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Kristy H (1252 KP) rated Summer of '69 in Books
Aug 23, 2019
Every year Kate Levin and her family spend the summer on Nantucket with Kate's mother, Exalta. But this summer is different. Kate's eldest, Blair, 24, is now married to a MIT professor named Angus Whalen and they're expecting their first baby in August. As such, Blair won't be on Nantucket this summer. Middle sister, Kirby, is a junior in college and spending the summer on Martha's Vineyard. Her only son, Tiger, recently deployed to Vietnam, which has left Kate feeling completely panicked and lost. Only her youngest, thirteen-year-old, Jessie, makes the trip. But without her siblings, Jessie feels overlooked and ignored. It's the historic summer of '69--and Levin family will have some memorable experiences of their own, too.
I just love Elin Hilderbrand's books and this was a really fun one. It didn't feel that much like "historical fiction," despite the 1969 setting, but it was fascinating to get a glimpse of how the late 1960s affected the family and their decisions--especially the females. The time period affects each woman, even Jessie, in their own way. Mom Kate was a tough one to love, at times, ignoring her poor daughter and moaning about Tiger and her own past. But, man, Hilderbrand just comes up with the best family dynamics. She sets an amazing scene, aided by her beloved Nantucket, and before you know it, you are there with her characters, immersed in their drama and daily lives.
For me, the star of this one was young Jessie. I loved how much of the book revolved around her--the points of view vary, but we hear from her a lot, and I couldn't help but love the kid. Nothing like growing up with a slightly absent mom, domineering grandmother, and a bunch of way older siblings, one of whom is at war. She was a breath of fresh air, and of course, Hilderbrand wrote from a teenage point of view perfectly. She gives all Kate's daughters their own unique voice, and it's amazing how each character stands out easily as distinct from one another.
This is not "simply" a tale of a family over a summer, it's captivating and engaging look at a family shaped by historical and domestic circumstances. I certainly enjoyed this novel and would definitely recommend it. I usually shy away from historical fiction, but I found it quite interesting--great characters and family dynamics as always from our summer novel queen. 4 stars.
I just love Elin Hilderbrand's books and this was a really fun one. It didn't feel that much like "historical fiction," despite the 1969 setting, but it was fascinating to get a glimpse of how the late 1960s affected the family and their decisions--especially the females. The time period affects each woman, even Jessie, in their own way. Mom Kate was a tough one to love, at times, ignoring her poor daughter and moaning about Tiger and her own past. But, man, Hilderbrand just comes up with the best family dynamics. She sets an amazing scene, aided by her beloved Nantucket, and before you know it, you are there with her characters, immersed in their drama and daily lives.
For me, the star of this one was young Jessie. I loved how much of the book revolved around her--the points of view vary, but we hear from her a lot, and I couldn't help but love the kid. Nothing like growing up with a slightly absent mom, domineering grandmother, and a bunch of way older siblings, one of whom is at war. She was a breath of fresh air, and of course, Hilderbrand wrote from a teenage point of view perfectly. She gives all Kate's daughters their own unique voice, and it's amazing how each character stands out easily as distinct from one another.
This is not "simply" a tale of a family over a summer, it's captivating and engaging look at a family shaped by historical and domestic circumstances. I certainly enjoyed this novel and would definitely recommend it. I usually shy away from historical fiction, but I found it quite interesting--great characters and family dynamics as always from our summer novel queen. 4 stars.
Joe Julians (221 KP) rated Artemis in Books
Feb 17, 2018
The setting (2 more)
World building
Jazz (sometimes)
The plot (2 more)
Dialogue
Jazz (sometimes)
Following on from the excellent The Martian, Andy Weir delivers another space bound science fiction story, but this one sadly comes up short.
Artemis isn't a bad book and there's plenty of things to enjoy here. The moon based setting complete with it's changes in gravity and Kenyan set up make for an interesting read. There's a ton I want to know about Artemis and Weir does a great job in bringing this place to life. But it feels like there could have been more explored here and it's like the surface is only just being scratched.
With his central character, Jazz, we basically have another version of the lead from The Martian. The same wise cracks are there, but whereas with Mark Watney the wise cracking feels natural- here it feels forced. It doesn't help that Weir decided to write this from the perspective of Jazz, a Muslim woman. Some of the worst aspects of the book are based on that decision. Some of the dialogue here is appalling- embarrassing even. There were many moments I just groaned at how childish some of the things he makes Jazz say are. This doesn't feel like a woman talking. Instead it feels like what it is- a man trying to write as a woman but failing. Which is a shame as Jazz is an interesting character and one I could at times enjoy spending time with- other times though I couldn't stand her. Characters are a problem across the whole story really. Side characters feel under developed and there wasn't really anyone that I could single out as a highlight- none of them felt natural.
