Search
Search results
Jesters_folly (230 KP) rated Bloodshot (2020) in Movies
Jan 9, 2021
Contains spoilers, click to show
Ok, I'll start by saying that this is one of those films that needs two viewings, not that the second viewing adds anything to it but you do get to appreciate what the film is trying to do. Let me explain.
First off Bloodshot is action/comic book movie of two half's. In the first half we half (well maybe first third) we have Ray Garrison (Vin Diesel) completing his mission, celebrating, getting captured and loosing his wife before being resurrected as Bloodshot and going out on a mission of revenge. All of this has an increasingly comic book feel to it, and so it should, the film is based on one after all. However some scenes feel too comic and the "villain", Martin Axe, feels too over the top, especially when he seems to have had a personality swap the next time we see him. There is a reason for of this reviled by the films mid way plot twist but, on the first watch through the "Psycho Killer" scene distracted me from some of the film. Then we get a plot twist that studio Trigger* would be proud of. I'm sure anyone who has read the original source material knew what was going to happen, but that has always been one of the problems, keeping the mystery for new fans but giving the comic book fans what they want.
As we get to the second half of the film it losses some of t e over the top-ness, or at least substitutes it for a different kind of over the top and does bring you back into the plot of 'Augmented man fights other augmented men' which does give us a good over the top action film.
If you do give Bloodshot a second watch then you do notice some clever little bits, like the entire plot being told to us near the beginning of the film. Although I'm still not sure why the London police car has a machine gun in the back of it.
Over all Bloodshot is a o.k. - Good action film but for no brained augmented human action films I think ' Hobbs and Shaw' did it better, Bloodshot even shares Eiza Gonzales with them.
*Responsible for the anime's Kill la Kill and Gurren Lagann both of which have mid season twists that send the series in different directions.
First off Bloodshot is action/comic book movie of two half's. In the first half we half (well maybe first third) we have Ray Garrison (Vin Diesel) completing his mission, celebrating, getting captured and loosing his wife before being resurrected as Bloodshot and going out on a mission of revenge. All of this has an increasingly comic book feel to it, and so it should, the film is based on one after all. However some scenes feel too comic and the "villain", Martin Axe, feels too over the top, especially when he seems to have had a personality swap the next time we see him. There is a reason for of this reviled by the films mid way plot twist but, on the first watch through the "Psycho Killer" scene distracted me from some of the film. Then we get a plot twist that studio Trigger* would be proud of. I'm sure anyone who has read the original source material knew what was going to happen, but that has always been one of the problems, keeping the mystery for new fans but giving the comic book fans what they want.
As we get to the second half of the film it losses some of t e over the top-ness, or at least substitutes it for a different kind of over the top and does bring you back into the plot of 'Augmented man fights other augmented men' which does give us a good over the top action film.
If you do give Bloodshot a second watch then you do notice some clever little bits, like the entire plot being told to us near the beginning of the film. Although I'm still not sure why the London police car has a machine gun in the back of it.
Over all Bloodshot is a o.k. - Good action film but for no brained augmented human action films I think ' Hobbs and Shaw' did it better, Bloodshot even shares Eiza Gonzales with them.
*Responsible for the anime's Kill la Kill and Gurren Lagann both of which have mid season twists that send the series in different directions.
Gareth von Kallenbach (977 KP) rated Joker (2019) in Movies
Oct 7, 2019 (Updated Oct 13, 2019)
Arthur Fleck (Joaquin Phoenix) is a broken and troubled man. Arthur toils in as demeaning and berated Clown for Hire, and lives with his troubled mother in a dilapidated apartment.
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Ivana A. | Diary of Difference (1171 KP) rated Multiverse in Books
Aug 3, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-38.png"/>;
Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/04/Book-Review-Banner-38.png"/>;
Multiverse is a collection of poems as well as short paragraphs that take on interesting topics and thought-provoking scenarios of our life.
After reading Multiverse, I cannot say for certain whether he is being arrogant or brave. I am still undecided as to whether I love or hate his style of writing. There is something very intriguing about his writing; sometimes he makes me smirk, and sometimes his words trigger me.
<b><i>"In a democracy, shouldn't there be room for those who don't want a fair society?"</i></b>
Even though I appreciate the style this book was written in, and the way the topics are being expressed, I am not in awe of how bombshells are dropped and then he proceeds to move on to a different subject.
