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Ross (3284 KP) rated The Liar's Key in Books
Mar 30, 2018
Reading Mark Lawrence books, while seeing the outpouring of adoration for his works on facebook and goodreads, is quite a complicated situation to find yourself in.
I love Mark Lawrence's writing style - that is, his flowing prose and sense of humour. I love the world of the Broken Empire - a post-apocalyptic version of the world after the use of nuclear weapons (all very much implied) and where the sea level has risen, changing the geography of Europe. I like most of the characters (in that I like all aspects of some of them and some aspects of the rest of them if that makes sense).
The tricky thing is, I have mixed feelings about the way Lawrence lays his books out - to my understanding he has a high level idea of the plot but then just ... writes. He just lets it happen. Now, this isn't a car crash like it might sound, there are enough hints and pointers strewn throughout the book (or trilogy) to make it all hang together, but at times things happen that just don't quite feel right. I'm not sure if its a deus ex machine type thing or just his characters being spontaneous, but at times I found that the right thing happens despite no suggestions this should be so. Characters making illogical decisions etc.
This has been the case throughout all 5 of his books I have read now and it is starting to become an irritant. The thing is, I tend to enjoy the overall story and am glad I have read them, it's just that at times I don't enjoy the journey.
That was very much the case here - the book is considerably longer than its predecessor but without any tangible benefit from that extra word count. The first half of the book is quite a slow boring journey and except for meeting two new characters/companions and some minor plot points, there is very little purpose to it. Snorri, my favourite character from the Prince of Fools, is almost absent here - just a massive, injured, sulking lump. This puts the focus on Jalan, our thoroughly detestable narrator.
The second half sees Jalan separate from the group and head home, only to run off once again, almost without reason. There then follows a very dull section of the book where he seems to be getting ahead at last, making money on the derivatives exchange (makes Phantom Menace trade quota discussions seem positively riveting).
The conclusion of the book is excellent and points to an exciting third book.
I love Mark Lawrence's writing style - that is, his flowing prose and sense of humour. I love the world of the Broken Empire - a post-apocalyptic version of the world after the use of nuclear weapons (all very much implied) and where the sea level has risen, changing the geography of Europe. I like most of the characters (in that I like all aspects of some of them and some aspects of the rest of them if that makes sense).
The tricky thing is, I have mixed feelings about the way Lawrence lays his books out - to my understanding he has a high level idea of the plot but then just ... writes. He just lets it happen. Now, this isn't a car crash like it might sound, there are enough hints and pointers strewn throughout the book (or trilogy) to make it all hang together, but at times things happen that just don't quite feel right. I'm not sure if its a deus ex machine type thing or just his characters being spontaneous, but at times I found that the right thing happens despite no suggestions this should be so. Characters making illogical decisions etc.
This has been the case throughout all 5 of his books I have read now and it is starting to become an irritant. The thing is, I tend to enjoy the overall story and am glad I have read them, it's just that at times I don't enjoy the journey.
That was very much the case here - the book is considerably longer than its predecessor but without any tangible benefit from that extra word count. The first half of the book is quite a slow boring journey and except for meeting two new characters/companions and some minor plot points, there is very little purpose to it. Snorri, my favourite character from the Prince of Fools, is almost absent here - just a massive, injured, sulking lump. This puts the focus on Jalan, our thoroughly detestable narrator.
The second half sees Jalan separate from the group and head home, only to run off once again, almost without reason. There then follows a very dull section of the book where he seems to be getting ahead at last, making money on the derivatives exchange (makes Phantom Menace trade quota discussions seem positively riveting).
The conclusion of the book is excellent and points to an exciting third book.
JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Let’s face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
Gareth von Kallenbach (980 KP) rated Black Mass (2015) in Movies
Aug 6, 2019
He was one of the most dangerous men and most notorious gangsters in American history. For over sixteen years he evaded the FBI and law enforcement until his eventual capture in 2011. Black Mass tells the story of James “Whitey” Bulger and his alliance with the FBI. The film delves deep into the relationship that is built between Bulger and FBI agents which allows him to expand his power beyond the Boston area. Audiences will be awestruck by the actions permitted and overlooked on the part of FBI agents working with Bulger which fall in line with the advice that Bulger gives his son: “If no one saw it, it didn’t happen.”
Johnny Depp (Pirates of the Caribbean, Sleepy Hollow, Edward Scissorhands) assumes the role of Bulger and audiences will not be able to take their eyes off of him in this film. Every movement, word, and action that he provides on screen demonstrates his versatility and ability to wear the skin and assume identity of those that he portrays. His portrayal of Whitey Bulger separates him from the “Jack Sparrow” identity that his audiences have become accustomed to. Even more impressive about his acting is the way in which the film’s direction displays more of a human element to this monster. The audience is shown countless acts of brutality undertaken by Bulger or on his orders, but there are moments in which you feel a sense of sorrow for the character. In no way do the moments allow for redemption or offer excuses for his actions, but it allows for the portrayal of a more human element. Humanizing Bulger allows for a much fuller picture of what took place during his life and demonstrates that crime was not the only factor.
