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Natari (73 KP) rated Midnight's Daughter (Dorina Basarab, #1) in Books
Jul 19, 2019
I adore the Dorina Basarab series. To truly appreciate them I recommend reading alongside Karen's other major series the Cassie Palmer series.
Dorina is a 500 year old dhampir with some serious memory problems from most of her life, so while she has experience and fun stories to tell she is still very modern and youthful. An outcast to both vampire and human world's, and repeatedly mocked and attacked by them too, Dory shows how 500 years helps build a thick skin. But deep down we still get a sassy, strong woman than Chance is known for writing.
The reason I love Dory starts in Midnight's Daughter but grows in the series. And that is because Dory is relateable. She is strong. She knows she is strong. She is confident in her strength. She knows her limitations. But she is also afraid. This internal dialogue you read is so very real and lifelike.
She is also hilarious and Karen chance style of writing will have you laughing as well as scream for the safety of for favourite characters.
Midnight Daughter as a book is well writte . With attention to detail throughout the history and action scenes that you will be holding for more at the stench or getting rather flustered at some romantic encounters. There is a good balance and it is infused with emotion and sensation so you aren't just stuck with a dry sex scene, it is romance not boring bedrooms with flat description or over the top swooning.
The romance plays key files in the plot and not just the sake of it being a romance. Much like in the Caddie Palmer series.
The storyline is very much a scene setter for the rest of the books. While a lot happens it is breaking the mold set by Carrie Palmer.
All in all a fun battle in both bar brawls and bedrooms with deep undercurrents of isolation, stigma and abandonment covered. Read it. Read it now.
Dorina is a 500 year old dhampir with some serious memory problems from most of her life, so while she has experience and fun stories to tell she is still very modern and youthful. An outcast to both vampire and human world's, and repeatedly mocked and attacked by them too, Dory shows how 500 years helps build a thick skin. But deep down we still get a sassy, strong woman than Chance is known for writing.
The reason I love Dory starts in Midnight's Daughter but grows in the series. And that is because Dory is relateable. She is strong. She knows she is strong. She is confident in her strength. She knows her limitations. But she is also afraid. This internal dialogue you read is so very real and lifelike.
She is also hilarious and Karen chance style of writing will have you laughing as well as scream for the safety of for favourite characters.
Midnight Daughter as a book is well writte . With attention to detail throughout the history and action scenes that you will be holding for more at the stench or getting rather flustered at some romantic encounters. There is a good balance and it is infused with emotion and sensation so you aren't just stuck with a dry sex scene, it is romance not boring bedrooms with flat description or over the top swooning.
The romance plays key files in the plot and not just the sake of it being a romance. Much like in the Caddie Palmer series.
The storyline is very much a scene setter for the rest of the books. While a lot happens it is breaking the mold set by Carrie Palmer.
All in all a fun battle in both bar brawls and bedrooms with deep undercurrents of isolation, stigma and abandonment covered. Read it. Read it now.
Eleanor (1463 KP) rated The Rest of The Story in Books
Aug 12, 2019
I’ll start by saying that this book is very much not my usual area of reading choice, no mention of murder at all - shock horror!! I tend to only read YA occasionally and run for the hills at the mere hint of the word romance or self-discovery but in the name of the book club and expanding my reading outlook I dived in.
I found the writing in this very well done, despite pretty much nothing happening of note (in my opinion) for most of the book I was still quite happy to keep reading. For a 17-year-old protagonist Emma Saylor is pretty likeable and as we follow her on a summer trip to her mother’s family we get to explore a world she didn’t know she was part of. Following her mother’s drug related death Emma’s father hasn't really spoken much about North Lake and her mother’s family, so we get a character driven exploration of family, friendship and self.
The discovery of her new family, the Calavanders, and learning about the ways of “Lake people” is well; a nice read. Many of the characters felt real and many developed nicely as we got to know them better. It’s not an in your face romance book and in particular the first three quarters are pleasantly light on teenage love drama.
