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Rachel King (13 KP) rated Hush, Hush (Hush, Hush, #1) in Books
Feb 11, 2019
I'm still tingling from the ending of this wonderfully delicious book! I immediately went in search of a sequel and discovered that there is one set to release in November (thank the heavens!) titled Crescendo, phew! Sooooo, on with my review!
I decided to read this novel after reading multiple reviews of how fantastic this book is, especially since I have been looking for a good angel saga ever since I read Sharon Shinn's entire Samaria series in less than a week. (5 books) There is something refreshingly different about angels in the Fantasy genre of literature, instead of the almost-cliched use of vampires, werewolves, and witches. Not that I've had my fill of those, either, but change is good.
The lust-filled tension between Patch and Nora reminds me of a certain other famous couple in YA Fantasy, except Patch isn't nearly as secretive about what he wants. After stepping back and thinking about his character, I came to the conclusion that what attracts the fairer sex to the bad-boy type is not necessarily his "badness", but his confidence. The biggest clue that Patch was not normal was the amount of confidence he exuded around Nora. And I don't recall my sex ed. classes ever being as interesting as Coach McConaughy's class! Truly, I don't think I could say one bad thing about this book. The loose ends will obviously be answered in future books, such as Nora's father's death, Dabria's fate, and what Nora's mother will do about the farmhouse. The ending was almost a complete surprise to me, and unpredictable in many ways. I'm also curious as to how Nora Grey's parentage will play a part in future books and the massive potential that comes with it. I also like how Nora is not totally dependent on Patch and seeks to solve her own problems and fight her own battles - more strong woman than damsel in distress. Her best friend Vee provides a bit of comic relief, as well as adding a human element to balance the supernatural aspects of the book. I could go on and on. I'm also very curious if the topic of God will be addressed in any future books, since it would seem that acknowledging heaven, angels, the Book of Enoch, etc., means doing the same for God. I can't wait to get my hands on a copy of Crescendo!
I decided to read this novel after reading multiple reviews of how fantastic this book is, especially since I have been looking for a good angel saga ever since I read Sharon Shinn's entire Samaria series in less than a week. (5 books) There is something refreshingly different about angels in the Fantasy genre of literature, instead of the almost-cliched use of vampires, werewolves, and witches. Not that I've had my fill of those, either, but change is good.
The lust-filled tension between Patch and Nora reminds me of a certain other famous couple in YA Fantasy, except Patch isn't nearly as secretive about what he wants. After stepping back and thinking about his character, I came to the conclusion that what attracts the fairer sex to the bad-boy type is not necessarily his "badness", but his confidence. The biggest clue that Patch was not normal was the amount of confidence he exuded around Nora. And I don't recall my sex ed. classes ever being as interesting as Coach McConaughy's class! Truly, I don't think I could say one bad thing about this book. The loose ends will obviously be answered in future books, such as Nora's father's death, Dabria's fate, and what Nora's mother will do about the farmhouse. The ending was almost a complete surprise to me, and unpredictable in many ways. I'm also curious as to how Nora Grey's parentage will play a part in future books and the massive potential that comes with it. I also like how Nora is not totally dependent on Patch and seeks to solve her own problems and fight her own battles - more strong woman than damsel in distress. Her best friend Vee provides a bit of comic relief, as well as adding a human element to balance the supernatural aspects of the book. I could go on and on. I'm also very curious if the topic of God will be addressed in any future books, since it would seem that acknowledging heaven, angels, the Book of Enoch, etc., means doing the same for God. I can't wait to get my hands on a copy of Crescendo!
Goddess in the Stacks (553 KP) rated The Rules of Magic in Books
Feb 19, 2018
So I actually didn't know that Practical Magic the movie was based on a book. But when I saw The Rules of Magic billed as the prequel to a movie I had loved, I knew I had to read it. And I'm so glad I did. The Rules of Magic is, well, magical. Magical and nostalgic and spell-binding. Most book worlds feel different than their respective movie-worlds, but this felt like a logical prequel. (It may be because I haven't seen the movie in some time - I intend to remedy that soon, and I might just have to read the book as well.)
