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BookInspector (124 KP) rated The Scent of Rain in Books
Sep 24, 2020
The protagonist in this book would be Rose, a young girl living in Fundamentalist Mormon community which is run by a “Prophet” and polygamy is a norm. Women have only one purpose – reproduce. This story is told from multiple perspectives, including other characters, and sharing their point of view, and their feelings. This writing style was an absolute joy to read. I had a chance to get to know different characters, and have an insight into different people’s minds. I LOVE THAT! Some of the characters were really annoying, I have a low tolerance for stupidity, and some of the character’s actions and words made me really mad. HOW CAN YOU BE THAT STUPID??? The characters are very well selected and have their unique personalities, I couldn’t relate to them, but I loved reading about them. It would be really hard to pick a favourite for me, they all had interesting qualities, which I liked.
The narrative in this book was constantly changing. I was glued to the book to find out, why Adan ran away from his home. The suspense was very well kept throughout the book. There is a lot of shocking and absurd events happening in this novel, so if you want to read it, be prepared. 🙂 I really liked the research the author done for this book, I don’t know how close it is to the truth, but sounded pretty much close to what I read in the newspapers. Even though I really enjoyed the plot, some of the parts were a bit too slow for me. It did have short chapters and different stories, so, it was an enjoyable read.
The writing style is pleasant and the language used is easy and understandable. The whole story is set in a small town in the US but has very picturesque scenery with mountains, and small-town lifestyle. The ending rounded up the story very nicely and I really liked it. So, to conclude, this novel has plenty of not always likable, but very absorbing characters, and a very interesting story to tell, so if you like books about small communities, with a very different way of living, give this book a go, and I hope you will enjoy it as much as I did.
The narrative in this book was constantly changing. I was glued to the book to find out, why Adan ran away from his home. The suspense was very well kept throughout the book. There is a lot of shocking and absurd events happening in this novel, so if you want to read it, be prepared. 🙂 I really liked the research the author done for this book, I don’t know how close it is to the truth, but sounded pretty much close to what I read in the newspapers. Even though I really enjoyed the plot, some of the parts were a bit too slow for me. It did have short chapters and different stories, so, it was an enjoyable read.
The writing style is pleasant and the language used is easy and understandable. The whole story is set in a small town in the US but has very picturesque scenery with mountains, and small-town lifestyle. The ending rounded up the story very nicely and I really liked it. So, to conclude, this novel has plenty of not always likable, but very absorbing characters, and a very interesting story to tell, so if you like books about small communities, with a very different way of living, give this book a go, and I hope you will enjoy it as much as I did.
Connor Sheffield (293 KP) rated Vikings in TV
Feb 4, 2018
Somewhat historically accurate (2 more)
Visually Compelling
Gripping drama that keeps you wanting more
One of my favourite shows of all time
Vikings, for the first 3 seasons, tells the story of the rise to power of the legendary Ragnar Lothbrok, though the character himself in reality, despite being written about in sagas and poems from that era, remains a mystery to historians to this day.
In the show, Ragnar Lothbrok is portrayed by Travis Fimmel, who is fantastic in any role he has taken from what I have seen of his work. As Ragnar he excels at portraying many aspects of the character, from a loving father, to a fierce warrior. Though you still believe that he has nothing but the best intentions for his people, as well as himself. He is a somewhat difficult man to read as he may seem selfish at time, and yet his actions help the people around him, whilst other times, his actions may appear to be for the benefit of others, when really it is an act of selfishness. No matter what he does though, he does it well.
However, there is more to this show that just Ragnar Lothbrok. There is his wife, Lagertha, a famous shield maiden portrayed by Katheryn Winnick, who is able to achieve the same talent as Fimmel, by portraying the many sides to the character she plays. She is a loving mother, wife, though sometimes troubled, but at the end of the day, she is a badass. A strong female protagonist with a lot to gain and a lot to lose. Her story unfolds more from season 2 onwards and it is one that keeps you on edge, wanting to know what the future holds for Lagertha. Sadly, we have no seers to tell us what the gods have in store for her, we can only watch in suspense as the events unfold.
