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Gareth von Kallenbach (971 KP) rated Hitch (2005) in Movies
Aug 14, 2019
February is the time of year when thoughts turn to romance and the coming spring. It is also the time of year when Hollywood brings new romantic themed films to the theaters in an effort to open big, thanks to the date movie crowd.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Emma @ The Movies (1786 KP) rated Emma (2020) in Movies
Mar 1, 2020
Another classic novel that I have no knowledge of, I even own the BBC version on DVD, I'm really not sure how I haven't watched it.
In old English society what was a girl to do with her spare time to stay entertained? Read, learn the piano, paint... act as matchmaker to her friends. When Emma Woodhouse sees a flicker of promise or flirtation she jumps at the chance to fan the flames of romance between her friends and acquaintances, but when wires get crossed and misunderstandings occur, things begin to crack.
I always had the impression that Emma was a light comedy drama from hearing people talk about it, and while that did come across, I was surprised to come out feeling negatively towards my namesake. I had assumed that Emma was a delightful and whimsical character [as most Emmas are] and when I spent a lot of the film feeling like she was, frankly, a bit of a bitch, I wanted to banish her from the exclusive "Emma Club". Apart from besmirching the good name the attitude didn't seem to fit with the humour of the film.
Emma. is charming, but it didn't quite get me over the line. There seemed little reason for it to be over 2 hours long, while most of the film was engaging you could have taken out 15 minutes or so and tightened it up, I genuinely think that would have added a star to my rating.
Actually, hold off on that star for a moment, let's talk about the casting first.
Rupert Graves, yeeeeeeeeeeees. That's it for him, he's a delight, put him in everything.
Bill Night and Miranda Hart both gave great comedic performances, with Hart also getting an agonising scene that got me right in the feels. Their talent for humour added a great lightness to the film and was perfectly aligned to the period setting.
Johnny Flynn, or Mr Tasty Debrief for the Cineworld-goers out there. He was tastefully de-briefed, and the reason for the card warning: "Brief natural nudity". Flynn had some good moments, particularly around the picnic scene but for me this strong character becomes too sappy as we roll downhill to the ending.
Emma herself, Anya Taylor-Joy... I have already said that I found Emma to be a bit of a bitch, for the light-hearted nature of the film I really felt the time was off. I know there isn't a lot that would be different in this setting to modern day but I found the sly nature to feel far more modern than everything else. I think that is mainly down to the casting, Taylor-Joy's acting frequently has that vibe too it and it doesn't always endear me to her films, this makes me slightly nervous to see her in Radioactive and The New Mutants over the next couple of months.
The setting is of course as delightful as you would expect, grand houses and rolling hills. Paired with the costumes you have a wonderful overall feel of the era, though I would say that the costumes do have an almost modern touch to them that makes them very noticeable.
The charming base for Austen's novel has to battle with Emma's Mean Girl performance and the slightly overlong runtime, while it does give a mildly entertaining watch it's cowering in the shadow of Little Women and I don't think I'd need to see it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/emma-movie-review.html
In old English society what was a girl to do with her spare time to stay entertained? Read, learn the piano, paint... act as matchmaker to her friends. When Emma Woodhouse sees a flicker of promise or flirtation she jumps at the chance to fan the flames of romance between her friends and acquaintances, but when wires get crossed and misunderstandings occur, things begin to crack.
I always had the impression that Emma was a light comedy drama from hearing people talk about it, and while that did come across, I was surprised to come out feeling negatively towards my namesake. I had assumed that Emma was a delightful and whimsical character [as most Emmas are] and when I spent a lot of the film feeling like she was, frankly, a bit of a bitch, I wanted to banish her from the exclusive "Emma Club". Apart from besmirching the good name the attitude didn't seem to fit with the humour of the film.
Emma. is charming, but it didn't quite get me over the line. There seemed little reason for it to be over 2 hours long, while most of the film was engaging you could have taken out 15 minutes or so and tightened it up, I genuinely think that would have added a star to my rating.
Actually, hold off on that star for a moment, let's talk about the casting first.
Rupert Graves, yeeeeeeeeeeees. That's it for him, he's a delight, put him in everything.
Bill Night and Miranda Hart both gave great comedic performances, with Hart also getting an agonising scene that got me right in the feels. Their talent for humour added a great lightness to the film and was perfectly aligned to the period setting.
