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Heather Cranmer (2721 KP) rated Nell and Lady in Books
Oct 12, 2018
Well written characters (1 more)
A very believable plot
A Book to Fall in Love With
There was something about the synopsis for Nell and Lady by Ashley Farley that drew me in from the beginning. As soon as I found out this book, I knew I had to read. I was ecstatic when I found out it was free in Kindle Unlimited! I'm really glad I read this book. It was really good.
I found the pacing for Nell and Lady to be perfect. It wasn't super fast where I was left wondering what happened, and it wasn't so slow that it felt like a chore reading this book. I would describe the pacing as being a relaxed pace.
I enjoyed the plot for Nell and Lady. The book synopsis does a great job of describing what the story is about, so I won't rehash the plot. There were no plot twists, but this isn't a book that requires a plot twist to be good. It was nice to read a book that was just straight forward when it came to the plot. It was interesting to read about what happened to Nell on the night of Lady's sixteenth birthday party (although I was expecting something a lot worse than what actually happened to her). It was also interesting to see how the family would overcome what happened to Nell and the falling out between them. It was also nice to read about things from Booker's and Regan's (Nell's son and Lady's daughter) point of view about what was going on with their mothers. It was a nice touch making Booker and Regan best friends in the book too. All of my questions were answered in Nell and Lady, and any loose ends were tied up by the ending of the book.
I loved the world building in Nell and Lady. Ashley Farley did a great job making everything feel believable whether it took place in present day or back when Nell and Lady were children/teenagers. I felt like I was in whatever era the book was taking place in. In fact, I felt like I was a silent witness to everything that was going on.
Every character in Nell and Lady was written very well. My favorite characters were Booker, Regan, and Willa. It was great to read about the friendly competition between Booker and Regan and how great of friends they were. Booker and Regan both had a great head on their shoulders. I loved how much Willa cared so much for her family and how she'd do anything for them. I did like Nell, but I didn't like the way she became racist after one incident when she was 16. However, readers will see her finally snap out of her views. Lady was written well, but I found her to be very spoiled and just plain rude. I could understand that she was hurt by how Nell had walked out of hers and Willa's life when she was a teen, but I felt like there was no excuse with how she acted when Nell wanted to visit Willa once she found out she was dying. I found myself annoyed with Lady most of the time, but not because she was poorly written. Lady was written very well, and I realize there are real life Ladys in the world.
Trigger warnings for Nell and Lady include sexual assault, mild racism, underage drinking and prescription pill abuse, mild violence, and one minor swear word.
Overall, Nell and Lady is an excellent read. I thoroughly enjoyed the whole story. It's got a great plot and a great cast of characters. I would definitely recommend Nell and Lady by Ashley Farley to everyone aged 16+. You will fall in love with this book.
I found the pacing for Nell and Lady to be perfect. It wasn't super fast where I was left wondering what happened, and it wasn't so slow that it felt like a chore reading this book. I would describe the pacing as being a relaxed pace.
I enjoyed the plot for Nell and Lady. The book synopsis does a great job of describing what the story is about, so I won't rehash the plot. There were no plot twists, but this isn't a book that requires a plot twist to be good. It was nice to read a book that was just straight forward when it came to the plot. It was interesting to read about what happened to Nell on the night of Lady's sixteenth birthday party (although I was expecting something a lot worse than what actually happened to her). It was also interesting to see how the family would overcome what happened to Nell and the falling out between them. It was also nice to read about things from Booker's and Regan's (Nell's son and Lady's daughter) point of view about what was going on with their mothers. It was a nice touch making Booker and Regan best friends in the book too. All of my questions were answered in Nell and Lady, and any loose ends were tied up by the ending of the book.
I loved the world building in Nell and Lady. Ashley Farley did a great job making everything feel believable whether it took place in present day or back when Nell and Lady were children/teenagers. I felt like I was in whatever era the book was taking place in. In fact, I felt like I was a silent witness to everything that was going on.
Every character in Nell and Lady was written very well. My favorite characters were Booker, Regan, and Willa. It was great to read about the friendly competition between Booker and Regan and how great of friends they were. Booker and Regan both had a great head on their shoulders. I loved how much Willa cared so much for her family and how she'd do anything for them. I did like Nell, but I didn't like the way she became racist after one incident when she was 16. However, readers will see her finally snap out of her views. Lady was written well, but I found her to be very spoiled and just plain rude. I could understand that she was hurt by how Nell had walked out of hers and Willa's life when she was a teen, but I felt like there was no excuse with how she acted when Nell wanted to visit Willa once she found out she was dying. I found myself annoyed with Lady most of the time, but not because she was poorly written. Lady was written very well, and I realize there are real life Ladys in the world.
Trigger warnings for Nell and Lady include sexual assault, mild racism, underage drinking and prescription pill abuse, mild violence, and one minor swear word.
Overall, Nell and Lady is an excellent read. I thoroughly enjoyed the whole story. It's got a great plot and a great cast of characters. I would definitely recommend Nell and Lady by Ashley Farley to everyone aged 16+. You will fall in love with this book.
Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
Lucy Buglass (45 KP) rated Rocketman (2019) in Movies
Jun 20, 2019
A dazzling, brutally honest biopic
Biopics are always challenging. Trying to condense the life of a public figure into a couple of hours is never easy, which is why it can go wrong. It must be even more intimidating when your subject is still alive, and in this case, Elton John is very much alive and kicking at the age of 72.
Rocketman was a project that was closely followed by a number of fans and media outlets, all of them keen to see how they brought his story to life on-screen. With Dexter Fletcher at the helm and a star-studded cast, the film certainly had potential. And boy did it deliver.
