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Emma @ The Movies (1786 KP) rated The Last Shark (1981) in Movies
Aug 15, 2020
An oldie... but a goodie?
A large great white shark is interested in taking part in a seaside town's regatta but the major would rather it stayed away so that paying visitors can go about safely spending their money.
You'd be forgiven for thinking that The Last Shark was actually Jaws 2, evidently Universal thought that too and sued the life out of them. With such a familiar feeling to the whole affair it felt like it went fairly quickly, at times, too quickly. More than once I noted down that the scenes just left out the "boring bits" of filler and went straight to the nitty-gritty of moving the story along... this is what we always wanted right? In practice, it's not all that great.
When I started my notes with "what is this, windsurfing porn?" (I started writing watersports fun but quickly changed that.) I felt confident of daft enjoyment ahead, and with a great transition from music over the scene to music in the scene... well, it won me over. Then to throw in the classic line "absolutely nothing is going to happen!" Wow!
Being serious about this review feels a little over the top, so let's just say it's exactly what you'd expect from a film ripping off another film when both those films are shark films... there were corners cut obviously and it tries to keep to the action side more than anything else but that works pretty well considering.
My note taking highlight (after windsurfing porn) was the fact that the local butcher must have been doing a roaring trade, forget all those BBQs, he was selling slabs of meat for bait hand over fist. At least someone came out of all of this better off!
You've got teens in peril, people hunting the shark, a local politician with bigger things on his mind, and that's what makes Jaws... sorry... that's what makes Jaws... DAMNIT... The Last Shark! That's what makes The Last Shark an amusing watch.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/the-last-shark-movie-review.html
A large great white shark is interested in taking part in a seaside town's regatta but the major would rather it stayed away so that paying visitors can go about safely spending their money.
You'd be forgiven for thinking that The Last Shark was actually Jaws 2, evidently Universal thought that too and sued the life out of them. With such a familiar feeling to the whole affair it felt like it went fairly quickly, at times, too quickly. More than once I noted down that the scenes just left out the "boring bits" of filler and went straight to the nitty-gritty of moving the story along... this is what we always wanted right? In practice, it's not all that great.
When I started my notes with "what is this, windsurfing porn?" (I started writing watersports fun but quickly changed that.) I felt confident of daft enjoyment ahead, and with a great transition from music over the scene to music in the scene... well, it won me over. Then to throw in the classic line "absolutely nothing is going to happen!" Wow!
Being serious about this review feels a little over the top, so let's just say it's exactly what you'd expect from a film ripping off another film when both those films are shark films... there were corners cut obviously and it tries to keep to the action side more than anything else but that works pretty well considering.
My note taking highlight (after windsurfing porn) was the fact that the local butcher must have been doing a roaring trade, forget all those BBQs, he was selling slabs of meat for bait hand over fist. At least someone came out of all of this better off!
You've got teens in peril, people hunting the shark, a local politician with bigger things on his mind, and that's what makes Jaws... sorry... that's what makes Jaws... DAMNIT... The Last Shark! That's what makes The Last Shark an amusing watch.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/the-last-shark-movie-review.html
LeftSideCut (3776 KP) rated Chopping Mall (1986) in Movies
Sep 28, 2020 (Updated Sep 28, 2020)
So yeah, I freaking love Chopping Mall. It's a prefect slice of ridiculous and cheesy sci-fi horror from the 80s and a great example of how fun low budget horror can be...
The premise alone is amazing - eight teenagers get locked in a state-of-the-art shopping mall after a lightning storm hits the roof-situated antenna that controls the malls' robotic security team, sending the machines haywire and turning them into killer robots. Less than ten minutes in and Chopping Mall has absolutely all of my attention.
A huge positive about this movie is how likable the group of survivors are. A couple of them are a little throwaway, but the majority of them are given just enough backstory to make them feel real, and are all played well by their respective actors (ALWAYS love to see Barbara Crampton).
