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Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
Hazel (1853 KP) rated The Ice-Cream Makers in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
Hazel (1853 KP) rated Flame in the Mist in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Famed for her highly rated <i>The Wrath & The Dawn</i>, Renée Ahdieh has created a new fantasy world full of original characters. Set in a land similar to the Middle Eastern countries we are familiar with, <i>Flame in the Mist</i> incorporates out-dated ideology, ancient lifestyle with a hint of supernatural, and, of course – it is a Young Adult novel after all – a dash of romance. With an eclectic mix of themes, it is a book without cessation of adventure.
The protagonist, Hattori Mariko, at the mere age of 17, is destined to marry the son of the Emperor’s favourite concubine, Prince Raidan. The book commences with the journey from her home, however, Mariko never makes it to the city. Ambushed and presumed dead, Mariko is alone in the dangerous forest, at risk of being discovered by the infamous Black Clan. Instead of waiting for rescue, Mariko, fed up of women being treated as inferior to men, decides she does not want to go home, nor does she want to marry the prince. Her only remaining option is to locate the Black Clan and discover who attempted to murder her. But for this to work, she needs to convince everyone she is a boy.
Whilst Mariko is worming her way into the clan, her twin brother is determined to track down and rescue his sister. Unbeknownst to him, Mariko is beginning to feel more affiliated with their enemies than with her own family. And so a dilemma arises. Does Mariko betray her new “friends” or be unfaithful to the brother she loves?
<i>Flame in the Mist</i> is not only about Mariko’s predicament; it also concerns an age-old feud between powerful families, involving the wrongful death of a disgraced Samurai. As the younger generation reach maturity, they determine to avenge the deaths of their fathers, and, without knowing, Mariko ends up in the centre of two warring parties.
It is a little difficult to get into the story initially; many characters are introduced, but their significance is not obvious for some time. To add to the confusion, vital persons are only formally presented at the end of the novel, which finishes on a cliffhanger. The similarity of the foreign sounding names also creates uncertainty.
Ahdieh cleverly includes a problematic situation that our own world has (almost) overcome. Mariko represents the female population, a gender that is believed to be inferior to their male counterparts. Controlled by fathers, husbands, and powerful leaders, women do not have the opportunity to make their own decisions about their lives. Although it is disconcerting that someone wishes to take Mariko’s life, the ambush provides her with the freedom and chance to prove women are as capable as men. Sadly, she has to pretend to be a boy in order to do this.
It was inevitable that there would be a love interest in <i>Flame in the Mist</i>, however, it is not as inspiring as readers may hope for. The attraction between Mariko and a member of the Black Clan almost comes out of nowhere. Not only was Mariko believed to be male for a wide stretch of the novel, the character in question was one of the more abusive.
<i>Flame in the Mist</i> being the first novel I have read by Renée Ahdieh, I have nothing with which to compare it or state why it is readers particularly admire her writing. The story was mediocre at best, with very little characters that garner respect. Having been published less than a month ago, there is already a lot of hype surrounding this book – either I am missing something vital, or readers are going to be disappointed.
Famed for her highly rated <i>The Wrath & The Dawn</i>, Renée Ahdieh has created a new fantasy world full of original characters. Set in a land similar to the Middle Eastern countries we are familiar with, <i>Flame in the Mist</i> incorporates out-dated ideology, ancient lifestyle with a hint of supernatural, and, of course – it is a Young Adult novel after all – a dash of romance. With an eclectic mix of themes, it is a book without cessation of adventure.
The protagonist, Hattori Mariko, at the mere age of 17, is destined to marry the son of the Emperor’s favourite concubine, Prince Raidan. The book commences with the journey from her home, however, Mariko never makes it to the city. Ambushed and presumed dead, Mariko is alone in the dangerous forest, at risk of being discovered by the infamous Black Clan. Instead of waiting for rescue, Mariko, fed up of women being treated as inferior to men, decides she does not want to go home, nor does she want to marry the prince. Her only remaining option is to locate the Black Clan and discover who attempted to murder her. But for this to work, she needs to convince everyone she is a boy.