Something that took me by surprise was the fact the film was more of a musical, rather than a straight-up biopic. I must admit I’m not the biggest fan of musicals most of the time, but I was instantly charmed by the musical numbers in Rocketman. It felt appropriate to present someone so passionate about music in this way. The film is choreographed to perfection, with the key moments in Elton’s life brought to life through song and dance.
In the leading role, Taron Egerton absolutely shone as Elton. The fact he actually sang so many of his iconic songs, and did them well, is something that should be celebrated for years to come. But even beyond the music, the way he showcased Elton’s pain throughout his years brought me to tears several times, and I’d be as bold to say his performance was award worthy. I couldn’t take my eyes off him.
It was also refreshing to see the brutal honesty in the film. Elton John himself said he ‘hadn’t lived a PG-13 life’, so the inclusion of sex, drugs and depression was absolutely necessary. Elton suffered from a lot of addictions, which are unapologetically presented on screen. There were so many tragedies I was not aware of, and it was so awful to see how he’d been treated by those close to him.
His parents in particular, Sheila (Bryce Dallas Howard) and Stanley (Steven Mackintosh), weren’t accepting of him and created a toxic home environment for Elton. I wasn’t aware of these strained relationships so it was interesting to observe, and the performances felt incredibly raw and devastating.
Naturally, the film also explored Elton’s first relationship with music manager John Reid (Richard Madden). This was heartbreaking to witness, as there was a lot of abuse and manipulation from Reid throughout their relationship. I thought Madden was exceptional in this role; villainous yet charismatic, and he delivered some truly cutting lines that, again, made me cry.
The one constant good relationship in Elton’s life was, and still is, Bernie Taupin (Jamie Bell). The two worked closely over the years to write the lyrics we know and love, and have endured lots together. As a key figure in his life, it was essential he was played well, and I couldn’t be happier with Bell’s performance. The energy between him and Egerton was a powerful thing.
These great performances are set against a beautiful backdrop of glitz and glamour, with some seriously impressive live shows where Egerton gets the opportunity to really shine. The gorgeous set design, costume design and cinematography only broke my heart further, when it became apparent a lot of it was a lie, and deep down Elton was battling with many demons. Fame does not always equal happiness, and this film is the epitome of that message.
Whilst it’s not an easy film to watch at times, it’s a beautiful celebration of Elton’s life that I can’t wait to experience again. He has came such a long way, and the film does everything in its power to show both the lows and highs, and remind fans where he came from. My advice would be to bring tissues, you’re going to need them.
https://lucygoestohollywood.com/2019/05/27/rocketman-dazzling-brutally-honest-biopic/
Rocketman was a project that was closely followed by a number of fans and media outlets, all of them keen to see how they brought his story to life on-screen. With Dexter Fletcher at the helm and a star-studded cast, the film certainly had potential. And boy did it deliver.
Something that took me by surprise was the fact the film was more of a musical, rather than a straight-up biopic. I must admit I’m not the biggest fan of musicals most of the time, but I was instantly charmed by the musical numbers in Rocketman. It felt appropriate to present someone so passionate about music in this way. The film is choreographed to perfection, with the key moments in Elton’s life brought to life through song and dance.
In the leading role, Taron Egerton absolutely shone as Elton. The fact he actually sang so many of his iconic songs, and did them well, is something that should be celebrated for years to come. But even beyond the music, the way he showcased Elton’s pain throughout his years brought me to tears several times, and I’d be as bold to say his performance was award worthy. I couldn’t take my eyes off him.
It was also refreshing to see the brutal honesty in the film. Elton John himself said he ‘hadn’t lived a PG-13 life’, so the inclusion of sex, drugs and depression was absolutely necessary. Elton suffered from a lot of addictions, which are unapologetically presented on screen. There were so many tragedies I was not aware of, and it was so awful to see how he’d been treated by those close to him.
His parents in particular, Sheila (Bryce Dallas Howard) and Stanley (Steven Mackintosh), weren’t accepting of him and created a toxic home environment for Elton. I wasn’t aware of these strained relationships so it was interesting to observe, and the performances felt incredibly raw and devastating.
Naturally, the film also explored Elton’s first relationship with music manager John Reid (Richard Madden). This was heartbreaking to witness, as there was a lot of abuse and manipulation from Reid throughout their relationship. I thought Madden was exceptional in this role; villainous yet charismatic, and he delivered some truly cutting lines that, again, made me cry.
The one constant good relationship in Elton’s life was, and still is, Bernie Taupin (Jamie Bell). The two worked closely over the years to write the lyrics we know and love, and have endured lots together. As a key figure in his life, it was essential he was played well, and I couldn’t be happier with Bell’s performance. The energy between him and Egerton was a powerful thing.
These great performances are set against a beautiful backdrop of glitz and glamour, with some seriously impressive live shows where Egerton gets the opportunity to really shine. The gorgeous set design, costume design and cinematography only broke my heart further, when it became apparent a lot of it was a lie, and deep down Elton was battling with many demons. Fame does not always equal happiness, and this film is the epitome of that message.
Whilst it’s not an easy film to watch at times, it’s a beautiful celebration of Elton’s life that I can’t wait to experience again. He has came such a long way, and the film does everything in its power to show both the lows and highs, and remind fans where he came from. My advice would be to bring tissues, you’re going to need them.
https://lucygoestohollywood.com/2019/05/27/rocketman-dazzling-brutally-honest-biopic/
Sophia (Bookwyrming Thoughts) (530 KP) rated Shatter Me in Books
Jan 23, 2020
Lupe and I made a random, out of the blue deal where I read <i>Shatter Me</i> (the entire series), and she finally gets her act together to read the amazingness called <i>Harry Potter</i> (the entire series). <b>She's trekking her way merrily - I've made a fan out of her yet. #SophiaIsProud</b>
<b>Let’s be honest here: she gets the better deal.</b> This trilogy and I will have a strong love/hate relationship that knows no bounds because all I wanted to do was:
<ul>
<li>Throw my iPad at Lupe if she shows herself (not literally)</li>
<li>Hug the book</li>
<li>Die of laughter</li>
<li>Stop torturing myself</li>
<li>Repeat</li>
</ul>
<i>Shatter Me</i> is straight up the alley of everything I will read because a character who kills anything they touch is a golden novel. It’s like King Midas’s curse gone completely wrong.
