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Charlie Cobra Reviews (1840 KP) rated Pure in TV
Jul 7, 2020
Conflict of Conscience & Crisis of Faith
Pure is a crime/drama series created by Michael Amo and directed by Ken Girotti. It is produced by Two East Production and Cineflix and airs on the WGN network. The show stars Ryan Robbins, A.J. Buckley, Peter Outerbridge, and Rosie Perez.
Noah Funk (Ryan Robbins) is a newly-elected Mennonite pastor, who is tired of drug traffickers in his community and is determined to get rid of them. He finds that things are not that simple when after planting drugs in the home of the ring leader, he is forced to become the head of the Mennonite drug trafficking operations, endangering his community, his family and himself.
This show has constantly surprised me with its ups and downs and twists. I'm usually not into these kind of shows but it just really has me hooked especially with this new season. I feel so much for the main character Noah because he is a good person and almost all the people in their community are good people too. And how his actions come to plague him and weigh on him are dreadful. He does everything to protect his family and still they get dragged into things. His wife Ana Funk is also quite a great character and his brother Abel, a recovering drug addict comes into play greatly too. The dialogue isn't always the greatest and sometimes the acting isn't so good from supporting characters but there isn't a show quite like this. I like seeing the character fall from grace and struggle with his conscience and doing the right thing when he's the only one trying to fight the corruption in his community. It really is a great show, I give it an 8 out of 10.
Noah Funk (Ryan Robbins) is a newly-elected Mennonite pastor, who is tired of drug traffickers in his community and is determined to get rid of them. He finds that things are not that simple when after planting drugs in the home of the ring leader, he is forced to become the head of the Mennonite drug trafficking operations, endangering his community, his family and himself.
This show has constantly surprised me with its ups and downs and twists. I'm usually not into these kind of shows but it just really has me hooked especially with this new season. I feel so much for the main character Noah because he is a good person and almost all the people in their community are good people too. And how his actions come to plague him and weigh on him are dreadful. He does everything to protect his family and still they get dragged into things. His wife Ana Funk is also quite a great character and his brother Abel, a recovering drug addict comes into play greatly too. The dialogue isn't always the greatest and sometimes the acting isn't so good from supporting characters but there isn't a show quite like this. I like seeing the character fall from grace and struggle with his conscience and doing the right thing when he's the only one trying to fight the corruption in his community. It really is a great show, I give it an 8 out of 10.
LeftSideCut (3778 KP) rated The People Under the Stairs (1991) in Movies
Jan 2, 2021
Often overlooked by Wes Craven's wider known films, The People Under the Stairs is a gem of an early nineties horror in its own right for a few reasons.
First and foremost, it has a great cast. Brandon Quintin Adams heads up the cast. He's a cute kid who is easy to root for. The supporting cast is strong too, including Ving Rhames, A.J. Langer, and Sean Whalen. But the stars of the show are it's horrendous villains. Twin Peaks alumni Wendy Robie and Everett McGill play the antagonists (simply credited as "woman" and "man") and they just relish in how absolutely vile they are, and are the main source of entertainment throughout the runtime. The Hall of Fame of horror villainy isn't easy to get into, being crammed with popular icons and all, but these two deserve a spot for sure.
Other than these positives, it's also boasts some decent practical gore, a few creepy visuals, some moments of well earned tension, and is socially relevant to this day, touching upon subjects such as class difference, unaffordable healthcare, and racism. It's screenplay is an intelligent one in this respect, as well as having a fun side to it.
My only real issue with The People Under the Stairs is it's pacing. It does take a little too long to get going. When everything starts to get chaotic, it really becomes a good time, but it does get a bit repetitive, no matter how entertaining it is to see Everett McGill running around in a gimp suit.
These are minor gripes though, it's definitely worth a watch. It's another solid piece of work from Wes Craven, and deserves it's cult status wholeheartedly.
