alex both find love (spoiler for the first 2 books haha) and he is once again the odd man out. Then he meets the new ranch therapist Monica Finley and hope starts to rise in him again.
Monica Finley is looking forward to working with all the men and women headed to Revival Ranch for therapy and help getting back to civilian life. Growing up with a Marine father suffering from PTSD has helped her understand some of the struggles men and women face upon returning home. She has a 10 year old son named Colin, with her late Air Force husband Dex, who is her entire world. She protects him, well overprotects, as well as she can as a single mother and is hoping the closeness of the ranch will help them all start a new life. Gabe has been the only one to deny needing therapy and keeps his distance from her both literally and figuratively. She has to find a way to crack his shell. Can Gabe help her understand not only his struggles but some of her own struggles since her husband died?
This story flows really well from start to finish. I was able to get a great idea of where Monica and Gabe are in their lives as well as some past situations that have molded their current state of mind. Throw in great friends (who meddle), a Montana snowstorm, being snowed in for days without heat (snuggle alert), past secrets, daily questions (1 for her, 2 for him) and a llama and you have pretty much the perfect love story. Nicole Helm once again draws me into her cowboy world and makes me sad to leave when the story ends.
Gabe Cortez is a grouchy, ex Navy SEAL who hates Christmas. He hates most things actually and is more than happy to tell you how much it all sucks. He had a horrible childhood that led to him entering the military and losing a good friend in one horrifying instance. He comes to Revival ranch with his 2 friends, Jack and Alex, to help start a new program for injured military servicemen and women to get back on their feet. Jack and Alex both find love (spoiler for the first 2 books haha) and he is once again the odd man out. Then he meets the new ranch therapist Monica Finley and hope starts to rise in him again.
Monica Finley is looking forward to working with all the men and women headed to Revival Ranch for therapy and help getting back to civilian life. Growing up with a Marine father suffering from PTSD has helped her understand some of the struggles men and women face upon returning home. She has a 10 year old son named Colin, with her late Air Force husband Dex, who is her entire world. She protects him, well overprotects, as well as she can as a single mother and is hoping the closeness of the ranch will help them all start a new life. Gabe has been the only one to deny needing therapy and keeps his distance from her both literally and figuratively. She has to find a way to crack his shell. Can Gabe help her understand not only his struggles but some of her own struggles since her husband died?
This story flows really well from start to finish. I was able to get a great idea of where Monica and Gabe are in their lives as well as some past situations that have molded their current state of mind. Throw in great friends (who meddle), a Montana snowstorm, being snowed in for days without heat (snuggle alert), past secrets, daily questions (1 for her, 2 for him) and a llama and you have pretty much the perfect love story. Nicole Helm once again draws me into her cowboy world and makes me sad to leave when the story ends.
Gareth von Kallenbach (980 KP) rated Captain America: The Winter Soldier (2014) in Movies
Jun 19, 2019
For Captain Steve Rogers (Chris Evans), the two years following his exploits in “The Avengers” has not been easy. He is still coming to grips with being a man out of time, as the world around him is a much more dangerous and complicated place than the one he grew up in.
He runs missions for S.H.I.E.L.D. under the command of Nick Fury (Samuel L. Jackson), and is often accompanies by a team of agents as well as his fellow Avenger Black Widow (Scarlett Johansson).
A recent mission has lead the Captain to question some of the tactics used by S.H.I.E.L.D. and Fury decides it is time to be more open with Rogers about the pending plans of the agency which involve launching three Super Carriers that will eliminate threats before they happen.
Naturally this sort of “Gunboat Diplomacy” does not sit well with the highly ethical Rogers but Fury tells him he needs to get out of the past and become aware of just how different and dangerous the world they live in has become.
Fury believes that the Captain does have some valid concerns and uncovers that things may not be as they appear. When a vicious and well coordinated attack happen, Captain America is called into action and soon finds himself facing a deadly assassin known as The Winter Soldier.