Practical Magic, the well known movie with Sandra Bullock and Nicole Kidman, centers around the two girls and their elderly aunts. The Rules of Magic is the aunts' story. And what a story. It begins in New York, as the older of the two aunts is turning 17. On an Owens' girl's seventeenth birthday, they receive an invitation to spend the summer at the Owens home in Massachusetts. Frances, the older of the two girls, receives the invitation, and her two siblings won't let her go alone, so all three of them (yes, three, the movie doesn't mention their brother that I recall, though I suppose Bullock and Kidman's characters had to come from somewhere!) pack up and head to Massachusetts, where they meet their Aunt Isabelle. Over the course of the summer, they learn their family history, and get verification that they are indeed witches. (They'd had certain powers throughout childhood, though their mother tried to deny it.)
It was Vincent's storyline that intrigued me, since I knew where Frances and Jet ended up. There was an unexpected curveball that I won't spoil here, but I enjoyed it. It was Jet and Frances' storylines that had me crying at the end of the book, though. Not the very last chapter - it ended on a hopeful note - but the few chapters preceding it had me in tears. (It was midnight, and everyone else was asleep, so I had myself a good cry over my book, and then had to try to sleep on a wet pillow.)
If you enjoyed Practical Magic the movie, you should read this book. It's a perfect prequel.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Practical Magic, the well known movie with Sandra Bullock and Nicole Kidman, centers around the two girls and their elderly aunts. The Rules of Magic is the aunts' story. And what a story. It begins in New York, as the older of the two aunts is turning 17. On an Owens' girl's seventeenth birthday, they receive an invitation to spend the summer at the Owens home in Massachusetts. Frances, the older of the two girls, receives the invitation, and her two siblings won't let her go alone, so all three of them (yes, three, the movie doesn't mention their brother that I recall, though I suppose Bullock and Kidman's characters had to come from somewhere!) pack up and head to Massachusetts, where they meet their Aunt Isabelle. Over the course of the summer, they learn their family history, and get verification that they are indeed witches. (They'd had certain powers throughout childhood, though their mother tried to deny it.)
It was Vincent's storyline that intrigued me, since I knew where Frances and Jet ended up. There was an unexpected curveball that I won't spoil here, but I enjoyed it. It was Jet and Frances' storylines that had me crying at the end of the book, though. Not the very last chapter - it ended on a hopeful note - but the few chapters preceding it had me in tears. (It was midnight, and everyone else was asleep, so I had myself a good cry over my book, and then had to try to sleep on a wet pillow.)
If you enjoyed Practical Magic the movie, you should read this book. It's a perfect prequel.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Gareth von Kallenbach (980 KP) rated Macbeth (2015) in Movies
Aug 6, 2019
Directed by Justin Kurzel, the 2015 release of Macbeth stars Michael
Fassbender
as Macbeth and Marion Cotillard as Lady Macbeth.
There are a ton of blood and guts in this movie. Many of the action
scenes have slow-motion insets, which for me were better than the jerky
camera movement of the close-up fighting scenes, but still felt weird
inside the film.
This is the traditional Macbeth story-line, with the typical language of
the original play. The accents of most of the actors were very heavy,
making it quite difficult to follow the actual dialogue.
I was able to follow the story because I know the basic premise of
Hamlet (who doesn’t?) but if I hadn’t basically known what the story was
about, and had to rely solely on the spoken words in the film, I would
have been dreadfully lost.
Marion Cotillard plays a very good conniving, plotting Lady Macbeth, and
Michael Fassbender does a great job of portraying a manipulated, power
hungry man, being driven mad by his atrocities.
The supporting cast gave great performances as well. The three witches
were played by Lynn Kennedy, Seylan Baxter, and Seylan Mhairi Baxter.
They were sufficiently creepy and mysterious to add the right amount of
darkness to their roles, without overpowering the concept that had
Hamlet interpreted their predictions differently, the entire story may
have gone differently.
There were parts of the movie that I held my breath at, and felt myself
responding emotionally to, but it would be very hard NOT to feel some
sort of emotion at watching a family being burned at the stake at the
whim of a mad-man.