The book for me did fall apart for the last part, where it felt like all of a sudden stuff needed to happen and it felt forced and out of kilter with the rest of the book. I think I had got comfortable with it not being much of a book about things happening and just a pleasant read of people and relationships. Emma’s dad seemed the only character to fall totally flat for me and again this only really hit in the last part of the book. Overall pleasantly surprised, it’s not going to be a go to genre for me but wouldn’t avoid picking up another book by Dessen for a change of pace in the future.
I found the writing in this very well done, despite pretty much nothing happening of note (in my opinion) for most of the book I was still quite happy to keep reading. For a 17-year-old protagonist Emma Saylor is pretty likeable and as we follow her on a summer trip to her mother’s family we get to explore a world she didn’t know she was part of. Following her mother’s drug related death Emma’s father hasn't really spoken much about North Lake and her mother’s family, so we get a character driven exploration of family, friendship and self.
The discovery of her new family, the Calavanders, and learning about the ways of “Lake people” is well; a nice read. Many of the characters felt real and many developed nicely as we got to know them better. It’s not an in your face romance book and in particular the first three quarters are pleasantly light on teenage love drama.
The book for me did fall apart for the last part, where it felt like all of a sudden stuff needed to happen and it felt forced and out of kilter with the rest of the book. I think I had got comfortable with it not being much of a book about things happening and just a pleasant read of people and relationships. Emma’s dad seemed the only character to fall totally flat for me and again this only really hit in the last part of the book. Overall pleasantly surprised, it’s not going to be a go to genre for me but wouldn’t avoid picking up another book by Dessen for a change of pace in the future.
Merissa (13100 KP) rated Two-Faced in Books
Dec 17, 2018
I received this book from Mark My Words Publicity in return for a fair and honest review.
We rejoin Caity and Eric as they go through their first year at college. Not only does Caity have the usual stresses of college - completely opposite roommate, disliking certain teachers, frat parties, etc - but she also has to cope with her ability to "de-mask" people. She is trying to have a 'normal' life but sometimes the mask will take over and she will do what she thinks is right, even if sometimes it isn't.
She is getting more used to being able to handle her ability but there is friction between herself and Eric as he struggles to understand and appreciate her ability. On the one hand, he accepts and relies on what she has to say she has seen 'behind the mask' but only when it suits him. He doesn't want to have his illusions shattered when it is about someone he likes, respects or cares about.
This is the start of a tumultuous time for them both as they try to figure out who is doing what, who is saying what, how something could be happening as well as dealing with a suddenly rocky relationship and helping their friends too.
This is the second story in the Masks series and you will need to read book 1 first but I can highly recommend both books. I turned the first page of both books and was immediately sucked into Caity's world as she deals with her ability and friends alike. It was really good to see 'old' friends in Two-Faced and to see how they have progressed during the time we've been gone.And that is how the books feels. Like it's real, like these characters are friends that you know and care about.
Excellently written and well-paced building up to the climax, I really can't recommend this highly enough.
We rejoin Caity and Eric as they go through their first year at college. Not only does Caity have the usual stresses of college - completely opposite roommate, disliking certain teachers, frat parties, etc - but she also has to cope with her ability to "de-mask" people. She is trying to have a 'normal' life but sometimes the mask will take over and she will do what she thinks is right, even if sometimes it isn't.
She is getting more used to being able to handle her ability but there is friction between herself and Eric as he struggles to understand and appreciate her ability. On the one hand, he accepts and relies on what she has to say she has seen 'behind the mask' but only when it suits him. He doesn't want to have his illusions shattered when it is about someone he likes, respects or cares about.
This is the start of a tumultuous time for them both as they try to figure out who is doing what, who is saying what, how something could be happening as well as dealing with a suddenly rocky relationship and helping their friends too.
