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Julianne Moore recommended Our Bodies, Ourselves for the New Century in Books (curated)
Kristy H (1252 KP) rated Stone Mothers in Books
Jun 21, 2019
Marianne's heart drops when she realizes her husband, Sam, has bought a flat for her in the town where she grew up, Nusstead. It's in the town's former mental asylum--all prettied up and converted into beautiful apartments. But Sam doesn't know about the dark secrets the asylum holds for Marianne and her teenage boyfriend, Jesse. Marianne fled Nusstead--and Jesse--as soon as she could, making a new life for herself with daughter Honor and Sam. Jesse never really forgave her and now that she's back, he's threatening to expose their long buried secrets. Marianne is determined to keep her husband and daughter from knowing about her past. But how far must she go to protect her secrets? And what doesn't she know about the past?
This was my first Erin Kelly book; it was a different sort of thriller. First off, please note there is a trigger warning for self-harm and suicide.
The book started off slow, and honestly, this is why I have such a hard time with being able to DNF a book. I was tempted for a little while, because I couldn't get into Marianne's voice or story. But then, as the book progressed, things picked up, and I actually became pretty engrossed in the plot. The story is sort of told backward, almost. It starts with the present and Marianne and then we get some different points of view, as well as timelines in the 80s and even 50s. (I don't want to say more than that.) The portion in the 80s is still told by Marianne, but I really liked her younger voice and was caught up in what was happening by then. I was glad I had kept reading. Initially, the book had seemed a little confusing--a lot is made about the fact that something has happened in the past and yet we don't know what it is--and yes, keeping us in suspense is the point, but still. It was a little much at times.
There are some interesting twists and connections in this one. I enjoyed how it shone a spotlight on women's issues and mental health stories. It's always rather scary to see how women's mental health was treated in the past, though I suppose women's health isn't being treated with much more respect right now, is it?
The book was a tad repetitive at the end as the storyline wrapped back around to the present, but it was still pretty interesting. I wasn't always sure if I was reading a thriller, a character driven novel, or a treatment on mental health and women's issues: sometimes it seemed like the book was struggling to find itself and maybe the ending faltered a little bit because of that. Still, overall, I enjoyed this book. It became progressively more interesting, and the intersecting stories, especially the ones in the past, were very compelling. I enjoyed the focus on mental health, especially. I have Erin Kelly's He Said/She Said on my TBR shelf, and I'll definitely pick it up at some point. 3.5 stars.
This was my first Erin Kelly book; it was a different sort of thriller. First off, please note there is a trigger warning for self-harm and suicide.
The book started off slow, and honestly, this is why I have such a hard time with being able to DNF a book. I was tempted for a little while, because I couldn't get into Marianne's voice or story. But then, as the book progressed, things picked up, and I actually became pretty engrossed in the plot. The story is sort of told backward, almost. It starts with the present and Marianne and then we get some different points of view, as well as timelines in the 80s and even 50s. (I don't want to say more than that.) The portion in the 80s is still told by Marianne, but I really liked her younger voice and was caught up in what was happening by then. I was glad I had kept reading. Initially, the book had seemed a little confusing--a lot is made about the fact that something has happened in the past and yet we don't know what it is--and yes, keeping us in suspense is the point, but still. It was a little much at times.
There are some interesting twists and connections in this one. I enjoyed how it shone a spotlight on women's issues and mental health stories. It's always rather scary to see how women's mental health was treated in the past, though I suppose women's health isn't being treated with much more respect right now, is it?
The book was a tad repetitive at the end as the storyline wrapped back around to the present, but it was still pretty interesting. I wasn't always sure if I was reading a thriller, a character driven novel, or a treatment on mental health and women's issues: sometimes it seemed like the book was struggling to find itself and maybe the ending faltered a little bit because of that. Still, overall, I enjoyed this book. It became progressively more interesting, and the intersecting stories, especially the ones in the past, were very compelling. I enjoyed the focus on mental health, especially. I have Erin Kelly's He Said/She Said on my TBR shelf, and I'll definitely pick it up at some point. 3.5 stars.
Synopsis: Learn to live, love, and lead courageously--as you boldly choose to trust God.
Whether you're facing struggles with singleness, the mounting challenges of marriage and motherhood, health issues, a financial crisis--God has equipped you to walk in freedom and confidence as you abide in Him, strengthened by His power and provision. Through the stories of eleven brave women of the Bible who made faith-filled choices that positioned them for success, LaTan Roland Murphy exhorts, encourages, and empowers women of all ages. With warmth and wit, she illustrates how you, like Deborah, Jael, Mary, and others, can look beyond your circumstances and lay hold of the courage needed to
· draw closer to Jesus when facing illness, isolation, or rejection;
· live and give generously, even amid financial hardship; and
· step out into faithful, fearless living as a wife, mother, friend or coworker--no matter the season of life or what lies ahead.
