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Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Sarah (7800 KP) rated Just Mercy (2019) in Movies
Feb 7, 2020
Exactly what you'd expect
After much deliberation, I decided on watching Just Mercy today - in all honesty because out of my 3 choices, it was on the earliest.
From seeing the trailer, Just Mercy is exactly the film you'd expect it to be. Which in a way was a tad disappointing, but as it's a true story, it would have been a surprise if it had turned out differently. The performances are very good, Michael B Jordan admittedly using the same facial expressions in most scenes but still a good turn. Jamie Foxx excels as you'd expect him to, it's just a shame he's not on screen as much as you'd like and Brie Larson is underused too. There's a lot of feels in this film too, I'd dare anyone not to be welling up by the end and it's also telling a true story that is important and meaningful, yet slightly worrying that this sort of injustice and racism was still happening in the early 90s!
The problem I think is that whilst this is a good film, it is your typical Oscar fodder. Which is odd considering it's lack of nominations. Films like this are far too common nowadays and there wasn't anything in this that made it stand out. But despite this it's still good and worth a watch for the story alone.
From seeing the trailer, Just Mercy is exactly the film you'd expect it to be. Which in a way was a tad disappointing, but as it's a true story, it would have been a surprise if it had turned out differently. The performances are very good, Michael B Jordan admittedly using the same facial expressions in most scenes but still a good turn. Jamie Foxx excels as you'd expect him to, it's just a shame he's not on screen as much as you'd like and Brie Larson is underused too. There's a lot of feels in this film too, I'd dare anyone not to be welling up by the end and it's also telling a true story that is important and meaningful, yet slightly worrying that this sort of injustice and racism was still happening in the early 90s!
The problem I think is that whilst this is a good film, it is your typical Oscar fodder. Which is odd considering it's lack of nominations. Films like this are far too common nowadays and there wasn't anything in this that made it stand out. But despite this it's still good and worth a watch for the story alone.
LeftSideCut (3776 KP) rated Bill & Ted Face the Music (2020) in Movies
May 12, 2021
To be clear, I absolutely love the first two Bill & Ted films, and I've been pretty excited to check this out, but now, a few days after finally getting around to watching it, I realise that I'm not, and never was, too sure what I wanted from it.
On the one hand, I have a huge amount of respect for the filmmakers in respect to how hard they commited to sticking to the original tone and comedy style. Unfortunately, for me anyway, it just didn't work. The zany comedy of the first two are perfect for the late 80s/early 90s era, but these days, the whole thing comes across as try hard and occasionally cringe worthy. Don't get me wrong, there are certainly some funny moments, but the overall experience left me cold.
I'm sad that I feel this way, as it's an unnecessary sequel that I hoped would turn out to be surprisingly great, but a few days down the line, and I've largely forgotten most of what happens.
Bill & Ted Face the Music is a good natured attempt at recapturing the magic, but ultimately falls flat. I know that a lot of people liked it, so if you are a fan of the series in any way, then certainly check it out, and I hope you find something to love, but it just wasn't for me (sad face)
On the one hand, I have a huge amount of respect for the filmmakers in respect to how hard they commited to sticking to the original tone and comedy style. Unfortunately, for me anyway, it just didn't work. The zany comedy of the first two are perfect for the late 80s/early 90s era, but these days, the whole thing comes across as try hard and occasionally cringe worthy. Don't get me wrong, there are certainly some funny moments, but the overall experience left me cold.
I'm sad that I feel this way, as it's an unnecessary sequel that I hoped would turn out to be surprisingly great, but a few days down the line, and I've largely forgotten most of what happens.
Bill & Ted Face the Music is a good natured attempt at recapturing the magic, but ultimately falls flat. I know that a lot of people liked it, so if you are a fan of the series in any way, then certainly check it out, and I hope you find something to love, but it just wasn't for me (sad face)
Colin Newman recommended Sexuality by Sebastien Tellier in Music (curated)
LeftSideCut (3776 KP) rated I Know What You Did Last Summer (1997) in Movies
Mar 2, 2021
I Know What You Did Last Summer opens with the Type O Negative cover of Summer Breeze, which is always going to be a winner in my book.
This film is rightly considered a bit of a classic these days, and there's really not a whole bunch to complain about. It has well written characters, a decent cast, a visually creepy villain, an engaging whodunit plot, one of the best chase scenes in slasher movie history (that's right), and still manages to stand on its own two feet in a world where it's constantly compared to Scream.
I find this to be an unfair comparison. Beyond the 90s setting, teen characters, slasher tropes, and shared writer in Kevin Williamson, there's not much else that ties them together. Scream is of course a fantastic horror, but relishes in being satire, whereas IKWYDLS is a straight shooting horror. Its the exact kind of film that Scream takes aim at, but it still manages to be a decent slasher without feeling silly, and delivers some well earned jump scares for good measure. I also really enjoy it's fishing town setting and the hole movie is accompanied by a hilariously epic score courtesy of John Debney. It's great.
I will always have a lot of time for IKWYDLS, overshadowed by some of its contemporaries, but a hugely satisfying and entertaing horror in its own right.
This film is rightly considered a bit of a classic these days, and there's really not a whole bunch to complain about. It has well written characters, a decent cast, a visually creepy villain, an engaging whodunit plot, one of the best chase scenes in slasher movie history (that's right), and still manages to stand on its own two feet in a world where it's constantly compared to Scream.
I find this to be an unfair comparison. Beyond the 90s setting, teen characters, slasher tropes, and shared writer in Kevin Williamson, there's not much else that ties them together. Scream is of course a fantastic horror, but relishes in being satire, whereas IKWYDLS is a straight shooting horror. Its the exact kind of film that Scream takes aim at, but it still manages to be a decent slasher without feeling silly, and delivers some well earned jump scares for good measure. I also really enjoy it's fishing town setting and the hole movie is accompanied by a hilariously epic score courtesy of John Debney. It's great.