First and foremost, it has a great cast. Brandon Quintin Adams heads up the cast. He's a cute kid who is easy to root for. The supporting cast is strong too, including Ving Rhames, A.J. Langer, and Sean Whalen. But the stars of the show are it's horrendous villains. Twin Peaks alumni Wendy Robie and Everett McGill play the antagonists (simply credited as "woman" and "man") and they just relish in how absolutely vile they are, and are the main source of entertainment throughout the runtime. The Hall of Fame of horror villainy isn't easy to get into, being crammed with popular icons and all, but these two deserve a spot for sure.
Other than these positives, it's also boasts some decent practical gore, a few creepy visuals, some moments of well earned tension, and is socially relevant to this day, touching upon subjects such as class difference, unaffordable healthcare, and racism. It's screenplay is an intelligent one in this respect, as well as having a fun side to it.
My only real issue with The People Under the Stairs is it's pacing. It does take a little too long to get going. When everything starts to get chaotic, it really becomes a good time, but it does get a bit repetitive, no matter how entertaining it is to see Everett McGill running around in a gimp suit.
These are minor gripes though, it's definitely worth a watch. It's another solid piece of work from Wes Craven, and deserves it's cult status wholeheartedly.
Laura Doe (1350 KP) rated Girl in the Walls in Books
Jul 1, 2021
Such a different concept for a book.
We follow a girl who is living in the walls of a house, that a family of no relation to her now own. She thinks that they don’t know that she’s there, but soon the two sons of the family, Eddie and Marshall, start to become suspicious. At first Marshall starts to blame Eddie and forever saying he’s weird and asking why he does things in the middle of the night. Eddie knows that there is someone else that is doing the things he is being blamed for, but can’t say for fear of being called weird and a child. It seems as though Eddie thinks that the girl in the walls is actually an imaginary friend or a ghost, and not a real person. It’s only after a while when the brothers talk to each other that they decide to team up and try to find out who or what is living in their walls that they can hear at the quietest moments in the house.
This book was thrilling from the start to the end, one that I didn’t want to finish but at the same time just knew I had to find out what was going to happen next. I spent most of my time reading the book trying to decide if the girl was real or a ghost, and it wasn’t until the last part of the book that I was finally decided.
I would recommend this book to anyone, due to the fact that I have never read anything similar and it genuinely had the hairs on the back of my neck standing up both when reading some parts and when discussing it with others.
Thank you to A.J. Gnuse and Pigeonhole for allowing me to read this! A definite 5 stars from me!
This book was thrilling from the start to the end, one that I didn’t want to finish but at the same time just knew I had to find out what was going to happen next. I spent most of my time reading the book trying to decide if the girl was real or a ghost, and it wasn’t until the last part of the book that I was finally decided.
I would recommend this book to anyone, due to the fact that I have never read anything similar and it genuinely had the hairs on the back of my neck standing up both when reading some parts and when discussing it with others.
Thank you to A.J. Gnuse and Pigeonhole for allowing me to read this! A definite 5 stars from me!
Kristy H (1252 KP) rated In Another Light in Books
Nov 11, 2021
Phoebe Glassman's life has been on hold for three years, ever since her husband Logan died in a car accident. Phoebe continues to work at the funeral home they co-owned, where she restores dead bodies. Then one day a deceased woman comes in who bares a startling resemblance to Phoebe. Her name is Pauline Steele, and she has a tattoo that Phoebe finds familiar: she once saw it on her late husband's phone. As she investigates further, Phoebe finds a photo of herself in Pauline's belongings, and her world stops. Who is this woman--what is her tie to Phoebe, and to Logan?
"She prefers to remain in limbo, to act as if she too, has died. She walks the earth, but she might as well be a phantom flitting through her life unnoticed, disturbing the air but barely registering her presence."
This excellent read is not quite what I expected--at times it's more emotional and character driven than pure thriller, but it does not matter: it's quite good. I tore through it, and I'm quickly realizing that I really enjoy A.J. Banner's books. They are reliable page turners and typically quite mesmerizing.
