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Impact Wrestling
Impact Wrestling
2005 | Sport
9
5.9 (8 Ratings)
TV Show Rating
Production, roster, global availability (0 more)
Regular live streaming technical difficulties like audio. (0 more)
Hard to Kill
2002 - the beginning
Founded by Jeff and Jerry Jarrett in 2002, the company was known as TNA it was officially changed to IMPACT (the company's weekly named staple show) in 2018.


Beginning as NWA/TNA Total Nonstop Action being associated with the National Wrestling Alliance (NWA), though not as a merged promotion.
In 2004 the company dropped the NWA co. Branding & ran soley as TNA (Total Nonstop Action Wrestling, but continued to use the NWA World Heavyweight and Tag Team championships in agreement with the NWA.

2007 - Becoming their own
both parties parted ways and the company created the TNA World Heavyweight and TNA World Tag Team championships. The promotion was purchased by Anthem at the beginning of 2017 and, in March of that year, was fully rebranded under its current name after its main television series.


Falling on hard times -
From its inception, the promotion had been considered the second-largest in the United States behind WWE.
Impact was viewed by some to have fallen behind longtime rival Ring of Honor in 2017, with the loss of their U.S. television contract with Spike in 2014, as well as monetary and personnel issues, being noted as factors to their decline.

2017 - Anthem sports & entertainment purchase TNA!
January 4th 2017, Anthem sports announced they had bought Majority interest in TNA & had formed Anthem wrestling exhibitions LLC. Having already owned Fight Network, a 24/7 multiplatform service dedicated to complete coverage of combat sports, TNA was a perfect fit that was sure to attain more attention.
Soon after, the TNA name was dropped & the promotion would simply be known as IMPACT WRESTLING!


2018 - Rebirth
Impact has since made a fantastic recovery & although has not quite reached the height of it's earlier Glory days, it has sustained an international television distribution with Anthems majority purchase of AXS TV, which subsequently began carrying Impact programming.
Though, with the formation of All Elite Wrestling (AEW) that year, and that promotion's high-profile U.S television deal with TNT (which is seen in more households than AXS), Impact is still viewed as a smaller promotion by comparison.
  
Fast & Furious Presents: Hobbs & Shaw (2019)
Fast & Furious Presents: Hobbs & Shaw (2019)
2019 | Action, Adventure
Over the top hyperbole is nothing new for the “Fast and the Furious:” franchises as ever since the series shifted gears from Street Racing to action series with the fourth film; the stunts keep getting larger and more outrageous with each offering.

With the 9th film in the series currently filming; the first Spin-Off film “Hobbs and Shaw” has arrived and combines Hobbs (Dwayne Johnson), with his rival Shaw (Jason Statham) as they are reluctantly forced to work with one another to stop a deadly viral agent from being unleashed on the world.

The fact that an enhanced individual with a score to settle named Brixton (Idris Elba) is intent on stopping them no matter what leads is pretty much all the plot viewers are going to get as it provides the reason for the cast to race and punch through London and other locales along the way.

The film has some glaring plot holes which are so large you could drive any of the tricked out vehicles the film features through and one in particular seems to over complicate the narrative when it is clear that a certain character that has been monitoring them all along knows the truth and can easily clear things up.

The two stars work well with one another but are not really given much to do other than glare and chest thump with each other early on but as the film goes on they are allowed to display a bit more comedy which does help the film along with a two-hour run time.
The film does have tons of over the top stunts many of which strain plausibility even by action film standards but you know what you are getting into when you sign on and if you are coming to a Fast and Furious film expecting realism than you obviously have not seen any of the prior films in the series.

That being said the finale is absurd and clearly pandering to Dwayne Johnson but it was nice to see some new wrinkles to his character and some diversity to the series added in.

http://sknr.net/2019/07/31/hobbs-and-shaw/
  
    SIMS Pocket

    SIMS Pocket

    Business and Productivity

    (0 Ratings) Rate It

    App

    The SIMS Pocket Edition application is an iPhone application that when used with the SIMS iServer...

Child's Play (2019)
Child's Play (2019)
2019 | Horror
Predictably Gruesome, But Entertaining
Child's Play is a 2019 slasher/horror movie directed by Lars Klevberg and written by Tyler Burton Smith. It was produced by Orion Pictures, KatzSmith Productions, and BRON Creative and distributed by United Artists Releasing. The film stars Aubrey Plaza, Gabriel Bateman, Brian Tyree Henry, and Mark Hamill.