Thought-provoking study questions and an interactive journaling section will help take you even deeper in your quest for a more courageous, confident life, either on your own or with a group.
My Thoughts: What are you afraid of? Is it stepping out and doing what God has called you to do? Is it facing an illness, a death? Or maybe some other type of hardship or even a new venture in life. LaTan Roland Murphy has written an excellent book, using women of the Bible to help illustrate how we can overcome our fear and insecurities. In this study the reader will take a look into the lives of Deborah, The woman with the issue of blood, The widow with two coins, Jael, Abigail Bathsheba, just to name a couple.
This is a working book, the author takes you on a journey into each of these women's lives and has you search and see how they found the courage they needed to live their lives and accomplish what God intended for them to do.
I love the way she has written this book, You read a chapter, then the author has you read scripture and apply what you learned by answering questions at the end of each chapter. She has a style of writing that is easy to read and understand. You can follow along and immerse yourself in the book.
This can be a study you do alone, or in a group setting. I recommend this book for all Christian women to read, young or old, it will certainly draw you closer to God, and give you the courage to carry on.
LaTan Roland Murphy is an award-winning author and speaker with writing featured in HOAwomen magazine. She is the author of Becoming a Woman of Interior Elegance and coauthor of God's Provision in Tough Times. She is also the founder of The Colors of His Love Women's Conference. She and her husband, Joe, have three adult children and two delightful grandchildren. They live in Raleigh, North Carolina. Please visit her website at www.latanmurphy.com.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
Whether you're facing struggles with singleness, the mounting challenges of marriage and motherhood, health issues, a financial crisis--God has equipped you to walk in freedom and confidence as you abide in Him, strengthened by His power and provision. Through the stories of eleven brave women of the Bible who made faith-filled choices that positioned them for success, LaTan Roland Murphy exhorts, encourages, and empowers women of all ages. With warmth and wit, she illustrates how you, like Deborah, Jael, Mary, and others, can look beyond your circumstances and lay hold of the courage needed to
· draw closer to Jesus when facing illness, isolation, or rejection;
· live and give generously, even amid financial hardship; and
· step out into faithful, fearless living as a wife, mother, friend or coworker--no matter the season of life or what lies ahead.
Thought-provoking study questions and an interactive journaling section will help take you even deeper in your quest for a more courageous, confident life, either on your own or with a group.
My Thoughts: What are you afraid of? Is it stepping out and doing what God has called you to do? Is it facing an illness, a death? Or maybe some other type of hardship or even a new venture in life. LaTan Roland Murphy has written an excellent book, using women of the Bible to help illustrate how we can overcome our fear and insecurities. In this study the reader will take a look into the lives of Deborah, The woman with the issue of blood, The widow with two coins, Jael, Abigail Bathsheba, just to name a couple.
This is a working book, the author takes you on a journey into each of these women's lives and has you search and see how they found the courage they needed to live their lives and accomplish what God intended for them to do.
I love the way she has written this book, You read a chapter, then the author has you read scripture and apply what you learned by answering questions at the end of each chapter. She has a style of writing that is easy to read and understand. You can follow along and immerse yourself in the book.
This can be a study you do alone, or in a group setting. I recommend this book for all Christian women to read, young or old, it will certainly draw you closer to God, and give you the courage to carry on.
LaTan Roland Murphy is an award-winning author and speaker with writing featured in HOAwomen magazine. She is the author of Becoming a Woman of Interior Elegance and coauthor of God's Provision in Tough Times. She is also the founder of The Colors of His Love Women's Conference. She and her husband, Joe, have three adult children and two delightful grandchildren. They live in Raleigh, North Carolina. Please visit her website at www.latanmurphy.com.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
Hazel (1853 KP) rated A Spark Of Light in Books
Feb 24, 2019
Jodi Picoult tackles the age-old issue of abortion in her latest novel A Spark of Light. As a controversial topic, abortion is a challenging ethical problem to write about, however, with a mix of characters, Picoult manages to argue from all points of view. Full of secrets and shocking truths, the novel reveals the complexity of balancing the right to life with the right to choose.
