Search
Search results
Gareth von Kallenbach (977 KP) rated The Girl with the Dragon Tattoo (2011) in Movies
Aug 7, 2019
Following the very successful adaptation of Stieg Larssons millennium trilogy into three very successful Swedish language films, it came as no surprise when Hollywood announced that it would be making an English-language version of the series. Director David Fincher was announced to craft the first book in the series, The Girl with the Dragon Tattoo. The new version follows very close to the original material with one fairly big exception which I will detail later in the review.
Daniel Craig stars as Mikael Blomkvist, who at the opening of the film has recently lost a court case for which he was being sued for libel by a prominent business figure. His career is in ruins and virtually all of his savings gone as a result of the trial and punitive damages. So when he is contacted by an attorney representing the wealthy and powerful Vanger family, he agrees to meet. Although highly reluctant to take a meeting, Mikael takes the four hour train ride north of Stockholm to a cold and remote island to meet with Henrik Vanger (Christopher Plummer). Henrik wishes Mikael to investigate the disappearance of his niece some 40 years earlier, a niece vanished under the families’ very noses and not a trace of her has been discovered since. Henrik is convinced that she has met with foul play, yet every year on his birthday, he continues to receive a gift of ornate pressed flowers in an anonymous package.
Henrik believes that the killer is haunting him by sending the gifts and that a member of his family may be to blame. Although skeptical of being able to find anything 40 years later, Mikael accepts the case and soon sets up residence in a small cabin on the island and begins his investigation by combing through police reports, conducting interviews, and examining photographs and newspaper clippings. Mikael had been warned that the other members of the Vanger family may not be too thrilled with his presence as not only is the family fractured, they all have their share of secrets.
At the same time, a very Goth punk girl named Lisabeth (Rooney Mara), is fighting her own demons. Lisabeth is an extremely gifted computer and surveillance expert who specializes in gathering background information on individuals. As such, her skills have made her in high demand with her employer. Unfortunately, Lisabeth is also a deeply antisocial person who is prone to lash out violently if provoked. Much of this stems from an extremely traumatic childhood spent in institutions which resulted in Lisabeth being placed as a ward of the state, not deemed competent to care for herself. This arrangement requires her to check in on a regular basis with a representative who, unfortunately for her, has recently suffered a stroke and places her in the care of the new guardian.
The new guardian subjects Lisabeth to horrific demands just so Lisabeth can access her money. The traumatized Lisabeth does not play victim long and in a twist of fate, is assigned by Henrik’s attorney to assist Mikael since she did the background check on him prior to Mikael being approached by Henrik for the investigation. The unlikely duo combined to form a highly efficient pair as they start to piece together the clues which indicate a brutal string of murders leading back for decades. As they work together, the relationship deepens and the reserved Lisabeth starts to come out of her shell. Tension mounts as danger surrounds them in an epic race against time to solve the case that certain members of the family do not want solved.
The film runs approximately 2 hours and 45 min and does take a little while to get started as the landscape and back story of the characters is established. The film has some very dark and brutal moments, which are hard to watch, yet were not as graphic as those in the Swedish language version. Craig and Mara work very well with one another and props to Craig for being willing to put on weight and occasionally looked disheveled to enhance his character.
Mara gives a masterful performance as the complicated Lisabeth, the anti-damsel-in-distress heroine, who subtly shows the many complicated sides to the character. Noomi Rapace first portrayed the character and has gone on to prominent success in Hollywood with a slew of upcoming high profile films. I would expect nothing less for Mara with two other sequels in this series to film. I am sure this breakout performance will not go unnoticed as it is an extremely difficult and daring role that few in Hollywood would want to tackle, much less be able to pull off as convincingly as she did.
I was extremely happy to see that the character names, settings, and situations were not changed in the new version, and it was refreshing to see the film set in Sweden and not relocated to London or New York. The biggest issue I had with the film was with the ending, which deviated from the previous versions. I will not provide spoilers, suffice it to say the resolution was a bit too tidy of a Hollywood ending and in my opinion greatly undermined one of the central characters of the film. That being said the film is a bold and dynamic vision from Fincher and is a deeply dark and disturbing story that is difficult to forget.
Daniel Craig stars as Mikael Blomkvist, who at the opening of the film has recently lost a court case for which he was being sued for libel by a prominent business figure. His career is in ruins and virtually all of his savings gone as a result of the trial and punitive damages. So when he is contacted by an attorney representing the wealthy and powerful Vanger family, he agrees to meet. Although highly reluctant to take a meeting, Mikael takes the four hour train ride north of Stockholm to a cold and remote island to meet with Henrik Vanger (Christopher Plummer). Henrik wishes Mikael to investigate the disappearance of his niece some 40 years earlier, a niece vanished under the families’ very noses and not a trace of her has been discovered since. Henrik is convinced that she has met with foul play, yet every year on his birthday, he continues to receive a gift of ornate pressed flowers in an anonymous package.
Henrik believes that the killer is haunting him by sending the gifts and that a member of his family may be to blame. Although skeptical of being able to find anything 40 years later, Mikael accepts the case and soon sets up residence in a small cabin on the island and begins his investigation by combing through police reports, conducting interviews, and examining photographs and newspaper clippings. Mikael had been warned that the other members of the Vanger family may not be too thrilled with his presence as not only is the family fractured, they all have their share of secrets.
At the same time, a very Goth punk girl named Lisabeth (Rooney Mara), is fighting her own demons. Lisabeth is an extremely gifted computer and surveillance expert who specializes in gathering background information on individuals. As such, her skills have made her in high demand with her employer. Unfortunately, Lisabeth is also a deeply antisocial person who is prone to lash out violently if provoked. Much of this stems from an extremely traumatic childhood spent in institutions which resulted in Lisabeth being placed as a ward of the state, not deemed competent to care for herself. This arrangement requires her to check in on a regular basis with a representative who, unfortunately for her, has recently suffered a stroke and places her in the care of the new guardian.
