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The Reluctant Fundamentalist
Book
The Reluctant Fundamentalist is Mohsin Hamid's thrillingly provocative international bestseller...
The Dream of Enlightenment: The Rise of Modern Philosophy
Book
Western philosophy is now two and a half millennia old, but much of it came in just two staccato...
Philosophy
BankofMarquis (1832 KP) rated All Quiet on the Western Front (2022) in Movies
Feb 2, 2023
Shows The Futility and Bleakness of War
War is hell. And if you don’t think it is check out the 2022 German film version of the classic novel ALL QUIET ON THE WESTERN FRONT about a young German’s experience towards the end of World War I. It is a bleak, grim view of war told unflinchingly and drives home the point of the pointlessness of war (especially the trench warfare of WWI). It is bravura filmmaking that deserves to be mentioned with the great war films of all time.
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
David McK (3496 KP) rated Solo: A Star Wars Story (2018) in Movies
Feb 10, 2019 (Updated May 8, 2021)
It's a Star Wars movie (3 more)
Donald Glover
Woody Harrelson
Alden Ehrenreich gives it his all in playing a younger Han Solo
Alden Ehrenreich is no Harrison Ford (2 more)
Predictable plot
The leader of Crimson Dawn didn't need to be who it is
The second of Disney's 'A Star Wars story' spin-off from the main (numbered) films followimg Rogue One, this one is largely held responsible for Disney's decision to slow down on releasing this spins offs (originally intended to be one every other year, in between the main ones) when it underperformed at the box office.
Personally, I feel a large reason for that underperformance is that, of all the characters in the original saga, Han is probably one of those least in the need to get an origin/prologue movie and that this was released during the summer months instead of the more traditional festive release period for a Star Wars movie.
Whereas Rogue One was, largely, a war movie, this one takes a different approach: more of a heist (complete with double and triple crossing) Western movie, if anything.
Personally, I feel a large reason for that underperformance is that, of all the characters in the original saga, Han is probably one of those least in the need to get an origin/prologue movie and that this was released during the summer months instead of the more traditional festive release period for a Star Wars movie.
Whereas Rogue One was, largely, a war movie, this one takes a different approach: more of a heist (complete with double and triple crossing) Western movie, if anything.
Awix (3310 KP) rated Inquest of Pilot Pirx (Test Pilota Pirxa) (1979) in Movies
May 4, 2019 (Updated May 4, 2019)
Soviet sci-fi movie explores much of the same territory as western films from around the same time like Alien and Blade Runner: androids who are virtually indistinguishable from human beings are on the verge of mass production, but can they be relied upon? It's hardly a spoiler to say the answer is 'not entirely'.
The first half of the film is a rather drab earthbound thriller as various corporate interests try to dissuade the title character from taking command of the crucial mission that will assess whether the androids have a future in space exploration; the second half is proper sci-fi. Some interesting, if slightly underpowered discussion of what the difference really is between organic and synthetic people, but the story is slow and talky and never manages to bring its ideas to life. The special effects and sets are a bit reminiscent of Blake's 7, which wasn't a problem for me but may well be for other people. Watchable if you're interested in the development of sci-fi.
The first half of the film is a rather drab earthbound thriller as various corporate interests try to dissuade the title character from taking command of the crucial mission that will assess whether the androids have a future in space exploration; the second half is proper sci-fi. Some interesting, if slightly underpowered discussion of what the difference really is between organic and synthetic people, but the story is slow and talky and never manages to bring its ideas to life. The special effects and sets are a bit reminiscent of Blake's 7, which wasn't a problem for me but may well be for other people. Watchable if you're interested in the development of sci-fi.
JT (287 KP) rated The Book of Eli (2010) in Movies
Mar 10, 2020
A solid effort from the Hughes Brothers as they take on a post apocalyptic style western. Denzel Washington plays Eli a lone traveler who is following a path with a destination only he knows about. In his possession a book, so valuable to the resurrection of the human race that he’ll stop at nothing to protect it.
A story based around religion is not always going to be for everyone but if anything the cast is a shining light in an otherwise scrappy film.
Gary Oldman plays the true archetypal villain, looking like a cowboy but sounding like a biblical reverend, he truly knows how to play the bad guy. Washington gives an equally decent performance but is some way off his best.
The cinematography is stunning and the desolate landscape depicts a true reflection of the aftermath of nuclear war. It’s grainy and gritty but needed to pack more of a punch. The brief action and fight scenes are well choreographed and the twist in tale at the end should be enough raise a few questions in the car park.
A story based around religion is not always going to be for everyone but if anything the cast is a shining light in an otherwise scrappy film.
Gary Oldman plays the true archetypal villain, looking like a cowboy but sounding like a biblical reverend, he truly knows how to play the bad guy. Washington gives an equally decent performance but is some way off his best.
The cinematography is stunning and the desolate landscape depicts a true reflection of the aftermath of nuclear war. It’s grainy and gritty but needed to pack more of a punch. The brief action and fight scenes are well choreographed and the twist in tale at the end should be enough raise a few questions in the car park.
Awix (3310 KP) rated The Magic Christian (1969) in Movies
Apr 11, 2020
Laborious satire proves that no matter how good your cast is, it can't save a film with a lousy script. Subversive multi-millionaire Guy Grand (Sellers) and his adopted son (Ringo) embark on a series of lavish practical jokes to demonstrate the venality of western society. Basically a series of too-contrived-to-be-funny sketches clumsily making fun of the sacred cows of British society in particular.
Some people (Paul Merton for one) would have you suggest that The Magic Christian has a reputation as a bad movie because it ridicules things the establishment holds dear (the boat race, high art, grouse shooting, etc). This is not true: it has a reputation as a bad movie because it is a bad movie, clumsy, smug, and not nearly as insightful as it seems to think it is. The main reason for watching is the cast list, which is eye-opening, although how well the various cameoing stars emerge tends to be in inverse proportion to the size of their role. One of those films that proves the swinging sixties weren't all that great.
Some people (Paul Merton for one) would have you suggest that The Magic Christian has a reputation as a bad movie because it ridicules things the establishment holds dear (the boat race, high art, grouse shooting, etc). This is not true: it has a reputation as a bad movie because it is a bad movie, clumsy, smug, and not nearly as insightful as it seems to think it is. The main reason for watching is the cast list, which is eye-opening, although how well the various cameoing stars emerge tends to be in inverse proportion to the size of their role. One of those films that proves the swinging sixties weren't all that great.
TL
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