Whilst Mariko is worming her way into the clan, her twin brother is determined to track down and rescue his sister. Unbeknownst to him, Mariko is beginning to feel more affiliated with their enemies than with her own family. And so a dilemma arises. Does Mariko betray her new “friends” or be unfaithful to the brother she loves?
<i>Flame in the Mist</i> is not only about Mariko’s predicament; it also concerns an age-old feud between powerful families, involving the wrongful death of a disgraced Samurai. As the younger generation reach maturity, they determine to avenge the deaths of their fathers, and, without knowing, Mariko ends up in the centre of two warring parties.
It is a little difficult to get into the story initially; many characters are introduced, but their significance is not obvious for some time. To add to the confusion, vital persons are only formally presented at the end of the novel, which finishes on a cliffhanger. The similarity of the foreign sounding names also creates uncertainty.
Ahdieh cleverly includes a problematic situation that our own world has (almost) overcome. Mariko represents the female population, a gender that is believed to be inferior to their male counterparts. Controlled by fathers, husbands, and powerful leaders, women do not have the opportunity to make their own decisions about their lives. Although it is disconcerting that someone wishes to take Mariko’s life, the ambush provides her with the freedom and chance to prove women are as capable as men. Sadly, she has to pretend to be a boy in order to do this.
It was inevitable that there would be a love interest in <i>Flame in the Mist</i>, however, it is not as inspiring as readers may hope for. The attraction between Mariko and a member of the Black Clan almost comes out of nowhere. Not only was Mariko believed to be male for a wide stretch of the novel, the character in question was one of the more abusive.
<i>Flame in the Mist</i> being the first novel I have read by Renée Ahdieh, I have nothing with which to compare it or state why it is readers particularly admire her writing. The story was mediocre at best, with very little characters that garner respect. Having been published less than a month ago, there is already a lot of hype surrounding this book – either I am missing something vital, or readers are going to be disappointed.
Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>I received this book for free through Goodreads First Reads.</i>
A spectacle of celebrity, talent and burning ambition, <i>Queen Bees</i> combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the <i>Victoria and Albert Museum, National Trust </i>and <i>Design Museum</i>, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in <i>Queen Bees</i> are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title <i>Queen Bees</i> suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. <i>Queen Bees</i> can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading <i>Queen Bees</i> – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, <i>Queen Bees </i>is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, <i>Queen Bees</i> combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the <i>Victoria and Albert Museum, National Trust </i>and <i>Design Museum</i>, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in <i>Queen Bees</i> are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title <i>Queen Bees</i> suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. <i>Queen Bees</i> can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading <i>Queen Bees</i> – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, <i>Queen Bees </i>is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
Hazel (1853 KP) rated The Festival Shoes in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Festival Shoes</i> by Tolulope Okudolo is a fairy story (literally) for young children. Although referred to as “pixies,” the illustrations provided by Eric Scott Fisher look like typical western imagery associated with the magical, winged creatures. The main character, Drumlo, is an ebullient pixie who is about to embark on his first trip to Earth in order to deliver a very important gift. With so much relying on his success, it would be absolutely awful if something went wrong.
Weaverton, the name of the land of fairies, is an invisible world that lies above the Earth. Whenever a child has a good thought or does something virtuous, a colourful string, unseen by the human eye, snakes its way up to the hidden land. Collected by pixies, these threads are woven into magnificent presents, which are delivered to the children as rewards on the day of the Great Festival. In order to prove himself as capable, Drumlo has been charged with safely transporting a pair of shoes to a truly deserving girl. With an effulgent thread as a guide, Drumlo sets off on his exciting mission.
The author is the founder of the publishing company Magnifying Children’s Horizons, which aspires to inspire children physically, mentally and spiritually about the natural world. Tolulope Okudolo’s author biography implies she is a Christian and likes to bring this aspect of her life into her writing. Although, as far as we know, fairies and pixies only exist in folklore, Tolulope retains the idea of the existence of God by referring to an unseen High King who lives above Weaverton. In this respect, the Great Festival and gift giving become similar to our Christmas tradition.
<i>The Festival Shoes</i>, however, is not intended to be a Christian book. Its purpose is to enhance children’s creativity and character by showing them the impact of their good and bad behaviour by emphasising the idea of receiving rewards. Whilst Drumlo is on his journey to Earth, he passes through the land where all bad thoughts and actions go. Compared with everywhere else, this place looks dull and gloomy, which goes to show what happens when nature is neglected and not cared for.