The book begins with a horrifying shooting and hostage situation at a centre for women's reproductive health. George, the shooter, is angry with his daughter for having an abortion, but rather than blaming her, he takes it out on the doctors and nurses who perform the operations and the unfortunate women who happen to be in the waiting room. In fact, only one of the female hostages have had an abortion, the others are there for very different reasons.
A Spark of Light is written backwards, beginning with the hostage situation and gradually revealing the previous hours, describing how each character got themselves in this position. The chapters alternate between characters: the doctors and nurses who work at the Centre; the women who have come for treatment - not necessarily an abortion; and an anti-abortion campaigner. The most important storyline, however, is told through the eyes of three people: Wren, a fifteen-year-old trapped in the clinic; the gunman, and the negotiator, who happens to be Wren's father.
What begins as a two-sided debate about abortion - albeit in a deadly scenario - ends in a standoff between two fathers, both of whom only want to do what is best for their daughters. Although Nick, the negotiator, would not walk into a clinic and start shooting, he learns he has much more in common with the terrorist than he thought possible.
The prose is a little confusing to begin with, however, once the "backwards" writing style becomes clear, it is a very enjoyable story. The only problem with this style of writing is that readers are left with so many questions about what happened after the shooting. We become so invested in the lives of the characters, it feels almost mean not to know who they cope after the traumatising event.
The book begins with a horrifying shooting and hostage situation at a centre for women's reproductive health. George, the shooter, is angry with his daughter for having an abortion, but rather than blaming her, he takes it out on the doctors and nurses who perform the operations and the unfortunate women who happen to be in the waiting room. In fact, only one of the female hostages have had an abortion, the others are there for very different reasons.
A Spark of Light is written backwards, beginning with the hostage situation and gradually revealing the previous hours, describing how each character got themselves in this position. The chapters alternate between characters: the doctors and nurses who work at the Centre; the women who have come for treatment - not necessarily an abortion; and an anti-abortion campaigner. The most important storyline, however, is told through the eyes of three people: Wren, a fifteen-year-old trapped in the clinic; the gunman, and the negotiator, who happens to be Wren's father.
What begins as a two-sided debate about abortion - albeit in a deadly scenario - ends in a standoff between two fathers, both of whom only want to do what is best for their daughters. Although Nick, the negotiator, would not walk into a clinic and start shooting, he learns he has much more in common with the terrorist than he thought possible.
The prose is a little confusing to begin with, however, once the "backwards" writing style becomes clear, it is a very enjoyable story. The only problem with this style of writing is that readers are left with so many questions about what happened after the shooting. We become so invested in the lives of the characters, it feels almost mean not to know who they cope after the traumatising event.
Billie Wichkan (118 KP) rated A Spark Of Light in Books
Dec 6, 2018
HEARTRENDING/CONTROVERSIAL
The Center for women's reproductive health offers a last chance at hope - but nobody ends up there by choice.
Its very existence is controversial, and to the demonstrators who barricade the building every day, the service it offers is no different from legalised murder.
Now life and death decisions are being made horrifyingly real: a lone protester with a gun has taken the staff, patients and visitors hostage.
Starting at the tensest moment in the negotiations for their release, A Spark of Light unravels backwards, revealing hour by urgent hour what brought each of these people - the gunman, the negotiator, the doctors, nurses and women who have come to them for treatment - to this point.
And certainties unwind as truths and secrets are peeled away, revealing the complexity of balancing the right to life with the right to choose.
NO MATTER YOUR OWN PERSONAL VIEWS ON THE SUBJECT MATTER.... this is a very well written story that is going to divide us all.
Characters and situations that you can relate to on a personal level either yourself or someone you know brought to light and in a way to reveal the things that brought them to where they are and how they collide.
The timeline is an important structure of how this story flows so you do need to be aware that the timeline actually counts back in hours beginning at the end with each previous hour becoming the feature of the next chapter.
I am a mother myself so I have my own personal feelings around the subject line and was able to put that to the back of my mind and enjoy the thorough research the author has done to represent each side of the abortion debate that exists.
All of this aside it is a very emotional story that gripped me til the end as always.
I was fortunate enough to have been able to read this as an ARC and found it hard to stay away from other reviews already posted before finishing. I do hope you give the book a read and enjoy as I have.
Its very existence is controversial, and to the demonstrators who barricade the building every day, the service it offers is no different from legalised murder.
Now life and death decisions are being made horrifyingly real: a lone protester with a gun has taken the staff, patients and visitors hostage.
Starting at the tensest moment in the negotiations for their release, A Spark of Light unravels backwards, revealing hour by urgent hour what brought each of these people - the gunman, the negotiator, the doctors, nurses and women who have come to them for treatment - to this point.