If I were a die-hard Macbeth or Shakespeare fan, I likely would have
enjoyed the film far more. On the other hand, a die-hard Shakespeare fan
probably would have been upset at some of the pieces that were trimmed
from the famous lines of the original (“something wicked this way comes”
was noticeably absent)
Overall I would give this movie 2 out of 5 stars, based on the hard time
I had understanding the dialogue. If I had been able to not have had to
concentrate so hard to understand what was being said, I would have
given it 3.5 out of 5 stars.
Fassbender
as Macbeth and Marion Cotillard as Lady Macbeth.
There are a ton of blood and guts in this movie. Many of the action
scenes have slow-motion insets, which for me were better than the jerky
camera movement of the close-up fighting scenes, but still felt weird
inside the film.
This is the traditional Macbeth story-line, with the typical language of
the original play. The accents of most of the actors were very heavy,
making it quite difficult to follow the actual dialogue.
I was able to follow the story because I know the basic premise of
Hamlet (who doesn’t?) but if I hadn’t basically known what the story was
about, and had to rely solely on the spoken words in the film, I would
have been dreadfully lost.
Marion Cotillard plays a very good conniving, plotting Lady Macbeth, and
Michael Fassbender does a great job of portraying a manipulated, power
hungry man, being driven mad by his atrocities.
The supporting cast gave great performances as well. The three witches
were played by Lynn Kennedy, Seylan Baxter, and Seylan Mhairi Baxter.
They were sufficiently creepy and mysterious to add the right amount of
darkness to their roles, without overpowering the concept that had
Hamlet interpreted their predictions differently, the entire story may
have gone differently.
There were parts of the movie that I held my breath at, and felt myself
responding emotionally to, but it would be very hard NOT to feel some
sort of emotion at watching a family being burned at the stake at the
whim of a mad-man.
If I were a die-hard Macbeth or Shakespeare fan, I likely would have
enjoyed the film far more. On the other hand, a die-hard Shakespeare fan
probably would have been upset at some of the pieces that were trimmed
from the famous lines of the original (“something wicked this way comes”
was noticeably absent)
Overall I would give this movie 2 out of 5 stars, based on the hard time
I had understanding the dialogue. If I had been able to not have had to
concentrate so hard to understand what was being said, I would have
given it 3.5 out of 5 stars.
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Debbiereadsbook (1437 KP) rated Married to the Vampire King (Blood Bonded Mates #2) in Books
May 6, 2024
longer, but so much better than book one!!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
This is book 2 in the Blood Bonded Mates series. While not strictly necessary to read book one, Snowed In With The Vampire Prince, it will give you a better understanding of Pierce and James who play a huge part here. And you know, it was rather good! I thoroughly enjoyed that book. But this book??
Freaking LOVED this book!
Ethan is a with without any gifts. Nathaniel is the reigning Vampire King. The witches and vampires will kill each other, if Ethan doesn't do something, and that something is marry Nathaniel. The mirror told him so. What could possibly go wrong?? Well, turns out, feelings could get involved!
What I especially liked was how Ethan's secrets, and Nathaniel's, took time to come out, and they came out to each other slowly. I'm gonna be vague here, cos spoilers, but I loved this, I really did.
Nathaniel knew who Ethan was, right from the start, but he didn't know what would happen. He wanted to spring the idea at Ethan in good time, but things had a way of sending plans out the window!
I loved that we got to catch up with Pierce and James from book 1. They both play a huge part here and it was fab how they seamlessly slotted into this book. I hope they pop up in follwoing books too.
I loved how Ethan and Nathaniel surprised each other, at every turn. Me too, to be fair!! It's a lot longer than book one, some 300 odd pages, and I think this book needed those extra pages. The story was very multi layered.
There is romance and love, and betrayal of the highest order and I loved that I did not see who was the bad guy here! Totally sideswiped with that one, so well played there Mr castle, very well played.
I am loving wathcing these people develop and grow, and as the author puts out more stories, I wanna read them! I can't see who might be next, but I need, NEEEEEEEEEEEEEEEEEEEEEEEEEED to read it!