But unfortunately, it’s my cup of tea with way too much sugar and other weird flavors.
<b>
</b> <b>There is a massive amount of numbers.</b> The first 5-6 chapters had my eyes crying because 1) I really hate numbers, 2) numbers just remind me of math, 3) I don’t like math, 4) it reminds me of Calculus, which went POORLY (AKA failed the final with a giant fish flop) and 5) I think I’m allergic to numbers.
<b>
</b> <b>There is also a lot of strikeouts.</b> Honestly, I can’t complain, because I use strikeouts on my own blog and if I say I hated them I would be contradicting myself. I’ve basically learned that strikeouts take up space and are sometimes unnecessary, which is the case with <i>Shatter Me</i>.
There are fewer numbers and strikeouts as the book progresses, but they remain. My eyes cry less, and I <span style="text-decoration: line-through;">whine</span> complain less about the massive use of numbers to Lupe. Poor Anelise had to witness this (as it is the tragedy of being a coblogger and dealing with two beans who actually know each other personally and outside blogging).
<b>
</b> <b>I don’t care about Adam or Warner.</b> I think Adam is a shallow cheese ball (it might be his romance with Juliette because I cringed every time they’re doing romance things) and Warner is a creepy pervert, so I don’t understand why Lupe swoons over Warner. If he’s still a creepy pervert by book three, I might have to <span style="text-decoration: line-through;">interrogate</span> question Lupe on her fictional boy choices.
<b>
</b> <b>But thanks to Adam, I know about Juliette as a person, so that’s a plus.</b> <b>Does this mean I care about Juliette? No...</b>
If there’s one thing I’ll agree with Lupe on this series, it’s Kenji. He is a precious little bean who deserves so much more page time than he got.
There are a lot of birds. So many birds and no explanation (not even a little). I like metaphors and all, but I still don’t get the concept of a million birds mentioned throughout the book, and Lupe isn’t too helpful. I have to go wallow in misery and torture myself some more.
I’ll be reading the rest of the series for the following reasons:
<ul>
<li>It’s Lupe’s fault</li>
<li>Kenji the precious bean</li>
<li>Why are there so many birds</li>
<li>Mainly it’s just for the sake of Lupe</li>
<li>It brought my reviewing soul back I think</li>
</ul>
<a href="https://bookwyrmingthoughts.com/shatter-me-by-tahereh-mafi-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b>Let’s be honest here: she gets the better deal.</b> This trilogy and I will have a strong love/hate relationship that knows no bounds because all I wanted to do was:
<ul>
<li>Throw my iPad at Lupe if she shows herself (not literally)</li>
<li>Hug the book</li>
<li>Die of laughter</li>
<li>Stop torturing myself</li>
<li>Repeat</li>
</ul>
<i>Shatter Me</i> is straight up the alley of everything I will read because a character who kills anything they touch is a golden novel. It’s like King Midas’s curse gone completely wrong.
But unfortunately, it’s my cup of tea with way too much sugar and other weird flavors.
<b>
</b> <b>There is a massive amount of numbers.</b> The first 5-6 chapters had my eyes crying because 1) I really hate numbers, 2) numbers just remind me of math, 3) I don’t like math, 4) it reminds me of Calculus, which went POORLY (AKA failed the final with a giant fish flop) and 5) I think I’m allergic to numbers.
<b>
</b> <b>There is also a lot of strikeouts.</b> Honestly, I can’t complain, because I use strikeouts on my own blog and if I say I hated them I would be contradicting myself. I’ve basically learned that strikeouts take up space and are sometimes unnecessary, which is the case with <i>Shatter Me</i>.
There are fewer numbers and strikeouts as the book progresses, but they remain. My eyes cry less, and I <span style="text-decoration: line-through;">whine</span> complain less about the massive use of numbers to Lupe. Poor Anelise had to witness this (as it is the tragedy of being a coblogger and dealing with two beans who actually know each other personally and outside blogging).
<b>
</b> <b>I don’t care about Adam or Warner.</b> I think Adam is a shallow cheese ball (it might be his romance with Juliette because I cringed every time they’re doing romance things) and Warner is a creepy pervert, so I don’t understand why Lupe swoons over Warner. If he’s still a creepy pervert by book three, I might have to <span style="text-decoration: line-through;">interrogate</span> question Lupe on her fictional boy choices.
<b>
</b> <b>But thanks to Adam, I know about Juliette as a person, so that’s a plus.</b> <b>Does this mean I care about Juliette? No...</b>
If there’s one thing I’ll agree with Lupe on this series, it’s Kenji. He is a precious little bean who deserves so much more page time than he got.
There are a lot of birds. So many birds and no explanation (not even a little). I like metaphors and all, but I still don’t get the concept of a million birds mentioned throughout the book, and Lupe isn’t too helpful. I have to go wallow in misery and torture myself some more.