Then there are the Sons of Ragnar, who in later seasons, become the pinnacle of the show. The main focus, that will shape the future of what the show will become. All of them are incredible actors who portray their characters to the best they can be. My two favourites, are Bjorn Ironside, portrayed by Alender Ludwig, and Ivar The Boneless, portrayed by Alex Høgh Andersen. Both of these young actors excel in creating the best of their characters. Bjorn being the eldest of Ragnars sons, is the one you may become attached to most as he is there from the very beginning, portrayed at first by the young, Nathan O'Toole. In season 2 however, Bjorn is growing into a tall and strong young man, and this is where Ludwig excels. You believe that he is still young and blind from the world as it truly is, but enough so that you can believe that he is willing to learn more and like his father, wishes to know as much as he can about the world.
Ivar on the other hand, is brilliant for his own reason. Andersen's portrayal is fierce, creepy and brutal. He portrays a young man who is willing to overcome any obstacle including his own disability, to prove himself as a great warrior, and a force to be reckoned with. His constant anger is always on display as well, even when he is happy. You can see just from the expressions on his face, that he has so much going through his mind. So much cunning and so much emotion that he does not show. He is phenomanal in his role.
Though there are many other characters and actors to talk about such as Gustaf Skarsgard, who's brother, Bill, recently became notorious for his role as the new updated remake of Pennywise the Clown in IT (2017), as well as Clive Standen as Rollo, Ragnar's brother who is always dancing between loyalty and betrayal. Every cast member in this show is brilliant in what they have achieved with their characters and you will come to enjoy all of them.
The visuals of the show are stunning, with lots of blood and gore, comes a historically accurate representation of the lives and locations of the Vikings of that era. From visions, to battles, to drama. The visual effects keep you entranced and bring the story to life, which makes this show so incredible in my opinion. The best part, is that with each season and each episode, the story and visuals get better and better and leave you wanting more.
The show overall, is brilliant, and I have watched it many times over from the beginning, and it never gets boring. I love the historical accuracy mixed with fantasy elements and drama, which keep it interesting, but more importantly I how the show makes the audience feel. I have felt saddened, shocked and joyful throughout this show as it brilliantly allows each character to grow and flourish into the best they can be. It leaves you in suspense of what it is to come and when the show ends, I shall be very sad, but I have high hopes that they end the show with as much power as they put in each episode from the very beginning. I will continue to watch this show multiple times with each season as I wait for the next to be released. I am on my third run through of the show whilst waiting for part 2 of season 5. As I said before, it just keeps getting better.
In the show, Ragnar Lothbrok is portrayed by Travis Fimmel, who is fantastic in any role he has taken from what I have seen of his work. As Ragnar he excels at portraying many aspects of the character, from a loving father, to a fierce warrior. Though you still believe that he has nothing but the best intentions for his people, as well as himself. He is a somewhat difficult man to read as he may seem selfish at time, and yet his actions help the people around him, whilst other times, his actions may appear to be for the benefit of others, when really it is an act of selfishness. No matter what he does though, he does it well.
However, there is more to this show that just Ragnar Lothbrok. There is his wife, Lagertha, a famous shield maiden portrayed by Katheryn Winnick, who is able to achieve the same talent as Fimmel, by portraying the many sides to the character she plays. She is a loving mother, wife, though sometimes troubled, but at the end of the day, she is a badass. A strong female protagonist with a lot to gain and a lot to lose. Her story unfolds more from season 2 onwards and it is one that keeps you on edge, wanting to know what the future holds for Lagertha. Sadly, we have no seers to tell us what the gods have in store for her, we can only watch in suspense as the events unfold.