Following up on this, I would also like to note the poem "Forsaking the Poppy", where the author opens us the suggestion of declining to wear a poppy. The thought process behind it is that this could be seen as synonymous with racism and chauvinism.
<b><i>One thing is certain though. </i></b>
This book will definitely leave an impact on you, whether good or bad. And it will prompt a discussion, or at least spark a bit of curiosity on various topics that are relevant in today's world.
I recommend it to all curious minds out there. It may not be your cup of tea, but you never know. As for me, I like books that either make me feel good or learn something, so i will end this review with something I learnt from this book:
<b><i>"According to ancient Japanese culture, the Sakura tree represents the beauty and fragility of life, reminding us that things in life are incredibly precious but also tragically ephemeral." </i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
City of Girls
10.0
Rate It
Book
From the # 1 New York Times bestselling author of Eat, Pray, Love and The Signature of All Things, a...
Merissa (11950 KP) rated The Cryptic Prophecy (Etherya's Earth #6) in Books
Apr 7, 2022 (Updated Jun 26, 2023)
THE CRYPTIC PROPHECY is the sixth book in the Etherya's Earth series, but the first one that follows the children of our favourite characters! This time, it's Callie -- the daughter of Arderin and Darkrip, who is also the starring character in an Elven Prophecy that alienates her from her peers, leaving her wide open for being used by others.
Although other characters are in here, the focus is on Callie and Brecken, plus their families. No worries though, because that also includes Callie's parents (in case you were having Darkrip withdrawals!). He's a bit of a one here when he goes in 'I'm your father and I know what's best for you' mode, but Arderin and Callie soon shake that notion from him. Those scenes were so much fun to read!
Brecken is the sole male in his family, his father having died years before. He adores his mum and will do anything for his sisters, including writing the most beautiful love letters to Callie, on behalf of someone else! I don't want to talk about 'the other man' though - he doesn't deserve the page space!! Brecken is well-deserving of his nickname Shakespeare and made my heart melt with every letter!
Tatiana plays a bigger role and finally picks a side, which opens up the way the following books will go. I did wonder where we'd be going next, but now, I'm fully on board and (once again) can't wait to read more.
Callie and Brecken are steaming-hot, whilst also being caring, loving, and romantic enough to make anyone's cold, dead heart beat again. I have absolutely adored this series but I think Callie and Brecken are my new favourites.
Oh, and that prophecy? It's fulfilled but not in the way you suspect, and that's ALL I'm going to say. If you want to know more - read the book!!! Just remember to start at book one though, so you get the full experience. Trust me, you won't regret it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 5, 2022
Although other characters are in here, the focus is on Callie and Brecken, plus their families. No worries though, because that also includes Callie's parents (in case you were having Darkrip withdrawals!). He's a bit of a one here when he goes in 'I'm your father and I know what's best for you' mode, but Arderin and Callie soon shake that notion from him. Those scenes were so much fun to read!
Brecken is the sole male in his family, his father having died years before. He adores his mum and will do anything for his sisters, including writing the most beautiful love letters to Callie, on behalf of someone else! I don't want to talk about 'the other man' though - he doesn't deserve the page space!! Brecken is well-deserving of his nickname Shakespeare and made my heart melt with every letter!
Tatiana plays a bigger role and finally picks a side, which opens up the way the following books will go. I did wonder where we'd be going next, but now, I'm fully on board and (once again) can't wait to read more.
Callie and Brecken are steaming-hot, whilst also being caring, loving, and romantic enough to make anyone's cold, dead heart beat again. I have absolutely adored this series but I think Callie and Brecken are my new favourites.
Oh, and that prophecy? It's fulfilled but not in the way you suspect, and that's ALL I'm going to say. If you want to know more - read the book!!! Just remember to start at book one though, so you get the full experience. Trust me, you won't regret it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 5, 2022
Bob Mann (459 KP) rated Adrift (2018) in Movies
Sep 29, 2021
“Hurricane Raymond has been upgraded to a category 5”
“Should we be worried” says Tami. Well, yes dear, you really should.
In the glorious surroundings of Tahiti, the American footloose traveller Tami Oldham (Shailene Woodley, “Divergent trilogy“, “The Descendents) meets British footloose traveller Richard Sharp (Sam Claflin, “Journey’s End“, “Me Before You“) and a nautical-based love beckons. Richard is hired by his friends Peter (Jeffrey Thomas) and Christine (Elizabeth Hawthorne) to sail their luxury 44 foot yacht Hazana from Tahiti to Tami’s home city of San Diego. But they hadn’t reckoned on the decidedly un-romantic attentions of Raymond and severely battered and bruised it’s a battle for survival on the vast expanse of the Pacific.