I’ll be reading the rest of the series for the following reasons:
<ul>
<li>It’s Lupe’s fault</li>
<li>Kenji the precious bean</li>
<li>Why are there so many birds</li>
<li>Mainly it’s just for the sake of Lupe</li>
<li>It brought my reviewing soul back I think</li>
</ul>
<a href="https://bookwyrmingthoughts.com/shatter-me-by-tahereh-mafi-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (971 KP) rated Steve Jobs (2015) in Movies
Aug 6, 2019
Steve Jobs is written by Aaron Sorkin and directed by Danny Boyle, stars Micheal Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, and Michael Stuhlbarg.
Now that those formalities are out of the way I will just come out and say it. Steve Jobs is the best dramatic bio-pic I have seen. In fact, it is the best movie I have seen this year. Acted fantastically to the point of realism, the film takes the typical three act story arc and shows us the life of Steve Jobs at three periods of his life right before a product launch where we see Jobs as both innovator and villain alike. Each period consist of the 30-45 minutes of visually stimulating and aggressive cinematography leading up to each product launch and how the major people in Job’s life come in and out of those moments. These moments reveal that seemingly simple interactions with Jobs lead to a constant chess match of words and minds to maintain the reality distortion field of a seemingly great man but seemingly not a very good person. Clearly the film takes some Hollywood liberties, but with the screenplay based off the authorized biography of the same name by Walter Isaacson, the film Steve Jobs is probably the most realistic portrayal we may see of the man himself.
That portrayal is delivered splendidly by Michael Fassbender. Fassbender’s performance though each phase of the film is scary. That is to say he plays the egotistical narcissist to perfection. We get real moments of a cold and calculating manipulative intelligent person with quiet moments of compassion here or there. During arguments, Fassbender knows how to delivers bombs out of moments where you would not expect them and at points those arguments feel like high speed action scenes in an otherwise action less film. It is quite remarkable to witness.
Seth Rogen (uncredited) delivers the best dramatic performance of his career as Steve Wozniak. Michael Stuhlbarg likewise delivers a solid performance that stands in this film. While Jeff Daniels, coming off a great performance in the recently successful film The Martian, delivers an outstanding nuanced performance here across from Fassbender. When the two of them are on screen together it is as if they are speaking high prose to each other, albeit at times screaming. I would not be surprised if Daniels is nomination on his work for this film.
Finally we come to Kate Winslet who plays marketing executive Joanna Hoffman. To me she delivered the most fantastic performance in this film. Perhaps because she was the likable better half to Fassbender but more importantly we see this woman who is the only one to stand up to and in a sense understand Steve Jobs’s reality distortion field and work in and out of it as she desperately tries to hold everything together. We she her grow as someone who clearly loves and admires this man however recognizes his faults and is willing to call him out on them. Winslet reminds us yet again why she is one of the best actress in Hollywood and I predict she will be taking home a little gold statue to go with her performance in this film.
If you are still on the fence about watching this film, let me push you off it. Watch it. That may not mean in theaters, which is perhaps my only small complaint about this film. This is the type of film that would be great if it was released same day on digital distribution so you could watch it a few times from home over a few days while you think about it. But at some point you owe it to yourself to be amazed by the fantastic performances and cinematography of this film. While it may not be something you have to see on the big screen, it is absolutely worth the full price of admission. Do not miss it.
Now that those formalities are out of the way I will just come out and say it. Steve Jobs is the best dramatic bio-pic I have seen. In fact, it is the best movie I have seen this year. Acted fantastically to the point of realism, the film takes the typical three act story arc and shows us the life of Steve Jobs at three periods of his life right before a product launch where we see Jobs as both innovator and villain alike. Each period consist of the 30-45 minutes of visually stimulating and aggressive cinematography leading up to each product launch and how the major people in Job’s life come in and out of those moments. These moments reveal that seemingly simple interactions with Jobs lead to a constant chess match of words and minds to maintain the reality distortion field of a seemingly great man but seemingly not a very good person. Clearly the film takes some Hollywood liberties, but with the screenplay based off the authorized biography of the same name by Walter Isaacson, the film Steve Jobs is probably the most realistic portrayal we may see of the man himself.
That portrayal is delivered splendidly by Michael Fassbender. Fassbender’s performance though each phase of the film is scary. That is to say he plays the egotistical narcissist to perfection. We get real moments of a cold and calculating manipulative intelligent person with quiet moments of compassion here or there. During arguments, Fassbender knows how to delivers bombs out of moments where you would not expect them and at points those arguments feel like high speed action scenes in an otherwise action less film. It is quite remarkable to witness.
Seth Rogen (uncredited) delivers the best dramatic performance of his career as Steve Wozniak. Michael Stuhlbarg likewise delivers a solid performance that stands in this film. While Jeff Daniels, coming off a great performance in the recently successful film The Martian, delivers an outstanding nuanced performance here across from Fassbender. When the two of them are on screen together it is as if they are speaking high prose to each other, albeit at times screaming. I would not be surprised if Daniels is nomination on his work for this film.
Finally we come to Kate Winslet who plays marketing executive Joanna Hoffman. To me she delivered the most fantastic performance in this film. Perhaps because she was the likable better half to Fassbender but more importantly we see this woman who is the only one to stand up to and in a sense understand Steve Jobs’s reality distortion field and work in and out of it as she desperately tries to hold everything together. We she her grow as someone who clearly loves and admires this man however recognizes his faults and is willing to call him out on them. Winslet reminds us yet again why she is one of the best actress in Hollywood and I predict she will be taking home a little gold statue to go with her performance in this film.
If you are still on the fence about watching this film, let me push you off it. Watch it. That may not mean in theaters, which is perhaps my only small complaint about this film. This is the type of film that would be great if it was released same day on digital distribution so you could watch it a few times from home over a few days while you think about it. But at some point you owe it to yourself to be amazed by the fantastic performances and cinematography of this film. While it may not be something you have to see on the big screen, it is absolutely worth the full price of admission. Do not miss it.