Then there are the Sons of Ragnar, who in later seasons, become the pinnacle of the show. The main focus, that will shape the future of what the show will become. All of them are incredible actors who portray their characters to the best they can be. My two favourites, are Bjorn Ironside, portrayed by Alender Ludwig, and Ivar The Boneless, portrayed by Alex Høgh Andersen. Both of these young actors excel in creating the best of their characters. Bjorn being the eldest of Ragnars sons, is the one you may become attached to most as he is there from the very beginning, portrayed at first by the young, Nathan O'Toole. In season 2 however, Bjorn is growing into a tall and strong young man, and this is where Ludwig excels. You believe that he is still young and blind from the world as it truly is, but enough so that you can believe that he is willing to learn more and like his father, wishes to know as much as he can about the world.
Ivar on the other hand, is brilliant for his own reason. Andersen's portrayal is fierce, creepy and brutal. He portrays a young man who is willing to overcome any obstacle including his own disability, to prove himself as a great warrior, and a force to be reckoned with. His constant anger is always on display as well, even when he is happy. You can see just from the expressions on his face, that he has so much going through his mind. So much cunning and so much emotion that he does not show. He is phenomanal in his role.
Though there are many other characters and actors to talk about such as Gustaf Skarsgard, who's brother, Bill, recently became notorious for his role as the new updated remake of Pennywise the Clown in IT (2017), as well as Clive Standen as Rollo, Ragnar's brother who is always dancing between loyalty and betrayal. Every cast member in this show is brilliant in what they have achieved with their characters and you will come to enjoy all of them.
The visuals of the show are stunning, with lots of blood and gore, comes a historically accurate representation of the lives and locations of the Vikings of that era. From visions, to battles, to drama. The visual effects keep you entranced and bring the story to life, which makes this show so incredible in my opinion. The best part, is that with each season and each episode, the story and visuals get better and better and leave you wanting more.
The show overall, is brilliant, and I have watched it many times over from the beginning, and it never gets boring. I love the historical accuracy mixed with fantasy elements and drama, which keep it interesting, but more importantly I how the show makes the audience feel. I have felt saddened, shocked and joyful throughout this show as it brilliantly allows each character to grow and flourish into the best they can be. It leaves you in suspense of what it is to come and when the show ends, I shall be very sad, but I have high hopes that they end the show with as much power as they put in each episode from the very beginning. I will continue to watch this show multiple times with each season as I wait for the next to be released. I am on my third run through of the show whilst waiting for part 2 of season 5. As I said before, it just keeps getting better.
Louise (64 KP) rated Stealing Snow in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the Publisher in exchange for an honest review*
*This may contain spoilers*
This is another author where I have not read any of their work until now. Danielle Page is the author of ‘Dorothy must Die’ trilogy. I was anticipating this for all the wrong reasons, I thought this was a Snow White retelling which it is sadly not.
The main protagonist of this book is called Snow….obviously this is giving me the Snow White retelling vibes and that she names her medication after the seven dwarves. I forgot to mention Snow is currently detained in an asylum for young adults with mental health issues. The reason for her being there is pretty vague,sure she has anger issues and she bites but does that really mean she has to be incarcerated from the age of six! I was getting another vibe at this point – Alice in wonderland/through the looking-glass as she supposedly tried to walk through a mirror. At this point I was confused as to what the retelling actually was, was it Snow White? Alice in Wonderland?
<img src="https://media.giphy.com/media/LpX8q87YmnD20/giphy.gif"; width="400" height="200" alt="description"/>
Snow is not a very relatable character, she is young, she is naive and she falls in love with every boy that makes conversation with her…no word of a lie! She is in love with Bale who is also in the mental institution (His reason for being there is more believable) When she finds herself in the alternative world known as Algid she meets two other boys that are there to help her but obviously her hormones run away with her and starts swooning over the both of them whilst still loving Bane (That being the reason she is in Algid)
Obviously, when Snow gets to the alternative world she find out she is the chosen one and part of a prophecy. Snow being Snow who is really sarcastic and narrow-minded doesn’t care about the prophecy and only wants to find Bale. Her powers are to control Snow and she has to learn how to use these said powers….which just happen.