It's almost a shame when they start to get picked off. As is par for the course with this era of horror, Chopping Mall uses practical effects for the most part, and what we see he is pretty decent (ridiculous head explosions anyone?) and the few "special" effects we are treated to (the robots lasers for example) are so wonderfully low budget that it ends up adding even more charm. There is also an unholy amount of explosions just for good measure.
The dialogue is typical slasher fare, but it's boasts such gems as "Let's send these fuckers a Rambo-gram", "it's gonna be good time to the max!", "They're trying to french fry us, well I'm no damn potato" and "I'm sorry, I guess I'm just not used to running around a shopping mall in the middle of the night being chased by killer robots". Just spectacular really, especially the big guy stuffing his face whilst dead pan saying "Waitress, more butter" before an immediate cut away.
Chopping Mall for me is near the upper echelon of 80s horror. Sure it's cheap and silly but it's also great, and gets criminally overlooked due to more popular franchises. Do yourself a favor and give it a watch if you haven't before.
Also, the soundtrack absolutely slaps.
The premise alone is amazing - eight teenagers get locked in a state-of-the-art shopping mall after a lightning storm hits the roof-situated antenna that controls the malls' robotic security team, sending the machines haywire and turning them into killer robots. Less than ten minutes in and Chopping Mall has absolutely all of my attention.
A huge positive about this movie is how likable the group of survivors are. A couple of them are a little throwaway, but the majority of them are given just enough backstory to make them feel real, and are all played well by their respective actors (ALWAYS love to see Barbara Crampton).
It's almost a shame when they start to get picked off. As is par for the course with this era of horror, Chopping Mall uses practical effects for the most part, and what we see he is pretty decent (ridiculous head explosions anyone?) and the few "special" effects we are treated to (the robots lasers for example) are so wonderfully low budget that it ends up adding even more charm. There is also an unholy amount of explosions just for good measure.
The dialogue is typical slasher fare, but it's boasts such gems as "Let's send these fuckers a Rambo-gram", "it's gonna be good time to the max!", "They're trying to french fry us, well I'm no damn potato" and "I'm sorry, I guess I'm just not used to running around a shopping mall in the middle of the night being chased by killer robots". Just spectacular really, especially the big guy stuffing his face whilst dead pan saying "Waitress, more butter" before an immediate cut away.
Chopping Mall for me is near the upper echelon of 80s horror. Sure it's cheap and silly but it's also great, and gets criminally overlooked due to more popular franchises. Do yourself a favor and give it a watch if you haven't before.
Also, the soundtrack absolutely slaps.
ABC - Letters, Numbers, Shapes and Colors with Mathaliens
Education and Games
App
* A product from our extremely popular new educational line (all three iPad products ranked in top...
Bob Mann (459 KP) rated Love And Friendship (2016) in Movies
Sep 29, 2021
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Emma @ The Movies (1786 KP) rated Ron's Gone Wrong (2021) in Movies
Oct 14, 2021
Cute animation with funny characters, this seemed like a nice diversion from the usual, mainly heavy, festival lineup.
Barney has an eccentric family. Dad is trying to make ends meet and Gran’s solution is food and a song. But for Barney, who just wants to fit in with his classmates, scraping by means not having the latest “Best friend in a box” robot to hang out with like everyone in his class.
As well as looking for something light hearted to watch, I was a little bit excited to see a children’s film in an adult only screening. I’m easily pleased, it’s the dream screening really.
When kids films from bigger studios don’t appear on my radar well in advance of their release I’m always a little sceptical. But the idea behind Ron’s Gone Wrong sounded like it was going to be a bit of a win, after all, it's either friendship or all out war, there's generally no in between.
Despite it having some bigger names in the cast, I really couldn’t put my finger on any of them as I watched. Performances were a little forgettable if I’m honest, out of everything, it’s the antics that are memorable, not the voices. The dialogue felt a little anaemic and it really just didn’t hit the spot for me.
