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Neon's Nerd Nexus (360 KP) rated The Old Man and the Gun (2018) in Movies
May 13, 2019
Shot to the heart
#theoldmanandthegun is not only a #lovely fresh take on the #heist genre its also a #wonderful finale to #robertredford's career in #film too. Set mostly in the early #80s the film does a remarkable job of feeling #vintage/old fashioned from the way its shot, to the use of film grain, its #charming style, the soundtrack & the sets. Everything is so lovingly #crafted & it all flows together so #beautifully that I felt transported back in time right from its opening. Watching this film was also such a pleasant experience, its got such a warmth to it & its so ridiculously #charming/stylish & #heartfelt that I couldnt help #smiling most of its run time. TOMATG is a modern film set in the past that plays out more like an old #wildwest film & its not only clearly inspired by old #western movies but its also its self a great homage to Robert Redfords career & magnificent look back through the history of film & how far we have advanced technologically. Acting is stellar all round with Redford giving such a likeable, charming & #cheeky preformance that you can really tell he had fun with this character. #caseyaffleck is also great playing a cop that has everything but still isnt #happy in life & the scenes Redford & him share together are golden. A film about #passion, #drive, #love, living life to its fullest, never growing up & change thats full of such heart/soul that its not only powerful & moving but tremendous #fun/full of motivating & inspiring themes. See it I guarantee you will leave smiling. #odeonlimitless #odeon #nostalgic #retro #film #classic #mondaymotivation #filmbuff #filmcritic
Bong Mines Entertainment (15 KP) rated Night Shift by Juze in Music
Jun 17, 2019
Juze is a German producer, DJ, influencer, and songwriter. Jantine is a platinum-selling singer-songwriter based in Amsterdam, The Netherlands. Not too long ago, they released a groovy electro-house tune, entitled, “Night Shift”.
“Dancing in the dark when we move it’s something natural. We play and then we pause and it gently drives me up the wall. And I wonder should I trust this old heart of mine when I judge this vibe. Is it me or is it us? Am I way too high on Martini Dry?” – lyrics
‘Night Shift’ tells an interesting tale of a young woman who dances in the dark with her significant other.
Apparently, they’ve been drinking and having a great time being in each other’s company.
‘Night Shift’ contains a playful storyline, ear-welcoming vocals, and dance-floor friendly instrumentation flavored with electro-pop and groovy house elements.
Juze’s songs have received support from huge international DJs such as Tiesto, DJ Chuckie, and Nicky Romero.
Since then, the bubbly producer has appeared regularly at Bootshaus (Cologne, GER), which placed at #8 in DJ Mag’s Top 100 clubs poll and Amsterdam’s elite Supperclub. Also, he’s worked on remixes for artists such as Ed Sheeran and AURORA.
Jantine is one of the most requested songwriters in the Netherlands. So far, she has collaborated with Skrillex, Valentino Kahn, Hardwell, Rock Mafia, EXO, F(x), Andrew Goldstein, Julian Jordan, Dante Klein, and many more.
Her heart lies with ‘80s pop and indie music, and she has released music via SM Entertainment, Universal Music, and Spinnin’ Records to name a few.
https://www.bongminesentertainment.com/juze-jantine-night-shift/
“Dancing in the dark when we move it’s something natural. We play and then we pause and it gently drives me up the wall. And I wonder should I trust this old heart of mine when I judge this vibe. Is it me or is it us? Am I way too high on Martini Dry?” – lyrics
‘Night Shift’ tells an interesting tale of a young woman who dances in the dark with her significant other.
Apparently, they’ve been drinking and having a great time being in each other’s company.
‘Night Shift’ contains a playful storyline, ear-welcoming vocals, and dance-floor friendly instrumentation flavored with electro-pop and groovy house elements.
Juze’s songs have received support from huge international DJs such as Tiesto, DJ Chuckie, and Nicky Romero.
Since then, the bubbly producer has appeared regularly at Bootshaus (Cologne, GER), which placed at #8 in DJ Mag’s Top 100 clubs poll and Amsterdam’s elite Supperclub. Also, he’s worked on remixes for artists such as Ed Sheeran and AURORA.
Jantine is one of the most requested songwriters in the Netherlands. So far, she has collaborated with Skrillex, Valentino Kahn, Hardwell, Rock Mafia, EXO, F(x), Andrew Goldstein, Julian Jordan, Dante Klein, and many more.
Her heart lies with ‘80s pop and indie music, and she has released music via SM Entertainment, Universal Music, and Spinnin’ Records to name a few.
https://www.bongminesentertainment.com/juze-jantine-night-shift/
LeftSideCut (3778 KP) rated It (2017) in Movies
Aug 9, 2019
The best way to describe the most recent adaption of Stephen King's It, is that it feels like a ghost train.
It's one scene after the next of spooky imagery and mild jump scares - it's not overly terrifying, but it's an enjoyable time.