Another important message <i>The Festival Shoes</i> shows children is to have faith in themselves to do something for the first time. Drumlo had never been given such responsibility before, but he believed he could do it. Even though something goes wrong, his faith sees him through. He does not give up, everything works out in the end.
Reading the book as an adult, <i>The Festival Shoes</i> is not all that interesting. The ending comes about too quickly and, although the author is trying to emphasise that Drumlo’s faith saves the day, he does not physically do anything to fix what goes wrong – slightly misleading, perhaps?
The coloured illustrations that appear on every other page are pretty but do not help to tell the story. It is not a picture book for very young children; it is the next stage up. With discussion questions at the end of the book, <i>The Festival Shoes</i> is for parents and children to read together and think about their own impact on the world and nature.
Unfortunately, the book does not look professionally produced. The choice of typeface is uninspiring and the illustrations do not always slot into place well, leaving awkward layouts. As an eBook, this does not matter too much, but if it were to be printed, sales are unlikely to rocket.
The Festival Shoes</i> by Tolulope Okudolo is a fairy story (literally) for young children. Although referred to as “pixies,” the illustrations provided by Eric Scott Fisher look like typical western imagery associated with the magical, winged creatures. The main character, Drumlo, is an ebullient pixie who is about to embark on his first trip to Earth in order to deliver a very important gift. With so much relying on his success, it would be absolutely awful if something went wrong.
Weaverton, the name of the land of fairies, is an invisible world that lies above the Earth. Whenever a child has a good thought or does something virtuous, a colourful string, unseen by the human eye, snakes its way up to the hidden land. Collected by pixies, these threads are woven into magnificent presents, which are delivered to the children as rewards on the day of the Great Festival. In order to prove himself as capable, Drumlo has been charged with safely transporting a pair of shoes to a truly deserving girl. With an effulgent thread as a guide, Drumlo sets off on his exciting mission.
The author is the founder of the publishing company Magnifying Children’s Horizons, which aspires to inspire children physically, mentally and spiritually about the natural world. Tolulope Okudolo’s author biography implies she is a Christian and likes to bring this aspect of her life into her writing. Although, as far as we know, fairies and pixies only exist in folklore, Tolulope retains the idea of the existence of God by referring to an unseen High King who lives above Weaverton. In this respect, the Great Festival and gift giving become similar to our Christmas tradition.
<i>The Festival Shoes</i>, however, is not intended to be a Christian book. Its purpose is to enhance children’s creativity and character by showing them the impact of their good and bad behaviour by emphasising the idea of receiving rewards. Whilst Drumlo is on his journey to Earth, he passes through the land where all bad thoughts and actions go. Compared with everywhere else, this place looks dull and gloomy, which goes to show what happens when nature is neglected and not cared for.
Another important message <i>The Festival Shoes</i> shows children is to have faith in themselves to do something for the first time. Drumlo had never been given such responsibility before, but he believed he could do it. Even though something goes wrong, his faith sees him through. He does not give up, everything works out in the end.
Reading the book as an adult, <i>The Festival Shoes</i> is not all that interesting. The ending comes about too quickly and, although the author is trying to emphasise that Drumlo’s faith saves the day, he does not physically do anything to fix what goes wrong – slightly misleading, perhaps?
The coloured illustrations that appear on every other page are pretty but do not help to tell the story. It is not a picture book for very young children; it is the next stage up. With discussion questions at the end of the book, <i>The Festival Shoes</i> is for parents and children to read together and think about their own impact on the world and nature.
Unfortunately, the book does not look professionally produced. The choice of typeface is uninspiring and the illustrations do not always slot into place well, leaving awkward layouts. As an eBook, this does not matter too much, but if it were to be printed, sales are unlikely to rocket.
Debbiereadsbook (1454 KP) rated Digging Deep (Digging Deep #1) in Books
Aug 13, 2019
my STAND OUT book of the year!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I want to just say a few words about this book, cos if I let myself have free reign, the review might be as long as the book!
Outstanding!
Brilliant!
Best book of the year!