The heat soon rises making Rogers soon question whom he can trust as a deadly conspiracy that holds the fate of the world in the balance erupts, and only Rogers and his team can save the day.
The film is an intense thrill ride that mixes the best elements of the Marvel films with solid action and a dramatic thriller. There are strong performances all around and the addition of Anthony Mackie and Robert Redford to the already strong ensemble was a masterful plan.
Directors Anthony and Joe Russo (Who are said to already be signed for the next Captain America film), clearly have a grasp on the material and they deftly combine action with a human story full of ethical dilemmas and personal motivations to deliver a film that is so much more than the usual FX laden films that are common with comic book related films.
Marvel Studios has once again upped the ante and have continued their amazing run of film success and keep getting better and better. There are several hints dropped about other characters and events in the upcoming Marvel cinematic universe as well as plenty of treats for fans. You will want to stay for the two additional scenes that take place during the credits as they give fans a hint of what is to come next year with “The Avengers: Age of Ultron”.
Until then, “Captain America: The Winter Soldier” is a spectacular summer event film, as an it is a non-stop thrill ride and a textbook example of how to bring the best elements of a comic book to life.
http://sknr.net/2014/04/04/captain-america-the-winter-soldier/
He runs missions for S.H.I.E.L.D. under the command of Nick Fury (Samuel L. Jackson), and is often accompanies by a team of agents as well as his fellow Avenger Black Widow (Scarlett Johansson).
A recent mission has lead the Captain to question some of the tactics used by S.H.I.E.L.D. and Fury decides it is time to be more open with Rogers about the pending plans of the agency which involve launching three Super Carriers that will eliminate threats before they happen.
Naturally this sort of “Gunboat Diplomacy” does not sit well with the highly ethical Rogers but Fury tells him he needs to get out of the past and become aware of just how different and dangerous the world they live in has become.
Fury believes that the Captain does have some valid concerns and uncovers that things may not be as they appear. When a vicious and well coordinated attack happen, Captain America is called into action and soon finds himself facing a deadly assassin known as The Winter Soldier.
The heat soon rises making Rogers soon question whom he can trust as a deadly conspiracy that holds the fate of the world in the balance erupts, and only Rogers and his team can save the day.
The film is an intense thrill ride that mixes the best elements of the Marvel films with solid action and a dramatic thriller. There are strong performances all around and the addition of Anthony Mackie and Robert Redford to the already strong ensemble was a masterful plan.
Directors Anthony and Joe Russo (Who are said to already be signed for the next Captain America film), clearly have a grasp on the material and they deftly combine action with a human story full of ethical dilemmas and personal motivations to deliver a film that is so much more than the usual FX laden films that are common with comic book related films.
Marvel Studios has once again upped the ante and have continued their amazing run of film success and keep getting better and better. There are several hints dropped about other characters and events in the upcoming Marvel cinematic universe as well as plenty of treats for fans. You will want to stay for the two additional scenes that take place during the credits as they give fans a hint of what is to come next year with “The Avengers: Age of Ultron”.
Until then, “Captain America: The Winter Soldier” is a spectacular summer event film, as an it is a non-stop thrill ride and a textbook example of how to bring the best elements of a comic book to life.
http://sknr.net/2014/04/04/captain-america-the-winter-soldier/
Emma @ The Movies (1786 KP) rated Instant Family (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Going in to Instant Family I had some reservations. I'm a big fan of Rose Byrne, her performance in last year's Juliet, Naked was a delight to watch, but on the flipside Mark Wahlberg and comedy don't come high on my must see list. Thankfully those thoughts were quickly dismissed as the times I laughed out loud soared into the double digits.
This is a genuinely good film with just a couple of things that made me pause a little, I'll mention those later. The moments where I laughed it was out loud, like almost everyone else at the screening, and when I wasn't laughing I was probably crying, sometimes ugly crying.
Byrne and Wahlberg worked so well together and with Isabela Moner in the mix too we were treated to some great on screen chemistry. I'm hoping we'll see a lot more of Moner on our screens as she was able to pull her weight really well with all the fantastic actors in this.