5 full and shiny stars!
*same worded review will appear elsewhere
This is book 2 in the Blood Bonded Mates series. While not strictly necessary to read book one, Snowed In With The Vampire Prince, it will give you a better understanding of Pierce and James who play a huge part here. And you know, it was rather good! I thoroughly enjoyed that book. But this book??
Freaking LOVED this book!
Ethan is a with without any gifts. Nathaniel is the reigning Vampire King. The witches and vampires will kill each other, if Ethan doesn't do something, and that something is marry Nathaniel. The mirror told him so. What could possibly go wrong?? Well, turns out, feelings could get involved!
What I especially liked was how Ethan's secrets, and Nathaniel's, took time to come out, and they came out to each other slowly. I'm gonna be vague here, cos spoilers, but I loved this, I really did.
Nathaniel knew who Ethan was, right from the start, but he didn't know what would happen. He wanted to spring the idea at Ethan in good time, but things had a way of sending plans out the window!
I loved that we got to catch up with Pierce and James from book 1. They both play a huge part here and it was fab how they seamlessly slotted into this book. I hope they pop up in follwoing books too.
I loved how Ethan and Nathaniel surprised each other, at every turn. Me too, to be fair!! It's a lot longer than book one, some 300 odd pages, and I think this book needed those extra pages. The story was very multi layered.
There is romance and love, and betrayal of the highest order and I loved that I did not see who was the bad guy here! Totally sideswiped with that one, so well played there Mr castle, very well played.
I am loving wathcing these people develop and grow, and as the author puts out more stories, I wanna read them! I can't see who might be next, but I need, NEEEEEEEEEEEEEEEEEEEEEEEEEED to read it!
5 full and shiny stars!
*same worded review will appear elsewhere
Hadley (567 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Dec 19, 2020
A darker version of Harry Potter (1 more)
Witchcraft/occult
Main character was unlikable (1 more)
Too much internal dialogue
It's nice knowing that books about witches aren't dead. The main idea of Naomi Novik's new novel, A Deadly Education - - - a new series with the second book already slated to release in 2021 - - - is about a school of magic that is focused on survival. Of course, this may bring about similarities of J.K. Rowling's Harry Potter series, but this story is no way the same, A Deadly Education is a much darker witch school story with young murderers and also monsters that eat the students alive.
Yet this dark and morbid story is about a young girl who has been foreseen to possess powers that could destroy millions of people as our main character, and she can be quite off-putting at times. Her personality - - - a need to be liked, but refuses to allow anyone to like her, her need to show that she is always the smartest person in the room, and her blatant rudeness to a young man that saves her life more than once - - - makes it hard, as a reader, to root for this character. She does have moments of dark humor that made me laugh, moments of sarcasm that were pretty good, but she quickly assumes that everyone hates her and wants her to die before making it to senior graduation.
Galadriel is her name, but she prefers to go by El, and both of her parents were students at this Scholomance. She begins by talking about different kinds of witches there are at the school, including ones that use malia. Malia is a form of magic that takes it's mana from living things, including people. One such student she knows that uses malia is Yi Liu. El describes how malia of this sort slowly kills the one using it by telling the reader that Liu's eyes are turning all white, and her nails have gone completely black (and it's not polish).