I didn't find It to be particularly scary - there were parts here and there that were uncomfortable (the old woman in the background of the library scene - no focus on her whatsoever, but it gave me chills) and of course, the already infamous scene at the beginning with Georgie is hard to watch considering the age of the child.
But it's lack of all out terror is not a bad thing - the movie can concentrate on a hugely important aspect of the original book - the friendship shared betweens The Losers Club.
The young actors in this are great, all hugely believable, and likable, as they set off on their quest to stop Pennywise and his reign over the town of Derry.
In a world transfixed with Stranger Things, the atmosphere of It treads familiar turf, the 80s setting hitting the right nostalgic spots.
Bill Skarsgård makes a great Pennywise. He doesn't try to copy what the great Tim Curry did in the original TV movie, he makes it his own. He's not quite as sinister as Tim Curry, but he's damn entertaining, and his costume and make up make for a creepy enough clown.
I'm really looking forward to the upcoming Chapter 2, to see if Andy Muschietti can pull off the ending as well as he pulled off the beginning.
It's one scene after the next of spooky imagery and mild jump scares - it's not overly terrifying, but it's an enjoyable time.
I didn't find It to be particularly scary - there were parts here and there that were uncomfortable (the old woman in the background of the library scene - no focus on her whatsoever, but it gave me chills) and of course, the already infamous scene at the beginning with Georgie is hard to watch considering the age of the child.
But it's lack of all out terror is not a bad thing - the movie can concentrate on a hugely important aspect of the original book - the friendship shared betweens The Losers Club.
The young actors in this are great, all hugely believable, and likable, as they set off on their quest to stop Pennywise and his reign over the town of Derry.
In a world transfixed with Stranger Things, the atmosphere of It treads familiar turf, the 80s setting hitting the right nostalgic spots.
Bill Skarsgård makes a great Pennywise. He doesn't try to copy what the great Tim Curry did in the original TV movie, he makes it his own. He's not quite as sinister as Tim Curry, but he's damn entertaining, and his costume and make up make for a creepy enough clown.
I'm really looking forward to the upcoming Chapter 2, to see if Andy Muschietti can pull off the ending as well as he pulled off the beginning.
LeftSideCut (3778 KP) rated Aliens (1986) in Movies
Feb 13, 2020
An absolute screamer of a sequel
Aliens may very well be the best sequel of all time, if not it's certainly up there!
The original Alien is about as perfect as sci-fi horror can get, so it was a smart move on James Cameron's part to not recycle that again, and take Alien in a different direction.
The slow burning, claustrophobic high tension of the original is replaced here with all out war.
The simple idea of multiple Xenomorphs is effective and terrifying, and packs the runtime of Aliens with top tier action.
Sigourney Weaver returns as Ellen Ripley, and whilst she was a tough yet vulnerable survivor first time around, here we get to see her vulnerability crumble away. By the time the final act kicks in and Ripley is decked out in a mech...she just a badass from here on out.
She's is joined by a group of gun toting, 80s as fuck mercenaries, including the likes of Michael Biehn (fresh from the recently released, first Terminator movie), Bill Paxton, Al Matthews, Jenette Goldstein, and of course Lance Henriksen as Android, Bishop. It's a fantastic cast, who all end up mattering one way or another, even the ones who don't last very long.
The Xenomorphs themselves look as horrifying as ever, still practically achieved, and have an urgent sense of visceral danger whenever they're on screen.
Aliens is also the debut if the Alien Queen, a classic staple of the series since.
No matter how much time goes by, Aliens never fails to be entertaining, and still looks great. It's James Cameron at the top of his game.
The original Alien is about as perfect as sci-fi horror can get, so it was a smart move on James Cameron's part to not recycle that again, and take Alien in a different direction.
The slow burning, claustrophobic high tension of the original is replaced here with all out war.
The simple idea of multiple Xenomorphs is effective and terrifying, and packs the runtime of Aliens with top tier action.
Sigourney Weaver returns as Ellen Ripley, and whilst she was a tough yet vulnerable survivor first time around, here we get to see her vulnerability crumble away. By the time the final act kicks in and Ripley is decked out in a mech...she just a badass from here on out.
She's is joined by a group of gun toting, 80s as fuck mercenaries, including the likes of Michael Biehn (fresh from the recently released, first Terminator movie), Bill Paxton, Al Matthews, Jenette Goldstein, and of course Lance Henriksen as Android, Bishop. It's a fantastic cast, who all end up mattering one way or another, even the ones who don't last very long.
The Xenomorphs themselves look as horrifying as ever, still practically achieved, and have an urgent sense of visceral danger whenever they're on screen.
Aliens is also the debut if the Alien Queen, a classic staple of the series since.
No matter how much time goes by, Aliens never fails to be entertaining, and still looks great. It's James Cameron at the top of his game.
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