There's issues with the story itself too. This is essentially a heist story, but the heist is actually the least interesting part of Artemis. Rarely did I find myself invested in what was going on and this actually got worse as things went on. The first half of Artemis did a good job at setting things up, it's just a shame that as the story started building towards a climax- it lost momentum at the exact moment it should be gaining it.
Also, the science talk. Weir loves science, that's obvious. But here it at times feels like he is showing off to prove how much he knows. I don't actually think he was, but I quickly started to faze out when he went into details about how something works as it came so hot on the heels of a previous explanation of something else. I'm also so bored of welding now that I don't want to ever hear the word again.
I feel like I'm being a tad harsh here by focusing on the negatives. I do want to stress this book isn't bad. I may have got bored and frustrated on occasion I did however for the most part enjoy it. As I said Artemis is a great place and the city is one that I would love to have him explore in future installments. And while Jazz and a lot of the things she said did irritate me, there were flashes of brilliance with the character. I think personally I would like a second book to focus on someone new, but if Weir could sort the dialogue and some of her more annoying traits out- I'd happily spend more time with her.
Artemis isn't a bad book and there's plenty of things to enjoy here. The moon based setting complete with it's changes in gravity and Kenyan set up make for an interesting read. There's a ton I want to know about Artemis and Weir does a great job in bringing this place to life. But it feels like there could have been more explored here and it's like the surface is only just being scratched.
With his central character, Jazz, we basically have another version of the lead from The Martian. The same wise cracks are there, but whereas with Mark Watney the wise cracking feels natural- here it feels forced. It doesn't help that Weir decided to write this from the perspective of Jazz, a Muslim woman. Some of the worst aspects of the book are based on that decision. Some of the dialogue here is appalling- embarrassing even. There were many moments I just groaned at how childish some of the things he makes Jazz say are. This doesn't feel like a woman talking. Instead it feels like what it is- a man trying to write as a woman but failing. Which is a shame as Jazz is an interesting character and one I could at times enjoy spending time with- other times though I couldn't stand her. Characters are a problem across the whole story really. Side characters feel under developed and there wasn't really anyone that I could single out as a highlight- none of them felt natural.
There's issues with the story itself too. This is essentially a heist story, but the heist is actually the least interesting part of Artemis. Rarely did I find myself invested in what was going on and this actually got worse as things went on. The first half of Artemis did a good job at setting things up, it's just a shame that as the story started building towards a climax- it lost momentum at the exact moment it should be gaining it.
Also, the science talk. Weir loves science, that's obvious. But here it at times feels like he is showing off to prove how much he knows. I don't actually think he was, but I quickly started to faze out when he went into details about how something works as it came so hot on the heels of a previous explanation of something else. I'm also so bored of welding now that I don't want to ever hear the word again.
I feel like I'm being a tad harsh here by focusing on the negatives. I do want to stress this book isn't bad. I may have got bored and frustrated on occasion I did however for the most part enjoy it. As I said Artemis is a great place and the city is one that I would love to have him explore in future installments. And while Jazz and a lot of the things she said did irritate me, there were flashes of brilliance with the character. I think personally I would like a second book to focus on someone new, but if Weir could sort the dialogue and some of her more annoying traits out- I'd happily spend more time with her.
Hazel (1853 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
Rachel King (13 KP) rated Abby Finds Her Calling (Home at Cedar Creek, #1) in Books
Feb 11, 2019
This is only the second Amish book I have ever read, but I really like the setting for fiction literature. The romance is clean, the majority of the characters have conservative values and traditions, such as the importance of God and family, and the language is clean. I love the way that the Amish community supports one another in business endeavors, or is so willing to lend a hand when tragedy strikes. One of the characters, Zanna, actually makes a business out of rag rug making, which intrigued me enough to try my hand at the craft myself.
Zanna does something completely out of character for the typical Amish young woman, but manages to fight for what she wanted despite the consequences of her actions, finding support in her oldest sister, Abby. Abby is more of a side character to the main plot of what is happening to Zanna. Abby nurses unrequited love for another character throughout the entire book, which is never really answered to, though there were hints of this changing in the next book in the series. Many of the characters are memorable in their own unique way, such as James's skill with making carriages that earns him employment to make a princess carriage for Disneyland, of all things. One of the older married couples also struggles with dementia throughout the book, which makes for some interesting and poignant scenes.
I could not have predicted how Zanna's predicament would impact another family so much for the better, or even how the book would have gathered all the lose ends at its finality, but the book came together very well with a sweet ending. I thoroughly enjoyed it.