I am not a massive reader of fantasy novels but the world building in this was non-existent and when there was it was like it was an afterthought.I had no real idea of what Algid looked like other than it was covered in snow.
<img src="https://media.giphy.com/media/U6P3UehEHUoPm/giphy.gif"; width="400" height="200" alt="description"/>
I wasn’t particularly fond of the writing style and the amount of times that ‘I need to find Bale’ or some 20 other ways this could be written really got on my nerves,it was like we forgot why she was there every few pages.
So to wrap this up in a nutshell,this is a mash-up of retellings but mostly snow queen/frozen, the way that mental health was interpreted was very poor and would have loved it to have been more realistic. The characters were very unrelatable and the world building was lacking.
I will be not continuing on with this series, however don’t let this review stop you from reading it, this after all is just my opinion.
I rated this 1.5 out of 5 stars
*This may contain spoilers*
This is another author where I have not read any of their work until now. Danielle Page is the author of ‘Dorothy must Die’ trilogy. I was anticipating this for all the wrong reasons, I thought this was a Snow White retelling which it is sadly not.
The main protagonist of this book is called Snow….obviously this is giving me the Snow White retelling vibes and that she names her medication after the seven dwarves. I forgot to mention Snow is currently detained in an asylum for young adults with mental health issues. The reason for her being there is pretty vague,sure she has anger issues and she bites but does that really mean she has to be incarcerated from the age of six! I was getting another vibe at this point – Alice in wonderland/through the looking-glass as she supposedly tried to walk through a mirror. At this point I was confused as to what the retelling actually was, was it Snow White? Alice in Wonderland?
<img src="https://media.giphy.com/media/LpX8q87YmnD20/giphy.gif"; width="400" height="200" alt="description"/>
Snow is not a very relatable character, she is young, she is naive and she falls in love with every boy that makes conversation with her…no word of a lie! She is in love with Bale who is also in the mental institution (His reason for being there is more believable) When she finds herself in the alternative world known as Algid she meets two other boys that are there to help her but obviously her hormones run away with her and starts swooning over the both of them whilst still loving Bane (That being the reason she is in Algid)
Obviously, when Snow gets to the alternative world she find out she is the chosen one and part of a prophecy. Snow being Snow who is really sarcastic and narrow-minded doesn’t care about the prophecy and only wants to find Bale. Her powers are to control Snow and she has to learn how to use these said powers….which just happen.
I am not a massive reader of fantasy novels but the world building in this was non-existent and when there was it was like it was an afterthought.I had no real idea of what Algid looked like other than it was covered in snow.
<img src="https://media.giphy.com/media/U6P3UehEHUoPm/giphy.gif"; width="400" height="200" alt="description"/>
I wasn’t particularly fond of the writing style and the amount of times that ‘I need to find Bale’ or some 20 other ways this could be written really got on my nerves,it was like we forgot why she was there every few pages.
So to wrap this up in a nutshell,this is a mash-up of retellings but mostly snow queen/frozen, the way that mental health was interpreted was very poor and would have loved it to have been more realistic. The characters were very unrelatable and the world building was lacking.
I will be not continuing on with this series, however don’t let this review stop you from reading it, this after all is just my opinion.
I rated this 1.5 out of 5 stars
Hazel (1853 KP) rated The Last Dragonslayer (The Last Dragonslayer, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
FINAL FANTASY VI
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BankofMarquis (1832 KP) rated 8-BIT CHRISTMAS (2021) in Movies
Dec 12, 2021
Charming, Nostalgic and HeartWarming
If I told you that I just watched a charming Holiday movie where the Narrator reminisced about a Christmas of his youth - when he was 10 or 11 - and the Narrator desperately wanted a special present brought to him by Santa - but said item is strictly forbidden in his household, so the Narrator heads off on an adventure to get this item, you would think I was talking about the classic Holiday perennial A CHRISTMAS STORY - and you would be wrong.