The new guardian subjects Lisabeth to horrific demands just so Lisabeth can access her money. The traumatized Lisabeth does not play victim long and in a twist of fate, is assigned by Henrik’s attorney to assist Mikael since she did the background check on him prior to Mikael being approached by Henrik for the investigation. The unlikely duo combined to form a highly efficient pair as they start to piece together the clues which indicate a brutal string of murders leading back for decades. As they work together, the relationship deepens and the reserved Lisabeth starts to come out of her shell. Tension mounts as danger surrounds them in an epic race against time to solve the case that certain members of the family do not want solved.
The film runs approximately 2 hours and 45 min and does take a little while to get started as the landscape and back story of the characters is established. The film has some very dark and brutal moments, which are hard to watch, yet were not as graphic as those in the Swedish language version. Craig and Mara work very well with one another and props to Craig for being willing to put on weight and occasionally looked disheveled to enhance his character.
Mara gives a masterful performance as the complicated Lisabeth, the anti-damsel-in-distress heroine, who subtly shows the many complicated sides to the character. Noomi Rapace first portrayed the character and has gone on to prominent success in Hollywood with a slew of upcoming high profile films. I would expect nothing less for Mara with two other sequels in this series to film. I am sure this breakout performance will not go unnoticed as it is an extremely difficult and daring role that few in Hollywood would want to tackle, much less be able to pull off as convincingly as she did.
I was extremely happy to see that the character names, settings, and situations were not changed in the new version, and it was refreshing to see the film set in Sweden and not relocated to London or New York. The biggest issue I had with the film was with the ending, which deviated from the previous versions. I will not provide spoilers, suffice it to say the resolution was a bit too tidy of a Hollywood ending and in my opinion greatly undermined one of the central characters of the film. That being said the film is a bold and dynamic vision from Fincher and is a deeply dark and disturbing story that is difficult to forget.
Daniel Boyd (1066 KP) rated NieR: Automata in Video Games
Oct 2, 2017 (Updated Oct 25, 2017)
Well developed characters, with a good amount of depth. (3 more)
Character motivations are clear and logical.
A visual feast.
A stunningly effective score.
A Genre Bending Masterclass In Game Design
There have been a good number of excellent games this year and before I played Nier it was difficult to choose my favourite game of the year so far. It is now extremely obvious.
This is one of the best games I have ever had the pleasure of playing through and it has pushed the boundaries of what I thought action RPG's could do. I had heard a lot of amazing things about this game before picking it up and I was sceptical that it was going to meet my expectations. I am happy to report that not only did it meet my expectations, but it greatly exceeded them.
The characters in this game are so well crafted. You will form an immediate opinion on each of the characters when you are first introduced to them, but be prepared to have your opinion changed multiple times. Initially likeable characters will commit despicable acts and the character you thought was a cold machine, will do something genuinely heart-warming. Even though these characters are prone to committing acts that don't necessarily match their character type, character motivations are always understandable, which is a mark of great writing.
The visuals in this game are incredible, not only in the graphical sense. The way that certain shots are framed, the way that lighting is implemented in certain environments, the fluid animations, the vast, lush natural environment; all of it is utterly stunning. Combat looks incredible, cutscenes are well timed and effective, character design is fantastic, all of this adds to the impressive visual flair of the game overall.
The audio is also significant during your playthrough, the soundtrack is so effective and well implemented. The tone is complimented by a different piece of music in each area of the game to the point that the music alone could tell you what area of the game that you are in without having to look at the screen.
The only negative feeling I have towards the game after finally completing it, was the exhaustion I felt towards the game's ending. Without spoiling anything, this game ends multiple times, each of them emotionally draining and leading to another even more complex layer of the game's overall story, to the point that finishing the entire thing feels like an endurance test and I'm not even anywhere near earning the platinum trophy! I didn't know exactly what I was getting into when I started the game and that is how I would recommend most players go into this game because you will truly be blown away, but you should know how much of your life this game is going to demand from you. If you don't have between 60-100 hours to spend, (depending on what completion rate you are aiming for,) then this will probably be too vast of an experience for you. And after finally completing the game in it's entirety, I feel exhausted and I'm not in any hurry right now to go back to the game to tackle the remaining sidequests. I feel that I have earned some time away from the game, at least for a few weeks. Normally I relish an epically long adventure, but even this pushed my limits of what a lengthy saga should be. This is the only thing that keeps me from scoring the game a perfect 10.
There is no denying that this game is very close to being a masterpiece and for those that do regard the game to be a perfect 10, I can see your point. There aren't any flaws within the game itself, mine is more of a personal problem and is proof to me at least, that you can have too much of a good thing. However, this doesn't disregard what I said previously in any way, this game does so many unique things and it does all of them impressively well. This is definitely Platinum's best game and I am glad that this fantastic experience is receiving the high level of praise that it deserves.
This is one of the best games I have ever had the pleasure of playing through and it has pushed the boundaries of what I thought action RPG's could do. I had heard a lot of amazing things about this game before picking it up and I was sceptical that it was going to meet my expectations. I am happy to report that not only did it meet my expectations, but it greatly exceeded them.
The characters in this game are so well crafted. You will form an immediate opinion on each of the characters when you are first introduced to them, but be prepared to have your opinion changed multiple times. Initially likeable characters will commit despicable acts and the character you thought was a cold machine, will do something genuinely heart-warming. Even though these characters are prone to committing acts that don't necessarily match their character type, character motivations are always understandable, which is a mark of great writing.