Early on, readers are told about enclaves at the school, usually rich kids whose families have had more survivors from graduating classes than others. Students who are not part of these cliques know that it is very important to try to get an invitation to join one before senior year because your chances of survival are higher with a group than by yourself. El spends most of her time debating whether she wants to be part of one or not; her shifts in decisions are quite annoying. After she is saved by a student named Orion Lake, who is an enclaver from New York, she quickly decides to use him to obtain a seat in his enclave: " I couldn't blame her, really. It wasn't stupid to want to be pals with Orion if that looked like a real possibility. Aadhya's family lives in New Jersey: if she got into the New York enclave, she could probably pull them all inside. And I couldn't afford to alienate one of the vanishing few people who are willing to deal with me. "
Throughout the story, El becomes angrier and angrier every time that Lake saves her from being killed (which ends up almost being ten times), but one such time that he isn't able to, readers finally get to see what her powers have taught her, and this is practically the only time that we do: while an attack is happening in the library, El decides to go after Lake and help him save other students, but you can easily get lost in the library due to the shelves constantly moving, or you can be eaten because of the dark areas the shelves create; this is when a giant creature appears called a maw-mouth: "My whole body was clenched and waiting for it, and in the next flare of deep-red light I met half a dozen human eyes watching me, scattered over the thick rolling folds of the translucent, glossy mass that was just bulging its way out of the vent, many mouths open and working for air. " El tells us that the only way to stop a maw-mouth is to give it indigestion. "I stopped, and I used the best of the nineteen spells I know for killing an entire roomful of people, the shortest one; it's just three words in French, a la mort, but it must be cast carelessly, with a flick of the hand that most people get wrong, and if you get it even a little wrong, it kills you instead. " She does it correctly and the maw-mouth is defeated.
El believes that she saved a majority of the students from being killed by defeating the maw-mouth, but when she goes to breakfast the next morning, she finds out that a student had been 'poached' by a senior student. Every student's dorm room has a wall or spot that is nothing but a black abyss, where if anything that enters it will disappear forever. 'Poaching' is an act that has happened at the school before, and it's when a student pushes another student into the void, usually to take over their dorm room because the former's is unsafe. Oddly, this isn't surprising that it happened, when life at the school is life or death, people, especially teenagers, will make rash decisions without adults being present - - - yes, there are no teachers at this school, and everything seems to appear out of thin air.
The novel finally picks up pace when the wall leading to the graduation hall, which contains two maw-mouths for the senior class, is starting to break away, threatening to release any and all creatures into the school: "If a hole opened up to the graduation hall before the senior dorms were closed off, the seniors went from being the whole buffet to the toughest and most stale entrees on the menu. "
When the students decide to work together to patch up the hole, they soon find out that the senior students don't want it patched up: " 'But we also don't want to let you buy your lives with ours. That's what I hear seniors saying. Not, let's rip open the school, but why don't we make you, your class, graduate with us. Your class are the ones Orion has saved the most.' Chloe flinched visibly, and a lot of the other kids at our table tensed. 'So? Are you all willing to do that, graduate early, to save the poor little freshmen? If not, you can stop ' - - - she waved a hand in a spiraling circle, making a gesture of drama - - -'about how evil we are because we don't want to die...' "
The atmosphere in the story makes the threat of death in the school very real, but Novik's main character isn't well-written; there are side characters that I found much more interesting than El, and were better written. Lake is even a better character - - - especially when readers find out why he has a need to save people - - - I honestly believe it would have been a better story from Lake's point-of-view. Also, the amount of explaining that Novik does in the novel really breaks up the flow of the story, sometimes stopping right in the middle of an important scene just to explain something about the school.
I will be reading the sequel when it comes out because I do want to know what happens to a lot of the side characters and their senior graduation, but I can only recommend this book to people who love stories about witches and the occult. As for horror fans, I don't think you would get your fix from this novel.
Yet this dark and morbid story is about a young girl who has been foreseen to possess powers that could destroy millions of people as our main character, and she can be quite off-putting at times. Her personality - - - a need to be liked, but refuses to allow anyone to like her, her need to show that she is always the smartest person in the room, and her blatant rudeness to a young man that saves her life more than once - - - makes it hard, as a reader, to root for this character. She does have moments of dark humor that made me laugh, moments of sarcasm that were pretty good, but she quickly assumes that everyone hates her and wants her to die before making it to senior graduation.
Galadriel is her name, but she prefers to go by El, and both of her parents were students at this Scholomance. She begins by talking about different kinds of witches there are at the school, including ones that use malia. Malia is a form of magic that takes it's mana from living things, including people. One such student she knows that uses malia is Yi Liu. El describes how malia of this sort slowly kills the one using it by telling the reader that Liu's eyes are turning all white, and her nails have gone completely black (and it's not polish).