I was intrigued by this film as it seems to have divided the professional critics’ opinions: Kevin Maher in The Times gave it five stars… five! Conversely Edward Porter in The Sunday Times gave it two stars. After seeing the film, I’m with Mr Maher on this one (breaking convention as I haven’t exactly been in tune with this reviewer recently!).
As a story with romantic undertones, the film will live or die on your belief in this aspect. And fortunately the romance works. There is real chemistry between the pair despite them striking you as an odd couple. This is in no small part to the quality of the acting: Claflin proves again that he is a safe pair of hands as a male lead, but it’s Shailene Woodley, who has to carry large portions of the film single-handedly, who again demonstrates just how excellent an actress she is. The camera of Tarentino favourite Robert Richardson (“The Hateful Eight“, “Django Unchained”) stays tightly on Woodley’s features dramatically capturing her tiniest of grimaces.
Woodley is also deliciously un-Hollywood, getting to where she has through acting talent as much as her looks. Yes, she has a great body (liberally, perhaps a tad lasciviously, featured here both above and under the water) but her face is gloriously assymettical with little wrinkles appearing unexpectedly when she grins. She’s a good role model for young girls that perfection is not a pre–requisite for success. (What’s perhaps less good, role-model-wise, is that Woodley allegedly ate only 350 calories a day to get to the emaciated state seen at the end of the film! But to compensate, it’s notable that she looks so much better/sexier at the start of the film than at the end).
It’s also interesting to note that the 27-year old Woodley is also a co-producer on the film, a sign perhaps that as well as being the ‘Meryl Streep of the future'(TM), she is also likely to become a significant mover and shaker in Hollywood when getting there.
A bit like “The Shallows“, it’s unapologetically a B movie, but it’s delivered with such style and chutzpah that it drives its way through the apallingly cheesy dialogue just as the poor Hazana bashes its way throught the mountainous seas. It’s even self-mocking, with Tami rolling her eyes at the corniness of Richard’s, very English, attempts at romantic dialogue. The script is more successful in establishing back-stories for Tami and Richard, demonstrating a degree of parallelism that perhaps better explains their mutual attraction. The irony of fate taking Tami back to her damaged past is exquisite.
A controversial and brave decision by Icelandic director Baltasar Kormákur is to constantly flashback between the survival scenes and Tami and Richard’s courtship that leads up to the cataclismic event. This can be a little distracting, but given the gut-wrenching twist in the third act a linear storytelling would simply have not worked. It’s very well done too, with matched cross-cuts that really work well. Kormákur’s previous film “Everest” was his biggest hit to date, and I noted the cheeky addition of the book “Everest” on the bookshelf on Richard’s boat! (As an aside, “Everest” is for some reason the film review on One Mann’s Movies that has been viewed more often than any other… no idea why… must be down to search engine results!)
Extraordinarily, it’s a true story with the closing frames of the film being genuinely moving.
With many similarities to the excellent Robert Redford thriller “All Is Lost”, this is a robust and enthralling thriller-cum-romance that unusually delivers on both counts. The romance is believable and the thrills suitably thrilling, especially when a panic-ridden Tami is separated from her one patch of dry land. Although slightly let down by some dodgy dialogue, sitting amongst all the big-hitter summer blockbusters this is a movie you should definitely seek out.
In the glorious surroundings of Tahiti, the American footloose traveller Tami Oldham (Shailene Woodley, “Divergent trilogy“, “The Descendents) meets British footloose traveller Richard Sharp (Sam Claflin, “Journey’s End“, “Me Before You“) and a nautical-based love beckons. Richard is hired by his friends Peter (Jeffrey Thomas) and Christine (Elizabeth Hawthorne) to sail their luxury 44 foot yacht Hazana from Tahiti to Tami’s home city of San Diego. But they hadn’t reckoned on the decidedly un-romantic attentions of Raymond and severely battered and bruised it’s a battle for survival on the vast expanse of the Pacific.