The visuals in this game are incredible, not only in the graphical sense. The way that certain shots are framed, the way that lighting is implemented in certain environments, the fluid animations, the vast, lush natural environment; all of it is utterly stunning. Combat looks incredible, cutscenes are well timed and effective, character design is fantastic, all of this adds to the impressive visual flair of the game overall.
The audio is also significant during your playthrough, the soundtrack is so effective and well implemented. The tone is complimented by a different piece of music in each area of the game to the point that the music alone could tell you what area of the game that you are in without having to look at the screen.
The only negative feeling I have towards the game after finally completing it, was the exhaustion I felt towards the game's ending. Without spoiling anything, this game ends multiple times, each of them emotionally draining and leading to another even more complex layer of the game's overall story, to the point that finishing the entire thing feels like an endurance test and I'm not even anywhere near earning the platinum trophy! I didn't know exactly what I was getting into when I started the game and that is how I would recommend most players go into this game because you will truly be blown away, but you should know how much of your life this game is going to demand from you. If you don't have between 60-100 hours to spend, (depending on what completion rate you are aiming for,) then this will probably be too vast of an experience for you. And after finally completing the game in it's entirety, I feel exhausted and I'm not in any hurry right now to go back to the game to tackle the remaining sidequests. I feel that I have earned some time away from the game, at least for a few weeks. Normally I relish an epically long adventure, but even this pushed my limits of what a lengthy saga should be. This is the only thing that keeps me from scoring the game a perfect 10.
There is no denying that this game is very close to being a masterpiece and for those that do regard the game to be a perfect 10, I can see your point. There aren't any flaws within the game itself, mine is more of a personal problem and is proof to me at least, that you can have too much of a good thing. However, this doesn't disregard what I said previously in any way, this game does so many unique things and it does all of them impressively well. This is definitely Platinum's best game and I am glad that this fantastic experience is receiving the high level of praise that it deserves.
Kristy H (1252 KP) rated I'll Be Your Blue Sky in Books
Feb 26, 2018
Revisits former characters (3 more)
Features unexpected twists and turns
Beautiful characters that fit together well
Funny and touching
Lovely look at some favorite characters
The weekend of her wedding, Clare Hobbes meets an elderly woman, Edith Herron, at the venue. While they only have a few brief conversations, they provide Clare with the insight and courage she so badly needs. So much that she finds the strength to call off her wedding and return home alone. A few weeks later, Clare receives some sad and surprising news: Edith has passed away and left Clare a seaside home in Delaware. Desperately seeking a place to reevaluate her life, Clare decamps to the "Blue Sky House" and there begins to learn more about Edith and the remarkable life she led. This includes the discovery of two ledgers--one depicting a list of the guests who stayed at Edith's home when it was a beach guesthouse and another, "shadow" ledger, with mysterious notations. With the help of her former boyfriend, now best friend Dev Tremain, Clare starts to unravel Edith's brave and fascinating past. Along the way, she starts to get closer to working out more about herself as well.
I absolutely adore Marisa de los Santos and was really excited to see she had written another book picking up on the characters first introduced in Love Walked In: A Novel and Belong to Me. Both still hold a place of honor on the bookshelves of my home. Still, Goodreads told me it was nearly ten years since I'd read those gems. Considering I can forget a lot of what I've read a few months ago, it took a little remembering and time to get back into the characters. There's a lot to keep track of in the beginning. Still, once I got into the groove, it was like being back with old friends.
Getting to know more about Clare--all grown up now--is lovely. You find yourself drawn to her immediately. Her finance, Zach, made me nervous from the start, and in many ways, the novel can be a little stressful, between Clare navigating Zach, learning about what Edith was up to, and just some of the general topics of the novel. I always know a book is well-written when I find myself getting nervous on the characters' behalf.
The book generally alternates chapters between Clare and the story of Edith, the woman she meets at her wedding venue. Edith's story mainly takes place in the 1940s and 1950s, and I found myself always wishing for more and more of her tale, as she's a fascinating character in her own right. As Clare moves into Edith's old home and starts to investigate the woman's past, we learn a little more about her through Clare and Dev's sleuthing. It's a very effective format, and I found the book surprisingly suspenseful, with several unexpected twists and turns thrown in along the way.
Indeed, I was never really sure where this one was going. It meanders a bit and kept surprising me as it did. There are points where the sadness can be really hard and heartbreaking (in a wow, this novel is incredibly well-written and I feel as if these characters are real way). All the characters fit together so well and come to life before you--no surprise to anyone who has read a Marisa de los Santos novel before. It's so easy to get lost in the world she creates for us. At other times, I just found myself laughing, as Clare and Dev, for instance, could just be so funny and real.
In the end, I just wound up really loving this one. I was along for the ride wherever Clare and her gang were going to take me. I loved her, I loved Edith, and now I'd wait ten years for another book without any issue whatsoever. It's a lovely book about connections and about the family we have and the family we make. It's about love (very appropriate that I finished it on Valentine's Day). Thanks for revisiting these characters, Ms. de los Santos. I didn't know I needed them again, but I'm glad you did. 4+ stars.
I I received a copy of this novel from the publisher and Edelweiss in return for a honest review. More at http://justacatandabookatherside.blogspot.com/
I absolutely adore Marisa de los Santos and was really excited to see she had written another book picking up on the characters first introduced in Love Walked In: A Novel and Belong to Me. Both still hold a place of honor on the bookshelves of my home. Still, Goodreads told me it was nearly ten years since I'd read those gems. Considering I can forget a lot of what I've read a few months ago, it took a little remembering and time to get back into the characters. There's a lot to keep track of in the beginning. Still, once I got into the groove, it was like being back with old friends.
