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MelanieTheresa (997 KP) rated The Shape of Night in Books
Oct 11, 2019
This was a quick, fun read, and completely different from the author's previous titles - both her Rizzoli & Isles series and her stand-alone novels. I wouldn't call it romantic suspense, as it's being billed. There really isn't anything at all romantic about what happens to Ava. I'd call it paranormal mystery/suspense leaning toward gothic - and well done!
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
Baby View Pocket
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Welcome to Baby View, a stimulating world of high contrast scenes designed to engage and delight...
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Modern Burdens by Tracy Bonham
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Tracy Bonham's major label debut, The Burdens of Being Upright (Island), achieved gold record status...
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Laura Doe (1350 KP) rated On the Way to the Wedding (Bridgertons, #8) in Books
Jan 11, 2022
Another brilliantly written Bridgerton book. This one has all the elements of a thriller. Blackmail, treason, someone showing up to stop a wedding by proposing to the bride, what more could you want in a book?
This book follows Gregory and his pursuit of love, which he firmly believes in, thanks to all seven of his siblings being married and blissfully happy and in love with their chosen spouses. We start the book as he runs into a wedding and proposes to the bride and the chapter ends before we find out both who it is and what she says. It takes about half the book to find out who the bride is, and then another few chapters to find out her answer. The suspense kept me reading as I needed to find out what happened.
This book, although obviously similar to the rest of the series, was a lot faster paced and reminded me more of a thriller (without the darkness of a thriller) with the situations that the characters found themselves in.
I think that Gregory’s story may have moved up to one of my favourite Bridgerton books, although this seems to change with every book I read from the series. But this definitely seemed more like the type of book I usually read and I loved every minute of it.
As I started reading, I realised that the previous seven books didn’t really tell us a lot about Gregory, and I would put him in the same category as Francesca was when I started reading When He Was Wicked. But it was good to read about him and learn about his character so late on in the series as it meant that you didn’t really have any preconceptions about his character and how you believe he should behave in the pursuit of love which happened with all of his other siblings (again with exception of Francesca).
I really will be sad to say goodbye to this family when I read the final book in the Bridgerton series, but I hope that the Netflix adaption stays true to the tones of the books and that we get an adaptation of each book as I believe they will work very well on screen as well as in print.
This book follows Gregory and his pursuit of love, which he firmly believes in, thanks to all seven of his siblings being married and blissfully happy and in love with their chosen spouses. We start the book as he runs into a wedding and proposes to the bride and the chapter ends before we find out both who it is and what she says. It takes about half the book to find out who the bride is, and then another few chapters to find out her answer. The suspense kept me reading as I needed to find out what happened.
This book, although obviously similar to the rest of the series, was a lot faster paced and reminded me more of a thriller (without the darkness of a thriller) with the situations that the characters found themselves in.
I think that Gregory’s story may have moved up to one of my favourite Bridgerton books, although this seems to change with every book I read from the series. But this definitely seemed more like the type of book I usually read and I loved every minute of it.
As I started reading, I realised that the previous seven books didn’t really tell us a lot about Gregory, and I would put him in the same category as Francesca was when I started reading When He Was Wicked. But it was good to read about him and learn about his character so late on in the series as it meant that you didn’t really have any preconceptions about his character and how you believe he should behave in the pursuit of love which happened with all of his other siblings (again with exception of Francesca).
I really will be sad to say goodbye to this family when I read the final book in the Bridgerton series, but I hope that the Netflix adaption stays true to the tones of the books and that we get an adaptation of each book as I believe they will work very well on screen as well as in print.
Merissa (12969 KP) rated Fagin's Boy (Oliver & Jack #1) by Jackie North in Books
Apr 21, 2022 (Updated Jun 24, 2023)
FAGIN'S BOY is the first book in the Oliver and Jack series, and as you may have gathered, it follows on from Oliver Twist. Oliver is now seventeen and the story starts with him attending the funeral of the man who took him in and looked after him, Mr Brownlow. Not knowing what will happen to him next, Oliver takes on an apprenticeship at a haberdashery, hoping it will give him experience for when he opens his own, long-dreamed-about, bookstore.
Jack has just returned to London after being hextricated to Australia. I had to suspend belief a little here as I've never heard of that happening before. He is still the cheeky chappie you may recognise but is altogether more fragile and hard. A paradox, for sure. He reminded me of a piece of flint.
Anyway, the story follows Oliver and Jack for a few months as circumstances change for Oliver. I thought the descriptions of the living conditions, plus how the children are treated in the workhouse, to be definitely in keeping with the original book by Dickens, as well as what was hinted at in the musical film.
Whilst Jack revelled in his circumstances, he was also desperate for stories about those he remembers. This leads him to a friendship with Noah, who Oliver doesn't like or trust. Oliver, on the other hand, wants more than he has right now. He wants his bookshop. He doesn't want to steal. He would like Jack to be with him but is prepared to make a break if Jack doesn't want to come.
There is a HFN ending to this first book and I am sure there will be plenty more adventures for our twosome. Although I have read and enjoyed other historical books by Ms North, I can't honestly say I enjoyed this one as much and I'm not sure why. All of the ingredients were there but, for me, they just didn't mix as well as I had expected. I am glad I have read this book and would recommend it to anyone with an interest in Oliver Twist and the hard, grimy Victorian times.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 14, 2022
Jack has just returned to London after being hextricated to Australia. I had to suspend belief a little here as I've never heard of that happening before. He is still the cheeky chappie you may recognise but is altogether more fragile and hard. A paradox, for sure. He reminded me of a piece of flint.