Zanna does something completely out of character for the typical Amish young woman, but manages to fight for what she wanted despite the consequences of her actions, finding support in her oldest sister, Abby. Abby is more of a side character to the main plot of what is happening to Zanna. Abby nurses unrequited love for another character throughout the entire book, which is never really answered to, though there were hints of this changing in the next book in the series. Many of the characters are memorable in their own unique way, such as James's skill with making carriages that earns him employment to make a princess carriage for Disneyland, of all things. One of the older married couples also struggles with dementia throughout the book, which makes for some interesting and poignant scenes.
I could not have predicted how Zanna's predicament would impact another family so much for the better, or even how the book would have gathered all the lose ends at its finality, but the book came together very well with a sweet ending. I thoroughly enjoyed it.
Phillip McSween (751 KP) rated The Shape of Water (2017) in Movies
Mar 29, 2019
A True Classic
A deaf woman working for a secret government agency finds a friend (and then some) when she stumbles across the creature the agency is hiding.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Strickland (played by Michael Shannon) ensured that strong action and tension remained throughout the film. Every scene he is a part of leaves you waiting for something bad to happen. The two opposing sides, those wishing to destroy the creature and those wishing to save it, are locked in a game of cat-and-mouse until the last twenty minutes when it’s more like a head-on collision. There were quite a few close calls that had me wondering whether or not the protagonists would make it.
Genre: 10
Just a beautiful film for the ages. Call it a drama. Call it fantasy or even science fiction. Wherever it’s classified, it hangs up there as one of the very best. Checks all the boxes and does so many things extremely well.
Memorability: 10
Guillermo Del Toro has a way of leaving an impression on your brain with his visual imagery. The movie is just stunning to look at in so many ways with a number of shots that you can’t forget. Del Toro has created a home for the weirdo here, a place of comfort for those that are different from the norm. It’s a movie so unique in its charm that it’s near impossible to shake.
Pace: 10
Plot: 10
Resolution: 10
Overall: 100
The Shape of Water has a charm you can’t get away from. When it won Best Picture, I was shocked and upset. That was, of course, before I had actually seen the movie. I get it now. A true classic.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Strickland (played by Michael Shannon) ensured that strong action and tension remained throughout the film. Every scene he is a part of leaves you waiting for something bad to happen. The two opposing sides, those wishing to destroy the creature and those wishing to save it, are locked in a game of cat-and-mouse until the last twenty minutes when it’s more like a head-on collision. There were quite a few close calls that had me wondering whether or not the protagonists would make it.
Genre: 10
Just a beautiful film for the ages. Call it a drama. Call it fantasy or even science fiction. Wherever it’s classified, it hangs up there as one of the very best. Checks all the boxes and does so many things extremely well.
Memorability: 10
Guillermo Del Toro has a way of leaving an impression on your brain with his visual imagery. The movie is just stunning to look at in so many ways with a number of shots that you can’t forget. Del Toro has created a home for the weirdo here, a place of comfort for those that are different from the norm. It’s a movie so unique in its charm that it’s near impossible to shake.
Pace: 10
Plot: 10
Resolution: 10
Overall: 100
The Shape of Water has a charm you can’t get away from. When it won Best Picture, I was shocked and upset. That was, of course, before I had actually seen the movie. I get it now. A true classic.
Acanthea Grimscythe (300 KP) rated Secrets of the Weird in Books
Jun 5, 2018
Chad Stroup’s novel, Secrets of the Weird is a piece of bizarro fiction that leaves me with more questions than answers. That’s not to say the book is bad by any means; I just feel that it does not live up to its full potential. Sweetville is a decidedly dark setting, with its own underground that we as readers get a brief glimpse of and nothing more. It’s as if Stroup teases us.
What I loved: the dynamic cast of characters Stroup creates. His ability to write lifelike and engaging characters is astounding. The main character, Trixie, is so real in her struggles that I imagine she’s quite relatable for several people. Her trek to being a woman is filled with bump after bump, and yet she still finds a reason to carry on, to seek her own happiness. In fact, much of this book focuses on her journey to self-acceptance, culminating in a beautiful metamorphosis. Other characters are equally fleshed out, but in ways that make my stomach turn. For instance, Cypress and the Angelghoul are despicable. Were either character to perish, I’d be fine. But its these anti-heroes that open up a lot of unanswered questions – if they can be called that.
First, there’s the Withering Wyldes. A creature whose purpose is to convert others into joining their cult like organization. Their history is explained, and they consistently show up throughout the book, but after a few chapters in which a linguist tries to understand their method of communication, they become background noise. The Angelghoul’s quest for enlightenment goes uncompleted. Trixie’s boyfriend fades away into nothing. And finally, Cypress’s threats seem to… well, not come to fruition.