Getting to know more about Clare--all grown up now--is lovely. You find yourself drawn to her immediately. Her finance, Zach, made me nervous from the start, and in many ways, the novel can be a little stressful, between Clare navigating Zach, learning about what Edith was up to, and just some of the general topics of the novel. I always know a book is well-written when I find myself getting nervous on the characters' behalf.
The book generally alternates chapters between Clare and the story of Edith, the woman she meets at her wedding venue. Edith's story mainly takes place in the 1940s and 1950s, and I found myself always wishing for more and more of her tale, as she's a fascinating character in her own right. As Clare moves into Edith's old home and starts to investigate the woman's past, we learn a little more about her through Clare and Dev's sleuthing. It's a very effective format, and I found the book surprisingly suspenseful, with several unexpected twists and turns thrown in along the way.
Indeed, I was never really sure where this one was going. It meanders a bit and kept surprising me as it did. There are points where the sadness can be really hard and heartbreaking (in a wow, this novel is incredibly well-written and I feel as if these characters are real way). All the characters fit together so well and come to life before you--no surprise to anyone who has read a Marisa de los Santos novel before. It's so easy to get lost in the world she creates for us. At other times, I just found myself laughing, as Clare and Dev, for instance, could just be so funny and real.
In the end, I just wound up really loving this one. I was along for the ride wherever Clare and her gang were going to take me. I loved her, I loved Edith, and now I'd wait ten years for another book without any issue whatsoever. It's a lovely book about connections and about the family we have and the family we make. It's about love (very appropriate that I finished it on Valentine's Day). Thanks for revisiting these characters, Ms. de los Santos. I didn't know I needed them again, but I'm glad you did. 4+ stars.
I I received a copy of this novel from the publisher and Edelweiss in return for a honest review. More at http://justacatandabookatherside.blogspot.com/
Heather Cranmer (2721 KP) rated We Are the Goldens in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
Purple Phoenix Games (2266 KP) rated Drop It in Tabletop Games
Oct 22, 2019
Oh Dexterity games – how I love thee. Strategy means nothing if you don’t have the physical coordination/reflexes to back it up! Gone are the days of being outsmarted by my opponents, because a little physical luck at juuuuust the right time can change the entire game.
Did you ever play Connect 4? Who am I kidding, of course you probably did. Drop It is essentially an abstract version of Connect 4. In Drop It, players take turns dropping their pieces into the slot board in an effort to amass the most points. Each player has a set number of pieces in their specific color, and in various shapes. The rules of Drop It are simple – pick a piece and drop it (roll credits) into the board. You earn points for the highest level that your piece crosses into, as well as bonus points for touching various smaller areas across the board. Sounds easy enough, right? Well here’s the tricky part. If your piece touches another one of your pieces, even if by just a hair, it earns you no points. Similarly, if your piece touches another piece of the same shape (regardless of color), you earn no points as well. AND on top of that, certain areas along the bottom and sides of the board are colored and are not allowed to be touched by their corresponding colored pieces. If a piece touches one of those forbidden zones, then that player earns (you guessed it) no points. So all in all, not as simple a game as it looks, is it? The player at the end of the game with the most points is the winner!
Man, Drop It is a neat little game. When I first heard of it, I thought it would be the easiest game on the planet. But boy oh boy was I wrong. Although I’d say this game is primarily one of dexterity (and luck), there is definitely quite a bit of strategy involved. Because there are several placement restrictions, you have to be careful about which pieces you play at what times. The circles roll around on pretty much anything, so do you risk dropping one when it might just roll onto your square and negate those points? Can you drop your trapezoid at the right angle to have it span two other pieces and miss landing on yours in the middle? All while making sure it doesn’t hit the left side of the board here? It is way more strategic than meets the eye, and I love that. It keeps me engaged the entire game, and it elevates the game to a higher level than just simple dexterity.
Whatever strategy you choose must involve your opponents as well. Even though there is no real player interaction in Drop It, you’ve got to keep an eye on your opponents and which pieces they play at what times. If another player just dropped their square right in the middle of the board, you probably should not drop your square right now. Unless you don’t want points. Then by all means, drop your square right on top of that sucker. Are you able to keep a variety of shapes throughout the game, or will you get cornered for several turns because all you have left are your circles? You’re not only thinking of your strategy, but that of your opponents as well.
One other thing that I love about Drop It is that once a piece is scored, it is out of your mind. What I mean is that in some cases, dropping a piece causes those underneath to shift. You only score the piece that was just dropped – regardless of how it moved any pieces underneath. That definitely helps to keep the game moving because you are not having to constantly go back and re-score any shifted pieces. That would just be brutal.
Overall, I really like Drop It. It’s not one that I personally own, but it definitely is on my Wish List after having played it. It’s the perfect little filler game for in-between some meatier games. Although it requires strategy, the dexterity aspect of the game makes it more light-hearted, fun, and fast to play! Purple Phoenix Games is dropping a score of 14 / 18 for this little gem.
Did you ever play Connect 4? Who am I kidding, of course you probably did. Drop It is essentially an abstract version of Connect 4. In Drop It, players take turns dropping their pieces into the slot board in an effort to amass the most points. Each player has a set number of pieces in their specific color, and in various shapes. The rules of Drop It are simple – pick a piece and drop it (roll credits) into the board. You earn points for the highest level that your piece crosses into, as well as bonus points for touching various smaller areas across the board. Sounds easy enough, right? Well here’s the tricky part. If your piece touches another one of your pieces, even if by just a hair, it earns you no points. Similarly, if your piece touches another piece of the same shape (regardless of color), you earn no points as well. AND on top of that, certain areas along the bottom and sides of the board are colored and are not allowed to be touched by their corresponding colored pieces. If a piece touches one of those forbidden zones, then that player earns (you guessed it) no points. So all in all, not as simple a game as it looks, is it? The player at the end of the game with the most points is the winner!