And certainties unwind as truths and secrets are peeled away, revealing the complexity of balancing the right to life with the right to choose.
NO MATTER YOUR OWN PERSONAL VIEWS ON THE SUBJECT MATTER.... this is a very well written story that is going to divide us all.
Characters and situations that you can relate to on a personal level either yourself or someone you know brought to light and in a way to reveal the things that brought them to where they are and how they collide.
The timeline is an important structure of how this story flows so you do need to be aware that the timeline actually counts back in hours beginning at the end with each previous hour becoming the feature of the next chapter.
I am a mother myself so I have my own personal feelings around the subject line and was able to put that to the back of my mind and enjoy the thorough research the author has done to represent each side of the abortion debate that exists.
All of this aside it is a very emotional story that gripped me til the end as always.
I was fortunate enough to have been able to read this as an ARC and found it hard to stay away from other reviews already posted before finishing. I do hope you give the book a read and enjoy as I have.
Kristy H (1252 KP) rated A Spark Of Light in Books
Mar 12, 2019
Serious subject but great characters & story
It starts off as a typical day at the Center, a women's reproductive health care clinic in Mississippi. For Hugh McElroy, it's his 40th birthday, and a day that he hopes will pass by quietly and quickly. But everything changes in a moment when an armed shooter enters the Center--shooting employees and patients on sight. Hugh, a negotiator for the police, is immediately called to the scene. Once there, he comes to the horrifying realization that his sister, Bex, and his only daughter, fifteen-year-old, Wren, are inside. Hugh tries to keep this information to himself, determined to save the people he loves the most. Meanwhile, many inside the clinic are struggling to stay alive, while the shooter is trying to come to terms with the reasons that brought him to the clinic in the first place.
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Kristy H (1252 KP) rated How to Walk Away in Books
May 22, 2018
Touching read that hooked me immediately
Margaret Jacobsen is working on the perfect life she's always dreamed of: ideal job; handsome fiance, Chip; beautiful condo; and more. But that all changes in the blink of an eye, and Margaret wakes up in the ICU. Once there, she realizes how bad things really are. She's assigned a physical therapist, Ian, that even the nurses do not want her to have. He's gruff and unpleasant and barely speaks a word--the exact opposite of Margaret. The crash also brings back her wayward older sister Kitty, who hasn't spoken to the family in three years. However, Margaret recognizes she needs all the help she can get to heal--physically and emotionally-and move on with her life.
This was a fascinating and fun book, despite its serious subject matter. It had the unique ability to draw me in, even when I knew where it would go and wind up from practically the beginning. It reminded me how much I enjoy women's fiction, which I feel like I have pushed to the wayside a bit lately for thrillers and psychological fiction, the "it" genre du jour.
Anyway, it took me some time to warm up to Margaret, whose outgoing and chatty self is the complete opposite of me. However, I could identify with her need for perfection in her life, her unwillingness to fail, and her desperate desire to please those around her, especially her parents. She was a very real character, with her ability and need to fantasize about ideal situations and coming out on top when she wasn't in the best position. She was funny at times, but also serious, and it was so easy to root for her.
The other characters in the novel were dynamic, especially Ian and Kitty, if not a bit polarizing. The mothers (Margaret's and Chip's) are just awful, to the point where I wanted to shake them at times. I know Margaret's probably meant well, but good grief! There's a lot of sideline drama with Margaret's family, most of which proves a good accompaniment to Margaret's issues. It's a very emotional read, making it easy to grow attached to the likeable characters (and to dislike the "bad" ones). I was definitely along for the ride and caught up in Margaret's life, health, and drama.
Overall, this was a touching read with interesting and fun characters that hooked me immediately, even if I could see where it was heading.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was a fascinating and fun book, despite its serious subject matter. It had the unique ability to draw me in, even when I knew where it would go and wind up from practically the beginning. It reminded me how much I enjoy women's fiction, which I feel like I have pushed to the wayside a bit lately for thrillers and psychological fiction, the "it" genre du jour.
Anyway, it took me some time to warm up to Margaret, whose outgoing and chatty self is the complete opposite of me. However, I could identify with her need for perfection in her life, her unwillingness to fail, and her desperate desire to please those around her, especially her parents. She was a very real character, with her ability and need to fantasize about ideal situations and coming out on top when she wasn't in the best position. She was funny at times, but also serious, and it was so easy to root for her.