I was intrigued by this film as it seems to have divided the professional critics’ opinions: Kevin Maher in The Times gave it five stars… five! Conversely Edward Porter in The Sunday Times gave it two stars. After seeing the film, I’m with Mr Maher on this one (breaking convention as I haven’t exactly been in tune with this reviewer recently!).
As a story with romantic undertones, the film will live or die on your belief in this aspect. And fortunately the romance works. There is real chemistry between the pair despite them striking you as an odd couple. This is in no small part to the quality of the acting: Claflin proves again that he is a safe pair of hands as a male lead, but it’s Shailene Woodley, who has to carry large portions of the film single-handedly, who again demonstrates just how excellent an actress she is. The camera of Tarentino favourite Robert Richardson (“The Hateful Eight“, “Django Unchained”) stays tightly on Woodley’s features dramatically capturing her tiniest of grimaces.
Woodley is also deliciously un-Hollywood, getting to where she has through acting talent as much as her looks. Yes, she has a great body (liberally, perhaps a tad lasciviously, featured here both above and under the water) but her face is gloriously assymettical with little wrinkles appearing unexpectedly when she grins. She’s a good role model for young girls that perfection is not a pre–requisite for success. (What’s perhaps less good, role-model-wise, is that Woodley allegedly ate only 350 calories a day to get to the emaciated state seen at the end of the film! But to compensate, it’s notable that she looks so much better/sexier at the start of the film than at the end).
It’s also interesting to note that the 27-year old Woodley is also a co-producer on the film, a sign perhaps that as well as being the ‘Meryl Streep of the future'(TM), she is also likely to become a significant mover and shaker in Hollywood when getting there.
A bit like “The Shallows“, it’s unapologetically a B movie, but it’s delivered with such style and chutzpah that it drives its way through the apallingly cheesy dialogue just as the poor Hazana bashes its way throught the mountainous seas. It’s even self-mocking, with Tami rolling her eyes at the corniness of Richard’s, very English, attempts at romantic dialogue. The script is more successful in establishing back-stories for Tami and Richard, demonstrating a degree of parallelism that perhaps better explains their mutual attraction. The irony of fate taking Tami back to her damaged past is exquisite.
A controversial and brave decision by Icelandic director Baltasar Kormákur is to constantly flashback between the survival scenes and Tami and Richard’s courtship that leads up to the cataclismic event. This can be a little distracting, but given the gut-wrenching twist in the third act a linear storytelling would simply have not worked. It’s very well done too, with matched cross-cuts that really work well. Kormákur’s previous film “Everest” was his biggest hit to date, and I noted the cheeky addition of the book “Everest” on the bookshelf on Richard’s boat! (As an aside, “Everest” is for some reason the film review on One Mann’s Movies that has been viewed more often than any other… no idea why… must be down to search engine results!)
Extraordinarily, it’s a true story with the closing frames of the film being genuinely moving.
With many similarities to the excellent Robert Redford thriller “All Is Lost”, this is a robust and enthralling thriller-cum-romance that unusually delivers on both counts. The romance is believable and the thrills suitably thrilling, especially when a panic-ridden Tami is separated from her one patch of dry land. Although slightly let down by some dodgy dialogue, sitting amongst all the big-hitter summer blockbusters this is a movie you should definitely seek out.
Nick Friesen (96 KP) rated Blade Runner (1982) in Movies
Jul 13, 2017
Dark and gorgeous setting (4 more)
Harrison Ford
Thought-provoking premise
That moody Vangelis score
Rutger Hauer
Best in Class Cyberpunk Neo-Noir
Most Sci-Fi fans these days probably rank Blade Runner somewhere in their top five favorites. Its status and influence on Sci-Fi, especially in the Cyberpunk sub-genre, is undeniable. When it was first released in 1982, however, it was not so well appreciated. It was met with polarized reviews and underwhelming domestic box office figures. This was probably due to some misplaced expectations of the movie. The studio erroneously marketed Blade Runner as an action/adventure, and not to mention, Harrison Ford was riding the fame of another Sci-Fi franchise that was much more action-oriented. It's no surprise then, that audiences and critics alike were initially turned off by the slow-burn pacing of detective noir that Blade Runner pulled into a science fiction setting. Today, Blade Runner is a celebrated masterpiece of filmmaking and adored by fans around the world. However, with a sequel coming soon, those new to the franchise might be a little confused due to the existence of multiple versions of the film. Let's clear that up a bit.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Movie Metropolis (309 KP) rated Tomorrowland (2015) in Movies
Jun 11, 2019
A CGI disaster
Disney has an intriguing track record when it comes to movies. The multi-billion dollar company has produced some incredible films and some absolute stinkers, with its live-action department bearing the brunt of this misfortune.