Man, Drop It is a neat little game. When I first heard of it, I thought it would be the easiest game on the planet. But boy oh boy was I wrong. Although I’d say this game is primarily one of dexterity (and luck), there is definitely quite a bit of strategy involved. Because there are several placement restrictions, you have to be careful about which pieces you play at what times. The circles roll around on pretty much anything, so do you risk dropping one when it might just roll onto your square and negate those points? Can you drop your trapezoid at the right angle to have it span two other pieces and miss landing on yours in the middle? All while making sure it doesn’t hit the left side of the board here? It is way more strategic than meets the eye, and I love that. It keeps me engaged the entire game, and it elevates the game to a higher level than just simple dexterity.
Whatever strategy you choose must involve your opponents as well. Even though there is no real player interaction in Drop It, you’ve got to keep an eye on your opponents and which pieces they play at what times. If another player just dropped their square right in the middle of the board, you probably should not drop your square right now. Unless you don’t want points. Then by all means, drop your square right on top of that sucker. Are you able to keep a variety of shapes throughout the game, or will you get cornered for several turns because all you have left are your circles? You’re not only thinking of your strategy, but that of your opponents as well.
One other thing that I love about Drop It is that once a piece is scored, it is out of your mind. What I mean is that in some cases, dropping a piece causes those underneath to shift. You only score the piece that was just dropped – regardless of how it moved any pieces underneath. That definitely helps to keep the game moving because you are not having to constantly go back and re-score any shifted pieces. That would just be brutal.
Overall, I really like Drop It. It’s not one that I personally own, but it definitely is on my Wish List after having played it. It’s the perfect little filler game for in-between some meatier games. Although it requires strategy, the dexterity aspect of the game makes it more light-hearted, fun, and fast to play! Purple Phoenix Games is dropping a score of 14 / 18 for this little gem.
BankofMarquis (1832 KP) rated The Irishman (2019) in Movies
Nov 30, 2019
Delivers What Is Expected
Like eating comfort food on a cold, wintery day, sitting down to catch the latest Scorsese/DeNiro mob movie filled me with a warmth that was satisfying for it's familiarity. It is a film landscape mined by professionals who know this genre of movie well.
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
There is a terrific film in this 3 1/2 hour epic - if only "Marty" would have trimmed the fat to find it.
Telling the real-life story (with some conjecture and fabrications), THE IRISHMAN tells the tale of...well...Irishman Frank Sheeran (Robert DeNiro) a working stiff who rises in the ranks of mobster Russell Buffalino (Joe Pesci) to be one of his chief enforcers and the personal bodyguard to Jimmy Hoffa (Al Paciino).
In the lead, DeNiro commands the screen like the DeNiro of old. His Frank Sheeran is menacing, razor-focused on his objectives. You never question Frank's loyalties and his ability to keep silent. DeNiro shows this by be being silent for a good part of this film, even though he is on screen for most of it. He is a commanding force that requires that we pay attention to him.
It was good to see Pesci back onscreen as Russell Buffalino. His mob boss is pragmatic, making decisions sternly and expecting his people to follow them, no questions asked. His presence on the screen is almost as commanding as DeNiro's and I wouldn't be surprised to see DeNiro (Best Actor) and Pesci (Best Supporting Actor) be in the mix come Oscar time.
In lesser, (almost cameo), roles - but faring very well - is a "who's who" of character actors, Harvey Keitel (who I would have LOVED to have seen much, much more in this film), Ray Romano, Bobby Canavale, Jesse Pleimens and Anna Paquin, I'm sure all jumped at the chance to appear - however briefly - in a Scorsese mob epic.
Faring less well in this film is Al Pacio as Jimmy Hoffa. He is back to his "yelling Al Pacino" ways of films like SCENT OF A WOMAN. His Hoffa is pretty one note and, consequently, his scenes with DeNiro are ineffective mostly because Pacino is chewing up the scenery (and yelling) while DeNiro is sitting silent and staring and listening to Pacino. This was a major disappointment for me, but (fortunately), Hoffa is in only about 1/3 of this long film, so while it hampered my enjoyment of the film, it didn't ruin it.
Credit (and blame) for all of this goes to master Director Martin Scorsese who has mined these waters more successfully in CASINO, THE DEPARTED and GOODFELLAS (his best film, IMO). This film is a loving pastiche to these types of films and a bygone era - and he chose to make it for NETFLIX for he wanted to make a sprawling epic and take his time in telling the story he wanted to tell. This is evidenced in the 3 1/2 hour length of this film, which if filled with long tracking shots set to a backdrop of Italian crooners singing old standards. It's a throwback to a different time and place, one that these players know well.
Scorsese has stated the he only decided to make this film because the "de-aging" software the he used to make DeNiro and Pesci look 30 years younger was "good enough" to use. And I would agree with that statement. The de-aging of these 2 (and others) is "good enough", in some scenes I forgot I was watching a de-aged DeNiro and Pesci, while in some other scenes, I could spot the trick. Again, it was "good enough" and not distracting (unless you were looking to make it distracting, then you probably found what you were looking for).
But for me - a fan of these types of films, I was not disappointed. It was about what I expected it to be. If you were looking for something different and new, look elsewhere, you will be disappointed.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Becs (244 KP) rated After The Shot Drops in Books
Feb 10, 2020
Trigger Warnings: talk of death, violence, shooting, threats, blood, hospitals, gunshot, prison, underage drinking, underage party
Representation: POC, LGBTQ+, own voices, poverty
I was a bit worried that I wouldn’t have truly liked this book as it was a sports related young adult contemporary book, and I just am not that into sports fiction. Boy, was I completely wrong!! I read this entire book in one sitting and I just could not get enough of it. I, no joke, devoured the entire thing and was flipping through pages like my life depended on it.