The book is most definitely a fun read, but with those plot issues it falls short of a five skull rating for me. I’ll have to give it three.
What I loved: the dynamic cast of characters Stroup creates. His ability to write lifelike and engaging characters is astounding. The main character, Trixie, is so real in her struggles that I imagine she’s quite relatable for several people. Her trek to being a woman is filled with bump after bump, and yet she still finds a reason to carry on, to seek her own happiness. In fact, much of this book focuses on her journey to self-acceptance, culminating in a beautiful metamorphosis. Other characters are equally fleshed out, but in ways that make my stomach turn. For instance, Cypress and the Angelghoul are despicable. Were either character to perish, I’d be fine. But its these anti-heroes that open up a lot of unanswered questions – if they can be called that.
First, there’s the Withering Wyldes. A creature whose purpose is to convert others into joining their cult like organization. Their history is explained, and they consistently show up throughout the book, but after a few chapters in which a linguist tries to understand their method of communication, they become background noise. The Angelghoul’s quest for enlightenment goes uncompleted. Trixie’s boyfriend fades away into nothing. And finally, Cypress’s threats seem to… well, not come to fruition.
The book is most definitely a fun read, but with those plot issues it falls short of a five skull rating for me. I’ll have to give it three.
ClareR (5603 KP) rated The Lady of the Ravens in Books
Jan 7, 2020
The Lady of the Ravens is based on the real historical character of Joan Vaux. I find historical fiction fascinating, especially those books which have a foot firmly placed in what was the real world.
Joan and her mother are taken in to the care of Margaret Beaufort, Henry VII’s mother, during the end years of the Wars of the Roses. She becomes a good friend to Princess Elizabeth in the time before she marries Henry, and goes on to be a Lady in Waiting and eventually the Lady Governess to the Princesses Margaret and Mary.
I really enjoyed all of the historical detail and what life was really like in Tudor England: the preoccupation with death and the many ways that a woman especially, could die, and the precariousness of children’s lives.
I had never really thought about the Ravens in the Tower of London (you’re never interested about the places that are on your doorstep as you’re growing up, I fear 🤷🏼♀️), assumed they’d always been there and that they’d always been seen as important to the realm. But in this novel, we learn that they were actually seen as vermin by the nobility and soldiers stationed there, until Joan and her servant looked after them, convincing others - royalty especially - of their significance to the safety of England and the Royal Family.
I haven’t read Joanna Hickson books before, but I really enjoyed the characters, the insights into the royal family, the uncertainty around the possible sons of York (Perkin Warbeck for one), the descriptions of everyday life - and just the evocative styled her writing.
Many thanks to NetGalley and HarperCollins for my copy of this great book to read and review.
Joan and her mother are taken in to the care of Margaret Beaufort, Henry VII’s mother, during the end years of the Wars of the Roses. She becomes a good friend to Princess Elizabeth in the time before she marries Henry, and goes on to be a Lady in Waiting and eventually the Lady Governess to the Princesses Margaret and Mary.
I really enjoyed all of the historical detail and what life was really like in Tudor England: the preoccupation with death and the many ways that a woman especially, could die, and the precariousness of children’s lives.
I had never really thought about the Ravens in the Tower of London (you’re never interested about the places that are on your doorstep as you’re growing up, I fear 🤷🏼♀️), assumed they’d always been there and that they’d always been seen as important to the realm. But in this novel, we learn that they were actually seen as vermin by the nobility and soldiers stationed there, until Joan and her servant looked after them, convincing others - royalty especially - of their significance to the safety of England and the Royal Family.
I haven’t read Joanna Hickson books before, but I really enjoyed the characters, the insights into the royal family, the uncertainty around the possible sons of York (Perkin Warbeck for one), the descriptions of everyday life - and just the evocative styled her writing.
Many thanks to NetGalley and HarperCollins for my copy of this great book to read and review.
ClareR (5603 KP) rated A Net for Small Fishes in Books
Feb 17, 2021
I could end this review quickly and just say “I loved this book”, because I did. I loved it. I love well written, historical fiction with a foot firmly set in reality, and A Net for Small Fishes certainly fulfils that requirement for me. The attention to detail shows just how much research must have gone in to this - even down to the fastenings on the dresses, the makeup the women wore and the ‘simples’ they made up to ease ailments.
