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LeftSideCut (3776 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 4, 2021
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
Leanne Crabtree (480 KP) rated Viral Nation (Viral Nation, #1) in Books
Jan 11, 2021
3½ out of 5 stars
I received this ARC in exchange for an honest review.
Hmm…
Well lets start with the cover. It’s amazing; really eye-catching and appropriate to the story. If I’m honest, it’s what drew me to the book in the first place.
Then the plotline: It sounded very interesting, which is the second thing I go for in a book, first the cover then the synopsis. I didn’t realise at the time that it sounds a bit like Acid by Emma Pass, another book I’ve reviewed recently, though it was minus the time-travelling and the autistic girl.
Speaking of, this is the first book I’ve ever read where the character has had “special needs”, though I’m not a fan of that phrase. Clover has autism and struggles with a few things, like crowded places and people arguing.
I’ve never really known anyone who has had autism so it was interesting reading it from the characters perspective and how she has to escape almost into herself to overcome these “issues” and how her dog helped her by applying a gentle pressure to her to anchor her in the here and now.
Up to about the 20% mark I was really liking the story and then it got a little boring and then at about the 35% mark it got interesting again. If a longer book cant keep my interest, I wont carry on reading and luckily for this one, it got good just as i was getting bored. That sounds harsh, but this is an honest review. Anyway, after that point I was really intrigued and almost couldn’t put it down.
I enjoyed it and trying to work out the mystery that was unfolding before me with every page.
If you like young adult dystopian books then you will most definitely like this one.
I received this ARC in exchange for an honest review.
Hmm…
Well lets start with the cover. It’s amazing; really eye-catching and appropriate to the story. If I’m honest, it’s what drew me to the book in the first place.
Then the plotline: It sounded very interesting, which is the second thing I go for in a book, first the cover then the synopsis. I didn’t realise at the time that it sounds a bit like Acid by Emma Pass, another book I’ve reviewed recently, though it was minus the time-travelling and the autistic girl.
Speaking of, this is the first book I’ve ever read where the character has had “special needs”, though I’m not a fan of that phrase. Clover has autism and struggles with a few things, like crowded places and people arguing.
I’ve never really known anyone who has had autism so it was interesting reading it from the characters perspective and how she has to escape almost into herself to overcome these “issues” and how her dog helped her by applying a gentle pressure to her to anchor her in the here and now.
Up to about the 20% mark I was really liking the story and then it got a little boring and then at about the 35% mark it got interesting again. If a longer book cant keep my interest, I wont carry on reading and luckily for this one, it got good just as i was getting bored. That sounds harsh, but this is an honest review. Anyway, after that point I was really intrigued and almost couldn’t put it down.
I enjoyed it and trying to work out the mystery that was unfolding before me with every page.
If you like young adult dystopian books then you will most definitely like this one.
Lenard (726 KP) rated Bill & Ted Face the Music (2020) in Movies
Dec 23, 2020
Stupid Sometimes is Different From Dumb
There is a "danger" to a 50-something year old actor playing a role that they originated as a young adult actor. Especially when the role is the one that a whole generation associates with that actor even when there are at least three other characters one could recognize as the actor's. But the analysis of Keanu Reeves's career, especially the more experimental aspects, is worthy of a blog post or podcast episode.
Bill and Ted Face the Music is the third entry in the series released 29 years after the second one. Bill and Ted are now middle-aged parents still trying to write the song that will unite the world and bring about a utopian society. But once again, that future is threatened unless Bill and Ted can fulfill their destiny. Reality is starting to unravel as George Washington is transported to another time, Babe Ruth takes his place, and Kid Cudi comes to San Dimas. Bill and Ted hijack a time machine and consult with future selves to take the song to their time.
First, I was happy to see the original actors for Missy and Col. Logan also return. Second, the actresses playing the two teenage daughters really captured the essence of Bill and Ted. Third, the couples therapy was a brilliant idea although I am not sure that medieval princesses would really consider this modern-day novelty. Lastly, it was a great idea to have different versions of Bill and Ted to cover the fact that Keanu and Alex are too old to play overgrown versions of the teenage Bill and Ted.
My only complaint was the undercooked screenplay. It had ideas but abruptly ended the threads.