Johnny Flynn, or Mr Tasty Debrief for the Cineworld-goers out there. He was tastefully de-briefed, and the reason for the card warning: "Brief natural nudity". Flynn had some good moments, particularly around the picnic scene but for me this strong character becomes too sappy as we roll downhill to the ending.
Emma herself, Anya Taylor-Joy... I have already said that I found Emma to be a bit of a bitch, for the light-hearted nature of the film I really felt the time was off. I know there isn't a lot that would be different in this setting to modern day but I found the sly nature to feel far more modern than everything else. I think that is mainly down to the casting, Taylor-Joy's acting frequently has that vibe too it and it doesn't always endear me to her films, this makes me slightly nervous to see her in Radioactive and The New Mutants over the next couple of months.
The setting is of course as delightful as you would expect, grand houses and rolling hills. Paired with the costumes you have a wonderful overall feel of the era, though I would say that the costumes do have an almost modern touch to them that makes them very noticeable.
The charming base for Austen's novel has to battle with Emma's Mean Girl performance and the slightly overlong runtime, while it does give a mildly entertaining watch it's cowering in the shadow of Little Women and I don't think I'd need to see it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/emma-movie-review.html
Gareth von Kallenbach (971 KP) rated Alice Through the Looking Glass (2016) in Movies
Aug 6, 2019
As an Alice in Wonderland enthusiast, I was more than thrilled when Disney announced they were making Alice Through the Looking Glass, since the first film was visually stunning I went into watching the sequel with the same expectation that it would be rich in color and visuals. Visually it did not disappoint, with lavish costumes, and whimsical set design from beginning to end; the film was entertaining to watch. With returning characters such as Alice (Mia Wasikowska), The Mad Hatter (Johnny Depp), The Red Queen (Helena Bonham Carter), and The White Queen (Anne Hathaway); the main story focuses on Alice trying to save the Hatter. With the citizens of Wonderland concerned for the Hatter’s wellbeing they rely on Alice to try to save the Hatter before it is too late, however Alice must race against Time (Sacha Baron Cohen) to try to learn what has happened to the Hatters family. Alice learns you can’t change the past but you can learn from it for the future; but will this knowledge help her save the Hatter or keep her stuck in the past?
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
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Purple Phoenix Games (2266 KP) rated Kingdomino in Tabletop Games
Jun 12, 2019
So I am building a kingdom with these land pieces and I can just make my kingdom look however I want? Oh, I have to stay within a 5×5 square but my castle can go anywhere? And I can pick any one of those tiles in that column there? That sounds easy. Wait, that’s all? That’s the entire game?
DISCLAIMER: This review is focused on vanilla Kingdomino. We have the Age of Giants expansion and will be reviewing that as well. Maybe. If or when we do we will add that content to this review or link to it here. -T
Yep. That’s the entire game. On your turn you take the tile your meeple is currently sitting on and place it on another tile from the current offer column. That new tile will be your tile to be placed during the next round. Now you take the tile you just moved from and place it anywhere on your kingdom “grid” matching up similar land types if you can. Each crown icon shown in a land type will score 1 VP per land tile that is connected and matching. Example: you have a sand tile with two crowns on it. You have connected several tiles together and you have a connected sand area of seven squares showing sand. Two crowns times seven squares equals 14 VPs for that sand area. Just do that for all areas with crowns to get your final score.
Where is the conflict, you ask? Every good story has a conflict! Well, you cannot take just ANY tile you want. The tiles are placed in the offer column in numeric order (on the backs of the tiles are numbers). Then they are flipped so you can see what is coming up on the next round. Whomever chooses the lowest number tile goes first, and subsequently chooses their tile for the next round. Herein lies the conflict and what little player interaction there is in the game: you can block your opponent(s) by taking the tiles you see they may want. I personally do not play any games this way, but it’s a valid strategy. I am in it to win it, not in it to make you lose it.
Ok, so at first glance this is a children’s game. It can also be a hard sell to get people to want to play it. “It’s like Dominoes, but better.” That usually doesn’t spark a whole lot of energy and interest when I open with that. I am open to better sales pitches because this is a truly great game. Yes, it’s ultimately Dominoes at its heart. Yes, it’s very light. But dang it, this game is really fun!