After the Shot Drops starts off at a rather typical pace for a young adult contemporary book. It was neither rushed and boring nor screamed at me to keep going. It lied in that perfect middle ground of – you should definitely keep reading as you’re not going to want to miss this story. The plot follows a multi POV setup with Bunny and Nasir being the main POVs. Bunny is a high school junior who decided to leave Whitman High to go to a prep school as he wanted more out of his life and basketball career. Nasir was Bunny’s best friend before Bunny decided to up and leave without saying anything to anybody until the last minute.
There were other minor characters as well that really added parts to the story, so we can’t forget them. Wallace, Nasir’s cousin and close friend after his friendship with Bunny fell through. Wallace was one that couldn’t seem to ever make the right choices in life. And in the end, karma bit him back real hard. Then there was Keyona, who was Bunny’s girl and the long time crush of Nasir. She was constantly there for Bunny since his friendship with Nasir was non existent.
Can we take a moment and talk about the representation that was packed into this book? Because holy cow. This is my first five star read of the year and it did not disappoint one bit. There was multiple of POC (person of color) rep, a bit of LGBTQ+ rep, and this novel really focused on showing the different sides of poverty and a bit of the wealthy side as well. It also had the “don’t judge a book by it’s cover as you don’t truly know what someone is like behind the facade they have up” trope and I was living for it every step of the way in After the Shot Drops.
For me to rate this so highly, was honestly really surprising as I was not expecting such a high star rating! As I read and the more I read, I grew to care for each of the characters. I was saddened and heartbroken that some characters were living extremely rough and happy when moments of happiness popped through. This novel really hit home to me as I grew up in a poverty stricken household. I was almost brought to tears multiple of times within this novel as well. I was into this story for the characters and the plot, not the sports – but those did add an appealing nature to the story.
Randy’s writing was music to my ears. It was easy to comprehend every little thing that happened, every little detail, every heartbreaking moment, and every plot twist that befell this remarkable story. The writing was just what I needed to pull me out of my reading slump. It was crisp, beautiful, well thought out, and an instant adoration on my part.
This is one story that I will not only highly recommend to middle and high school students, but also to adults as well. As the story is not only something everyone needs to read, but also the meaning behind every action taken within this novel is something that everyone needs to reflect on. The build-up will leave you wanting more of Randy’s writing and will leave your emotions in shambles. Please, please, please, read this one!!!
_____________________
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;
Representation: POC, LGBTQ+, own voices, poverty
I was a bit worried that I wouldn’t have truly liked this book as it was a sports related young adult contemporary book, and I just am not that into sports fiction. Boy, was I completely wrong!! I read this entire book in one sitting and I just could not get enough of it. I, no joke, devoured the entire thing and was flipping through pages like my life depended on it.
After the Shot Drops starts off at a rather typical pace for a young adult contemporary book. It was neither rushed and boring nor screamed at me to keep going. It lied in that perfect middle ground of – you should definitely keep reading as you’re not going to want to miss this story. The plot follows a multi POV setup with Bunny and Nasir being the main POVs. Bunny is a high school junior who decided to leave Whitman High to go to a prep school as he wanted more out of his life and basketball career. Nasir was Bunny’s best friend before Bunny decided to up and leave without saying anything to anybody until the last minute.
There were other minor characters as well that really added parts to the story, so we can’t forget them. Wallace, Nasir’s cousin and close friend after his friendship with Bunny fell through. Wallace was one that couldn’t seem to ever make the right choices in life. And in the end, karma bit him back real hard. Then there was Keyona, who was Bunny’s girl and the long time crush of Nasir. She was constantly there for Bunny since his friendship with Nasir was non existent.
Can we take a moment and talk about the representation that was packed into this book? Because holy cow. This is my first five star read of the year and it did not disappoint one bit. There was multiple of POC (person of color) rep, a bit of LGBTQ+ rep, and this novel really focused on showing the different sides of poverty and a bit of the wealthy side as well. It also had the “don’t judge a book by it’s cover as you don’t truly know what someone is like behind the facade they have up” trope and I was living for it every step of the way in After the Shot Drops.
For me to rate this so highly, was honestly really surprising as I was not expecting such a high star rating! As I read and the more I read, I grew to care for each of the characters. I was saddened and heartbroken that some characters were living extremely rough and happy when moments of happiness popped through. This novel really hit home to me as I grew up in a poverty stricken household. I was almost brought to tears multiple of times within this novel as well. I was into this story for the characters and the plot, not the sports – but those did add an appealing nature to the story.
Randy’s writing was music to my ears. It was easy to comprehend every little thing that happened, every little detail, every heartbreaking moment, and every plot twist that befell this remarkable story. The writing was just what I needed to pull me out of my reading slump. It was crisp, beautiful, well thought out, and an instant adoration on my part.
This is one story that I will not only highly recommend to middle and high school students, but also to adults as well. As the story is not only something everyone needs to read, but also the meaning behind every action taken within this novel is something that everyone needs to reflect on. The build-up will leave you wanting more of Randy’s writing and will leave your emotions in shambles. Please, please, please, read this one!!!
_____________________
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;
BankofMarquis (1832 KP) rated Eternals (2021) in Movies
Nov 10, 2021
Works Well Enough
The interesting thing about creating a Cinematic “Universe” (like Marvel has done and others are desperately trying to do) is that because it is a “Universe” you can tell different types of stories with different types of characters in differing styles.
In ETERNALS, Marvel has really attempted to open up their “Universe” by introducing their audience to the Eternals, celestial beings that are tangentially interested in the goings-on of the human world.
It’s not a Super-Hero movie, per se, it’s a world of “Gods and Monsters” (to steal a phrase) that has repercussions across the Universe.