Then there’s the animation, again, a bit of a shrug. It’s lovely but familiar. The little robots are a fun creation though and the way they interact with their humans and the online world is nicely done. As I watched it though I had flashes of other films. I tried to remember the name of the bots as I wrote the synopsis, but all I could think was PAL… but that’s Mitchell’s vs the Machines, and if you’ve seen that then you’ll more than likely draw some comparisons. That’s not the only film either.
Ron's Gone Wrong has some nice messages about friendship and it tries to shoehorn some ethics in there for the adults, but all in all, despite being a nice film, it doesn’t hold much of a punch to stand out from the crowd.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/rons-gone-wrong-movie-review.html
Barney has an eccentric family. Dad is trying to make ends meet and Gran’s solution is food and a song. But for Barney, who just wants to fit in with his classmates, scraping by means not having the latest “Best friend in a box” robot to hang out with like everyone in his class.
As well as looking for something light hearted to watch, I was a little bit excited to see a children’s film in an adult only screening. I’m easily pleased, it’s the dream screening really.
When kids films from bigger studios don’t appear on my radar well in advance of their release I’m always a little sceptical. But the idea behind Ron’s Gone Wrong sounded like it was going to be a bit of a win, after all, it's either friendship or all out war, there's generally no in between.
Despite it having some bigger names in the cast, I really couldn’t put my finger on any of them as I watched. Performances were a little forgettable if I’m honest, out of everything, it’s the antics that are memorable, not the voices. The dialogue felt a little anaemic and it really just didn’t hit the spot for me.
Then there’s the animation, again, a bit of a shrug. It’s lovely but familiar. The little robots are a fun creation though and the way they interact with their humans and the online world is nicely done. As I watched it though I had flashes of other films. I tried to remember the name of the bots as I wrote the synopsis, but all I could think was PAL… but that’s Mitchell’s vs the Machines, and if you’ve seen that then you’ll more than likely draw some comparisons. That’s not the only film either.
Ron's Gone Wrong has some nice messages about friendship and it tries to shoehorn some ethics in there for the adults, but all in all, despite being a nice film, it doesn’t hold much of a punch to stand out from the crowd.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/rons-gone-wrong-movie-review.html
Having read, loved and recommended The Bees many times (and The Ice, too!), I thought I knew what to expect from Laline Paull. Well, I was right and wrong!
Firstly, I loved Pod.
Secondly, it gave me a lot to think about.
Thirdly, how does Laline Paull put herself in a dolphins shoes (flippers? Sorry…) and not make it sound like a children’s book? And I should stress: this is NOT a children’s book.
Paull may have anthropomorphised dolphins, various fish, all and any sea life, but she has stayed pretty close to what I’ve learnt is their true nature (thank you David Attenborough!). Dolphins are very intelligent, playful and seem to know what humans want (maybe that’s just me reading more into these things). But they’re also hunters, they have a pecking order, and I don’t think you’d want to be at the bottom of it if you were a dolphin!
This novel shows the joyful side of being a dolphin, the way that they must work together for the greater good of the pod. It also shows how violent they are - there’s even a dolphin rape scene that was every bit as upsetting as if it had been a human.
In amongst all the dolphin drama is a message for us humans. We see the damage the human race is doing to the oceans: pollution, over-fishing, capturing dolphins for food, entertainment, or warfare.
Pod is graphic in places. It most definitely doesn’t pull its punches - and why should it?
This novel is not sentimental, jam packed with happy, child-friendly dolphins. Pod looks at the real struggles of sea life (and there’s not just dolphins involved). These dolphins are fighters, authoritarian, protective of one another, followers of tradition as well as migration routes, they deal with the results of humanity’s selfishness and cost-cutting.
The imagination and empathy that must have gone in to writing this: I’ve seen how a dolphin, a whale, a wrasse, a clam, a remora and a sea anemone feel and behave (I like to think so, anyway!).