A lot is obviously focused around Ellie, Pete and the kids, but outside of that dynamic I've got to give some love to Karen and Sharon. Octavia Spencer and Tig Notaro are such a fun double act, although for me Spencer will always steal the show. Their dynamic running the fostering program brought a smile to my face and while the reactionary humour may be predictable it lands so well that I couldn't care less that I knew it was coming.
My negatives about the films are so minute that they hardly seem worth mentioning. Pete (Wahlberg) has a tendency to be blunt and externalise what most of us would keep as inner dialogue. His script gives you those moments where you take a sharp breath and say "you shouldn't say that!" Ellie counteracts this by being the slight voice of reason so while you're taken aback by Pete's honesty you quickly come back to the normal flow of the film.
Out of my two quibbles this one caused me the most issues. Joan Cusack. She's great, I enjoy her work, but I really don't understand her inclusion in this. She pops up as a sort of cameo role near the end and it feels a little invasive on the dramatic moment we're witnessing, it just seems awkward and forced. It does at least lead to an amusing moment for Spencer so I think that probably gets it the pass.
Instant Family is definitely chock full of laughs and feels, despite my grumbles I still feel it deserves these five stars.
What you should do
It's a very entertaining film and perhaps surprisingly based on a true story, it's well worth a watch. I really think that everyone will get some entertainment out of this.
Movie thing you wish you could take home
If you could send Pete and Ellie round with their renovation skills it would be much appreciated.
This is a genuinely good film with just a couple of things that made me pause a little, I'll mention those later. The moments where I laughed it was out loud, like almost everyone else at the screening, and when I wasn't laughing I was probably crying, sometimes ugly crying.
Byrne and Wahlberg worked so well together and with Isabela Moner in the mix too we were treated to some great on screen chemistry. I'm hoping we'll see a lot more of Moner on our screens as she was able to pull her weight really well with all the fantastic actors in this.
A lot is obviously focused around Ellie, Pete and the kids, but outside of that dynamic I've got to give some love to Karen and Sharon. Octavia Spencer and Tig Notaro are such a fun double act, although for me Spencer will always steal the show. Their dynamic running the fostering program brought a smile to my face and while the reactionary humour may be predictable it lands so well that I couldn't care less that I knew it was coming.
My negatives about the films are so minute that they hardly seem worth mentioning. Pete (Wahlberg) has a tendency to be blunt and externalise what most of us would keep as inner dialogue. His script gives you those moments where you take a sharp breath and say "you shouldn't say that!" Ellie counteracts this by being the slight voice of reason so while you're taken aback by Pete's honesty you quickly come back to the normal flow of the film.
Out of my two quibbles this one caused me the most issues. Joan Cusack. She's great, I enjoy her work, but I really don't understand her inclusion in this. She pops up as a sort of cameo role near the end and it feels a little invasive on the dramatic moment we're witnessing, it just seems awkward and forced. It does at least lead to an amusing moment for Spencer so I think that probably gets it the pass.
Instant Family is definitely chock full of laughs and feels, despite my grumbles I still feel it deserves these five stars.
What you should do
It's a very entertaining film and perhaps surprisingly based on a true story, it's well worth a watch. I really think that everyone will get some entertainment out of this.
Movie thing you wish you could take home
If you could send Pete and Ellie round with their renovation skills it would be much appreciated.
Gareth von Kallenbach (980 KP) rated 1917 (2020) in Movies
Nov 28, 2019
World War I was called “The Great War” and “The War to End All Wars” as the sheer number of nations and continents involved in the conflict as well as the tremendous loss of life; was thought to be so horrific that war would become a thing of the past.
As we know this did not happen as a generation later the world was once again at war with even great death and destruction to follow. However in “1917” we see the conflict from the viewpoint of a lowly Corporal Schofield (George MacKay) who along with his friend Blake (Dean-Charles Chapman) are tasked with delivering a message across enemy lines to warn advanced units to call of an attack due to an ambush being set by the Germans.