Gareth von Kallenbach (971 KP) rated Parker (2013) in Movies
Aug 7, 2019
So I, being the girl that I am, wasn’t exactly keyed up to go and see a “shoot-em up” style action flick — you know, the kind that Jason Statham excels at? My boyfriend, however, is like most red-blooded men and found this movie right up his alley. Perhaps it was due to the fact I “owed” him from cashing in my chick-flick points and making him watch “the Painted Veil” with me the other day; perhaps it was because my choice of Redbox rentals had been rather lackluster in comparison. Either way, he was looking forward the the prospect of this movie review far more than I.
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
Sarah (7798 KP) rated Willy's Wonderland (2021) in Movies
Mar 20, 2021
Could’ve been so much better
If you’ve seen the trailer for Willy’s Wonderland, you were no doubt wondering what on earth your eyes had just been witness to, and I’m afraid the full film doesn’t get any less demented. Willy’s Wonderland is a 2021 horror comedy from director Kevin Lewis that is every bit a modern day B-movie, complete with cheesy script and questionable acting. On paper it sounds like it should be entertainingly bad but silly, but unfortunately in reality it’s just bad.
Willy’s Wonderland follows a drifter (Nicolas Cage) who experiences car troubles on his way cross country, and is tricked into becoming a janitor overnight for the condemned Willy’s Wonderland to pay off his car repairs. Willy’s is a kids restaurant slash indoor play area themed around Willy the weasel and his animatronic friends, including a crocodile, chameleon, gorilla and ostrich. However Willy’s isn’t just your ordinary run down restaurant as it has a dark and horrific history involving murderers, criminals and satanic rituals. Now the friendly animatronic creatures have taken on a murderous life of their own and in a bid to appease them, the town elders (including the sheriff played by Beth Grant) have turned to tricking people travelling through into Willy’s to act as human sacrifices. Unfortunately the townsfolk don’t get quite what they expected with Cage’s unnamed drifter, who alongside local girl Liv (Emily Tosta), gives the demonic creatures a lot more than they bargained for.
I have been dying to watch this film since seeing the trailer. It looked like it’d be absolutely crazy silliness from start to finish and one of those films that are so bad they’re good. But as much as I wanted to like this, I feel like it fell short from what was promised. The first major problem is that it’s meant to be a horror comedy, but there was little humour on offer and the only time I really found myself laughing was at the sheer bizarreness of this entire film. Horror-wise there is a decent amount of blood and gore, but some of it looks badly done and unrealistic and there’s little to be scared of here either. Towards the start of the film there are a few creepy scenes with the animatronic animals, but as the story progresses the scares are lost and this is where the film suffers. It is possible to make a film that’s scary, funny and good (Cabin in the Woods is a shining example), but sadly Willy’s Wonderland doesn’t pull it off.
The fight scenes are lost due to the crazy artistic and surreal style of camera work, meaning you barely have a clue what’s going on and the backing music to accompany these fight scenes doesn’t always work either. And then there’s Nicolas Cage. For some unknown reason, they’ve decided to make his character completely mute with absolutely no dialogue whatsoever. This works in the first few scenes, but as the story unfolds you find yourself crying out for him to say something, anything. If any film was suitable for Cage’s signature crazy eyed overacting, it’s this one and not utilising this is criminal. What were they thinking?! The script isn’t great and the majority of characters are entirely wasted and one dimensional, even for a horror film, with only Emily Tosta coming out of this relatively unscathed, so a bit of Cage’s acting could’ve really helped make this a lot more entertaining.
Willy’s Wonderland had a lot of promise, with an interesting and crazy B-movie horror storyline. However it’s the execution which has let it down, as it’s severely lacking in horror or comedy and doesn’t make use of the cast or promising story. It’s a shame as it’s semi enjoyable as is, but could’ve been so much better!
Willy’s Wonderland follows a drifter (Nicolas Cage) who experiences car troubles on his way cross country, and is tricked into becoming a janitor overnight for the condemned Willy’s Wonderland to pay off his car repairs. Willy’s is a kids restaurant slash indoor play area themed around Willy the weasel and his animatronic friends, including a crocodile, chameleon, gorilla and ostrich. However Willy’s isn’t just your ordinary run down restaurant as it has a dark and horrific history involving murderers, criminals and satanic rituals. Now the friendly animatronic creatures have taken on a murderous life of their own and in a bid to appease them, the town elders (including the sheriff played by Beth Grant) have turned to tricking people travelling through into Willy’s to act as human sacrifices. Unfortunately the townsfolk don’t get quite what they expected with Cage’s unnamed drifter, who alongside local girl Liv (Emily Tosta), gives the demonic creatures a lot more than they bargained for.
I have been dying to watch this film since seeing the trailer. It looked like it’d be absolutely crazy silliness from start to finish and one of those films that are so bad they’re good. But as much as I wanted to like this, I feel like it fell short from what was promised. The first major problem is that it’s meant to be a horror comedy, but there was little humour on offer and the only time I really found myself laughing was at the sheer bizarreness of this entire film. Horror-wise there is a decent amount of blood and gore, but some of it looks badly done and unrealistic and there’s little to be scared of here either. Towards the start of the film there are a few creepy scenes with the animatronic animals, but as the story progresses the scares are lost and this is where the film suffers. It is possible to make a film that’s scary, funny and good (Cabin in the Woods is a shining example), but sadly Willy’s Wonderland doesn’t pull it off.