IN ANOTHER LIGHT kept me guessing from the beginning. Is Phoebe crazy from grief and simply obsessed with this lookalike woman? Or is there more to it--as she delves into Pauline's life, we truly wonder if we can trust Phoebe, yet you cannot help but root for this broken and grief struck woman. While she does not always make the best decisions, she's a fascinating character. The book balances touching moments with mysterious ones, and there are plenty of twists along the way. I appreciated Banner's deft touch and something different from the usual thriller. 4+ stars.
"She prefers to remain in limbo, to act as if she too, has died. She walks the earth, but she might as well be a phantom flitting through her life unnoticed, disturbing the air but barely registering her presence."
This excellent read is not quite what I expected--at times it's more emotional and character driven than pure thriller, but it does not matter: it's quite good. I tore through it, and I'm quickly realizing that I really enjoy A.J. Banner's books. They are reliable page turners and typically quite mesmerizing.
IN ANOTHER LIGHT kept me guessing from the beginning. Is Phoebe crazy from grief and simply obsessed with this lookalike woman? Or is there more to it--as she delves into Pauline's life, we truly wonder if we can trust Phoebe, yet you cannot help but root for this broken and grief struck woman. While she does not always make the best decisions, she's a fascinating character. The book balances touching moments with mysterious ones, and there are plenty of twists along the way. I appreciated Banner's deft touch and something different from the usual thriller. 4+ stars.
Kristy H (1252 KP) rated After Night Fall in Books
Mar 18, 2019
Page-turner with some irritating characters
Marissa Parlette is newly engaged to Nathan, an EMT, and working on integrating herself into his life and that of his young daughter, Anna. She is also trying to slowly reconcile with Nathan's neighbor, Lauren, who also happens to be Marissa's childhood best friend. The two parted ways after an incident in college. But then--after a dinner party at Nathan's to celebrate his birthday--Marissa awakens early and finds Lauren's battered body at the bottom of the cliff behind her house. What happened to Lauren? Did she jump? Fall? Or was she pushed? Marissa starts to investigate what happened, but soon finds she can't trust anything or anyone, including her own fiance.
This was my second A.J. Banner book, and it was a bit of a strange one. I didn't enjoy it as much as The Twilight Wife, but it is definitely a quick and interesting read. I flew through the pages, as Bannon is extremely good at casting suspicion on everyone in the novel. It becomes apparent quickly that Lauren's death wasn't an accident, so you start trying to guess who did it, and while everyone seems a suspect, I had difficultly figuring out "whodunnit," which was fun.
Not so fun was the fact that Marissa, our main character, drove me a bit crazy. I understand that she would be upset by the death of her former best friend, but she became utterly obsessed, investigating in a strange tunnel vision sort of way that seemed almost deranged. Yet, it seemed like she was clueless in some ways, unable to grasp some facts that were pretty easy for the rest of us to figure out. She was also rather self-centered, insecure, and whiny, and I had a tough time rooting for her. I really didn't enjoy any of the characters, honestly, beside Nathan's daughter, Anna. (Poor kid; she didn't deserve having to live with any of those people.)
Overall, I enjoyed the page-turner aspect of this one, and the fact I was constantly kept guessing. The characters and their weird motivations? Eh. Not so much. Still, this was a quick, easy read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was my second A.J. Banner book, and it was a bit of a strange one. I didn't enjoy it as much as The Twilight Wife, but it is definitely a quick and interesting read. I flew through the pages, as Bannon is extremely good at casting suspicion on everyone in the novel. It becomes apparent quickly that Lauren's death wasn't an accident, so you start trying to guess who did it, and while everyone seems a suspect, I had difficultly figuring out "whodunnit," which was fun.
Not so fun was the fact that Marissa, our main character, drove me a bit crazy. I understand that she would be upset by the death of her former best friend, but she became utterly obsessed, investigating in a strange tunnel vision sort of way that seemed almost deranged. Yet, it seemed like she was clueless in some ways, unable to grasp some facts that were pretty easy for the rest of us to figure out. She was also rather self-centered, insecure, and whiny, and I had a tough time rooting for her. I really didn't enjoy any of the characters, honestly, beside Nathan's daughter, Anna. (Poor kid; she didn't deserve having to live with any of those people.)