Drake is a midwife with more than a few problems, most of them centring around his Crohn’s. When he gets arrested for using the loo, Caleb is the arresting officer and is immediately and totally smitten with Drake. Drake, though, holds Caleb at arm's length and then some. Making sure Caleb knows exactly what he is getting into with Drake is the only way to make Caleb see that Drake is not boyfriend material. But Caleb? Batchelor that he is, he doesn’t back down from Drake’s all doom and gloom and it takes a flare up for Drake and a shooting for Caleb to make both men see that they are perfect for each other.
So, picture the scene. It’s miserable out, you’ve a glass of wine, and an early night and a new book to start. Bear in mind, you have to be up at 6am for that darn day job and it is already after ten.
And the next thing you know, the book is finished, the wine sat untouched, it’s 3am and you just put your kindle down and go “oh.my.god”
There are no other words that floated in my brain when I finished this book, none at all. All I could think was “oh.my.god” just that!
And trust me when I say, that is a very VERY good thing!
Drake is a prickly sort, he’s a male midwife, he’s gay and he has a life altering condition that requires a huge amount of adjustment for him, let alone anyone else. Caleb is happy, plodding along with his very uncomplicated life. And Drake knocks Caleb for six, quite literally. Drake also pushes Caleb away so darn hard, I felt it. But Caleb, he’s a stubborn sort, and when Drake wants wooing, Caleb woos! Oh yes, that boy does wooing beautifully!
There is a huge, massive, MAHOOSIVE amount of talk about what Crohn’s means to Drake and what that would mean to a prospective partner. And really, it is absolutely needed here. Caleb needs to know, right down to the itty bittiest detail what it means to live with this disease, and what Caleb should expect. And Caleb?? Caleb laps it all up and throws the hole darn pile of poop right back at Drake!
The level of research into Crohn’s is amazing and either the author worked her bloody socks off, and/or has first hand experience, because it shows! There is a lot of information, yes, but the way Drake delivers it to Caleb, it’s all absorbable for the lay person to take in.
I loved these two! So very different, but so very matched. They are funny in places, and deeply emotional. Sexy in places, and downright filthy too.
Oh I could rant all day about this book, I really could!
This is only the THIRD book that Hogan has written, and the second I have read. I need more! I really do! Cos if Hogan can deliver THIS level of writing after only 3 books, I’ma on the end of the next one, oh yes, yes I am!
So, in case you did NOT get how I felt about this book, and ya’ll know I’m all about my book feelings:
This is my outstanding book of the year!
I’ve filed it on my “Masterpieces” shelf too.
And as if I could give it anything other than:
5 stars
**same worded review will appear elsewhere**
I want to just say a few words about this book, cos if I let myself have free reign, the review might be as long as the book!
Outstanding!
Brilliant!
Best book of the year!
Drake is a midwife with more than a few problems, most of them centring around his Crohn’s. When he gets arrested for using the loo, Caleb is the arresting officer and is immediately and totally smitten with Drake. Drake, though, holds Caleb at arm's length and then some. Making sure Caleb knows exactly what he is getting into with Drake is the only way to make Caleb see that Drake is not boyfriend material. But Caleb? Batchelor that he is, he doesn’t back down from Drake’s all doom and gloom and it takes a flare up for Drake and a shooting for Caleb to make both men see that they are perfect for each other.
So, picture the scene. It’s miserable out, you’ve a glass of wine, and an early night and a new book to start. Bear in mind, you have to be up at 6am for that darn day job and it is already after ten.
And the next thing you know, the book is finished, the wine sat untouched, it’s 3am and you just put your kindle down and go “oh.my.god”
There are no other words that floated in my brain when I finished this book, none at all. All I could think was “oh.my.god” just that!
And trust me when I say, that is a very VERY good thing!
Drake is a prickly sort, he’s a male midwife, he’s gay and he has a life altering condition that requires a huge amount of adjustment for him, let alone anyone else. Caleb is happy, plodding along with his very uncomplicated life. And Drake knocks Caleb for six, quite literally. Drake also pushes Caleb away so darn hard, I felt it. But Caleb, he’s a stubborn sort, and when Drake wants wooing, Caleb woos! Oh yes, that boy does wooing beautifully!