The little cardboard castles that you build around are cute, but also kinda unnecessary. The meeples are, well, meeples. Not really too exciting to look at, but they are merely there to show player color. The domino tiles are a good thickness and the art is fun and whimsical. I LIKE looking at the tiles and sometimes finding a little hidden easter egg in there. I have no complaints about the components. Good on you, Blue Orange Games.
The game play is so simple but also so engaging! My mother, who usually only plays Rummikub, actually agreed to play this with me and she really really enjoyed it! Kids can play it and do really well. Older adults can too! It’s a great game to consider for gateway gaming, for a filler palate cleanser, or even for lighthearted tournament play. It just works well in so many scenarios. Is it my favorite game of all time? No. Is it in my Top 10? No. But I can guarantee you that I will never get rid of this little gem.
That said, Purple Phoenix Games gives this title a royal 14 / 18. Build on, Kingdomino!
https://purplephoenixgames.wordpress.com/2019/02/27/kingdomino-review/
DISCLAIMER: This review is focused on vanilla Kingdomino. We have the Age of Giants expansion and will be reviewing that as well. Maybe. If or when we do we will add that content to this review or link to it here. -T
Yep. That’s the entire game. On your turn you take the tile your meeple is currently sitting on and place it on another tile from the current offer column. That new tile will be your tile to be placed during the next round. Now you take the tile you just moved from and place it anywhere on your kingdom “grid” matching up similar land types if you can. Each crown icon shown in a land type will score 1 VP per land tile that is connected and matching. Example: you have a sand tile with two crowns on it. You have connected several tiles together and you have a connected sand area of seven squares showing sand. Two crowns times seven squares equals 14 VPs for that sand area. Just do that for all areas with crowns to get your final score.
Where is the conflict, you ask? Every good story has a conflict! Well, you cannot take just ANY tile you want. The tiles are placed in the offer column in numeric order (on the backs of the tiles are numbers). Then they are flipped so you can see what is coming up on the next round. Whomever chooses the lowest number tile goes first, and subsequently chooses their tile for the next round. Herein lies the conflict and what little player interaction there is in the game: you can block your opponent(s) by taking the tiles you see they may want. I personally do not play any games this way, but it’s a valid strategy. I am in it to win it, not in it to make you lose it.
Ok, so at first glance this is a children’s game. It can also be a hard sell to get people to want to play it. “It’s like Dominoes, but better.” That usually doesn’t spark a whole lot of energy and interest when I open with that. I am open to better sales pitches because this is a truly great game. Yes, it’s ultimately Dominoes at its heart. Yes, it’s very light. But dang it, this game is really fun!
The little cardboard castles that you build around are cute, but also kinda unnecessary. The meeples are, well, meeples. Not really too exciting to look at, but they are merely there to show player color. The domino tiles are a good thickness and the art is fun and whimsical. I LIKE looking at the tiles and sometimes finding a little hidden easter egg in there. I have no complaints about the components. Good on you, Blue Orange Games.
The game play is so simple but also so engaging! My mother, who usually only plays Rummikub, actually agreed to play this with me and she really really enjoyed it! Kids can play it and do really well. Older adults can too! It’s a great game to consider for gateway gaming, for a filler palate cleanser, or even for lighthearted tournament play. It just works well in so many scenarios. Is it my favorite game of all time? No. Is it in my Top 10? No. But I can guarantee you that I will never get rid of this little gem.
That said, Purple Phoenix Games gives this title a royal 14 / 18. Build on, Kingdomino!
https://purplephoenixgames.wordpress.com/2019/02/27/kingdomino-review/
BookwormMama14 (18 KP) rated The Bachelor Girl's Guide to Murder (Herringford and Watts, #1) in Books
Jan 2, 2019
In a time when women never wore trousers and most definitely did not solve murders...Herringford & Watts break every rule in the book of propriety and pave their own future. The year is 1910. Toronto has seen it's share of progress and changes over the last few years. Yet, a woman's duty is still to marry, keep house and raise a family. Merinda Herringford and Jemima Watts are best friends, flatmates...and...detectives. These women do not fit the mold for a "Proper Lady". However, they are living out their dreams and following their passion. And to that I say, "Brava!" When the Herringford & Watts Detective Agency opens for business, mischief, madness and mayhem follow wherever these two go. When the mystery of the deaths of two Irish girls is brushed over by the police and press, Herringford & Watts step in to solve the case. The Morality Squad is on the prowl looking for an excuse to cart women away in the name of, "Cleaning up the town". Reasons may include, but are not limited to: a hemline too short, being out without an escort and sticking their nose in the wrong people's business. For this reason, Merinda and Jem masquerade as men with bowler hats on a fairly regular basis. This offers them the freedom of movement that would otherwise be denied them as women. Leading them to new depths and new heights. Joining forces with Constable Jasper Forth and Ray DeLuca, a reporter, will this team see that justice is served? Will their adventures take them too far? And will these bachelor girls be the voice for the women who have none?