The other characters in the novel were dynamic, especially Ian and Kitty, if not a bit polarizing. The mothers (Margaret's and Chip's) are just awful, to the point where I wanted to shake them at times. I know Margaret's probably meant well, but good grief! There's a lot of sideline drama with Margaret's family, most of which proves a good accompaniment to Margaret's issues. It's a very emotional read, making it easy to grow attached to the likeable characters (and to dislike the "bad" ones). I was definitely along for the ride and caught up in Margaret's life, health, and drama.
Overall, this was a touching read with interesting and fun characters that hooked me immediately, even if I could see where it was heading.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Daniel Boyd (1066 KP) rated Big Little Lies - Season 1 in TV
Feb 8, 2019 (Updated Feb 8, 2019)
Rich White People Problems: The Show
As more news of Season 2 of this show seeps out, I decided to eventually get around to catching the first season of this highly praised and seemingly universally lauded show. I went in expecting greatness from this thing after reading all of the glowing critic's reviews. I am also a huge fan of many of the cast members involved in this project, so knowing nothing about the plot or subject matter the show is based on, I went in blind; excited to see what this series had in store.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.
The series opens with some ominous editing and vague hints that a major crime has been committed, which we eventually realise to be a murder. Then we are taken backwards tin time and are introduced to Reese Witherspoon's character Madeline, whom initially comes off as entitled and annoying, but you assume that this is going to have a purpose in her character's arc and she will grow on you. You are wrong to assume that as she is extremely irritating throughout the entire duration of the series, constantly interrupting other characters lines and sticking her oar in during group situations, just for the sake of clinging on to the spotlight and keeping herself at the centre of attention.
Thankfully, Nicole Kidman's character Celeste is less annoying and instead just a bit strange. We see pretty early on that she is a victim of domestic abuse at the hands of her much younger husband played by Alexander Skarsgard. At first this is pretty harrowing and sad to see, but for some reason, - and I don't want to kink shame anyone, - but it seems like she kind of likes it. The third main character we are introduced to is Jane, played by Shailene Woodley who immediately seems like damaged goods.
The "conflict," is then set up. After the first day at school we see a highly unrealistic scene play out as the most insensitive teacher in the world with zero foresight gathers all of the children in her class along with their parents outside the school gates. A girl has marks on her neck from being choked by one of the other kids. The teacher then asks the girl to point out the kid that did this to her (in front of the entire class and their parents!) and she points to Jane's son Ziggy. The boy denies any wrongdoing, but the girl who has been hurt's mother, (played by Laura Dern, whom I normally really like,) is a horrible, bitter bitch who responds to the situation by berating the accused boy in front of everyone, degrading his mother in the process for defending her child and not "making," him apologise.
*Insert Peter Griffin "Oh my God, who the hell cares?" meme here.*
Yeah, this is the kind of schoolyard bullshit that this show expects us to treat as a life or death issue. The whole thing is full of non-issues and petty whines centred around 'he said/she said,' nonsense. Then we are supposed to relate to these immature, venomous parents who don't do anything to help the situation whatsoever. Meanwhile the show treats domestic abuse, - something that is a very real and threatening issue, - as just a weird kink in this oddball couple's relationship.
It is clear that all of these parents clearly care far more about self-image than they do about their own children, which makes all of them extremely gross and off putting as characters. They constantly make up excuses as if to try and justify themselves and claim that the bitchy, conniving choices that they make towards each other is for the sake of their kids, when it is clearly just to one up each other in pathetic, petty social warfare and childish beefs.
Website theodysseyonline.com has an article called, '13 Reasons Why Big Little Lies Is So Powerful.' I truly fail to see what is apparently so powerful and ground-breaking about this series. I'm not even sure what it is trying to say; that domestic abuse and rape are bad things done by evil people? Wow, what a brave and unique stance to take! I also resent the idea that everyone that says anything remotely negative about this show is a women-hating misogynist. I consider myself a left-leaning liberal and a feminist, I am a strong supporter of equal rights amongst all genders and races and I do regular work for a women's mental health charity, but I can still spot an overrated, hollow waste of 7 hours when I see one.
Overall, even though this season only last 7 episodes, it is not worth your time. After watching the first 2 episodes I thought about giving up on it, but then I thought about all of the glowing reviews and thought, 'no, surely this must get better.' Let me save you seven hours of your time; it doesn't. This is a melodramatic glorified soap opera that doesn't handle any of the issues that it tries to tackle well and it is filled, - to the point it is bursting at the seams, - with small scope issues and minor annoyances treated as life threatening scenarios, all the while brushing off the genuinely scary and potentially life threatening scenario of domestic abuse.