There is a huge, massive, MAHOOSIVE amount of talk about what Crohn’s means to Drake and what that would mean to a prospective partner. And really, it is absolutely needed here. Caleb needs to know, right down to the itty bittiest detail what it means to live with this disease, and what Caleb should expect. And Caleb?? Caleb laps it all up and throws the hole darn pile of poop right back at Drake!
The level of research into Crohn’s is amazing and either the author worked her bloody socks off, and/or has first hand experience, because it shows! There is a lot of information, yes, but the way Drake delivers it to Caleb, it’s all absorbable for the lay person to take in.
I loved these two! So very different, but so very matched. They are funny in places, and deeply emotional. Sexy in places, and downright filthy too.
Oh I could rant all day about this book, I really could!
This is only the THIRD book that Hogan has written, and the second I have read. I need more! I really do! Cos if Hogan can deliver THIS level of writing after only 3 books, I’ma on the end of the next one, oh yes, yes I am!
So, in case you did NOT get how I felt about this book, and ya’ll know I’m all about my book feelings:
This is my outstanding book of the year!
I’ve filed it on my “Masterpieces” shelf too.
And as if I could give it anything other than:
5 stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated The Mighty Heart of Sunny St. James in Books
Jun 21, 2019
Sunny St. James is twelve and getting a new heart. She was diagnosed at the age of ten with cardiomyopathy: a failing heart. That was two years ago. Sunny’s been through a lot in her short life. Her dad passed away in an accident right after she was born. When she was four, her mom, Lena, couldn’t take care of her anymore, so she gave her to her best friend, Kate. Kate and Sunny moved to Juniper Island, where Kate runs Cherry Picked Books. And recently, Sunny’s best friendship with Margot ended. But she’s getting a heart transplant, and everything is going to change now. Sunny even has a new life plan, which includes finding a new best friend and kissing some boys. So when she meets Quinn, a new girl, on the beach, it seems like all the pieces of her plan are coming together. But Quinn makes Sunny question some things—including whether she wants to kiss boys at all.
“I’m going to die today. Definitely for a few minutes and maybe forever. Kate keeps telling me no way, nohow is it going to be forever, but she isn’t the one who’s about to have her most important internal organ switched out like a new swimsuit at the start of the summer.”
Oh this book, this book. Ashley Herring Blake did it again. She is just such a wonderful, wonderful writer. I simply fell head over heels for Sunny, who stole my heart from the first pages of this beautiful book. She is strong, vulnerable, and a darling character who came to life through Blake’s lovely writing. She goes through so much in her life—and in the chapters of this book—and yet there’s so much hope and laughter. I cannot even describe it. The book opens with Sunny’s transplant and then we move on from there, as she works to implement her three-step plan:
“Step One: Do awesome amazing things I could never do before. Step Two: Find a new best friend. Step Three: Find a boy and kiss him.”
To Sunny’s twelve-year-old reasoning, it all makes perfect sense. She has a new heart, so it’s a perfect time to be a new person. In fact, with the new heart, there’s no reason to feel the things she felt before, which might have included some desires to kiss girls. When she meets Quinn on the beach—Quinn and her mom are in town for the summer, as Quinn’s mom is a nature photographer—they become fast friends. It seems like they will be on a quest to kiss boys together. But things quickly go awry (seriously – there are some hilarious comedic scenes as the two attempt to kiss some boys). This book does such an amazing job at capturing the loneliness of young gay kids. I so wish there books like this around when I was a teen. Sunny is so sweet, so real, and so raw as she works through her confusion about liking girls. This is such a wonderful and needed book for middle schoolers (and everyone)—for queer kids as they try to figure out things like Sunny and for the allies who need to support them. I wish everyone could read it. Not only does Sunny struggle with her feelings about liking girls and boys, but she must deal with the return of her long-lost mother, Lena. In another book, these two storylines might feel crowded, but Blake handles them deftly.
And it’s such a lovely story at its heart—because, truly, it’s a book about hearts and those you love and who love you. I defy you to read this book and not fall in love with Sunny St. James. She is a character who will stick with you long after you read the last page. Blake has created yet another lasting story through her magical words. I highly recommend this book. 4.5+ stars.
