Terrence Howard

"It was that basic human story, it was watching the fluid way in which Marlon [Brando] directed the wind around him. We were all moved and swayed by him, and it was the first time that I took notice of truth in acting. There was no acting; everyone else acted around him, but he was there."

"Mary Poppins is still one of my very, very, very favorites. There are so many wonderful jewels of knowledge that they put in that film. It’s like that book, “Oh, The Places You’ll Go!” by Dr. Seuss. There are some wonderful hints to achieving success in life, and the greatest success is to be happy. That’s what those movies seem to tell me."

"The harmony of music with the simplistic style of telling that story, as a framework for it, and then the acting… It’s like bringing Broadway — true Broadway — to the desert. Picking up a little naturalism from the desert. I believed Carl Anderson; believed every word of him, every frown, every inflection of his eyebrow. I love musicals. Always have. I think you have to tell a full story; it’s like asking someone, “Do you like black and white films?” or “Do you love 3D?” Music creates that third dimension."

"Hustle & Flow showed me what could have happened to me. I hadn’t recognized that until I’d seen the movie completed; you never know what painting you’re making until the final stroke. And even then, it’s not finished until you put it into the frame. I didn’t understand the full impact of those individual strokes that we were making on a day to day basis until I saw [the film] — where A could have led me. I saw where A would end up at. And taking on B, C, and D… For a film to affect me that way, for a character to affect me that way, to where I feel worry and think about who Djay is… I still wonder about Shug and her baby. I still wonder about Key. Hustle & Flow also had music in it, which told some of that struggle. Remember, music used to be written for films, conveyed by the actors themselves. They knew when that music was played and they responded to it. Now, [merging a film to its music] is something that’s done as a separate act, and it’s more manipulative and not honest. Music in Hustle & Flow gave us another plane in which to relate everything to, and to play from. It widened the playing field; it brightened the road down the way, because you could move to that music, and be in step with the audience instead of the audience being manipulated into step with you."

"Chitty Chitty Bang Bang: “A posh life!” [From the song “Posh!”] “Lullabye Bay.” [From the song “Hushabye Mountain”] Those songs that Dick Van Dyke (as Caractacus Potts) and his father (Lionel Jeffries, as Grandpa Potts) sang blew me away! I saw it as a child, and I watch it as an adult. I love that movie."