How could I NOT love this book? 🤷🏼♀️
Firstly, I loved Pod.
Secondly, it gave me a lot to think about.
Thirdly, how does Laline Paull put herself in a dolphins shoes (flippers? Sorry…) and not make it sound like a children’s book? And I should stress: this is NOT a children’s book.
Paull may have anthropomorphised dolphins, various fish, all and any sea life, but she has stayed pretty close to what I’ve learnt is their true nature (thank you David Attenborough!). Dolphins are very intelligent, playful and seem to know what humans want (maybe that’s just me reading more into these things). But they’re also hunters, they have a pecking order, and I don’t think you’d want to be at the bottom of it if you were a dolphin!
This novel shows the joyful side of being a dolphin, the way that they must work together for the greater good of the pod. It also shows how violent they are - there’s even a dolphin rape scene that was every bit as upsetting as if it had been a human.
In amongst all the dolphin drama is a message for us humans. We see the damage the human race is doing to the oceans: pollution, over-fishing, capturing dolphins for food, entertainment, or warfare.
Pod is graphic in places. It most definitely doesn’t pull its punches - and why should it?
This novel is not sentimental, jam packed with happy, child-friendly dolphins. Pod looks at the real struggles of sea life (and there’s not just dolphins involved). These dolphins are fighters, authoritarian, protective of one another, followers of tradition as well as migration routes, they deal with the results of humanity’s selfishness and cost-cutting.
The imagination and empathy that must have gone in to writing this: I’ve seen how a dolphin, a whale, a wrasse, a clam, a remora and a sea anemone feel and behave (I like to think so, anyway!).
How could I NOT love this book? 🤷🏼♀️
ClareR (5955 KP) rated The Girl with the Green Eyes in Books
Dec 14, 2021
The Girl with the Green Eyes is a science-fiction novel set in an alternative present day - and a book that I very much enjoyed reading. You’re left thinking that the premis of this book could very well be possible, and it’s just that we don’t know about it (I should point out here that I’m no scientist. Not even a little bit of one, unless you count a love of sci-fi. Which no-one does…). But I do like the kind of science fiction where you’re left with the big question of: could this really be happening now?
So, this book is basically all about eugenics. The search for the perfect baby, the perfect human. Someone with perfection in every part of their genetic make-up. And the fact that there are people out there who are more than willing to pay for this service. The novel also shows that however much humans try to control every aspect of this process, there is an element of the uncontrollable. These babies, children and adults still throw up surprises, and show that they are, in fact, individuals, and that genetic manipulation can’t control everything. Not yet (at the time that this story is set, anyway!).
I won’t rewrite the synopsis, but I will add that this was an exciting game of cat and mouse. The reader is never quite sure who the ‘bad guys’ and the ‘good guys’ really are, because the whole morality of this is so hazy! What both sides are doing in this is most definitely morally dubious (and as the mother of a disabled son, this is often spoken about in this house - with the opinions of said son being very surprising!).
I will most definitely be looking out for the next two novels in this series. I’m a sucker for a strong, female character, and Bella D’accourt has some skills that I can really appreciate!
This is what The Pigeonhole does so well - I would have missed this book entirely if left to my own devices. So thanks, Pigeonhole, and huge thanks to J. M. Briscoe for reading along with us!
So, this book is basically all about eugenics. The search for the perfect baby, the perfect human. Someone with perfection in every part of their genetic make-up. And the fact that there are people out there who are more than willing to pay for this service. The novel also shows that however much humans try to control every aspect of this process, there is an element of the uncontrollable. These babies, children and adults still throw up surprises, and show that they are, in fact, individuals, and that genetic manipulation can’t control everything. Not yet (at the time that this story is set, anyway!).