The duo are told that the enemy has pulled back and as such; the dreaded No Man’s Land between the opposing trenches are likely to be abandoned as well their approach to a town near their destination. With the phone lines down; the duo are the only option and they are at first shocked to learn that it would just the two of them.
As they make their way across a grim and corpse-laden battlefield, the audience as well as the two men get a look at the horrific conditions that combat took place under and how fallen individuals were left to decompose where they fell due to the entrenched and stagnant nature of Trench Warfare.
As complications mount, the two must face up to their greatest fears and challenges; driven by a sense of mission and purpose for a conflict they just want to see end so they can return home to their families.
Director Sam Mendes has crafted an Oscar Caliber film as it is gripping as it is breathtaking thanks to the amazing visuals. The contrast between the beauty of the landscape and the carnage of war has rarely been captured as well as it was in this film and the fact that Mendes had a hand in writing the story based on stories told by a relative really help to bring the full impact of the story home.
The film has some amazing sequences like sustained and extended shots where you wonder how Mendes was able to film scenes with so many things going on in one take as there is a scene near the start that looks as if it is an extended scene with no breaks or cutaways.
In the end the biggest selling point for the film is that it is a human drama at its core. While there is combat and action, they are not the focal points as much of the film centers around the young men and their conversations.
The film will stay with you after the credits roll and I consider “1917” to be one of the best films of 2019 and one not to be missed.
As we know this did not happen as a generation later the world was once again at war with even great death and destruction to follow. However in “1917” we see the conflict from the viewpoint of a lowly Corporal Schofield (George MacKay) who along with his friend Blake (Dean-Charles Chapman) are tasked with delivering a message across enemy lines to warn advanced units to call of an attack due to an ambush being set by the Germans.
The duo are told that the enemy has pulled back and as such; the dreaded No Man’s Land between the opposing trenches are likely to be abandoned as well their approach to a town near their destination. With the phone lines down; the duo are the only option and they are at first shocked to learn that it would just the two of them.
As they make their way across a grim and corpse-laden battlefield, the audience as well as the two men get a look at the horrific conditions that combat took place under and how fallen individuals were left to decompose where they fell due to the entrenched and stagnant nature of Trench Warfare.
As complications mount, the two must face up to their greatest fears and challenges; driven by a sense of mission and purpose for a conflict they just want to see end so they can return home to their families.
Director Sam Mendes has crafted an Oscar Caliber film as it is gripping as it is breathtaking thanks to the amazing visuals. The contrast between the beauty of the landscape and the carnage of war has rarely been captured as well as it was in this film and the fact that Mendes had a hand in writing the story based on stories told by a relative really help to bring the full impact of the story home.
The film has some amazing sequences like sustained and extended shots where you wonder how Mendes was able to film scenes with so many things going on in one take as there is a scene near the start that looks as if it is an extended scene with no breaks or cutaways.
In the end the biggest selling point for the film is that it is a human drama at its core. While there is combat and action, they are not the focal points as much of the film centers around the young men and their conversations.
The film will stay with you after the credits roll and I consider “1917” to be one of the best films of 2019 and one not to be missed.
Joe Goodhart (27 KP) rated X-Force, Volume 3: Not Forgotten in Books
Nov 30, 2020
After a brief hiatus, I resumed reading the X-FORCE TPBs, jumping with the third volume of Craig Kyle & Christopher Yost's dark run of X-FORCE.
This trade made up the "Not Forgotten" story arc, which sees the return of Kimura, bringing with her a whole boatload of hateful hurtin' for Laura (X-23). It is also saw some well-deserved (!) hostility on Wolverine's part toward Cry-clops for the casualties suffered in the team's hunt for Hope Summers as well as Laura being kidnapped. And, like the little b he has been all his life (sorry, not a fan of Scott Summers, but it's totally cool if you are), he just says "I know" when Wolverine tells him that it will death for him if either of the two students die. Wow!