A revolutionary line of high-tech dolls, designed to be life-long companions to their owners, called Buddi, is launched by the Kaslan Corporation. Buddi dolls learn from their surroundings and act accordingly by connecting and operating other Kaslan products making it a success with children world wide. Before committing suicide after being fired at a Buddi assembly plant in Vietnam, an employee disables all of the doll's safety protocols on the doll he is assembling. In Chicago, Karen Barclay (Aubrey Plaza), a retail clerk, encourages her son, Andy (Gabriel Bateman), to make new friends as she prepares for his upcoming birthday. She blackmails her boss to procure a Buddi doll as an early birthday gift but once Andy activates it, the doll begins to display violent tendencies.


This movie was pretty good, and that goes for remakes/reboots. I think everyone has seen a bad Chucky movie and this is not one. I really didn't like the redesign or new look of the Chucky doll but it grew on me as the movie progressed. Also I guess I'm just so used to his voice being different, that I also didn't think Mark Hamill's voice fit either, until the movie progressed further. I agree with certain critics that complained about the inconsistent tone, and how it lacked the principal's perverse originality. It definitely didn't have the me vibe of the original but I like how it made it, its own thing. But I think this was a very successful remake. The acting from Gabriel Bateman was really good and I wound up really liking Mark Hamill's performance as well. He actually made me feel sorry for the doll. I give this movie a 7/10. And I say you should definitely check it out, especially if you are a fan of the Child's Play movies.
  
Star of Persia: Esther's Story
Star of Persia: Esther's Story
10
10.0 (1 Ratings)
Book Rating
I love the story of Esther!
     This was my first time reading a book by Jill Eileen Smith and I truly liked it. I usually tend to stay away from Biblical fiction, as I want to remember the story as it happens in the Bible. However, I may revisit my stance on that after reading this wonderful retelling of Esther in the Star of Persia. I believe that Jill Eileen Smith helped me see Esther’s story from a completely new perspective that only added to my knowledge of the original Biblical story.
     The whole book was liking being inside Esther’s head and seeing what she would have been going through during the virgin selection prosses, through her reign as Queen of Persia. This book also helped give words to the emotions Esther would have been experiencing as she was being taken away from her family, thrown into a completely new world, and knowing that she risked everything for the lives of her people. This book gave me a new respect for Esther and helped me to understand the enormity of what Esther did for the Jewish people. I think that the Star of Persia added to my understanding of that period and showed how amazingly God used an orphan to achieve great things for His people.
     I loved the historical accuracy of this book as well. If you read the authors' note at the end of the book, Jill Eileen Smith explains some of the different variants, both Biblical and secular, about the story of Esther. An awesome fountain of facts! It helped me understand more of the intricacies of the Biblical story from a historical standpoint.
     I give this book 5 out of 5 stars for the creative insights to the life and times of Esther, for giving me a better connection to the Biblical story, and for the great historical detail that went into making this book so accurate. I highly recommend reading this book.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
Yeah Yeah Yeah: The Story of Modern Pop
Yeah Yeah Yeah: The Story of Modern Pop
(0 Ratings)
Book Favorite

"There is something faintly off-putting about this book’s subtitle. We live in a world where the obsession with music’s past threatens to overwhelm its present, where the only music magazines that sell in any quantity deal in heritage rock, where virtually the only TV coverage of music comes via retrospective documentaries: the story of modern pop has been told and retold until it’s been reduced to a series of tired anecdotes and over-familiar landmarks. But Yeah Yeah Yeah’s brilliance lies in the personal, idiosyncratic route Bob Stanley takes through the past: for him, the modern pop era begins not with Elvis or “Rock Around the Clock”, but the release of Johnnie Ray’s 1954 album Live at the London Palladium, the first time a screaming teenage audience had been heard on record in the UK. He devotes more space to 1970 one-hit wonders Edison Lighthouse than to Led Zeppelin, delivers a withering verdict on some surprising sacred cows – Joni Mitchell, Patti Smith, Steely Dan – and is great at unearthing a forgotten quote that challenges what you might call the authorised version of events: at the height of the 1967’s Summer of Love, he finds the Who’s Pete Townshend not boggling at the new frontiers mapped out by psychedelia, but grumpily complaining that “people aren’t jiving in the listening boxes in record shops any more like we did to a Cliff Richard ‘newie’”. Stanley has a way of tackling well-worn topics – not least the Beatles – from unlikely angles, and of talking about artists you’ve never heard of with a contagious enthusiasm that makes hearing them seem like a matter of urgency. Best of all, he makes you laugh out loud while getting directly to the heart of the matter. The lugubrious late 70s output of Pink Floyd sounds like music made by people “who hated being themselves”. The punk-era Elvis Costello sang “like he was standing in a fridge”, and the experience of listening to novelty ska revivalists Bad Manners is “like being on a waltzer when you’ve had three pints and desperately need the toilet”. If you’ve ever heard them, you’ll know exactly what he means."

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