The film takes all of us into a very dark place. We see a monster in action. We see countless people fall victim to Bulger and his organization. Depp intimidates not only the other characters being portrayed, but the audience in the way that his eyes always seem so cold and heartless. It is said that when you look into someone’s eyes, you can see their soul. With Whitey Bulger, his soul is absent whenever he is portrayed onscreen. This helps to solidify Depp’s portrayal of Bulger and the way that he lived his life. He was a cold, heartless monster. The only sense of a soul or any humanity comes with the direction of the film to make this monster human.
Johnny Depp (Pirates of the Caribbean, Sleepy Hollow, Edward Scissorhands) assumes the role of Bulger and audiences will not be able to take their eyes off of him in this film. Every movement, word, and action that he provides on screen demonstrates his versatility and ability to wear the skin and assume identity of those that he portrays. His portrayal of Whitey Bulger separates him from the “Jack Sparrow” identity that his audiences have become accustomed to. Even more impressive about his acting is the way in which the film’s direction displays more of a human element to this monster. The audience is shown countless acts of brutality undertaken by Bulger or on his orders, but there are moments in which you feel a sense of sorrow for the character. In no way do the moments allow for redemption or offer excuses for his actions, but it allows for the portrayal of a more human element. Humanizing Bulger allows for a much fuller picture of what took place during his life and demonstrates that crime was not the only factor.
The film takes all of us into a very dark place. We see a monster in action. We see countless people fall victim to Bulger and his organization. Depp intimidates not only the other characters being portrayed, but the audience in the way that his eyes always seem so cold and heartless. It is said that when you look into someone’s eyes, you can see their soul. With Whitey Bulger, his soul is absent whenever he is portrayed onscreen. This helps to solidify Depp’s portrayal of Bulger and the way that he lived his life. He was a cold, heartless monster. The only sense of a soul or any humanity comes with the direction of the film to make this monster human.
The Future of Foreign Intelligence: Privacy and Surveillance in a Digital Age
Book
Since the Revolutionary War, America's military and political leaders have recognized that U.S....
Kristy H (1252 KP) rated Summer of '69 in Books
Aug 23, 2019
Every year Kate Levin and her family spend the summer on Nantucket with Kate's mother, Exalta. But this summer is different. Kate's eldest, Blair, 24, is now married to a MIT professor named Angus Whalen and they're expecting their first baby in August. As such, Blair won't be on Nantucket this summer. Middle sister, Kirby, is a junior in college and spending the summer on Martha's Vineyard. Her only son, Tiger, recently deployed to Vietnam, which has left Kate feeling completely panicked and lost. Only her youngest, thirteen-year-old, Jessie, makes the trip. But without her siblings, Jessie feels overlooked and ignored. It's the historic summer of '69--and Levin family will have some memorable experiences of their own, too.
I just love Elin Hilderbrand's books and this was a really fun one. It didn't feel that much like "historical fiction," despite the 1969 setting, but it was fascinating to get a glimpse of how the late 1960s affected the family and their decisions--especially the females. The time period affects each woman, even Jessie, in their own way. Mom Kate was a tough one to love, at times, ignoring her poor daughter and moaning about Tiger and her own past. But, man, Hilderbrand just comes up with the best family dynamics. She sets an amazing scene, aided by her beloved Nantucket, and before you know it, you are there with her characters, immersed in their drama and daily lives.
For me, the star of this one was young Jessie. I loved how much of the book revolved around her--the points of view vary, but we hear from her a lot, and I couldn't help but love the kid. Nothing like growing up with a slightly absent mom, domineering grandmother, and a bunch of way older siblings, one of whom is at war. She was a breath of fresh air, and of course, Hilderbrand wrote from a teenage point of view perfectly. She gives all Kate's daughters their own unique voice, and it's amazing how each character stands out easily as distinct from one another.
This is not "simply" a tale of a family over a summer, it's captivating and engaging look at a family shaped by historical and domestic circumstances. I certainly enjoyed this novel and would definitely recommend it. I usually shy away from historical fiction, but I found it quite interesting--great characters and family dynamics as always from our summer novel queen. 4 stars.