“I’m going to die today. Definitely for a few minutes and maybe forever. Kate keeps telling me no way, nohow is it going to be forever, but she isn’t the one who’s about to have her most important internal organ switched out like a new swimsuit at the start of the summer.”
Oh this book, this book. Ashley Herring Blake did it again. She is just such a wonderful, wonderful writer. I simply fell head over heels for Sunny, who stole my heart from the first pages of this beautiful book. She is strong, vulnerable, and a darling character who came to life through Blake’s lovely writing. She goes through so much in her life—and in the chapters of this book—and yet there’s so much hope and laughter. I cannot even describe it. The book opens with Sunny’s transplant and then we move on from there, as she works to implement her three-step plan:
“Step One: Do awesome amazing things I could never do before. Step Two: Find a new best friend. Step Three: Find a boy and kiss him.”
To Sunny’s twelve-year-old reasoning, it all makes perfect sense. She has a new heart, so it’s a perfect time to be a new person. In fact, with the new heart, there’s no reason to feel the things she felt before, which might have included some desires to kiss girls. When she meets Quinn on the beach—Quinn and her mom are in town for the summer, as Quinn’s mom is a nature photographer—they become fast friends. It seems like they will be on a quest to kiss boys together. But things quickly go awry (seriously – there are some hilarious comedic scenes as the two attempt to kiss some boys). This book does such an amazing job at capturing the loneliness of young gay kids. I so wish there books like this around when I was a teen. Sunny is so sweet, so real, and so raw as she works through her confusion about liking girls. This is such a wonderful and needed book for middle schoolers (and everyone)—for queer kids as they try to figure out things like Sunny and for the allies who need to support them. I wish everyone could read it. Not only does Sunny struggle with her feelings about liking girls and boys, but she must deal with the return of her long-lost mother, Lena. In another book, these two storylines might feel crowded, but Blake handles them deftly.
And it’s such a lovely story at its heart—because, truly, it’s a book about hearts and those you love and who love you. I defy you to read this book and not fall in love with Sunny St. James. She is a character who will stick with you long after you read the last page. Blake has created yet another lasting story through her magical words. I highly recommend this book. 4.5+ stars.
Chris Sawin (602 KP) rated The Boondock Saints II: All Saints Day (2009) in Movies
Jun 22, 2019
**I was really high on this film after seeing it in theaters in 2009. I haven't seen the film since or edited the review since seeing it. I feel like it hasn't aged well over the past decade; hence the average rating. This is my original review though.**
It's been eight years since Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus) have gone into hiding after assassinating Giuseppe Yakavetta in public. Now living on a sheep farm in Ireland with their father, Noah "Il Duce" MacManus (Billy Connolly), everything is relatively quiet in their lives. That is until their uncle, Father Sibeal MacManus, visits them and informs them that a priest was killed in a church back in Boston and made it look like the MacManus brothers had come out of hiding. The brothers waste little time digging up their old clothes and Berettas to head back to Boston to figure out just who is behind this while continuing to rid the world of as many criminal overlords as they can along the way.
What can be considered a worthy sequel, especially when it's a sequel to a film that has reached cult like status? A sequel has to at least be as good as the original film, if not better. In fact, the sequel should attempt to be better than the original film otherwise why visit the same material again? A worthy sequel should bring together most, if not all, of the original cast, have a solid storyline, and be entertaining above all else. The Boondock Saints II: All Saints Day is such a sequel as it's everything the first film was and then some.
As great as the first film is, All Saints Day just felt bigger and more entertaining overall. The story is simple, but effective. The easiest way to flush somebody out who's gone into hiding is to flush them out yourself by using their MO, but is it ever really that easy? There's always something bigger going on with a setup like that and the payoff is just as sweet as the buildup. The dialogue and a lot of the arguing between the MacManus brothers in the original film was hilarious at times. The arguing between the brothers in the sequel doesn't miss a beat as the ten year gap between films hasn't affected Troy Duffy's writing at all. The addition of Clifton Collins Jr as Romeo was brilliant in terms of entertainment value as Romeo steals quite a few scenes and has some pretty incredible one liners throughout the film.
