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Entertainment Editor (1988 KP) created a video about White Noise 2 in Video Games

Nov 20, 2017  
Video

White Noise 2 PS4 Release Trailer

White Noise 2 is the sequel of the successful White Noise Online. Be a part of the investigator team, or take control of the creature and devour them! White Noise 2 offers a 4vs1 asymmetric horror experience that won't leave anyone unmoved.

  
Silver Session for Jason Knuth by Sonic Youth
Silver Session for Jason Knuth by Sonic Youth
1998 | Rock
8
8.0 (1 Ratings)
Album Rating
Gray noise. In a sort of interesting way.
Not quite white noise, but the whole thing is literally processed feedback. I had the brilliant idea to put this onto sleep to. I had really vivid nightmares that were actually pretty inspiring. May have use as background noise or to sleep to if you have a creative block.
  
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Karley Sciortino recommended White Noise in Books (curated)

 
White Noise
White Noise
Don DeLillo | 2011 | Fiction & Poetry
4.0 (1 Ratings)
Book Favorite

"If I had to choose my number 1 favorite book of all time, it would be this. (And as this is widely considered one of the great American novels, I’m clearly not the only person who’s been hugely affected by it.) White Noise uses the story of a college professor and his family in small Midwestern town to explore American paranoia, consumerism, and novelty academic intellectualism. I love this book for its ability to to be dark, beautiful, smart, and hysterically funny, all at the same time."

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Gold by The Velvet Underground
Gold by The Velvet Underground
2005 | Rock
(0 Ratings)
Album Favorite

"By 1972, I’ve finished up in art schools, hitchhiked around the country, and I moved to Providence, Rhode Island. In the mid-’70s, I was in a band with Chris Frantz from Talking Heads, and I wrote a couple songs that stuck during that period, including “Psycho Killer.” We also did a lot of cover songs—Al Green, Velvet Underground, the Sonics, the Troggs. The Velvet Underground were a big revelation. I realized, Oh, look at the subject of their songs: There’s a tune and a melody, but the sound is either completely abrasive or really pretty. They swing from one extreme to the other. “White Light/White Heat” is just this noise, and then “Candy Says” is incredibly pretty but really kind of dark. As a young person, you go, What is this about?"

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White Noise by Noah Gundersen
White Noise by Noah Gundersen
2019
8
8.0 (1 Ratings)
Album Rating
Seattle-based musician Noah Gundersen is back with a fresh sound on his new album 'White Noise', out 22nd September. With a music video for his new track Lover, Gundersen explores themes of fear, anxiety, and desire.

Working closely with collaborator Andy Park, Gundersen navigates the sense of emptiness that lives inside all of us, and pauses to reflect on themes of attraction and the illusion of choice. For Gundersen, the experience of making music is deeply personal. In this video, we experience the connection between two souls, even as we understand the personal sacrifice that comes from making room for someone else in your heart.

Sometimes you tell yourself something over and over, just hoping that it will eventually come true, trying to fill an unspeakable void.
  
A Woman Under the Influence (1975)
A Woman Under the Influence (1975)
1975 | Classics, Drama
(0 Ratings)
Movie Favorite

"A lot of these are acting. A Woman under the Influence. I just think Gena Rowlands is absolutely incredible, and the sort of vibe of that movie. You can just feel the closeness of the actors and the crew and the people making the film. Again, it’s so incredibly alive and spontaneous, and that sort of weird, intimate, long-lens voyeuristic stuff and their fights, it’s just absolutely incredible. Also, just long takes of allowing actors to be, and to not cut out the white noise of superfluous action that doesn’t necessarily contribute to the plot. The purpose and the heart of the movie is stated over and over again in every tiny action, in every little thing they do, in every smile Peter Falk gives to her or look she gives to him. The messiness of it is just absolutely incredible, and that dinner scene with them all together is just stunning."

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The Magic of Recluce (The Saga of Recluce #1)
L.E. Modesitt Jr. | 1992 | Fiction & Poetry
4
7.0 (2 Ratings)
Book Rating
If ever there was an argument for Goodreads to expand beyond a 5-star rating system, this is it: better than some other books I've rated 1 star, but not as good as some others I've rated as 2 stars.

The first book in what has become known as The Saga of Recluce, I found this to be quite unusual in that (in this world world), it equates the White Wizards with evil (or chaos) and Black Wizards with good (or order). In many respects, this is also a coming-of-age tale, with the central protaganist maturing throughout the course of the story: a story that, I felt, could have been told in about 1/2 the number of pages if the author didn't insist on detailing each and every little iota of noise - who wants to read about (roughly, and all told) a page or two per chapter of <i>Wheee-urrrggg</i> (stomach noises) or <i>caw-caw</i> (bird noises) or <i>thrum-thrum-thrum</i> (hoof-beats)?!?
  
White Noise (2005)
White Noise (2005)
2005 | Drama, Horror, Mystery
7
6.9 (7 Ratings)
Movie Rating
Ever since the phenomenal success of “The Sixth Sense”, films dealing with the supernatural have been an ever increasing presence at theaters world wide as studios attempt to find the next break out film in the genre to ensure lucrative box office and video returns.

The latest foray into the Supernatural is the new Michael Keaton film White Noise, which is based on the actual study of E.V.P. or Electronic Voice Phenomena which is reputed some paranormal investigators to be the voices of dead people speaking to the living via static in electronic devices.

Although the factuality of this is still a topic of hot debate, as after decades of study, no conclusive finding either way as to the legitimacy of E.V.P. have been found as many people attribute the supposed voices as simply the mind hearing what it wants to hear. Despite this, there are a growing number of groups and organizations worldwide who are dedicated to the study of E.V.P.