This is a story that I already knew a little about: I read The Poison Bed by E. C. Fremantle on The Pigeonhole about 3 years ago, where the story was told from Frances Howards point of view, and A Net for Small Fishes does nothing to contradict that story. They both illustrate really well how women were expected to conform and be perfect, docile, brood mares for their influential husbands, and in Frankie’s case, how political marriages weren’t always happy ones. It also illustrated how desperation to escape a loveless marriage made two women take desperate action. As so often happens throughout history, the women in this story are punished for the barefaced cheek they had to want better lives for themselves. It’s a frustrating conclusion - but I could see that it was inevitable. It showed that it didn’t matter if you were a woman in one of the most influential families in the country or a doctors widow, you toed the line or suffered the consequences. But what a journey they had!
This is such a good story, as real life often is, and it’s a book that’s going on the Keeper shelf (yes, I bought a copy after I read it on The Pigeonhole - that’s how much I liked it).
Many thanks to The Pigeonhole for serialising this, and to Lucy Jago for contributing to the conversation.
This is a story that I already knew a little about: I read The Poison Bed by E. C. Fremantle on The Pigeonhole about 3 years ago, where the story was told from Frances Howards point of view, and A Net for Small Fishes does nothing to contradict that story. They both illustrate really well how women were expected to conform and be perfect, docile, brood mares for their influential husbands, and in Frankie’s case, how political marriages weren’t always happy ones. It also illustrated how desperation to escape a loveless marriage made two women take desperate action. As so often happens throughout history, the women in this story are punished for the barefaced cheek they had to want better lives for themselves. It’s a frustrating conclusion - but I could see that it was inevitable. It showed that it didn’t matter if you were a woman in one of the most influential families in the country or a doctors widow, you toed the line or suffered the consequences. But what a journey they had!
This is such a good story, as real life often is, and it’s a book that’s going on the Keeper shelf (yes, I bought a copy after I read it on The Pigeonhole - that’s how much I liked it).
Many thanks to The Pigeonhole for serialising this, and to Lucy Jago for contributing to the conversation.
ClareR (5603 KP) rated The Wife Who Got A Life in Books
May 25, 2021
I loved this book. I’ll be honest and say that I thought I’d made a mistake when I first started reading it, but the further I read, the more I laughed (and cried), and the more I loved it!
Cathy the main character, is a 48 year old version of Adrian Mole. I’m sorry, but I had to go there! There are a lot of similarities: the humour, the long-suffering diary writer, the clueless and self-absorbed family. But this is most definitely written by a 48 year old woman.
Cathy is very relatable in an exaggerated way - but hey! This is fiction, not a memoir! She’s dealing with older teenagers, a husband that works away from home in the week and is utterly clueless as to what’s going on in his family’s lives, ageing parents, one sister who thinks she’s hard done by and should have everyone running around after her, and another who is detached from her parents and siblings and doesn’t understand what’s going on with them! Communication is a key skill in any family, and sadly lacking in this one.
When Cathy decides to put herself first for a change, I practically cheered out loud, and her cooking solution was genius!
I think I laughed through most of this book, had a good cry a couple of times, and by the end I was sure that Cathy Collins should have another book. I’m not sure though - I like where this ended. But I’d still read it (I’m beginning to sound like Cathy). It was a perfect balance of humour, sadness and the ridiculous - how can anyone not want more of that?!
Many thanks to The Pigeonhole for helping me out with my NetGalley reading (again!), Tracy Bloom for reading along, and Harper Collins for my e-arc through NetGalley.
Cathy the main character, is a 48 year old version of Adrian Mole. I’m sorry, but I had to go there! There are a lot of similarities: the humour, the long-suffering diary writer, the clueless and self-absorbed family. But this is most definitely written by a 48 year old woman.
Cathy is very relatable in an exaggerated way - but hey! This is fiction, not a memoir! She’s dealing with older teenagers, a husband that works away from home in the week and is utterly clueless as to what’s going on in his family’s lives, ageing parents, one sister who thinks she’s hard done by and should have everyone running around after her, and another who is detached from her parents and siblings and doesn’t understand what’s going on with them! Communication is a key skill in any family, and sadly lacking in this one.
When Cathy decides to put herself first for a change, I practically cheered out loud, and her cooking solution was genius!
I think I laughed through most of this book, had a good cry a couple of times, and by the end I was sure that Cathy Collins should have another book. I’m not sure though - I like where this ended. But I’d still read it (I’m beginning to sound like Cathy). It was a perfect balance of humour, sadness and the ridiculous - how can anyone not want more of that?!
Many thanks to The Pigeonhole for helping me out with my NetGalley reading (again!), Tracy Bloom for reading along, and Harper Collins for my e-arc through NetGalley.
Kirk Bage (1775 KP) rated Alphaville (1965) in Movies
Jan 28, 2021
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.