Varied opinions on the art (again). I have always been fond of Clayton Crain's art style, especially his attention to facial details, so his art on the first two issues of the trade was outstanding! He brought a darkness mixed with creepiness to the way he drew the Leper Queen. WIN!
And that brings us to the art for the remaining three issues in the trade. I also like Mike Choi's facial details on the characters he draws. However, his attention to women's breasts and his intent to make all the women under his pencils to be well-endowed is a bit uncomfortable, especially in regard to Laura (who is supposed to be age 16, as stated by Domino in Issue 20. No need for it to be as such, to be honest.
Even more offensive was the way Rahne Sinclair, in wolf-form, was rendered like an extra in a hip-hop video (!). Come on, Rahne has always had a tiny form, never rendered like this EVER! Tho' I am sure a more than fair amount of 'shippers (I assume Rahne has 'shippers) feel differently about that. Jus' sayin'..
<a href="https://ibb.co/csQdiy"><img src="https://thumb.ibb.co/csQdiy/Xforce18_rahnegotback.jpg"; alt="Xforce18 rahnegotback" border="0" /></a>
So, art quibbling aside, the story, still continuing to be written by Yost and Kyle since it's return in 2008, was all aces! There was more than enough adrenaline-fueled excitement contained within, providing a white-knuckled ride, leading directly into the next volume of X-Force, NECROSHA!
I will advise this one, like the previous two volumes, is dark AF! There is very little, if any, humor. There is a higher violence output in this one as well, but it is warranted for sure, when you considered the odds they're up against! That said, if you can handle all that, then I encourage you to pick this one up!
Also, if you are fan of Laura Kinney/X-23, then I also encourage you, as it will give more backstory to her character.
This trade made up the "Not Forgotten" story arc, which sees the return of Kimura, bringing with her a whole boatload of hateful hurtin' for Laura (X-23). It is also saw some well-deserved (!) hostility on Wolverine's part toward Cry-clops for the casualties suffered in the team's hunt for Hope Summers as well as Laura being kidnapped. And, like the little b he has been all his life (sorry, not a fan of Scott Summers, but it's totally cool if you are), he just says "I know" when Wolverine tells him that it will death for him if either of the two students die. Wow!
Varied opinions on the art (again). I have always been fond of Clayton Crain's art style, especially his attention to facial details, so his art on the first two issues of the trade was outstanding! He brought a darkness mixed with creepiness to the way he drew the Leper Queen. WIN!
And that brings us to the art for the remaining three issues in the trade. I also like Mike Choi's facial details on the characters he draws. However, his attention to women's breasts and his intent to make all the women under his pencils to be well-endowed is a bit uncomfortable, especially in regard to Laura (who is supposed to be age 16, as stated by Domino in Issue 20. No need for it to be as such, to be honest.
Even more offensive was the way Rahne Sinclair, in wolf-form, was rendered like an extra in a hip-hop video (!). Come on, Rahne has always had a tiny form, never rendered like this EVER! Tho' I am sure a more than fair amount of 'shippers (I assume Rahne has 'shippers) feel differently about that. Jus' sayin'..
<a href="https://ibb.co/csQdiy"><img src="https://thumb.ibb.co/csQdiy/Xforce18_rahnegotback.jpg"; alt="Xforce18 rahnegotback" border="0" /></a>
So, art quibbling aside, the story, still continuing to be written by Yost and Kyle since it's return in 2008, was all aces! There was more than enough adrenaline-fueled excitement contained within, providing a white-knuckled ride, leading directly into the next volume of X-Force, NECROSHA!
I will advise this one, like the previous two volumes, is dark AF! There is very little, if any, humor. There is a higher violence output in this one as well, but it is warranted for sure, when you considered the odds they're up against! That said, if you can handle all that, then I encourage you to pick this one up!
Also, if you are fan of Laura Kinney/X-23, then I also encourage you, as it will give more backstory to her character.