I can honestly say that by page 10 of the novella (A Singular & Whimsical Problem), I was addicted to Herringford & Watts! From the cover design of the book to the quirky traits of these two women, I will treasure their story for many years to come. Let's talk about the book itself for a minute. There are several different aspects to the layout that intrigued me. First of all, the silhouettes on the cover (aren't they gorgeous), can be found at the beginning of each chapter as well, with artwork. Giving a deeper impression of the era. There are lovely quotes at the beginning of each chapter as well. Throughout the book you will find footnotes. Not referencing history books, but referencing our characters and addressing the reader personally. This dynamic didn't just draw me into the story, oh no, it gobbled me up and left me wandering the streets of Toronto, trying to walk without using my hips...Through these footnotes we learn a lot about all of our characters, without the need of an extra hundred pages, although I wouldn't have complained about that either.
The story is one of the most beautifully crafted books I have ever read. I am a HUGE fan of Sherlock and Murdoch Mysteries. And to have a story similar to those with women playing the lead...Brilliant! While we see the story through the perspective of different characters, it is mainly through Jem's eyes. Throughout their crime solving adventure, we can see the strength and determination of these women to do the right thing. Jem and Ray both look to the Lord for guidance and are comforted and encouraged by His voice and His peace. While God is a puzzle too big to solve for Merinda at this point. If you enjoy a good mystery with a lot of humour and some faith...THIS is the book for you! There are pins and needles that I am sitting on, waiting for the next book to come out!
I can honestly say that by page 10 of the novella (A Singular & Whimsical Problem), I was addicted to Herringford & Watts! From the cover design of the book to the quirky traits of these two women, I will treasure their story for many years to come. Let's talk about the book itself for a minute. There are several different aspects to the layout that intrigued me. First of all, the silhouettes on the cover (aren't they gorgeous), can be found at the beginning of each chapter as well, with artwork. Giving a deeper impression of the era. There are lovely quotes at the beginning of each chapter as well. Throughout the book you will find footnotes. Not referencing history books, but referencing our characters and addressing the reader personally. This dynamic didn't just draw me into the story, oh no, it gobbled me up and left me wandering the streets of Toronto, trying to walk without using my hips...Through these footnotes we learn a lot about all of our characters, without the need of an extra hundred pages, although I wouldn't have complained about that either.
The story is one of the most beautifully crafted books I have ever read. I am a HUGE fan of Sherlock and Murdoch Mysteries. And to have a story similar to those with women playing the lead...Brilliant! While we see the story through the perspective of different characters, it is mainly through Jem's eyes. Throughout their crime solving adventure, we can see the strength and determination of these women to do the right thing. Jem and Ray both look to the Lord for guidance and are comforted and encouraged by His voice and His peace. While God is a puzzle too big to solve for Merinda at this point. If you enjoy a good mystery with a lot of humour and some faith...THIS is the book for you! There are pins and needles that I am sitting on, waiting for the next book to come out!
Chris Sawin (602 KP) rated Where the Wild Things Are (2009) in Movies
Jun 22, 2019
Max is a boy who possesses something that fades away for most as they grow older and that's a young child's incredible imagination. His only dilemma is that he doesn't really have any friends of his own. He builds an igloo out of snow and tries to share it with his older sister, Claire, who seems more interested in hanging out with her friends. Max's mom embraces Max's imagination and even asks him to tell her stories, but everything falls apart when Max tries to save his mom a seat in the fort he just built that would save them from hot lava while she's on a date. Things quickly spiral out of control and Max winds up running away. He finds a boat by the water and takes it out into the sea. As he explores the open water, he becomes astray while he succumbs to the relentless weather and crashing waves of the ocean. That is until he stumbles upon an island where an incandescent glow of a small fire catches his eye. He finds that the island is inhabited by large, hairy, horned creatures. He's discovered where the wild things are and he will be their king.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.