Early on, readers are told about enclaves at the school, usually rich kids whose families have had more survivors from graduating classes than others. Students who are not part of these cliques know that it is very important to try to get an invitation to join one before senior year because your chances of survival are higher with a group than by yourself. El spends most of her time debating whether she wants to be part of one or not; her shifts in decisions are quite annoying. After she is saved by a student named Orion Lake, who is an enclaver from New York, she quickly decides to use him to obtain a seat in his enclave: " I couldn't blame her, really. It wasn't stupid to want to be pals with Orion if that looked like a real possibility. Aadhya's family lives in New Jersey: if she got into the New York enclave, she could probably pull them all inside. And I couldn't afford to alienate one of the vanishing few people who are willing to deal with me. "
Throughout the story, El becomes angrier and angrier every time that Lake saves her from being killed (which ends up almost being ten times), but one such time that he isn't able to, readers finally get to see what her powers have taught her, and this is practically the only time that we do: while an attack is happening in the library, El decides to go after Lake and help him save other students, but you can easily get lost in the library due to the shelves constantly moving, or you can be eaten because of the dark areas the shelves create; this is when a giant creature appears called a maw-mouth: "My whole body was clenched and waiting for it, and in the next flare of deep-red light I met half a dozen human eyes watching me, scattered over the thick rolling folds of the translucent, glossy mass that was just bulging its way out of the vent, many mouths open and working for air. " El tells us that the only way to stop a maw-mouth is to give it indigestion. "I stopped, and I used the best of the nineteen spells I know for killing an entire roomful of people, the shortest one; it's just three words in French, a la mort, but it must be cast carelessly, with a flick of the hand that most people get wrong, and if you get it even a little wrong, it kills you instead. " She does it correctly and the maw-mouth is defeated.
El believes that she saved a majority of the students from being killed by defeating the maw-mouth, but when she goes to breakfast the next morning, she finds out that a student had been 'poached' by a senior student. Every student's dorm room has a wall or spot that is nothing but a black abyss, where if anything that enters it will disappear forever. 'Poaching' is an act that has happened at the school before, and it's when a student pushes another student into the void, usually to take over their dorm room because the former's is unsafe. Oddly, this isn't surprising that it happened, when life at the school is life or death, people, especially teenagers, will make rash decisions without adults being present - - - yes, there are no teachers at this school, and everything seems to appear out of thin air.
The novel finally picks up pace when the wall leading to the graduation hall, which contains two maw-mouths for the senior class, is starting to break away, threatening to release any and all creatures into the school: "If a hole opened up to the graduation hall before the senior dorms were closed off, the seniors went from being the whole buffet to the toughest and most stale entrees on the menu. "
When the students decide to work together to patch up the hole, they soon find out that the senior students don't want it patched up: " 'But we also don't want to let you buy your lives with ours. That's what I hear seniors saying. Not, let's rip open the school, but why don't we make you, your class, graduate with us. Your class are the ones Orion has saved the most.' Chloe flinched visibly, and a lot of the other kids at our table tensed. 'So? Are you all willing to do that, graduate early, to save the poor little freshmen? If not, you can stop ' - - - she waved a hand in a spiraling circle, making a gesture of drama - - -'about how evil we are because we don't want to die...' "
The atmosphere in the story makes the threat of death in the school very real, but Novik's main character isn't well-written; there are side characters that I found much more interesting than El, and were better written. Lake is even a better character - - - especially when readers find out why he has a need to save people - - - I honestly believe it would have been a better story from Lake's point-of-view. Also, the amount of explaining that Novik does in the novel really breaks up the flow of the story, sometimes stopping right in the middle of an important scene just to explain something about the school.
I will be reading the sequel when it comes out because I do want to know what happens to a lot of the side characters and their senior graduation, but I can only recommend this book to people who love stories about witches and the occult. As for horror fans, I don't think you would get your fix from this novel.
Kara Skinner (332 KP) rated The Robber Knight in Books
Sep 10, 2019
When you are fighting for the freedom of your people, falling in love with your enemy is not a great idea. Or is it? Ayla has to defend her castle and her people all on her own, with nobody to help her but a dark warrior she hates with all her heart.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.