I’m speaking about the HBO MAX Original Film 8-BIT CHRISTMAS starring Neil Patrick Harris as the Narrator of the story that reminisces about his life as a 10-11 year old around the Holidays in the late 1980’s.
And, darn it all, if it doesn’t work well (despite my indignation that all they are doing is ripping off A CHRISTMAS STORY) for there is enough nostalgia and heart to melt the emotions of even the most miserly of Ebenezer Scrooge’s this holiday season.
Written by Kevin Jakubowski (based off his book) and Directed by Michael Dowse (the underrated comedy STUBER), 8-Bit Christmas tells the tale of 11 year old Jake Doyle who wants nothing more in this world than to receive the mother of all Christmas presents - a Nintendo 8 Bit system. Along with a “Goonies” collection of friends, Jake sets off to find this hard to find item - and convince his parents to get it for him for Christmas.
In the hands of young actor Winslow Fegley (Disney’s TIMMY FAILURE), young Jake is a pleasant enough protagonist to head off on this journey with. His ragtag group of friends are a group of generic nerds that pretty much check-off the “nerd friend group” list (and this is meant as a compliment). We spend quite a bit of time with these kids and they are a good enough group of kids to spend time with.
This film does hit a few of the same notes as A CHRISTMAS STORY, there is an obsessed, seemingly out of touch Dad, this time played by Steve Zahn (RESCUE DAWN) in a heart-warming portrayal and the coupon-cutting, cost saving Mom played by June Diane Raphael (FORGETTING SARAH MARSHALL) who is putting up with it all. This film even has a younger sibling, this time a sister Lizzy, who wants her own elusive gift - a Cabbage Patch kid.
A highlight for me was the performance of Kathy Greenwood as the teacher with the constant sniffles. I know many a teacher and they almost ALWAYS have colds given to them from their charges.
This film is a fine post card of Chicago in the late 1980s and skewers (and honors) the pop-fads of the time (complete with fashion and styling) and is an entertaining enough 2 hour escape during the Holidays.
Oh, and did I mention that at one point in this film, I had to dab at my eyes with a tissue? Yes, despite my skepticism, this film managed to touch my heart even though I fought like crazy to deny that.
If you’re looking for a fun family entertainment this Holiday season, 8-BIT CHRISTMAS can fill the bill nicely.
Letter Grade: B+
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
I’m speaking about the HBO MAX Original Film 8-BIT CHRISTMAS starring Neil Patrick Harris as the Narrator of the story that reminisces about his life as a 10-11 year old around the Holidays in the late 1980’s.
And, darn it all, if it doesn’t work well (despite my indignation that all they are doing is ripping off A CHRISTMAS STORY) for there is enough nostalgia and heart to melt the emotions of even the most miserly of Ebenezer Scrooge’s this holiday season.
Written by Kevin Jakubowski (based off his book) and Directed by Michael Dowse (the underrated comedy STUBER), 8-Bit Christmas tells the tale of 11 year old Jake Doyle who wants nothing more in this world than to receive the mother of all Christmas presents - a Nintendo 8 Bit system. Along with a “Goonies” collection of friends, Jake sets off to find this hard to find item - and convince his parents to get it for him for Christmas.
In the hands of young actor Winslow Fegley (Disney’s TIMMY FAILURE), young Jake is a pleasant enough protagonist to head off on this journey with. His ragtag group of friends are a group of generic nerds that pretty much check-off the “nerd friend group” list (and this is meant as a compliment). We spend quite a bit of time with these kids and they are a good enough group of kids to spend time with.
This film does hit a few of the same notes as A CHRISTMAS STORY, there is an obsessed, seemingly out of touch Dad, this time played by Steve Zahn (RESCUE DAWN) in a heart-warming portrayal and the coupon-cutting, cost saving Mom played by June Diane Raphael (FORGETTING SARAH MARSHALL) who is putting up with it all. This film even has a younger sibling, this time a sister Lizzy, who wants her own elusive gift - a Cabbage Patch kid.
