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David McK (3801 KP) rated Blue Moon Rising (Forest Kingdom #1) in Books
Jun 24, 2022
Once upon a time ...
this was my favourite book.
That was back in the early 90s, back when I was in my tweens and back before I had discovered the likes of Terry Pratchett or Bernard Cornwell.
I then lost track of the author for a good two decades or so, only recently re-discovering him when I happened to chance across the 'GraphicAudio' version of the novel on Audible.
I did wonder what a GraphicAudio meant: simply that it was fully dramatized with a full cast, background music, sound effects etc etc - basically, everything but the actual visual aspect! - instead of only one, maybe two, no more than a handful of people reading the story.
As for that story? Firmly in the fantasy genre - Princes, dragons, unicorns, Princesses, magic, royal politics et al - however I do remember when I first read it all those years ago thinking that I had never come across anything quite like it before. That still holds true to this day: yes, it does have all those familiar elements of a classic Good vs Evil story, but the real delight is in the subverting of expectations, and in the story of Rupert and Julia and the DarkWood / Blue Moon.
this was my favourite book.
That was back in the early 90s, back when I was in my tweens and back before I had discovered the likes of Terry Pratchett or Bernard Cornwell.
I then lost track of the author for a good two decades or so, only recently re-discovering him when I happened to chance across the 'GraphicAudio' version of the novel on Audible.
I did wonder what a GraphicAudio meant: simply that it was fully dramatized with a full cast, background music, sound effects etc etc - basically, everything but the actual visual aspect! - instead of only one, maybe two, no more than a handful of people reading the story.
As for that story? Firmly in the fantasy genre - Princes, dragons, unicorns, Princesses, magic, royal politics et al - however I do remember when I first read it all those years ago thinking that I had never come across anything quite like it before. That still holds true to this day: yes, it does have all those familiar elements of a classic Good vs Evil story, but the real delight is in the subverting of expectations, and in the story of Rupert and Julia and the DarkWood / Blue Moon.
Rebecca Billcliff (2409 KP) rated Equals by Ed Sheeran in Music
Jan 28, 2022
Mix of up beat and heart wrenching songs (1 more)
Lovely cover art
Bloody Gooz Album
It has been sooooo long since I last got a CD. And oh how I have missed it! To my fellow 90s peeps: lyric booklets with art!!!!
I know, you can just Google the words, or watch a lyric version on YouTube, but this is different. Nostalgic. Plus, the art is wonderful. The colour and style is great, works well with the tone of the album and has a great simplicity to it.
Anyway, on to the music. I avoided Ed Sheeran at first, never one to hop on the hype train. But Toot Toot, thus guy does not dissapoint, and this album is no exception.
A great mix of up-beatand catchy songs, with some deep heart breakers to balance it out. It has something for all moods. Listen to it, then go back and listen again. There is wit and tenderness in his words that you do not see too often these days, and in a world of mainstream multiples, this album equals a little bit of diversity. From balards to rap, is there nothing he can't do?
Thanks Ed, and thanks @Smashbomb for my treat xxx
I know, you can just Google the words, or watch a lyric version on YouTube, but this is different. Nostalgic. Plus, the art is wonderful. The colour and style is great, works well with the tone of the album and has a great simplicity to it.
Anyway, on to the music. I avoided Ed Sheeran at first, never one to hop on the hype train. But Toot Toot, thus guy does not dissapoint, and this album is no exception.
A great mix of up-beatand catchy songs, with some deep heart breakers to balance it out. It has something for all moods. Listen to it, then go back and listen again. There is wit and tenderness in his words that you do not see too often these days, and in a world of mainstream multiples, this album equals a little bit of diversity. From balards to rap, is there nothing he can't do?
Thanks Ed, and thanks @Smashbomb for my treat xxx
English Country House Interiors
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A highly detailed look at the English country house interior, offering unprecedented access to...
Awix (3310 KP) rated Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
Four's a crowd
Twenty-sixth Godzilla movie (also eleventh Mothra movie, eighth Ghidorah movie and third Baragon movie, in case anyone's counting) recruits director Shusuke Kaneko, helmsman of the brilliant 90s Gamera trilogy; results are (perhaps inevitably) disappointing. A new incarnation of Godzilla threatens Japan, but a young tabloid TV journalist encounters a mysterious old man in an equestrian safety helmet who tells her of three legendary Guardian Monsters who will defend the country against this menace (Baragon is also a Guardian Monster but not famous enough to get his name in the title).
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Some interesting innovations: first film to address (even obliquely) issues of Japanese culpability for events of the Second World War, first film where King Ghidorah is a good guy, first film with a scene set in Godzilla's intestinal tract. However, the end result is let down by a fatally uncertain tone - seemingly serious scenes of death and carnage are intercut with knockabout cheesy humour and in-jokes (in the English dub at least). The retro feel of the movie, hearkening back to the 60s films of the series, is not unwelcome, but its take on the formula is just plain weird. Most importantly it lacks the mythic grandeur of the Kaneko Gamera trilogy. Still better than the films which immediately preceded it, though.
Sarah (7800 KP) rated Just Mercy (2019) in Movies
Feb 7, 2020
Exactly what you'd expect
After much deliberation, I decided on watching Just Mercy today - in all honesty because out of my 3 choices, it was on the earliest.
From seeing the trailer, Just Mercy is exactly the film you'd expect it to be. Which in a way was a tad disappointing, but as it's a true story, it would have been a surprise if it had turned out differently. The performances are very good, Michael B Jordan admittedly using the same facial expressions in most scenes but still a good turn. Jamie Foxx excels as you'd expect him to, it's just a shame he's not on screen as much as you'd like and Brie Larson is underused too. There's a lot of feels in this film too, I'd dare anyone not to be welling up by the end and it's also telling a true story that is important and meaningful, yet slightly worrying that this sort of injustice and racism was still happening in the early 90s!
The problem I think is that whilst this is a good film, it is your typical Oscar fodder. Which is odd considering it's lack of nominations. Films like this are far too common nowadays and there wasn't anything in this that made it stand out. But despite this it's still good and worth a watch for the story alone.
From seeing the trailer, Just Mercy is exactly the film you'd expect it to be. Which in a way was a tad disappointing, but as it's a true story, it would have been a surprise if it had turned out differently. The performances are very good, Michael B Jordan admittedly using the same facial expressions in most scenes but still a good turn. Jamie Foxx excels as you'd expect him to, it's just a shame he's not on screen as much as you'd like and Brie Larson is underused too. There's a lot of feels in this film too, I'd dare anyone not to be welling up by the end and it's also telling a true story that is important and meaningful, yet slightly worrying that this sort of injustice and racism was still happening in the early 90s!
The problem I think is that whilst this is a good film, it is your typical Oscar fodder. Which is odd considering it's lack of nominations. Films like this are far too common nowadays and there wasn't anything in this that made it stand out. But despite this it's still good and worth a watch for the story alone.
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