I just love Elin Hilderbrand's books and this was a really fun one. It didn't feel that much like "historical fiction," despite the 1969 setting, but it was fascinating to get a glimpse of how the late 1960s affected the family and their decisions--especially the females. The time period affects each woman, even Jessie, in their own way. Mom Kate was a tough one to love, at times, ignoring her poor daughter and moaning about Tiger and her own past. But, man, Hilderbrand just comes up with the best family dynamics. She sets an amazing scene, aided by her beloved Nantucket, and before you know it, you are there with her characters, immersed in their drama and daily lives.
For me, the star of this one was young Jessie. I loved how much of the book revolved around her--the points of view vary, but we hear from her a lot, and I couldn't help but love the kid. Nothing like growing up with a slightly absent mom, domineering grandmother, and a bunch of way older siblings, one of whom is at war. She was a breath of fresh air, and of course, Hilderbrand wrote from a teenage point of view perfectly. She gives all Kate's daughters their own unique voice, and it's amazing how each character stands out easily as distinct from one another.
This is not "simply" a tale of a family over a summer, it's captivating and engaging look at a family shaped by historical and domestic circumstances. I certainly enjoyed this novel and would definitely recommend it. I usually shy away from historical fiction, but I found it quite interesting--great characters and family dynamics as always from our summer novel queen. 4 stars.
Rachel (48 KP) rated The Streets (The Pines Trilogy #3) in Books
May 27, 2017
Stick with it!
Firstly - the formatting of the Kindle edition is pretty terrible. Half of sentences are missing, some are cut in half by paragraphs, words are missing and strange gaps appear where they shouldn't be. Hopefully these issues will be rectified soon.
If you are looking for a cheery, easy bed time read then this is definitely not it! The tone of the book is rather dystopian and gritty. It's certainly not suitable for younger readers!
I wasn't aware that this is the last installment of a trilogy. Although prior knowledge of the other books probably adds more layers to the story and characters it can be read as a stand alone. The first two books do not seem to be available yet on the Kindle.
It took me a few chapters to 'get' the style of writing. It starts off with a huge bang and then slows down considerably. The way the author writes creates a pretty tense, claustrophobic atmosphere that doesn't let up at all throughout.
One character is both the centre of the story and absent for the majority of the time. There are various sub plots that all lead to the same ending. The author deals with these well and it's rarely confusing, especially when you get to know the characters a bit so you automatically know which plot line they are in. Unfortunately the formatting issues I brought up at the beginning of the review can cause confusion. That is not the authors fault, though, so my rating is not affected by those issues.
It is rather disturbing at times and deals with an awful lot of taboo and hard hitting subjects. Some people will probably find it too much but I felt that, although sometimes they are hammered home a little too often, the author deals with them on the right way.
Some of the characters are pretty much impossible to identify with but I feel that is kind of the point! I can't really say that any of the characters are completely sympathetic because they all have a darkness around them - sometimes due to their overt actions and others just because of their complicity in certain situations and events. Again, though, this seemed to be the authors intention.
Can I say that I enjoyed this novel? I'm not sure. It is very bleak, extremely uncomfortable at times and I found myself thinking about certain events that happened whilst doing everyday things. So enjoyment isn't the right word but it is very well written, intense and I am planning to try to get copies of the two earlier books. That in itself shows just how much the story got into my head and is proof of the authors skill
If you are looking for a cheery, easy bed time read then this is definitely not it! The tone of the book is rather dystopian and gritty. It's certainly not suitable for younger readers!
I wasn't aware that this is the last installment of a trilogy. Although prior knowledge of the other books probably adds more layers to the story and characters it can be read as a stand alone. The first two books do not seem to be available yet on the Kindle.
It took me a few chapters to 'get' the style of writing. It starts off with a huge bang and then slows down considerably. The way the author writes creates a pretty tense, claustrophobic atmosphere that doesn't let up at all throughout.
One character is both the centre of the story and absent for the majority of the time. There are various sub plots that all lead to the same ending. The author deals with these well and it's rarely confusing, especially when you get to know the characters a bit so you automatically know which plot line they are in. Unfortunately the formatting issues I brought up at the beginning of the review can cause confusion. That is not the authors fault, though, so my rating is not affected by those issues.
It is rather disturbing at times and deals with an awful lot of taboo and hard hitting subjects. Some people will probably find it too much but I felt that, although sometimes they are hammered home a little too often, the author deals with them on the right way.
Some of the characters are pretty much impossible to identify with but I feel that is kind of the point! I can't really say that any of the characters are completely sympathetic because they all have a darkness around them - sometimes due to their overt actions and others just because of their complicity in certain situations and events. Again, though, this seemed to be the authors intention.