The film centers on Jonathan Rivers’s (Michael Keaton), a successful architect who is married to a best selling author Anna (Chandra West). The couple is anxiously awaiting the arrival of their first child as Jonathan has a son from a previous marriage and is thrilled to see his family grow

Tragedy sets in when Anna goes missing and eventually is found dead after an apparent accident. Jonathan has his world collapse around him yet and is living in a state of despair. Shortly, a man named Raymond Price (Ian McNeice) comes to Jonathan claiming that he has been receiving messages from Anna from the afterlife. Jonathan is at first dismissive but when he gets calls on his cell that are originating from Anna’s cell number; he visits Raymond and learns about E.V.P.

Jonathan becomes drawn into the study of E.V.P. and soon becomes obsessed with recording voices and images from the afterlife as he is desperate to stay in contact with Anna. All is not well though as Raymond failed to tell Jonathan that there are evil and dangerous entities in the afterlife and they can also use E.V.P. as a way to access and influence the living.

Jonathan also meets a fellow E.V.P user named Sara (Deborah Kara Unger), who like Jonathan becomes involved in a deeper and darker mystery as Jonathan begins to decipher a pattern behind the messages as well as the intentions behind them.

White Noise starts well as a solid mystery and had a few moments where what you imagine is often more intense than what the reality really is. Early in the film there are some good chills and creepy moments as the story unfolds. Roughly ¾ of the way into the film, the tone of the film changes from supernatural thriller to that of a mystery and I suspect that the film will lose many people at this point. The film was working well as a thrill, yet the last ¼ of the film and the conclusion become confused and sporadic as the momentum and flow of the film is lost.

The conclusion was unsatisfying as I was able to see where it was going and based on the very promising first hour of the film, it was sad to see that the film took the easy way out and relied on tired premises instead of continuing to forge ahead with the new premise and take it to what should have been a much better and more logical conclusion.

Keaton does solid work and carries the film very well. It is great to see him back on the big screen as he is a gifted and versatile actor who is capable of handling a wide range of roles.

While not a bad film, White Noise is sunk by the issues with the finale that I mentioned above. That being said, it is an entertaining film that aside from the ending, does generally work and holds the attention of the viewer.
  
Untraceable (2008)
Untraceable (2008)
2008 | Drama, Horror, Mystery
𝘜𝘯𝘸𝘢𝘵𝘤𝘩𝘢𝘣𝘭𝘦. Wants to be a 𝘚𝘪𝘭𝘦𝘯𝘤𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘓𝘢𝘮𝘣𝘴 x Saw hybrid, ends up being 𝘍𝘦𝘢𝘳𝘋𝘰𝘵𝘊𝘰𝘮 with most of the fun stuff subtracted, and if it were a piece of tacky CBS cybercrime dross. There's some real heat to the torture porn here but it's undercut by the fact that they consciously choose to rarely show it at all and overedit it to hell and back when they do (both fronts offended even worse than 𝘏𝘰𝘴𝘵𝘦𝘭: 𝘗𝘢𝘳𝘵 𝘐𝘐) - instead opting to be a rote procedural where everyone dumps heavy bouts of cheesy exposition about things that it's clear no one actually knows what they're talking about, until its final moments where it takes a dumbass pivot where it decides to be a preachy, hypocritical, defanged commentary about technology which is about as non-knowledgeable as your average "Black Mirror" episode. Diane Lane gives it an honest try but it saves absolutely nothing from this lifeless white noise. One of the only positives is that it's unpredictable, but only in the sense that there's nothing to predict. At least it's one of the precious few of these things to make realistic online comments - and Lane very seriously repeats the full acronym for 'rofl' during a live snuff film. Still sucks though.
  
Champagne Holocaust by The Fat White Family
Champagne Holocaust by The Fat White Family
2013 | Alternative, Psychedelic, Punk
7.0 (1 Ratings)
Album Favorite

"I feel like this could be an old song but it sounds very modern as well. I love how sleazy and 70s’ it sounds. I picked it because I went to see Fat White Family a few years ago and before I went to see them I'd stopped playing guitar for a long time, given up on the idea of starting a band and had lost interest in music a little bit, I'd been in bands for years but nothing had ever happened. Then I started going out with a guy who was really into music and he took me to see Fat White Family and loads of bands actually around that time, but I saw Fat White Family play in The Macbeth in Hoxton. “It was so exciting! I hadn't really expected anything, I‘d just heard the name and I thought it sounded stupid. I felt like I walked in completely by accident and then I saw them and it felt how it felt and I just knew immediately that I wanted to start playing guitar again and make loud noises with people and have that feeling more. I knew that I wanted to start a band, basically. “I love the distortion on the vocals, on a lot of our earlier recordings I was putting distortion on the vocal, it's a little bit less now but it's still always there. I think it smooths everything over, or sands it down. I really love the tension and release in ‘Auto Neutron’, there's that moment halfway through where he screams and all the music gets loud and I've listened to it over and over again, trying to work out how that sounds so good. That exact moment is so perfectly timed and mixed. “Fat White Family are so guttural and thrusty on stage. It's passionate. It's hard to explain, but it's just really cool. As The Big Moon we really try to feed off the crowd and what they’re doing, you have the odd show where everyone's just standing staring at you and in those situations it feels really strange to be onstage at all and to be making noise, you realise how weird it is that you stand on a box and make loud music and people just watch. “It’s the shows where people let their hair down and have a crazy time that are the best. That's why we go to gigs, to have a physical experience and be there in a place with a load of people you'll probably never see again, but you'll have bonded by the fact that you love this music. You throw yourself into each other. It's so important that we have a reaction like that."

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