A highlight for me was the performance of Kathy Greenwood as the teacher with the constant sniffles. I know many a teacher and they almost ALWAYS have colds given to them from their charges.
This film is a fine post card of Chicago in the late 1980s and skewers (and honors) the pop-fads of the time (complete with fashion and styling) and is an entertaining enough 2 hour escape during the Holidays.
Oh, and did I mention that at one point in this film, I had to dab at my eyes with a tissue? Yes, despite my skepticism, this film managed to touch my heart even though I fought like crazy to deny that.
If you’re looking for a fun family entertainment this Holiday season, 8-BIT CHRISTMAS can fill the bill nicely.
Letter Grade: B+
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated The Virgin Cure in Books
Feb 11, 2019
I loved Ami McKay's first book, The Birth House, so I was eager to read this one without even knowing the synopsis. This book did not really live up to the quality of the first book, but I did still enjoy it. While the title conveys the idea that the focus of the book is this social problem of the myth of the "virgin cure", in reality the book was really about the life of the main character, Moth. The virgin cure only plays a part in two small events, and serves better as a footnote to Moth's life.
Moth is quite an interesting girl from the start, having the maturity of a much older person as she deals with her mother's methods of making money along with her drinking habits, even as she finds her own ways of survival. Despite being of such a young age, she is aware of the struggles of the people around her and knows enough to recognize what a better life would look like for herself - even beyond the trappings of wealth. While sold by her own mother for the price of a sack of coins, Moth still longs to impress her and return to her. From there, she encounters one horror after another, many hidden behind a veneer of wealth and privilege. Her desires propel her to take on a different name in an effort to change her very identity into the kind of person she longs to be.
Dr. Sadie's intervention into Moth's life provides a nice contrast to what Moth lived with day-to-day. As McKay's original protagonist, she provided another appealing way of life other than one of wealth and privilege. Her journal entries in the book also showed how Moth appeared to others. Despite the struggles that Dr. Sadie endured as a female physician, I liked the part she played in Moth's life and the things she showed Moth.
As for the format of the book, I found it a bit strange sometimes. The pages often held side notes that had little to do with the plot, and were better at serving as distractions, plus chapters often began with poems or quotes that were vague at best and required some intelligent deciphering to figure out how they contributed to the book. The journal entries of Dr. Sadie that peppered the book held the most valuable writing, as it fit in with the timeline of the plot. I think the book would have fared better with less distractions, more plotting, and a better title.
Moth is quite an interesting girl from the start, having the maturity of a much older person as she deals with her mother's methods of making money along with her drinking habits, even as she finds her own ways of survival. Despite being of such a young age, she is aware of the struggles of the people around her and knows enough to recognize what a better life would look like for herself - even beyond the trappings of wealth. While sold by her own mother for the price of a sack of coins, Moth still longs to impress her and return to her. From there, she encounters one horror after another, many hidden behind a veneer of wealth and privilege. Her desires propel her to take on a different name in an effort to change her very identity into the kind of person she longs to be.
Dr. Sadie's intervention into Moth's life provides a nice contrast to what Moth lived with day-to-day. As McKay's original protagonist, she provided another appealing way of life other than one of wealth and privilege. Her journal entries in the book also showed how Moth appeared to others. Despite the struggles that Dr. Sadie endured as a female physician, I liked the part she played in Moth's life and the things she showed Moth.
As for the format of the book, I found it a bit strange sometimes. The pages often held side notes that had little to do with the plot, and were better at serving as distractions, plus chapters often began with poems or quotes that were vague at best and required some intelligent deciphering to figure out how they contributed to the book. The journal entries of Dr. Sadie that peppered the book held the most valuable writing, as it fit in with the timeline of the plot. I think the book would have fared better with less distractions, more plotting, and a better title.
BookblogbyCari (345 KP) rated What Did I Do? in Books
Nov 4, 2018
Book review by Cari Mayhew. Rating 6/10.
