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Caffeinated Fae (464 KP) rated The Necromancer's Prison in Books

Aug 19, 2019  
The Necromancer's Prison
The Necromancer's Prison
Alec Whitesell, Craig Bonacorsi | 2019 | Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
Daring adventure with realistic teens
**I received this book from the author in exchange for an honest review**

I will admit I was a little hesitant to read this book. Science fiction and I have a love-hate relationship. I tend to get bored if the book is too logical, so it's always a gamble for me. Luckily, this book was right up my alley. It's science fiction that verges on the cusp of fantasy. It's logical, but it doesn't get bogged down by too much logic which I appreciated.

The Necromancer's Prison is a daring adventure book that is sure to keep you turning the page. I loved seeing the interaction between the main characters, and I loved the bickering & comradery they had as well. Each character was there for a reason, and I liked that they acted like teenagers. They had a great connection to each other, and even as an adult, I could connect with them.

Something else that I loved about this book is the plot and how fast-paced it was. Once I got into the story, I devoured it. The plot was intricate and engaging. It also had some twists & turns, which kept me guessing as to what was going to happen next. Though I will admit, the present tense threw me for a loop. It took me a bit to get into the book, but once I got into the meat of the book, I enjoyed it.

All in all, this book left me satisfied, and I'm looking forward to the next in the series. I recommend this book to anyone that wants a quick-paced science fiction that verges on fantasy.
  
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Edgar Wright recommended Peeping Tom (1960) in Movies (curated)

 
Peeping Tom (1960)
Peeping Tom (1960)
1960 | Horror, Thriller
7.8 (16 Ratings)
Movie Favorite

"I edited Scott Pilgrim on Charlotte Street in London. Two key Peeping Tom locations were outside the door of my workplace: the passageway where a doomed prostitute picks up Mark Lewis in the opening sequence, and the newsagent above which he takes adult photographs. I had seen Peeping Tom two or three times before but finally watched it on the big screen when I was working in its locale. Michael Powell’s film had always haunted and intrigued me, but seeing the streets that I traversed every day on-screen from fifty years earlier had a darkly powerful effect on me. Even though the film is a work of fiction, my walk home would never be the same again. I would think about Peeping Tom every day, and beyond that, the ghosts of Fitzrovia: dark doings behind closed doors, grim secrets at the tops of narrow staircases."

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