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Debbie (52 KP) rated My Heart Belongs In Gettysburg, Pennsylvania in Books
Nov 2, 2018
My Heart Belongs In Gettysburg, Pennsylvania
By: Murray Pura
Publisher: Barbour Publishing, Inc
Published Date: November 1, 2018
256 pages Christian, Romance
#MyHeartBelongsInGettysburgPennsylvania
#NetGalley
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
I greatly enjoyed this book. I gave this book 4 stars. I love history and this book was about the civil war one of my favorite subjects.
Clarissa is a 19 year old girl who has a lot of spunk and energy. She is a conductor on the underground railroad. She has a love interest in Kyle and Liberty. She doesn't know which one to choose. She likes both in different ways. Liberty is also on the underground railroad but she doesn't know what he looks like because he always wears a hood over his head. Kyle is studying to be a clergyman. When the war breaks out she is upset that Kyle won't join the army instead he stays behinds and helps the head clergyman.
During one of the underground escapes with Liberty they are caught and Liberty gets hurt. Who is Liberty? Why does he hide his face? What happens to Kyle? You need to read the book to find out.
Clarissa has some more adventures during the war. At the beginning of the book I didn't like her but throughout the story she grows and learns, which makes her a better person.
I was able to figure out a few things that happen in the book fairly quickly so it brought down my rating just a little. The author did a great job on the history. I would recommended this book for those who love history and a romance story.
By: Murray Pura
Publisher: Barbour Publishing, Inc
Published Date: November 1, 2018
256 pages Christian, Romance
#MyHeartBelongsInGettysburgPennsylvania
#NetGalley
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
I greatly enjoyed this book. I gave this book 4 stars. I love history and this book was about the civil war one of my favorite subjects.
Clarissa is a 19 year old girl who has a lot of spunk and energy. She is a conductor on the underground railroad. She has a love interest in Kyle and Liberty. She doesn't know which one to choose. She likes both in different ways. Liberty is also on the underground railroad but she doesn't know what he looks like because he always wears a hood over his head. Kyle is studying to be a clergyman. When the war breaks out she is upset that Kyle won't join the army instead he stays behinds and helps the head clergyman.
During one of the underground escapes with Liberty they are caught and Liberty gets hurt. Who is Liberty? Why does he hide his face? What happens to Kyle? You need to read the book to find out.
Clarissa has some more adventures during the war. At the beginning of the book I didn't like her but throughout the story she grows and learns, which makes her a better person.
I was able to figure out a few things that happen in the book fairly quickly so it brought down my rating just a little. The author did a great job on the history. I would recommended this book for those who love history and a romance story.
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BankofMarquis (1832 KP) rated Knock at the cabin (2023) in Movies
Mar 31, 2023
Disappointing Ending
Writer/Director M. Night Shyamalan is a hit or miss film maker and that is because his films (usually) rely on a “twist” in the proceedings that make the movie you are watching turn into something different. Sometimes it works (the classic THE SIXTH SENSE), sometimes it doesn’t (THE HAPPENING). But, at least he has the courage of his convictions and you have to respect him for that. However, in KNOCK AT THE CABIN, Shyamalan is doing something that might undercut those twists – he’s beginning to pull his punches.
KNOCK AT THE CABIN opens with an interesting premise – a couple and their daughter are at a remote cabin (with, conveniently enough, no cell phone service) when 4 strangers show up and declare that the world will end unless one of the 3 is sacrificed to stop the upcoming carnage.
It’s a good idea that has, inherently, some moral complications and one quickly jumps onto the side of the 3 in the cabin, writing off the 4 strangers as insane, but as events transpire – and the seeming sincerity of the 4 strangers comes into focus – one starts to have doubts.
Shyamalan does a professional job of weaving the tension into the first ¾ of this film as the 3 in the cabin are trying to make logical sense out of the predicament they are in while the 4 strangers become more and more desperate in their attempts to convince the trio in the cabin to sacrifice one of themselves. This is a director sure of himself and slowly, strongly leading the audience to the ending.
He helps himself by casting some VERY good performers in a film that, basically, takes place in one room. Jonathan Groff (Broadway’s HAMILTON) and Ben Aldridge (Thomas Wayne in the TV Series PENNYWORTH) are convincing and believable as the besieged couple, while David Bautista (Drax in the GUARDIANS OF THE GALAXY films), Rupert Grint (yes, Ron Weasley from the HARRY POTTER films) and newcomer (at least to me) Abby Quinn (RADIUM GIRLS) counterbalance these two nicely. Special notice needs to be made of the 4th person knocking on the cabin, Nikki Amuka-Bird (THE OUTFIT) and youngster Kristen Cui – who both bring much needed pathos and humanity to a film that could have turned into an out-of-control testosterone fest, but ended up being grounded by these two.
So, all of this adds up to a very good time at the movie theater – providing that Shyamalan can stick the landing of this piece.
Alas, he does not. And he does something worse – he pulls his punches as the outcome of one of the characters is changed from what happens to them in the 2018 novel THE CABIN AT THE END OF THE WORLD by Paul Tremblay. Shyamalan could have delivered a gut punch to the audience to accentuate the past bit of time spent with these characters (kind of like what Frank Darabont did with THE MIST) but instead decides to play it safe and lands squarely in the middle of mediocrity-land.
Your enjoyment of this film will depend on how much you like how this film ends. For the BankofMarquis, it was ¾ of a good film with a bad ending.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
KNOCK AT THE CABIN opens with an interesting premise – a couple and their daughter are at a remote cabin (with, conveniently enough, no cell phone service) when 4 strangers show up and declare that the world will end unless one of the 3 is sacrificed to stop the upcoming carnage.
It’s a good idea that has, inherently, some moral complications and one quickly jumps onto the side of the 3 in the cabin, writing off the 4 strangers as insane, but as events transpire – and the seeming sincerity of the 4 strangers comes into focus – one starts to have doubts.
Shyamalan does a professional job of weaving the tension into the first ¾ of this film as the 3 in the cabin are trying to make logical sense out of the predicament they are in while the 4 strangers become more and more desperate in their attempts to convince the trio in the cabin to sacrifice one of themselves. This is a director sure of himself and slowly, strongly leading the audience to the ending.
He helps himself by casting some VERY good performers in a film that, basically, takes place in one room. Jonathan Groff (Broadway’s HAMILTON) and Ben Aldridge (Thomas Wayne in the TV Series PENNYWORTH) are convincing and believable as the besieged couple, while David Bautista (Drax in the GUARDIANS OF THE GALAXY films), Rupert Grint (yes, Ron Weasley from the HARRY POTTER films) and newcomer (at least to me) Abby Quinn (RADIUM GIRLS) counterbalance these two nicely. Special notice needs to be made of the 4th person knocking on the cabin, Nikki Amuka-Bird (THE OUTFIT) and youngster Kristen Cui – who both bring much needed pathos and humanity to a film that could have turned into an out-of-control testosterone fest, but ended up being grounded by these two.
So, all of this adds up to a very good time at the movie theater – providing that Shyamalan can stick the landing of this piece.
Alas, he does not. And he does something worse – he pulls his punches as the outcome of one of the characters is changed from what happens to them in the 2018 novel THE CABIN AT THE END OF THE WORLD by Paul Tremblay. Shyamalan could have delivered a gut punch to the audience to accentuate the past bit of time spent with these characters (kind of like what Frank Darabont did with THE MIST) but instead decides to play it safe and lands squarely in the middle of mediocrity-land.
Your enjoyment of this film will depend on how much you like how this film ends. For the BankofMarquis, it was ¾ of a good film with a bad ending.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)