This is an odd book, but despite its haphazard beginnings, by the three-quarter mark I was hooked and could not put it down!
The first chapter runs from the viewpoint of the somewhat mentally disturbed Kristin, who has recently immigrated to Sweden following the death of her husband, Brandon, which she suspects that she caused (cause of death being an allergic reaction to nuts).
The following chapter runs from the viewpoint of Frank, who has just returned from a holiday with his wife, Birgitta, to learn that his son, Anders, has been murdered. The couple suspect that Anders was murdered by his sister, their daughter Sofia.
Frank hires a private to track down Sofia, who, it transpires, is Kristin by another name. Frank and Birgitta also immigrate to Sweden. Despite Frank’s anger at Sofia, he wants to confront her personally rather than hand her over to the police.
Interspersed between chapters on Kristen and Frank, are chapters taken from the viewpoint of a young woman who finds herself the victim of an organisation of pimps, and feels trapped in an unwanted lifestyle. For a long time in the book, it was hard to see how this had any relevance to Kristen’s or Frank’s story, but it all came together at the three quarter point, and the action heated up as characters found each other.
While reading the earlier chapters, I had a strong feeling that there had been a lot going on behind the scenes and that characters were often unaware of the whole story.
There were some characters and elements to the story that, although they were critical to the plot, often felt unnecessary, such as Kristen’s therapy sessions, and chapters from the viewpoint of a neighbour.
What was good about this book was the believability of the story telling, which I imagine would be hard to pull off, given that the subject matter includes murders and sex trafficking.
I had chosen this book hoping it would be like Memory Box by Eva Lesko Natiello where the protagonist uncovers clue after mysterious clue, but in this book the clues were few and far between.
I don’t normally make educated guesses as to who is the culprit in a mystery, but on this occasion I did and I was partly right (no spoilers).
The story’s ending and epilogue left me feeling satisfied that justice had been served.
Overall I did enjoy the book, but I’m not inclined to read more from the author. Although the writing kept me interested, it felt like reading 3 different stories that barely linked together.
This is an odd book, but despite its haphazard beginnings, by the three-quarter mark I was hooked and could not put it down!
The first chapter runs from the viewpoint of the somewhat mentally disturbed Kristin, who has recently immigrated to Sweden following the death of her husband, Brandon, which she suspects that she caused (cause of death being an allergic reaction to nuts).
The following chapter runs from the viewpoint of Frank, who has just returned from a holiday with his wife, Birgitta, to learn that his son, Anders, has been murdered. The couple suspect that Anders was murdered by his sister, their daughter Sofia.
Frank hires a private to track down Sofia, who, it transpires, is Kristin by another name. Frank and Birgitta also immigrate to Sweden. Despite Frank’s anger at Sofia, he wants to confront her personally rather than hand her over to the police.
Interspersed between chapters on Kristen and Frank, are chapters taken from the viewpoint of a young woman who finds herself the victim of an organisation of pimps, and feels trapped in an unwanted lifestyle. For a long time in the book, it was hard to see how this had any relevance to Kristen’s or Frank’s story, but it all came together at the three quarter point, and the action heated up as characters found each other.
While reading the earlier chapters, I had a strong feeling that there had been a lot going on behind the scenes and that characters were often unaware of the whole story.
There were some characters and elements to the story that, although they were critical to the plot, often felt unnecessary, such as Kristen’s therapy sessions, and chapters from the viewpoint of a neighbour.
What was good about this book was the believability of the story telling, which I imagine would be hard to pull off, given that the subject matter includes murders and sex trafficking.
I had chosen this book hoping it would be like Memory Box by Eva Lesko Natiello where the protagonist uncovers clue after mysterious clue, but in this book the clues were few and far between.
I don’t normally make educated guesses as to who is the culprit in a mystery, but on this occasion I did and I was partly right (no spoilers).
The story’s ending and epilogue left me feeling satisfied that justice had been served.