The fight scenes are lost due to the crazy artistic and surreal style of camera work, meaning you barely have a clue what’s going on and the backing music to accompany these fight scenes doesn’t always work either. And then there’s Nicolas Cage. For some unknown reason, they’ve decided to make his character completely mute with absolutely no dialogue whatsoever. This works in the first few scenes, but as the story unfolds you find yourself crying out for him to say something, anything. If any film was suitable for Cage’s signature crazy eyed overacting, it’s this one and not utilising this is criminal. What were they thinking?! The script isn’t great and the majority of characters are entirely wasted and one dimensional, even for a horror film, with only Emily Tosta coming out of this relatively unscathed, so a bit of Cage’s acting could’ve really helped make this a lot more entertaining.
Willy’s Wonderland had a lot of promise, with an interesting and crazy B-movie horror storyline. However it’s the execution which has let it down, as it’s severely lacking in horror or comedy and doesn’t make use of the cast or promising story. It’s a shame as it’s semi enjoyable as is, but could’ve been so much better!
Lottie disney bookworm (1056 KP) rated The Wolf Den in Books
Jun 17, 2021
(As you may expect from the subject matter of this book, I am highlighting trigger warnings of rape, sexual abuse, violence, slavery and suicide.)
“May I know love’s power, if never its sweetness.”
The Wolf Den is a magnifying glass into the world of Pompeii’s prostitutes: forgotten women who are owned and controlled by both men and society. This no-holds-barred novel follows Amara, a beautiful and educated doctor’s daughter who was enslaved after the death of her father and now is a she-wolf, a prostitute in Pompeii’s largest brothel, The Wolf Den.
Elodie Harper’s novel is told entirely from Amara’s perspective. This gives our main character a rare sense of power, the power to provide names to these previously nameless women and to make the reader care for these women, becoming entirely invested in their story. Alongside Amara; Dido, Victoria, Cressa, Beronice and Britannica experience violence, desperation, pain and loss but also highlight the power of friendship. This is not an easy read at all but Harper’s characters are so captivating it was impossible to put this book down.
Amara herself is such a complex character: she has an overwhelming amount of inner strength as she accepts her fate as a slave. At times this is heart-breaking when you gain glimpses of her previous life but accepting her fate does not mean Amara ever stops striving for freedom. She may have to change her idea of what happily ever after consists of but Amara will never stop working towards it, no matter the cost.
By no means is Amara perfect, there are definitely some questionable actions by our protagonist. However, Harper paints the she-wolves lives so acutely and tragically that the reader can never blame Amara: we don’t always agree with her actions but you can see that she has to protect herself because she literally has no one else to do it for her.
Amara is also clever, sometimes too clever for her owner Felix who is quick to punish her for speaking out of turn. However, once Amara proves that her previous education can be profitable, Felix is on board, taking Amara down a new path and raising the reader’s hopes of a happy outcome for our favourite she-wolf. This is a credit to the characterisation within this novel: that as the readers witness possible happy endings being ripped away, our sheer desperation increases with Amara’s.
Despite her fascinating characters, Elodie Harper does not rest on her laurels and completely immerses her readers in the landscape of Pompeii. From the filthy cobbled streets to the graffiti to the shops, inns and sellers in the forum, everything is described in the most magnificent historical detail.
Harper also entrenches her characters in the class system, whereby a customer of a higher social status is often a target but seemingly out of reach for the she-wolves: a lower class of man is easy to attract but can often be violent. And love? Well that is just a fantasy!
Initially I have to tell you that I was slightly disappointed by the ending of The Wolf Den: the chapters leading up to the finale were so emotional and action-packed that the final lines almost fell flat. HOWEVER, this was all turned on its head when I was told The Wolf Den is merely the first in a trilogy! Now that I know Amara will be back I am eager to see what else she has in store for us.
Thank you to Netgalley for the opportunity to read this e-ARC in exchange for an honest review.
“May I know love’s power, if never its sweetness.”
The Wolf Den is a magnifying glass into the world of Pompeii’s prostitutes: forgotten women who are owned and controlled by both men and society. This no-holds-barred novel follows Amara, a beautiful and educated doctor’s daughter who was enslaved after the death of her father and now is a she-wolf, a prostitute in Pompeii’s largest brothel, The Wolf Den.
Elodie Harper’s novel is told entirely from Amara’s perspective. This gives our main character a rare sense of power, the power to provide names to these previously nameless women and to make the reader care for these women, becoming entirely invested in their story. Alongside Amara; Dido, Victoria, Cressa, Beronice and Britannica experience violence, desperation, pain and loss but also highlight the power of friendship. This is not an easy read at all but Harper’s characters are so captivating it was impossible to put this book down.
Amara herself is such a complex character: she has an overwhelming amount of inner strength as she accepts her fate as a slave. At times this is heart-breaking when you gain glimpses of her previous life but accepting her fate does not mean Amara ever stops striving for freedom. She may have to change her idea of what happily ever after consists of but Amara will never stop working towards it, no matter the cost.
By no means is Amara perfect, there are definitely some questionable actions by our protagonist. However, Harper paints the she-wolves lives so acutely and tragically that the reader can never blame Amara: we don’t always agree with her actions but you can see that she has to protect herself because she literally has no one else to do it for her.
Amara is also clever, sometimes too clever for her owner Felix who is quick to punish her for speaking out of turn. However, once Amara proves that her previous education can be profitable, Felix is on board, taking Amara down a new path and raising the reader’s hopes of a happy outcome for our favourite she-wolf. This is a credit to the characterisation within this novel: that as the readers witness possible happy endings being ripped away, our sheer desperation increases with Amara’s.
Despite her fascinating characters, Elodie Harper does not rest on her laurels and completely immerses her readers in the landscape of Pompeii. From the filthy cobbled streets to the graffiti to the shops, inns and sellers in the forum, everything is described in the most magnificent historical detail.