Chris Sawin (602 KP) rated A Nightmare on Elm Street (1984) in Movies
Jun 20, 2019 (Updated Jun 23, 2019)
Nancy Thompson (Heather Langenkamp) and her friends have more on their plate to worry about than typical high school drama. A child murderer named Fred Krueger (Robert Englund) was killed by the parents residing on Elm Street after they took matters into their own hands when the justice system failed to get the redemption the parents so desperately seeked. That was thought to be the end of it and everyone tried to move on with their lives. That is until Nancy, her boyfriend Glen (Johnny Depp), her best friend Tina (Amanda Wyss), and Tina's boyfriend Rod (Jsu Garcia) begin having nightmares about the same man. A man wearing a red and green striped sweater, brown fedora, and a four finger-bladed leather glove. Could Fred Krueger really be exacting his revenge from beyond the grave and in the dreams of his victims?
Wes Craven is probably best known for the Scream franchise since it's the most successful set of films he's ever been a part of, at least as far as the box office is concerned, but there was another film that he created that spawned seven sequels and a remake. A film that is looked at as a horror classic and is considered to be the first commercially successful release from New Line Cinema. That film is A Nightmare on Elm Street.
A Nightmare on Elm Street is looked at by some (including myself) as the best film in the franchise. While most of the sequels feature a Freddy that is more interested in cracking a joke than being an intimidating serial killer, the original film is where he seems to shine brightest. He seems to always be lurking in the shadows making it nearly impossible to get a clear look at his face. Remember when films left a bit of a mystery to things rather than being entirely realistic and showing every little detail when it came to gore? Well, this is a good example.
The deaths of Tina and Glen could arguably be reason alone to watch the film. Tina's death is so original and so well done. One of the reasons it still holds up today is because it was done with practical effects. The same can be said about Glen's death. The only thing more impressive than his death is the fact that it's Johnny Depp's debut. Both deaths are two of the most memorable in horror film history.
Despite A Nightmare on Elm Street being one of the most influential horror films of our time, it still has that cheesiness associated with most horror films that come out of the eighties. Bad acting (Heather Langenkamp especially. The "Screw your pass!" scene is a good example, but is hilarious in its own right) and dated special effects being the best examples. While the practical effects are a good thing and are much preferred over CGI, some of them haven't aged well over the past 26 years. The scene of Freddy chasing Tina is probably the best example of this. His arms stretching inhuman lengths to scratch the walls and Tina ripping off his face just didn't hold up as well as other effects in the film.
A Nightmare on Elm Street is a beloved horror classic that gave birth to one of the most iconic serial killers in the genre. The original film features some of the most creative deaths and practical effects (seeing Freddy in the wall above Nancy's bed in the beginning of the film is one of the best scenes) to come out of any horror film held in such high regard. The film's charm will go over a lot of people's heads who look into it for the first time after seeing the remake which will probably result in the film getting more flack than it deserves. But nevertheless, it's hard to deny the impact Freddy and Wes Craven have had on this genre thanks to this film.
Special Features: The two-disc Infinifilm is packed with extras including:
Feature commentary including a variety of topics: the financial problems the film had with writer/director Wes Craven, producer Bob Shaye, actor John Saxon, and cinematographer Jacques Haitkin sharing their thoughts, Heather Langenkamp and Wes Craven talk about how great it was to work with Johnny Depp, Amanda Wyss goes into detail about not knowing much about the horror genre before taking her role as Tina, a discussion of how Robert Englund got the role of Fred Krueger and Englund shares his thoughts on the Fred Krueger character. Everything from the problems the film had to Freddy's popularity to the film's reputation and more are discussed by the cast and crew.
Original commentary includes Heather Langenkamp, John Saxon, Wes Craven, and Jacques Haitkin.
Beyond the Movie Features include The House That Freddy Built: The Legacy of New Line Horror and Night Terrors: The Origins of Wes Craven's Nightmares.
All Access Pass Features include three alternate endings, Never Sleep Again: The making of A Nightmare on Elm Street, a trivia challenge and the theatrical trailer.
There's also Infinifilm bonus features that can be accessed while the film is playing and the original screenplay can be viewed as a DVD-ROM feature.