So with this background in mind, the ETERNALS succeeds, mostly, because it is trying to be something…else. NOT a SUPERHERO film, but something on a different plane.
Unfortunately, this probably will put off “Fan-boys” who want “more of the same” (more Avengers, more Thanos, more F/X smashy-smashy, fight-fight) and ETERNALS just isn’t intended to be that.
Your first clue that this film is trying to be something else is the choice of Director - recent Oscar Winner Chloe Zhao (NOMADLAND), known for her personal stories and interesting visuals. She brings that sensibility to this film and it (mostly), though it is the type of Cinematic style that works best in low-res (like an independent film like Nomadland) rather than large IMAX Comic-book film event films.
The movie itself is entertaining…enough. It is, necessarily, slow at the beginning as Zhao needs to set up these characters and the realm that they are playing on (and orient the audience as to how this fits with the AVENGERS:ENDGAME of it all). There are 10 (yes, TEN) Eternals to introduce along with ancillary characters, so the film has to take some time to gather steam.
And…it gathers steam, not in the action sequences (which are serviceable) but in the characters and the character interactions and this is where the film really works for me.
Gemma Chan (CRAZY, RICH ASIANS) and Richard Madden (Rob Stark on GAME OF THRONES) are, basically, the lead characters as their relationship takes center stage for most of the film - and these 2 (especially Chan) holds the screen well, which is tough to do since there are so many characters - and so much other things going on.
The real hero of the Marvel Cinematic Universe, IMHO, is the Casting Director who, time-after-time, plucks relative unknowns and throws them into parts that they are perfectly cast for…Salma Hayak (leader of Eternals, Ajak), Lia McHugh (Sprite), Brian Tyree Henry (Phastos), Lauren Ridloff (Makkari) and Barry Keoghan (Druig) all fit their parts well, with the relationship between Makkari and Druig being particularly interesting.
Speaking of interesting relationships, Ma Dong-seok (so good in the Korean Zombie flick TRAIN TO BUSAN) as Gilgamesh almost steals the screen from MOVIE STAR Angelina Jolie’s Thena…almost. Jolie is a MOVIE STAR that just walks onto the screen and commands your attention - and she is perfectly cast as Thena. It is a very smart use of her talents…and her personae as a MOVIE STAR and works very well.
Finally, it took awhile for the film to figure out what to do with Kumail Nanjiani’s character of Kingo (and Nanjiani’s tremendous comedic talents), but, eventually, they do figure it out - but not entirely - which is really the problem with this film. It ALMOST figures out the formula to make this huge, broad, galactic film very personal, but doesn’t quite get there.
I liked, but didn’t LOVE, ETERNALS. I applaud what this film tries to do and I am fine with where it went and was entertained by it. If this is the first part of a journey, then I am anxious to see where ETERNALS goes from here. If this is a “one-off” film, then it doesn’t, quite, work well enough.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
In ETERNALS, Marvel has really attempted to open up their “Universe” by introducing their audience to the Eternals, celestial beings that are tangentially interested in the goings-on of the human world.
It’s not a Super-Hero movie, per se, it’s a world of “Gods and Monsters” (to steal a phrase) that has repercussions across the Universe.
So with this background in mind, the ETERNALS succeeds, mostly, because it is trying to be something…else. NOT a SUPERHERO film, but something on a different plane.
Unfortunately, this probably will put off “Fan-boys” who want “more of the same” (more Avengers, more Thanos, more F/X smashy-smashy, fight-fight) and ETERNALS just isn’t intended to be that.
Your first clue that this film is trying to be something else is the choice of Director - recent Oscar Winner Chloe Zhao (NOMADLAND), known for her personal stories and interesting visuals. She brings that sensibility to this film and it (mostly), though it is the type of Cinematic style that works best in low-res (like an independent film like Nomadland) rather than large IMAX Comic-book film event films.
The movie itself is entertaining…enough. It is, necessarily, slow at the beginning as Zhao needs to set up these characters and the realm that they are playing on (and orient the audience as to how this fits with the AVENGERS:ENDGAME of it all). There are 10 (yes, TEN) Eternals to introduce along with ancillary characters, so the film has to take some time to gather steam.
And…it gathers steam, not in the action sequences (which are serviceable) but in the characters and the character interactions and this is where the film really works for me.
Gemma Chan (CRAZY, RICH ASIANS) and Richard Madden (Rob Stark on GAME OF THRONES) are, basically, the lead characters as their relationship takes center stage for most of the film - and these 2 (especially Chan) holds the screen well, which is tough to do since there are so many characters - and so much other things going on.
The real hero of the Marvel Cinematic Universe, IMHO, is the Casting Director who, time-after-time, plucks relative unknowns and throws them into parts that they are perfectly cast for…Salma Hayak (leader of Eternals, Ajak), Lia McHugh (Sprite), Brian Tyree Henry (Phastos), Lauren Ridloff (Makkari) and Barry Keoghan (Druig) all fit their parts well, with the relationship between Makkari and Druig being particularly interesting.
Speaking of interesting relationships, Ma Dong-seok (so good in the Korean Zombie flick TRAIN TO BUSAN) as Gilgamesh almost steals the screen from MOVIE STAR Angelina Jolie’s Thena…almost. Jolie is a MOVIE STAR that just walks onto the screen and commands your attention - and she is perfectly cast as Thena. It is a very smart use of her talents…and her personae as a MOVIE STAR and works very well.
Finally, it took awhile for the film to figure out what to do with Kumail Nanjiani’s character of Kingo (and Nanjiani’s tremendous comedic talents), but, eventually, they do figure it out - but not entirely - which is really the problem with this film. It ALMOST figures out the formula to make this huge, broad, galactic film very personal, but doesn’t quite get there.