This is the second story in the Masks series and you will need to read book 1 first but I can highly recommend both books. I turned the first page of both books and was immediately sucked into Caity's world as she deals with her ability and friends alike. It was really good to see 'old' friends in Two-Faced and to see how they have progressed during the time we've been gone.And that is how the books feels. Like it's real, like these characters are friends that you know and care about.
Excellently written and well-paced building up to the climax, I really can't recommend this highly enough.
Deborah (162 KP) rated The Scandalous Duchess in Books
Dec 21, 2018
I have to admit that I do enjoy Anne O'Brien as a writer of historical fiction. Maybe it's not great literature, but it's still an enjoyable ready and she actually makes a first person narrative come off, whereas with some other authors it sounds unnatural or is handled clumsily.
O'Brien's latest offering gives us the tale of Katherine de Swynford (nee de Roet), famous (or perhaps infamous!) as the mistress and later wife of John of Gaunt, Duke of Lancaster (and if you didn't know that he marries her, I think the title might give it away, so I don't think it's a spoiler!). There actually isn't all that much known about Katherine herself, which may seem surprising. I'm sure there may be other novels about her, but by far the best known is Anya Seton's 'Katherine' which might well give another author pause when looking to cover the same ground. The fact that so little is really known about her life does give an author a fair bit of freedom. It must be fairly obvious that there is a love story in there - she was his mistress for many years and then he chose to marry her, which I doubt anyone would have expected.
The novel's subtitle give it as 'the forbidden affair that started the Tudors' - who of course were descended from the legitimated Beaufort line.... but then again Joan was also the maternal grandmother of Edward IV and Richard III! The benefit of hindsight can show us clearly how a seemingly small decision, such as Katherine's decision to acquiesce in becoming John of Gaunt's mistress, can have such a huge impact - namely being a large factor in the Wars of the Roses!
I found this a well written and entertaining novel and I do enjoy my historical fiction! If you've read O'Brien before, I think you'll like this and if not I would recommend giving her a try. I find her writing far superior to the much touted Philippa Gregory.
O'Brien's latest offering gives us the tale of Katherine de Swynford (nee de Roet), famous (or perhaps infamous!) as the mistress and later wife of John of Gaunt, Duke of Lancaster (and if you didn't know that he marries her, I think the title might give it away, so I don't think it's a spoiler!). There actually isn't all that much known about Katherine herself, which may seem surprising. I'm sure there may be other novels about her, but by far the best known is Anya Seton's 'Katherine' which might well give another author pause when looking to cover the same ground. The fact that so little is really known about her life does give an author a fair bit of freedom. It must be fairly obvious that there is a love story in there - she was his mistress for many years and then he chose to marry her, which I doubt anyone would have expected.
The novel's subtitle give it as 'the forbidden affair that started the Tudors' - who of course were descended from the legitimated Beaufort line.... but then again Joan was also the maternal grandmother of Edward IV and Richard III! The benefit of hindsight can show us clearly how a seemingly small decision, such as Katherine's decision to acquiesce in becoming John of Gaunt's mistress, can have such a huge impact - namely being a large factor in the Wars of the Roses!
I found this a well written and entertaining novel and I do enjoy my historical fiction! If you've read O'Brien before, I think you'll like this and if not I would recommend giving her a try. I find her writing far superior to the much touted Philippa Gregory.
Emma @ The Movies (1786 KP) rated Downsizing (2017) in Movies
Jun 30, 2019 (Updated Sep 25, 2019)
Paul and Audrey are like any normal couple, they plod along and everything is... okay. But when they meet one of Paul's high school friends who has "downsized" they wonder if this might be what they've been looking for to change their life.
Wow... just wow. Matt Damon is doing amazingly well at reassuring me of the reasons I don't like his films. I'm afraid to say that this one gets two stars purely for the fact that the story line had so much potential... and barely any of it was tapped.
If you go on to IMDb you can see that they've listed this one as comedy, drama, and sci-fi. Now, the last one is a given, as unless I've been missing something we are unable to shrink people. But the other two... I genuinely think that there were two versions of the script, one comedy and one drama, and when someone was taking them to production they accidentally dropped them and ended up matching the comedy beginning with the drama end... the worst type of pantomime horse ever created.