Harper also entrenches her characters in the class system, whereby a customer of a higher social status is often a target but seemingly out of reach for the she-wolves: a lower class of man is easy to attract but can often be violent. And love? Well that is just a fantasy!
Initially I have to tell you that I was slightly disappointed by the ending of The Wolf Den: the chapters leading up to the finale were so emotional and action-packed that the final lines almost fell flat. HOWEVER, this was all turned on its head when I was told The Wolf Den is merely the first in a trilogy! Now that I know Amara will be back I am eager to see what else she has in store for us.
Thank you to Netgalley for the opportunity to read this e-ARC in exchange for an honest review.
Sarah (7798 KP) rated David Attenborough: A Life on Our Planet (2020) in Movies
Oct 14, 2020
Bleak and interesting
David Attenborough is possibly the most recognised face (and voice) when it comes to nature and our planet, and it’d be safe to say he’s also one of the most respected advisors on the environment. Now 94 years old, A Life on Our Planet is his “witness statement” for the environment and details his 60+ year career and how steeply the planet has declined during this time.
In the opening scene of this documentary Attenborough is in Chernobyl, the site of one of the worst man-made disasters in history. His comparison of the impact of the Chernobyl disaster to the impact humanity is having gradually on the environment is not one that many would have even considered, but it’s provides a stark warning. And it continues in this same vein throughout.
Whilst this still features beautifully captured videos of nature and historical footage of Attenborough throughout his career, this documentary has very dark and bleak overtones. Even the statistics on world population, carbon content and decrease in wilderness provided for certain years in Attenborough’s career prove to be crystal clear and unmistakably illustrating just how badly we’ve treated our planet in the space of a mere 90 years. For reference, wilderness in the 1930s was at 66% - in 2020 it has nearly halved to 35%. When you see it there in black and white, it’s terrifying.
Even more terrifying is Attenborough’s glimpse into the future. Showing what will happen to us and our planet in the 2030s to 2100s and beyond, it’s scarier than any horror film you will ever see. And what’s worrying is that the chances of this happening is a lot more likely than anything you see in a scary movie.
Fortunately this does move away from the rather effective warnings and dark tones and goes on to discuss how we can change to prevent this bleak future from coming true. These resolutions – stopping deforestation and overfishing, stabilising the population, more plant based diets – are nothing that we haven’t heard of before. However Attenborough does at least go on to suggest how we as a planet can move towards achieving the above and promote some rather positive success stories where this has already been achieved in a number of places across the globe.
My problem with this documentary is two fold. For one, Attenborough steers clear of the politics and blame game and doesn’t point the finger at any areas of society that may be more at fault than others (i.e. the super wealthy and their excesses). He just seems like he’s being too nice when really he needs to call out the people and areas that hold more responsibility.
My other issue is that he doesn’t relate the solutions to how we can help as individuals. Other than moving to a more plant based diet, the solutions proposed are not things that Joe public can help with and for me personally I found this very frustrating. I want to know what I personally can do to help and sadly I have no control over poaching, deforestation or over-fishing. I barely have any input into my local council’s initiative to build thousands of houses on the greenbelt behind my house, so the issues and solutions discussed here seem rather overwhelming and feel almost impossible to achieve.
However despite this, Attenborough has created a rather bleak and stark documentary that proves to be both depressing and incredibly moving and informative to watch. It will undoubtedly spur many into action and prove to be the warning we as a people need, especially with the final scenes showing how the wilderness has returned to Chernobyl and Attenborough’s reminder that we’re not saving the planet, we’re saving ourselves. I just hope those higher up that have the true power to put the solutions in place have watched this and taken note.
In the opening scene of this documentary Attenborough is in Chernobyl, the site of one of the worst man-made disasters in history. His comparison of the impact of the Chernobyl disaster to the impact humanity is having gradually on the environment is not one that many would have even considered, but it’s provides a stark warning. And it continues in this same vein throughout.
Whilst this still features beautifully captured videos of nature and historical footage of Attenborough throughout his career, this documentary has very dark and bleak overtones. Even the statistics on world population, carbon content and decrease in wilderness provided for certain years in Attenborough’s career prove to be crystal clear and unmistakably illustrating just how badly we’ve treated our planet in the space of a mere 90 years. For reference, wilderness in the 1930s was at 66% - in 2020 it has nearly halved to 35%. When you see it there in black and white, it’s terrifying.
Even more terrifying is Attenborough’s glimpse into the future. Showing what will happen to us and our planet in the 2030s to 2100s and beyond, it’s scarier than any horror film you will ever see. And what’s worrying is that the chances of this happening is a lot more likely than anything you see in a scary movie.
Fortunately this does move away from the rather effective warnings and dark tones and goes on to discuss how we can change to prevent this bleak future from coming true. These resolutions – stopping deforestation and overfishing, stabilising the population, more plant based diets – are nothing that we haven’t heard of before. However Attenborough does at least go on to suggest how we as a planet can move towards achieving the above and promote some rather positive success stories where this has already been achieved in a number of places across the globe.
My problem with this documentary is two fold. For one, Attenborough steers clear of the politics and blame game and doesn’t point the finger at any areas of society that may be more at fault than others (i.e. the super wealthy and their excesses). He just seems like he’s being too nice when really he needs to call out the people and areas that hold more responsibility.
My other issue is that he doesn’t relate the solutions to how we can help as individuals. Other than moving to a more plant based diet, the solutions proposed are not things that Joe public can help with and for me personally I found this very frustrating. I want to know what I personally can do to help and sadly I have no control over poaching, deforestation or over-fishing. I barely have any input into my local council’s initiative to build thousands of houses on the greenbelt behind my house, so the issues and solutions discussed here seem rather overwhelming and feel almost impossible to achieve.