I liked, but didn’t LOVE, ETERNALS. I applaud what this film tries to do and I am fine with where it went and was entertained by it. If this is the first part of a journey, then I am anxious to see where ETERNALS goes from here. If this is a “one-off” film, then it doesn’t, quite, work well enough.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Amy Christmas (170 KP) rated Norma in Books
Nov 4, 2017
I had an unexpected love for this book
To be honest I actually found myself liking this book which from the first reviews makes me odd. It isn't a book that will leave you squealing or gasping with the plot twists or have you smirking as you mutter 'called it'. In my opinion that makes the book great, because unlike other books of this genre where the reader is often lead along guessing for a while before being told exactly what's going on Norma doesn't explicitly tell the reader much meaning you actually have to price a lot of it together yourself, meaning that this book definitely has multiple reads in it. However I do think that sometimes the author should have given larger hints or explained the workings of this world in more depth.
Throughout the book we are introduced to giant handfuls of minors 2 dimensional characters that you see once and never hear of again which I felt left in some cases realism to the scenario in which norma or Marion found themselves in, But other times it completely broke the entire immersion. There are some fantastic 3 dimensional characters throughout as well that were developed early on and created good flow of interaction between characters, however, again, I feel there could have been more depth into characters like Alvar and Lambert. What were their motives? Being the biggest question, and I suppose it is assumed that money is the main motive for Lambert and acceptance for Alvar but it makes them feel flatter when they needn't be.
In saying all of that I still give it a high rating because I enjoyed it, despite some flaws in characters and a lack of depth in some areas Norma still, once it really got going, really immersed me and made me want to work out the little mystery going on. The only thing I really wish for this book is that it were longer to allow for more depth into everything, because the book was just too short for such a large world. Despite this Sofi has still done a marvellous job with Norma, and the cover is fabulous.
I would recommend and that's coming from someone who usually dislikes these kinds of books.
Throughout the book we are introduced to giant handfuls of minors 2 dimensional characters that you see once and never hear of again which I felt left in some cases realism to the scenario in which norma or Marion found themselves in, But other times it completely broke the entire immersion. There are some fantastic 3 dimensional characters throughout as well that were developed early on and created good flow of interaction between characters, however, again, I feel there could have been more depth into characters like Alvar and Lambert. What were their motives? Being the biggest question, and I suppose it is assumed that money is the main motive for Lambert and acceptance for Alvar but it makes them feel flatter when they needn't be.
In saying all of that I still give it a high rating because I enjoyed it, despite some flaws in characters and a lack of depth in some areas Norma still, once it really got going, really immersed me and made me want to work out the little mystery going on. The only thing I really wish for this book is that it were longer to allow for more depth into everything, because the book was just too short for such a large world. Despite this Sofi has still done a marvellous job with Norma, and the cover is fabulous.
I would recommend and that's coming from someone who usually dislikes these kinds of books.
Kristy H (1252 KP) rated The Beloveds in Books
Apr 9, 2018
Slow-moving thriller with a despicable main character
Betty adores only one thing in her life: her childhood home, called Pipits, and desires nothing else than to live in it. Alone. So when her mother passes away and wills the home to her younger sister Gloria and her husband, Henry, Betty is beyond angry and ruined. She puts Henry and Gloria in a class called the Beloveds; people she deems loved and admired and lucky in love and everything they do. Betty, of course, is on the outside looking in on these Beloved sort. She vows she will do whatever it takes to get Pipits back, at any cost.
This novel features Betty talking to us directly in a conversational style, which I liked. However, sadly, the rest of this one didn't work too well for me. For one thing, it's just maddeningly slow. There is so much talk from Betty and she is so mean, crazy, and cruel. Halfway through the novel, I felt as if nothing had happened, other than her rantings. Beyond her being mentally ill, the whole book is built on her obsession for this house, and it became a bit much for me. I understand that it should be creepy, but it just didn't work for me.
For much of the novel, Betty isn't really even that good at being evil, she's just mean-spirited and a ranting drunk. I kept reading out of a morbid curiosity, but I really wasn't all that interested or engaged or drawn to anyone in the novel. In fact, I just despised Betty completely and couldn't even find myself liking her as a "bad guy." She was just mean. Also, again, I felt somewhat bad despising someone who was so clearly mentally ill, but she was so hateful, and her obsession with this house was just all-consuming and hard to empathize with.
Overall, this one didn't work for me. It was so slow, with such a despicable main character with odd motivations. However, I've read a lot of reviews where others really enjoyed its creepy nature, so it may work for you.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); more at https://justacatandabookatherside.blogspot.com/.
This novel features Betty talking to us directly in a conversational style, which I liked. However, sadly, the rest of this one didn't work too well for me. For one thing, it's just maddeningly slow. There is so much talk from Betty and she is so mean, crazy, and cruel. Halfway through the novel, I felt as if nothing had happened, other than her rantings. Beyond her being mentally ill, the whole book is built on her obsession for this house, and it became a bit much for me. I understand that it should be creepy, but it just didn't work for me.
For much of the novel, Betty isn't really even that good at being evil, she's just mean-spirited and a ranting drunk. I kept reading out of a morbid curiosity, but I really wasn't all that interested or engaged or drawn to anyone in the novel. In fact, I just despised Betty completely and couldn't even find myself liking her as a "bad guy." She was just mean. Also, again, I felt somewhat bad despising someone who was so clearly mentally ill, but she was so hateful, and her obsession with this house was just all-consuming and hard to empathize with.
Overall, this one didn't work for me. It was so slow, with such a despicable main character with odd motivations. However, I've read a lot of reviews where others really enjoyed its creepy nature, so it may work for you.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); more at https://justacatandabookatherside.blogspot.com/.