Overall, I enjoyed the page-turner aspect of this one, and the fact I was constantly kept guessing. The characters and their weird motivations? Eh. Not so much. Still, this was a quick, easy read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
BookishWoo (317 KP) rated Impervious in Books
Jul 12, 2020
When I agreed to take part in the Love Books Group book tour, I honestly thought that I would be immersing myself in a new Fantasy fiction. That one genre I hold close to my heart, where I can truly lose myself in the pages and is my escapism from everyday life. Where the hero’s and heroines win through and live happily every after.
Don’t get me wrong, on the face of it, Impervious is a Fantasy story. You find yourself wrapped up in a Quest with cleverly thought out nods to legends we oh so love. King Arthur, Excalibur and The Lady of the Lake, are those that struck me the most. With bone chilling monsters thrown into the mix.
As I got further into it, I realised there is something underlying, running parallel that you need to scratch, no dig under the surface to find.
It’s that scab that you just have to pick at (no intentions to gross anyone out there, but its the best analogy I can think of at the moment)
It’s not until close to the end that I had that Eureka moment. It was at that moment my heart was wrenched from my chest and the full force of the story hit me like a ton of bricks.
I have no doubt that some of you will have you “Ah Ha” moment a lot earlier than me. I was so wrapped up in the quest that I literally could not see the woods for the trees. But that’s OKAY! I am glad I didn’t figure it out, it kinda would have spoilt it for me.
Trina our protagonist, who pretty much has the full focus throughout, with reason, is just so god damn likeable. Lets give it up for Girl Power!
She takes everything in her stride, or so you are led to believe. Im having to be so careful I don’t give anything away here!
With that said, I am going to just leave you with this……….
This is a well written book, with a truly intricate plot within a plot. Delving into the Psyche and coping mechanisms of a teenage girl. A story with a deep message!
I received my copy from Love Books Group, A.J. Hartley and Uclan Publishing in exchange for an honest review.
Don’t get me wrong, on the face of it, Impervious is a Fantasy story. You find yourself wrapped up in a Quest with cleverly thought out nods to legends we oh so love. King Arthur, Excalibur and The Lady of the Lake, are those that struck me the most. With bone chilling monsters thrown into the mix.
As I got further into it, I realised there is something underlying, running parallel that you need to scratch, no dig under the surface to find.
It’s that scab that you just have to pick at (no intentions to gross anyone out there, but its the best analogy I can think of at the moment)
It’s not until close to the end that I had that Eureka moment. It was at that moment my heart was wrenched from my chest and the full force of the story hit me like a ton of bricks.
I have no doubt that some of you will have you “Ah Ha” moment a lot earlier than me. I was so wrapped up in the quest that I literally could not see the woods for the trees. But that’s OKAY! I am glad I didn’t figure it out, it kinda would have spoilt it for me.
Trina our protagonist, who pretty much has the full focus throughout, with reason, is just so god damn likeable. Lets give it up for Girl Power!
She takes everything in her stride, or so you are led to believe. Im having to be so careful I don’t give anything away here!
With that said, I am going to just leave you with this……….
This is a well written book, with a truly intricate plot within a plot. Delving into the Psyche and coping mechanisms of a teenage girl. A story with a deep message!
I received my copy from Love Books Group, A.J. Hartley and Uclan Publishing in exchange for an honest review.
Scott Tostik (389 KP) rated You're Next (2013) in Movies
Oct 11, 2017
One fucked up family gathering... Hey, who invited the sheep??
Contains spoilers, click to show
When I sing the praises of a movie in it's entirety, people who read my reviews know I think it's amazing.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
BankofMarquis (1832 KP) rated The Woman in the Window (2021) in Movies
May 24, 2021
It is NOT Rear Window
A piece of advice for you when you start to watch the “Alfred Hitchcock-esque” thriller, THE WOMAN IN THE WINDOW. If you are at all a Hitchcock fan, you will be spending the first part of this film comparing it to the 1954 classic REAR WINDOW and this would be a disservice to this film.
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Amanda (96 KP) rated The Woman in the Window in Books
Mar 11, 2019
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.