However despite this, Attenborough has created a rather bleak and stark documentary that proves to be both depressing and incredibly moving and informative to watch. It will undoubtedly spur many into action and prove to be the warning we as a people need, especially with the final scenes showing how the wilderness has returned to Chernobyl and Attenborough’s reminder that we’re not saving the planet, we’re saving ourselves. I just hope those higher up that have the true power to put the solutions in place have watched this and taken note.
Natacha (374 KP) rated Kings of the Wyld in Books
Sep 29, 2019
Contains spoilers, click to show
This was another book that I picked after it was recommended from one of my favourite Youtuber, Holly Heats Books, and as always I wasn't disappointed.
Kings of the Wyld is a "getting out of retirement of one last job" story. A band of five getting back together to save the daughter of one of them. The story is very well written, action-packed with a touch on humour here and there.
Things I liked:
-All the characters are very well written. They all have their own unique voice, personality and they offer something different to the band as well as the story.
-The relationships between all the characters are well crafted. By the end, you know and feel how close this band is and how much they love each other.
-I generally adore when an action/adventure book or movie has just a hint of comic relief without going overboard and turning it into stupid moments. And the author knows exactly when and where to add this little moment of humour to make you laugh without turning the story into ridicule. Love, love that!
-You never get bored. There is always something happening, twists and turns and obstacles being thrown to our heroes, without the story getting repetitive.
-They weren't a lot of twists and most were obvious but one of them I didn't see it coming. Maybe if I had paid more attention I could have seen it coming but I didn't so I was quite surprised.
-The final battle. I spend the entire book wondering how 5 guys will manager to fight a whole army. And the answer wasn't something that I was expecting and it was epic! Maybe with some clichés, like the "final speech to get people to follow you", but they were all so well done!
Things I didn't like:
-The fantasy world contains EVERY creature ever mentioned in fantasy, folk stories, and mythologies. From dragons and orcs to merpeople to vampires and werewolves. Which is amazing and interesting but... because there are so many creatures mentioned some of them are not described maybe because we should know how they look (?) and if you add all the author places and his own fantasy creature some time I got confused and overwhelmed and didn't necessarily know what kind of creature the author is talking about and I couldn't picture the scene properly in my mind.
-Magic has no rules. Which I don't really mind but.... [Spoiler] at some point it was used in a way that kind of put me off. Towards the end, our primary MC loses his hand and I liked the fact that the author didn't shy away from injuring his character but... this was fixed a chapter later with a magic potion that just made his hand grow back. What? Why? And this is where a draw the line on the "magic with no rules". Don't use random magic as a way to "fix" your character because you didn't want them to be hurt after all! Scars are witness to our own story and our past. Those guys went through a crazy adventure they should have scares and injuries, so if one of them loses his hand during a battle why go back on that a chapter later with a convenient magic potion. I was quite mad about that part but it was just a minor part of the story.
Despite a couple of tiny details, I thoroughly enjoyed this book and would highly recommend it. It was one of the best books I've read so far this year.
The review can also be found here: https://natachainreviewland.wordpress.com/2019/09/29/king-of-the-wyld-by-nicholas-eames/
Kings of the Wyld is a "getting out of retirement of one last job" story. A band of five getting back together to save the daughter of one of them. The story is very well written, action-packed with a touch on humour here and there.
Things I liked:
-All the characters are very well written. They all have their own unique voice, personality and they offer something different to the band as well as the story.
-The relationships between all the characters are well crafted. By the end, you know and feel how close this band is and how much they love each other.
-I generally adore when an action/adventure book or movie has just a hint of comic relief without going overboard and turning it into stupid moments. And the author knows exactly when and where to add this little moment of humour to make you laugh without turning the story into ridicule. Love, love that!
-You never get bored. There is always something happening, twists and turns and obstacles being thrown to our heroes, without the story getting repetitive.
-They weren't a lot of twists and most were obvious but one of them I didn't see it coming. Maybe if I had paid more attention I could have seen it coming but I didn't so I was quite surprised.
-The final battle. I spend the entire book wondering how 5 guys will manager to fight a whole army. And the answer wasn't something that I was expecting and it was epic! Maybe with some clichés, like the "final speech to get people to follow you", but they were all so well done!
Things I didn't like:
-The fantasy world contains EVERY creature ever mentioned in fantasy, folk stories, and mythologies. From dragons and orcs to merpeople to vampires and werewolves. Which is amazing and interesting but... because there are so many creatures mentioned some of them are not described maybe because we should know how they look (?) and if you add all the author places and his own fantasy creature some time I got confused and overwhelmed and didn't necessarily know what kind of creature the author is talking about and I couldn't picture the scene properly in my mind.
-Magic has no rules. Which I don't really mind but.... [Spoiler] at some point it was used in a way that kind of put me off. Towards the end, our primary MC loses his hand and I liked the fact that the author didn't shy away from injuring his character but... this was fixed a chapter later with a magic potion that just made his hand grow back. What? Why? And this is where a draw the line on the "magic with no rules". Don't use random magic as a way to "fix" your character because you didn't want them to be hurt after all! Scars are witness to our own story and our past. Those guys went through a crazy adventure they should have scares and injuries, so if one of them loses his hand during a battle why go back on that a chapter later with a convenient magic potion. I was quite mad about that part but it was just a minor part of the story.
Despite a couple of tiny details, I thoroughly enjoyed this book and would highly recommend it. It was one of the best books I've read so far this year.
The review can also be found here: https://natachainreviewland.wordpress.com/2019/09/29/king-of-the-wyld-by-nicholas-eames/