The film is remastered and restored from the original film negative and is presented in both Dolby Digital 5.1-EX surround sound and DTS-ES 6.1 Surround Sound.
Wes Craven is probably best known for the Scream franchise since it's the most successful set of films he's ever been a part of, at least as far as the box office is concerned, but there was another film that he created that spawned seven sequels and a remake. A film that is looked at as a horror classic and is considered to be the first commercially successful release from New Line Cinema. That film is A Nightmare on Elm Street.
A Nightmare on Elm Street is looked at by some (including myself) as the best film in the franchise. While most of the sequels feature a Freddy that is more interested in cracking a joke than being an intimidating serial killer, the original film is where he seems to shine brightest. He seems to always be lurking in the shadows making it nearly impossible to get a clear look at his face. Remember when films left a bit of a mystery to things rather than being entirely realistic and showing every little detail when it came to gore? Well, this is a good example.
The deaths of Tina and Glen could arguably be reason alone to watch the film. Tina's death is so original and so well done. One of the reasons it still holds up today is because it was done with practical effects. The same can be said about Glen's death. The only thing more impressive than his death is the fact that it's Johnny Depp's debut. Both deaths are two of the most memorable in horror film history.
Despite A Nightmare on Elm Street being one of the most influential horror films of our time, it still has that cheesiness associated with most horror films that come out of the eighties. Bad acting (Heather Langenkamp especially. The "Screw your pass!" scene is a good example, but is hilarious in its own right) and dated special effects being the best examples. While the practical effects are a good thing and are much preferred over CGI, some of them haven't aged well over the past 26 years. The scene of Freddy chasing Tina is probably the best example of this. His arms stretching inhuman lengths to scratch the walls and Tina ripping off his face just didn't hold up as well as other effects in the film.
A Nightmare on Elm Street is a beloved horror classic that gave birth to one of the most iconic serial killers in the genre. The original film features some of the most creative deaths and practical effects (seeing Freddy in the wall above Nancy's bed in the beginning of the film is one of the best scenes) to come out of any horror film held in such high regard. The film's charm will go over a lot of people's heads who look into it for the first time after seeing the remake which will probably result in the film getting more flack than it deserves. But nevertheless, it's hard to deny the impact Freddy and Wes Craven have had on this genre thanks to this film.
Special Features: The two-disc Infinifilm is packed with extras including:
Feature commentary including a variety of topics: the financial problems the film had with writer/director Wes Craven, producer Bob Shaye, actor John Saxon, and cinematographer Jacques Haitkin sharing their thoughts, Heather Langenkamp and Wes Craven talk about how great it was to work with Johnny Depp, Amanda Wyss goes into detail about not knowing much about the horror genre before taking her role as Tina, a discussion of how Robert Englund got the role of Fred Krueger and Englund shares his thoughts on the Fred Krueger character. Everything from the problems the film had to Freddy's popularity to the film's reputation and more are discussed by the cast and crew.
Original commentary includes Heather Langenkamp, John Saxon, Wes Craven, and Jacques Haitkin.
Beyond the Movie Features include The House That Freddy Built: The Legacy of New Line Horror and Night Terrors: The Origins of Wes Craven's Nightmares.
All Access Pass Features include three alternate endings, Never Sleep Again: The making of A Nightmare on Elm Street, a trivia challenge and the theatrical trailer.
There's also Infinifilm bonus features that can be accessed while the film is playing and the original screenplay can be viewed as a DVD-ROM feature.
The film is remastered and restored from the original film negative and is presented in both Dolby Digital 5.1-EX surround sound and DTS-ES 6.1 Surround Sound.
Hazel (1853 KP) rated The Storyteller in Books
May 30, 2017
An Ethical Question
Jodi Picoult is the bestselling author of numerous novels, with My Sister’s Keeper being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, The Storyteller, which quite possibly could be her best yet.
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Arguably, The Storyteller does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. The Storyteller contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in The Storyteller, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
The Storyteller is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?