The trailer that I kept seeing for this one looked entirely like a comedy. I was really surprised that it became a "drama". It could quite easily have been one or the other, Damon would have fit well in the comedy version, and had they done some fun stuff around him and his wife trying to reconcile after she bailed on being Downsized I could have seen that working. Equally, with some different casting I could have seen the more serious ending to the movie working if they'd had an equally serious beginning. As it is though this movie seems to have no idea who it's trying to appeal to... and actually, thinking about it... I'm going to revoke one of those stars, talking over it has made me see the error of my ways.
Wow... just wow. Matt Damon is doing amazingly well at reassuring me of the reasons I don't like his films. I'm afraid to say that this one gets two stars purely for the fact that the story line had so much potential... and barely any of it was tapped.
If you go on to IMDb you can see that they've listed this one as comedy, drama, and sci-fi. Now, the last one is a given, as unless I've been missing something we are unable to shrink people. But the other two... I genuinely think that there were two versions of the script, one comedy and one drama, and when someone was taking them to production they accidentally dropped them and ended up matching the comedy beginning with the drama end... the worst type of pantomime horse ever created.
The trailer that I kept seeing for this one looked entirely like a comedy. I was really surprised that it became a "drama". It could quite easily have been one or the other, Damon would have fit well in the comedy version, and had they done some fun stuff around him and his wife trying to reconcile after she bailed on being Downsized I could have seen that working. Equally, with some different casting I could have seen the more serious ending to the movie working if they'd had an equally serious beginning. As it is though this movie seems to have no idea who it's trying to appeal to... and actually, thinking about it... I'm going to revoke one of those stars, talking over it has made me see the error of my ways.
Leanne Crabtree (480 KP) rated Tell Me It's Real (At First Sight, #1) in Books
Nov 18, 2019
Well, right from the start this had me laughing as Paul introduced himself. It was very frank and pretty much laugh-out-loud at times. He doesn't have the best opinion of himself, bless him, but he's so fun. And then he meets eyes with Vince while out at his friends drag queen performance at a bar/club and things go from there. Vince is not backing down about his intentions to date Paul, while Paul cannot believe that this younger, attractive, really nice if slightly dumb man, wants him and fights it tooth and nail.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
Mark @ Carstairs Considers (2379 KP) rated Death with a Dark Red Rose in Books
Feb 29, 2020
Mysterious Disappearance
Life is going well for Lena London. Her latest collaboration with bestselling novelist Camilla Graham is doing well, she and her fiance, Sam West, are just starting to plan their wedding, and she enjoys spending time with her new friends in Blue Lake. The only shadow is the new factory that is being built just outside of town. It looks like the building is going to be an eye sore, and Lena is not happy about it and other ways it might change this area she considers home. However, a cold wind blows in when someone vanishes. Soon, Lena and her friends are caught up in another race to figure out what is happening before things turn deadly. Will they solve things in time?
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
JT (287 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Mar 3, 2020
Exciting action (1 more)
Tension and drama
Enjoyable summer blockbuster
No question that this sequel went straight into my top ten films for 2014. Exceptionally shot with astounding special effects in part thanks to performance capture king Andy Serkis this is a film that delivers.
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.
JT (287 KP) rated Hereafter (2010) in Movies
Mar 10, 2020
It’s an interesting film that will leave you asking yourself one question, “did Clint Eastwood really direct it?” And the answer, yes, he did. It’s not that the film is particularly bad but then it’s not really that good either, and you wonder if while his latest film J. Edgar was in pre-production he got bored and decided to fill the void.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
JT (287 KP) rated American Hustle (2013) in Movies
Mar 10, 2020
There’s a lot of love for American Hustle and with a cast such as this it is easy to see why. It’s a film that oozes glitz and glamour and has a slick sense of stability with shades Scorsese as an attempt at a crime caper.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.