I won’t rewrite the synopsis, but I will add that this was an exciting game of cat and mouse. The reader is never quite sure who the ‘bad guys’ and the ‘good guys’ really are, because the whole morality of this is so hazy! What both sides are doing in this is most definitely morally dubious (and as the mother of a disabled son, this is often spoken about in this house - with the opinions of said son being very surprising!).
I will most definitely be looking out for the next two novels in this series. I’m a sucker for a strong, female character, and Bella D’accourt has some skills that I can really appreciate!
This is what The Pigeonhole does so well - I would have missed this book entirely if left to my own devices. So thanks, Pigeonhole, and huge thanks to J. M. Briscoe for reading along with us!
My Sweetheart Surprise
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Parker: Everything was going fine. So what if my ex-boyfriend cheated on me and then took everything...
Contemporary MM Romance
ClareR (5955 KP) rated Savage Beasts in Books
Jul 4, 2023
Savage Beasts is a re-imagining of the story of Medea. This time, Meena (not Medea) betrays her father, the Nawab of Bengal, and runs away with an adventurer called James Chilcott. But Meena’s initial feelings of adventure and excitement soon wear off when she realises that the man she took to be an adventurer, was just an opportunist who spends her money and betrays her in turn.
I thought it was really clever how the Greek myth was woven into Meena’s story, and showed the impact of colonialism. Great Britain doesn’t come out of this well. James’ uncle, Sir Peter Chilcott, is a powerful man in the East India Company. He’s cold, unforgiving, and sees Meena, Indians, Bengali’s, and anyone from anywhere foreign, as below him and little better than an animal.
It made for really uncomfortable reading, and made me so angry!
Meena comes across as being so young but desperate to be older. She’s determined to make a good life for herself and her child - despite how difficult James and his reprehensible family make it for her.
Honestly, by the end I firmly believed they deserved whatever was coming their way!
I listened to this on audiobook, kindly sent to me via NetGalley by HarperCollins UK Audio. The narrator, Shazia Nicholls, really was outstanding. It always amazes me how a good narrator can make all the characters sound so different - especially in this case, the men. Sir Peter came across as a sneering, superior, calculating monster, and in contrast, Meena was both young and wise - and it felt as though she was really there, speaking for herself. Shazia read with such emotion that it became entirely believable. This could well have been an historical memoir as much as a piece of fiction.
Yes, this is described as a Greek retelling, but it has been made into something all of its own. If you know the story of Medea, then you’ll see where in particular it is borrowing from that story - but this is a great story in its own right. It’s powerful, feminist and it’s about colonialism. It’s a story about family, trust and the devastation of betrayal.
Highly recommended!
I thought it was really clever how the Greek myth was woven into Meena’s story, and showed the impact of colonialism. Great Britain doesn’t come out of this well. James’ uncle, Sir Peter Chilcott, is a powerful man in the East India Company. He’s cold, unforgiving, and sees Meena, Indians, Bengali’s, and anyone from anywhere foreign, as below him and little better than an animal.
It made for really uncomfortable reading, and made me so angry!
Meena comes across as being so young but desperate to be older. She’s determined to make a good life for herself and her child - despite how difficult James and his reprehensible family make it for her.
Honestly, by the end I firmly believed they deserved whatever was coming their way!
I listened to this on audiobook, kindly sent to me via NetGalley by HarperCollins UK Audio. The narrator, Shazia Nicholls, really was outstanding. It always amazes me how a good narrator can make all the characters sound so different - especially in this case, the men. Sir Peter came across as a sneering, superior, calculating monster, and in contrast, Meena was both young and wise - and it felt as though she was really there, speaking for herself. Shazia read with such emotion that it became entirely believable. This could well have been an historical memoir as much as a piece of fiction.
Yes, this is described as a Greek retelling, but it has been made into something all of its own. If you know the story of Medea, then you’ll see where in particular it is borrowing from that story - but this is a great story in its own right. It’s powerful, feminist and it’s about colonialism. It’s a story about family, trust and the devastation of betrayal.
Highly recommended!