Bill and Ted Face the Music is the third entry in the series released 29 years after the second one. Bill and Ted are now middle-aged parents still trying to write the song that will unite the world and bring about a utopian society. But once again, that future is threatened unless Bill and Ted can fulfill their destiny. Reality is starting to unravel as George Washington is transported to another time, Babe Ruth takes his place, and Kid Cudi comes to San Dimas. Bill and Ted hijack a time machine and consult with future selves to take the song to their time.
First, I was happy to see the original actors for Missy and Col. Logan also return. Second, the actresses playing the two teenage daughters really captured the essence of Bill and Ted. Third, the couples therapy was a brilliant idea although I am not sure that medieval princesses would really consider this modern-day novelty. Lastly, it was a great idea to have different versions of Bill and Ted to cover the fact that Keanu and Alex are too old to play overgrown versions of the teenage Bill and Ted.
My only complaint was the undercooked screenplay. It had ideas but abruptly ended the threads.
Eleanor Luhar (47 KP) rated Kahayatle (Apocalypsis, #1) in Books
Jun 24, 2019
I can't actually remember where I got this - probably Instafreebie or from the author's newsletter - but I know I got my copy for free.
The book's about a couple of kids coming together after the death of every adult and young child. It's hard to survive, with everyone fighting over any supplies, but things are getting really bad - as in, cannibalism bad.
Bryn partners herself with the skinny, gay kid hiding next door, despite knowing he's not gonna be much help in the defense department. He tells her about the death of his little sister - eaten by other kids. They decide it's no longer safe to stay where they are, and are proven right when attacked inside their home. They plan to retreat to the everglades, where the swamps should be inhospitable enough for others to avoid them, but still safe enough to survive in. On their way, they find Bodo, a German exchange student.
Eventually, they do end up at their destination. But the everglades - or Kahayatle, as the indians call it - hold many new problems.
I did notice a fair few grammar mistakes, and just generally found this book a little unprofessional at times. Often, I find unprofessional books really hard to read - but I actually enjoyed this. I'm even considering buying (or borrowing) the rest of the series.
The tiny bits of romance did seem a little out-of-place, not integrated particularly well sometimes. But I suppose it'll be developed later in the series, and I didn't find it too lovey or anything, which is definitely good.
With a bit more polishing, I think this could easily be a 4 star book. But for now, I'm going to give it 3.5. It was a good read, but there are some improvements that could be made.
The book's about a couple of kids coming together after the death of every adult and young child. It's hard to survive, with everyone fighting over any supplies, but things are getting really bad - as in, cannibalism bad.
Bryn partners herself with the skinny, gay kid hiding next door, despite knowing he's not gonna be much help in the defense department. He tells her about the death of his little sister - eaten by other kids. They decide it's no longer safe to stay where they are, and are proven right when attacked inside their home. They plan to retreat to the everglades, where the swamps should be inhospitable enough for others to avoid them, but still safe enough to survive in. On their way, they find Bodo, a German exchange student.
Eventually, they do end up at their destination. But the everglades - or Kahayatle, as the indians call it - hold many new problems.
I did notice a fair few grammar mistakes, and just generally found this book a little unprofessional at times. Often, I find unprofessional books really hard to read - but I actually enjoyed this. I'm even considering buying (or borrowing) the rest of the series.
The tiny bits of romance did seem a little out-of-place, not integrated particularly well sometimes. But I suppose it'll be developed later in the series, and I didn't find it too lovey or anything, which is definitely good.
With a bit more polishing, I think this could easily be a 4 star book. But for now, I'm going to give it 3.5. It was a good read, but there are some improvements that could be made.
Emma @ The Movies (1786 KP) rated The Hate U Give (2018) in Movies
Sep 25, 2019
Let me start by saying that this is an incredibly powerful film. There's not a single member of the cast that I didn't believe in their role, and at no point during the film did I stop to wonder why something happened or what was going on. The whole thing flowed perfectly.
There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.
This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.
If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.
What should you do?
See it. No haggling about ticket prices, it's worth every penny.
Movie thing you wish you could take home
The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.
There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.
This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.
If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.
What should you do?
See it. No haggling about ticket prices, it's worth every penny.
Movie thing you wish you could take home
The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.
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