I will always have a lot of time for IKWYDLS, overshadowed by some of its contemporaries, but a hugely satisfying and entertaing horror in its own right.
Laetitia Sadier recommended Sea Change by Beck in Music (curated)
Gaz Coombes recommended track New Values by Iggy Pop in Heroin Hates You by Iggy Pop in Music (curated)
David McK (3562 KP) rated Sharpe's Rifles in TV
Jul 11, 2021
The first of the Sharpe adaptations from the early-to mid '90s, based on what was then the earlies set novel in Bernard Cornwell's long-running series set during the Napoleonic Wars.
I say what-was-then, because - since the culmination of the various TV movies, and even right up to date (the most recent to be released in a few months time, in late 2021), Cornwell has released plenty more such novels, quite a few of which are set even before the start of the Napoleonic Wars, never mind those set 'in-between' the core set of novels; said set of which provided the basis for the TV adaptations.
And that is what these are: an adaptation, rather than a straight re-telling. Sharpe, for instance, is supposed to be a dark haired Londoner rather than fair-haired Cockney (although Sean Bean's portrayal would win over Cornwell, who would later 'retrofit' his character to be closer to Sean Bean). That is probably for the better: literature and film, after all, are two distinct mediums: what works in one may not work in another.
To this day, though, I would still love to see a proper big-screen adaptation, with the budget to match, of one of these stories ...
I say what-was-then, because - since the culmination of the various TV movies, and even right up to date (the most recent to be released in a few months time, in late 2021), Cornwell has released plenty more such novels, quite a few of which are set even before the start of the Napoleonic Wars, never mind those set 'in-between' the core set of novels; said set of which provided the basis for the TV adaptations.
And that is what these are: an adaptation, rather than a straight re-telling. Sharpe, for instance, is supposed to be a dark haired Londoner rather than fair-haired Cockney (although Sean Bean's portrayal would win over Cornwell, who would later 'retrofit' his character to be closer to Sean Bean). That is probably for the better: literature and film, after all, are two distinct mediums: what works in one may not work in another.
To this day, though, I would still love to see a proper big-screen adaptation, with the budget to match, of one of these stories ...
LoganCrews (2861 KP) rated Road Trip (2000) in Movies
Sep 21, 2020
Deplorable, only a few meager steps above the likes of shit hall-of-famer 𝘋𝘦𝘶𝘤𝘦 𝘉𝘪𝘨𝘢𝘭𝘰𝘸: 𝘔𝘢𝘭𝘦 𝘎𝘪𝘨𝘰𝘭𝘰. Bargain bin 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘪𝘦 meets injudicious 𝘍𝘦𝘳𝘳𝘪𝘴 𝘉𝘶𝘦𝘭𝘭𝘦𝘳'𝘴 𝘋𝘢𝘺 𝘖𝘧𝘧 mixed with elements that we'd later see Phillips use to his benefit in better films like 𝘛𝘩𝘦 𝘏𝘢𝘯𝘨𝘰𝘷𝘦𝘳 and 𝘋𝘶𝘦 𝘋𝘢𝘵𝘦 - but are 0% amusing here. I challenge you to find a more stagnant road trip movie than this, why even cast Tom Green at the peak of his fame (who, along with DJ Qualls, are the only perfect performances) if you're only going to have him do a couple outrageous things? Like yeah don't overdo it but come on you can do better than this. I mean hell even similarly awful 30 𝘔𝘪𝘯𝘶𝘵𝘦𝘴 𝘰𝘳 𝘓𝘦𝘴𝘴 did at least fifty times more with Fred Ward. Also worth noting how much this films hates women. The entire plot of this movie hinges on the Meyer (who is worse than terrible in this) character rightfully being in danger of his girlfriend finding out he undisguisedly cheated on her but we're supposed to not want that to happen because him and his noxious jackass friends are funny... but they aren't? Some of the ugliest aesthetics and soundtrack offerings of the crime of good taste that was the late 90s/early 2000s style. I'm usually a Todd defender but this is just wretched. 𝘙𝘰𝘢𝘥 𝘛𝘳𝘪𝘱𝘦.
LoganCrews (2861 KP) rated Titan A.E. (2000) in Movies
Sep 20, 2020
Design-wise nothing short of extraordinary, the blend of astounding nu-age CGI and trademark Bluth animation should by no means work but it ends up looking like heaven. Definitely also helps that this has exactly 0% fat to it and rides on one fun, kinetic wave from start to finish that's full of rapturous action sequences and endlessly creative visuals. That being said, outside of a couple nice turns the story is total copy-and-paste sci-fi template - but I digress, I guess it's still serviceable for this type of thing but this is just *begging* to have some depth injected into its potentially thought-provoking story. What kills this from greatness for me is how chained it is to the era it was made in; granted it still could have turned out much worse but the fakey-sounding, faux-edgy soundtrack sucks so much shit (sans a couple okay song choices [thx Powerman 5000]) that it single-handedly knocks the whole rating down a half star, and the totally repellent "tude" that was required in all of these mid-late 90s/early 2000s kids' films makes me want to rip my hair out. I suppose you can write this in with 𝘍𝘪𝘯𝘢𝘭 𝘍𝘢𝘯𝘵𝘢𝘴𝘺: 𝘛𝘩𝘦 𝘚𝘱𝘪𝘳𝘪𝘵𝘴 𝘞𝘪𝘵𝘩𝘪𝘯 for flawed early-aughts orgasmically animated sci-fi bombs that I'm still a total softie for. Gets pretty gnarly sometimes, too.