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Gareth von Kallenbach (977 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 19, 2019
Life for Peter Parker, (Andrew Garfield), has become interesting to say the least. He is juggling the delicate and complex balance of being Spider-man as well as a high school senior and boyfriend to Gwen Stacy (Emma Stone).
His enthusiasm for his wall crawling alter ego is evident from the start as he still is as fast with a quip as he is with his webs and fists when taking down the bad guys of New York.
A chance encounter with an ultra nerdy yet brilliant Oscorp employee named Max (Jaime Foxx), puts a series of events into motion that will put the city and Spider-man on a collision with a severe danger.
When a freak accident transforms Max into a being capable of becoming and discharging pure electricity, the passive aggressive Max has an outlet for his pent up anger and hero worship and sets to make all those who ignored him pay.
At the same time, internal politics have left Oscorp in the hands of young Harry who learns he has limited time to solidify his position and legacy.
All of this would be enough for anyone to deal with but Peter is conflicted by his love for Gwen and his promise to her late father to stay away from her for her own safety.
Peter also has to content with his Aunt May (Sally Field) and unlocking the mystery of his parents who left him with his Aunt and Uncle years earlier never to return.
If this sounds a bit heady for a comic book based movie then you will not be surprised with the first ¾ of the film. It does contain some great 3D moments of Spider-man slinging his way around the city and some good moments of action but mostly the audience gets character introductions and plot expositions.
When it does get to the action, it does so in a very sleek and stylish way but one that is so obviously CGI created that it plays more like a video game.
For me the liberties taking with the characters and the history of the series were a bit much at first as what they came up with for Electro is not even close to the way he is portrayed in the comics.
Thankfully the final act of the film delivers and sets up future films in grand style even though the trailers tease content that is barely in the film and would have made for a great addition to the film.
Garfield and Stone have great chemistry with one another, and Foxx does his best despite in my opinion being very miscast for the role.
Director Marc Webb is clearly a fan of the source material and I am eager to see what he comes up with for future installments.
As it stands, “The Amazing Spider-man 2”, is an enjoyable summer film but not as good as the film that preceded it and could have been so much more.
http://sknr.net/2014/05/02/amazing-spider-man-2/
His enthusiasm for his wall crawling alter ego is evident from the start as he still is as fast with a quip as he is with his webs and fists when taking down the bad guys of New York.
A chance encounter with an ultra nerdy yet brilliant Oscorp employee named Max (Jaime Foxx), puts a series of events into motion that will put the city and Spider-man on a collision with a severe danger.
When a freak accident transforms Max into a being capable of becoming and discharging pure electricity, the passive aggressive Max has an outlet for his pent up anger and hero worship and sets to make all those who ignored him pay.
At the same time, internal politics have left Oscorp in the hands of young Harry who learns he has limited time to solidify his position and legacy.
All of this would be enough for anyone to deal with but Peter is conflicted by his love for Gwen and his promise to her late father to stay away from her for her own safety.
Peter also has to content with his Aunt May (Sally Field) and unlocking the mystery of his parents who left him with his Aunt and Uncle years earlier never to return.
If this sounds a bit heady for a comic book based movie then you will not be surprised with the first ¾ of the film. It does contain some great 3D moments of Spider-man slinging his way around the city and some good moments of action but mostly the audience gets character introductions and plot expositions.
When it does get to the action, it does so in a very sleek and stylish way but one that is so obviously CGI created that it plays more like a video game.
For me the liberties taking with the characters and the history of the series were a bit much at first as what they came up with for Electro is not even close to the way he is portrayed in the comics.
Thankfully the final act of the film delivers and sets up future films in grand style even though the trailers tease content that is barely in the film and would have made for a great addition to the film.
Garfield and Stone have great chemistry with one another, and Foxx does his best despite in my opinion being very miscast for the role.
Director Marc Webb is clearly a fan of the source material and I am eager to see what he comes up with for future installments.
As it stands, “The Amazing Spider-man 2”, is an enjoyable summer film but not as good as the film that preceded it and could have been so much more.
http://sknr.net/2014/05/02/amazing-spider-man-2/