Overall I did enjoy the book, but I’m not inclined to read more from the author. Although the writing kept me interested, it felt like reading 3 different stories that barely linked together.
LeftSideCut (3778 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Dec 10, 2019 (Updated Dec 10, 2019)
The Force Awakens is a damn good return to the Star Wars saga, reintroducing us to beloved characters that we haven't seen in decades, whilst simultaneously introducing new and exciting blood.
The new characters take centre stage here - the most important of course being Rey. It's great that in this day and age, young girls all over the world have a strong female protagonist to look up to within Star Wars. There have of course been some great heroines before, but Rey is well developed over the course of TFA, is extremely likable, incredibly badass, and represents the ever heroic light side.
Over on the dark side, we are introduced to Kylo Ren, a villain who idolises the now legendary Darth Vader, to the point where he even wheres a mask. Ren feels emotionally unstable and dangerous throughout, and gives a strong villain for this new trilogy.
We also have Finn, a Stormtrooper who defects after seeing war atrocities commuted by the First Order. This storyline feels important, and it's nice to see that Stormtroopers are human under the armour.
And we also have Poe Dameron. Poe is my least favorite out of the new characters in all honesty. He doesn't feel all that relevant, but he's entertaining enough.
The inclusion of Chewbacca, Han Solo, C3-P0 and Leia, give us a nice shot if nostalgia, as all of our protagonists fight to thwart The First Order, and search for the AWOL Like Skywalker at the same time.
The set pieces and action sequences are nothing short of breathtaking. The CGI is top notch, and Star Wars has honestly never looked this good. All the great thing that JJ Abrams bought to his Star Trek reboot are replicated here and then some.
Saying that, he does play it safe when it comes to the plot, and a lot of the film has a familiar feeling to it. A handful of plot elements borrow heavily from A New Hope, sometimes feeling like a re tread, but for those of us who are less cynical, we can always view it as a love letter instead, from a man who adores Star Wars just as much as we do.
Once again, John Williams provides a fantastic score, and just like that, Star Wars is exciting again.
TFA has flaws here and there, but it's the best Star Wars movie since the original trilogy concluded, and it puts a huge smile on my face.
The new characters take centre stage here - the most important of course being Rey. It's great that in this day and age, young girls all over the world have a strong female protagonist to look up to within Star Wars. There have of course been some great heroines before, but Rey is well developed over the course of TFA, is extremely likable, incredibly badass, and represents the ever heroic light side.
Over on the dark side, we are introduced to Kylo Ren, a villain who idolises the now legendary Darth Vader, to the point where he even wheres a mask. Ren feels emotionally unstable and dangerous throughout, and gives a strong villain for this new trilogy.
We also have Finn, a Stormtrooper who defects after seeing war atrocities commuted by the First Order. This storyline feels important, and it's nice to see that Stormtroopers are human under the armour.
And we also have Poe Dameron. Poe is my least favorite out of the new characters in all honesty. He doesn't feel all that relevant, but he's entertaining enough.
The inclusion of Chewbacca, Han Solo, C3-P0 and Leia, give us a nice shot if nostalgia, as all of our protagonists fight to thwart The First Order, and search for the AWOL Like Skywalker at the same time.
The set pieces and action sequences are nothing short of breathtaking. The CGI is top notch, and Star Wars has honestly never looked this good. All the great thing that JJ Abrams bought to his Star Trek reboot are replicated here and then some.
Saying that, he does play it safe when it comes to the plot, and a lot of the film has a familiar feeling to it. A handful of plot elements borrow heavily from A New Hope, sometimes feeling like a re tread, but for those of us who are less cynical, we can always view it as a love letter instead, from a man who adores Star Wars just as much as we do.
Once again, John Williams provides a fantastic score, and just like that, Star Wars is exciting again.
TFA has flaws here and there, but it's the best Star Wars movie since the original trilogy concluded, and it puts a huge smile on my face.
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!