Can I say that I enjoyed this novel? I'm not sure. It is very bleak, extremely uncomfortable at times and I found myself thinking about certain events that happened whilst doing everyday things. So enjoyment isn't the right word but it is very well written, intense and I am planning to try to get copies of the two earlier books. That in itself shows just how much the story got into my head and is proof of the authors skill
Ross (3284 KP) rated Perfect Crime in Books
Feb 19, 2019 (Updated Feb 19, 2019)
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
Becs (244 KP) rated Shadow and Bone (The Grisha #1) in Books
Aug 23, 2019
Captivating story that leaves you enthralled
You can also find this review along with others on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations
Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.
The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.
The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…
Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.
The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.
Leigh Bardugo, why do you do cruel things to me…
“What is infinite? The universe and the greed of men.”
TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations
Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.
The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.
The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…
Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.
The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.
Leigh Bardugo, why do you do cruel things to me…
“What is infinite? The universe and the greed of men.”
Lilyn G - Sci-Fi & Scary (91 KP) rated Lilac Skully and the Haunted House in Books
Feb 10, 2018
Lilac is a character you can't help but root for.
I don't often comment on covers, but I've got to start this by saying I love the cover for Lilac Skully and the Haunted House. The house is definitely suitably creepy, and the color choice for the sky is absolutely gorgeous. I did pick it up just to look at the cover more than once before it made it’s way to the top of my to-read pile. And at only 168 pages, when I finally did pick it up to read, it was a book that I flew through. Obviously it’ll take the intended age range a bit longer to read than it did for me, but I can’t imagine it being a slow go for anyone. It’s well-written and nicely paced. The story hits the ground running.
I liked Lilac Skully and the Haunted House. Lilac reminded, at least vaguely, of Luna Lovegood from the Harry Potter series. Not as crazy, mind you, but with the blonde hair, the big eyes, and the outcast status, it was hard for her not to feel a little familiar. This was a good thing, as it enabled me to immediately connect with the character a little more quickly than I might have normally. The fact that Lilac was scared of ghosts was perfect. Young readers will definitely be able to empathize with the little girl who does all the sensible things to avoid running into them. Who in their right mind would want to go into a haunted basement, right?
The set up is fairly typical of a kid’s book. A single parent family, with the father additionally and conveniently absent for the majority of the book. The adults that are in the picture for Lilac Skully and the Haunted House are bumbling, sometimes up to no good, and ridiculously easily fooled. Nothing new to see, but still entertaining to read. The formula works for a reason, even if we do celebrate times when things veer from the norm. In this case, it allowed Lilac to participate in some Home Alone-esque shenanigans that had me grinning.
It’s obvious the author has more adventures for Lilac Skully planned (seven, to be exact), and I think she will swiftly gain a loyal fanbase. Lilac Skully and the Haunted House was easy to read, and featured a little girl with a lot of heart. I enjoyed watching Lilac learn that appearances can be deceiving, and that sometimes the people you least expect can become your best friends.
Overall, a very good read for young readers who want something with ghosts, but not something ‘too scary’. Lilac Skully and the Haunted House worth picking up, and something you can let them read on their own, or read with you each evening.
Disclaimer: I received a copy of this book from the author for review consideration.
I liked Lilac Skully and the Haunted House. Lilac reminded, at least vaguely, of Luna Lovegood from the Harry Potter series. Not as crazy, mind you, but with the blonde hair, the big eyes, and the outcast status, it was hard for her not to feel a little familiar. This was a good thing, as it enabled me to immediately connect with the character a little more quickly than I might have normally. The fact that Lilac was scared of ghosts was perfect. Young readers will definitely be able to empathize with the little girl who does all the sensible things to avoid running into them. Who in their right mind would want to go into a haunted basement, right?
The set up is fairly typical of a kid’s book. A single parent family, with the father additionally and conveniently absent for the majority of the book. The adults that are in the picture for Lilac Skully and the Haunted House are bumbling, sometimes up to no good, and ridiculously easily fooled. Nothing new to see, but still entertaining to read. The formula works for a reason, even if we do celebrate times when things veer from the norm. In this case, it allowed Lilac to participate in some Home Alone-esque shenanigans that had me grinning.
It’s obvious the author has more adventures for Lilac Skully planned (seven, to be exact), and I think she will swiftly gain a loyal fanbase. Lilac Skully and the Haunted House was easy to read, and featured a little girl with a lot of heart. I enjoyed watching Lilac learn that appearances can be deceiving, and that sometimes the people you least expect can become your best friends.
Overall, a very good read for young readers who want something with ghosts, but not something ‘too scary’. Lilac Skully and the Haunted House worth picking up, and something you can let them read on their own, or read with you each evening.
Disclaimer: I received a copy of this book from the author for review consideration.
Gareth von Kallenbach (980 KP) rated Playing for Keeps (2012) in Movies
Aug 7, 2019
Gerard Butler has stepped out of his 300 uniform and into some soccer
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*