Anyway, the story follows Oliver and Jack for a few months as circumstances change for Oliver. I thought the descriptions of the living conditions, plus how the children are treated in the workhouse, to be definitely in keeping with the original book by Dickens, as well as what was hinted at in the musical film.
Whilst Jack revelled in his circumstances, he was also desperate for stories about those he remembers. This leads him to a friendship with Noah, who Oliver doesn't like or trust. Oliver, on the other hand, wants more than he has right now. He wants his bookshop. He doesn't want to steal. He would like Jack to be with him but is prepared to make a break if Jack doesn't want to come.
There is a HFN ending to this first book and I am sure there will be plenty more adventures for our twosome. Although I have read and enjoyed other historical books by Ms North, I can't honestly say I enjoyed this one as much and I'm not sure why. All of the ingredients were there but, for me, they just didn't mix as well as I had expected. I am glad I have read this book and would recommend it to anyone with an interest in Oliver Twist and the hard, grimy Victorian times.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 14, 2022
Merissa (12969 KP) rated Warrior Hearts Academy: Dragon Lost in Books
May 16, 2025
WARRIOR HEARTS ACADEMY: DRAGON LOST is the first book in the Dragons trilogy, but book 7 in the whole Warrior Hearts Academy series. You'll need to hold onto your hat as this book is BUSY.
This one starts after the Centaur trilogy, which I haven't read, so there were some parts that I didn't fully get. What I do know is that Bree was a centaur who was changed into something else by Isobel and told she was going to save the Realms. Hint - not true! Bree has grown up with her childhood friends and doesn't want to believe anything bad about them. This is to her detriment as they prove, on more than one occasion, that they are quite happy embracing their dark side. Bree has multiple beings inside her. A Gryphon, Caliel, is the most vocal, but there is also an equine and something big and cold. (You don't know for sure yet what it is.) So, that's Bree.
Then you have Razir, the black and purple Dragon, who has his own storyline going on, as well as Tez, who grew up as a human but is also something else. Tez's story also follows his own path, without really connecting with Bree or Razir. It is told from multiple perspectives, with their own stories being told. This meant I had to slow down my reading to make sure I didn't miss anything. Not that that's a bad thing. I'm just saying.
I felt this book was more about setting the groundwork for their story. There is all the backstory for Bree that we absolutely need, as well as Tez, and figuring out how they all fit together with Razir. It is extremely fast-paced with lots of differing stories to keep track of. I'm really looking forward to seeing how it all joins together (hopefully) in the next book.
It does end on one helluva cliffhanger, so consider yourself warned.
A great start to the Dragon trilogy and definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 16, 2025
This one starts after the Centaur trilogy, which I haven't read, so there were some parts that I didn't fully get. What I do know is that Bree was a centaur who was changed into something else by Isobel and told she was going to save the Realms. Hint - not true! Bree has grown up with her childhood friends and doesn't want to believe anything bad about them. This is to her detriment as they prove, on more than one occasion, that they are quite happy embracing their dark side. Bree has multiple beings inside her. A Gryphon, Caliel, is the most vocal, but there is also an equine and something big and cold. (You don't know for sure yet what it is.) So, that's Bree.
Then you have Razir, the black and purple Dragon, who has his own storyline going on, as well as Tez, who grew up as a human but is also something else. Tez's story also follows his own path, without really connecting with Bree or Razir. It is told from multiple perspectives, with their own stories being told. This meant I had to slow down my reading to make sure I didn't miss anything. Not that that's a bad thing. I'm just saying.
I felt this book was more about setting the groundwork for their story. There is all the backstory for Bree that we absolutely need, as well as Tez, and figuring out how they all fit together with Razir. It is extremely fast-paced with lots of differing stories to keep track of. I'm really looking forward to seeing how it all joins together (hopefully) in the next book.
It does end on one helluva cliffhanger, so consider yourself warned.
A great start to the Dragon trilogy and definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 16, 2025
Goddess in the Stacks (553 KP) rated Alanna: The First Adventure in Books
Apr 16, 2018
The Song of the Lioness quartet is Tamora Pierce's first set of books. I read her latest trilogy (the Beka Cooper trilogy) first, which didn't exactly prepare me for The Song of the Lioness. It's obvious, going from the latest trilogy to her first writing, how much her writing has matured since the 80s. My first thought upon completing Alanna: the First Adventure was "I'm very glad she's gotten better at writing!" The story itself is still interesting and worth reading, but the style is a little difficult to read when I KNOW how well she writes now. The characters are mostly one-dimensional; few of the side characters seem to have plots going or events happening to them when they're not with Alanna. Characters pop up, have a significant interaction with Alanna, and are gone again, with no indication they exist outside of their usefulness to the main character. This is in stark contrast to her latest work, where every character that has a significant role to play has a history of their own, and thoughts and feelings of their own. They're much more fleshed out in her recent books.
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Movie Metropolis (309 KP) rated Contagion (2011) in Movies
Jun 11, 2019
Steven Soderbergh has produced some fine films in his time as an established director; Ocean’s Eleven was a sublime mix of dark humour and action, whilst Ocean’s Twelve and Thirteen remained decent but not exactly pulse-racing. Here, it seems Soderbergh sticks to what he knows best, how to deliver a brilliantly shot, gripping film. Here we have, Contagion.
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/