A sequel's ending is just as important as it being an acceptable addition to the franchise it finds itself a part of. The ending to All Saints Day not only satisfied my appetite, but also left me craving the next film and wishing there was another hour or two to the duration of the film. There's something in the last few minutes of the sequel that's a throwback to the original film that just absolutely blew me away since I wasn't expecting it at all. The ending managed to wrap up just about everything to that point and tease another film. It's very rare that a sequel like that is satisfying, but All Saints Day managed to pull it off.
The Boondock Saints II: All Saints Day is a sequel that lives up to the cult status achieved in the original film by delivering a film that is nearly better than its predecessor in every way. It hardly feels like there's ten years between the two films as everything between familiar characters feels just as natural as it did in the original film. There's no doubt in my mind that if you enjoyed the original film that you'll enjoy the explosive sequel. The saints are comin' and I highly recommend you pay them a visit.
It's been eight years since Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus) have gone into hiding after assassinating Giuseppe Yakavetta in public. Now living on a sheep farm in Ireland with their father, Noah "Il Duce" MacManus (Billy Connolly), everything is relatively quiet in their lives. That is until their uncle, Father Sibeal MacManus, visits them and informs them that a priest was killed in a church back in Boston and made it look like the MacManus brothers had come out of hiding. The brothers waste little time digging up their old clothes and Berettas to head back to Boston to figure out just who is behind this while continuing to rid the world of as many criminal overlords as they can along the way.
What can be considered a worthy sequel, especially when it's a sequel to a film that has reached cult like status? A sequel has to at least be as good as the original film, if not better. In fact, the sequel should attempt to be better than the original film otherwise why visit the same material again? A worthy sequel should bring together most, if not all, of the original cast, have a solid storyline, and be entertaining above all else. The Boondock Saints II: All Saints Day is such a sequel as it's everything the first film was and then some.
As great as the first film is, All Saints Day just felt bigger and more entertaining overall. The story is simple, but effective. The easiest way to flush somebody out who's gone into hiding is to flush them out yourself by using their MO, but is it ever really that easy? There's always something bigger going on with a setup like that and the payoff is just as sweet as the buildup. The dialogue and a lot of the arguing between the MacManus brothers in the original film was hilarious at times. The arguing between the brothers in the sequel doesn't miss a beat as the ten year gap between films hasn't affected Troy Duffy's writing at all. The addition of Clifton Collins Jr as Romeo was brilliant in terms of entertainment value as Romeo steals quite a few scenes and has some pretty incredible one liners throughout the film.
A sequel's ending is just as important as it being an acceptable addition to the franchise it finds itself a part of. The ending to All Saints Day not only satisfied my appetite, but also left me craving the next film and wishing there was another hour or two to the duration of the film. There's something in the last few minutes of the sequel that's a throwback to the original film that just absolutely blew me away since I wasn't expecting it at all. The ending managed to wrap up just about everything to that point and tease another film. It's very rare that a sequel like that is satisfying, but All Saints Day managed to pull it off.
The Boondock Saints II: All Saints Day is a sequel that lives up to the cult status achieved in the original film by delivering a film that is nearly better than its predecessor in every way. It hardly feels like there's ten years between the two films as everything between familiar characters feels just as natural as it did in the original film. There's no doubt in my mind that if you enjoyed the original film that you'll enjoy the explosive sequel. The saints are comin' and I highly recommend you pay them a visit.
Chris Sawin (602 KP) rated Where the Wild Things Are (2009) in Movies
Jun 22, 2019
Max is a boy who possesses something that fades away for most as they grow older and that's a young child's incredible imagination. His only dilemma is that he doesn't really have any friends of his own. He builds an igloo out of snow and tries to share it with his older sister, Claire, who seems more interested in hanging out with her friends. Max's mom embraces Max's imagination and even asks him to tell her stories, but everything falls apart when Max tries to save his mom a seat in the fort he just built that would save them from hot lava while she's on a date. Things quickly spiral out of control and Max winds up running away. He finds a boat by the water and takes it out into the sea. As he explores the open water, he becomes astray while he succumbs to the relentless weather and crashing waves of the ocean. That is until he stumbles upon an island where an incandescent glow of a small fire catches his eye. He finds that the island is inhabited by large, hairy, horned creatures. He's discovered where the wild things are and he will be their king.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.