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A Brief Guide to Agatha Christie
6.0
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Agatha Christie's 80 novels and short-story collections have sold over 2 billion copies in more than...
A Plague Among Us (Mimi Goldman Chautauqua Mysteries #8)
8.0
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When Al Martin, the editor of a satiric newspaper in Chautauqua, N.Y., reportedly dies of COVID-19,...
Mystery
Fruit Bat (42 KP) rated The Strange Case of Caroline Maxwell in Books
Mar 1, 2018
Recommended reading "The Strange Case of Caroline Maxwell "Paperback – 12 Sep 2014 by Amanda Harvey Purse.
This book has all the ingredients that makes a great mystery novel. The question is what is there not to love history mixed with fiction, Sherlock Holmes, Jack the Ripper with a great references to Agatha Christie and a famous little Belgian detective.
Amanda's book deserves so much more then the twos reviews it has on Amazon .
The book is truly well researched and comes across as a great labour of love , I loved spotting the historical cases that where mixed among the fiction. If you have the opportunity to read this book I recommend you do it's not to be missed.
Amanda I loved this book from start to finish thank you for the opportunity to read it I hope to see more of this wonderful character
This book has all the ingredients that makes a great mystery novel. The question is what is there not to love history mixed with fiction, Sherlock Holmes, Jack the Ripper with a great references to Agatha Christie and a famous little Belgian detective.
Amanda's book deserves so much more then the twos reviews it has on Amazon .
The book is truly well researched and comes across as a great labour of love , I loved spotting the historical cases that where mixed among the fiction. If you have the opportunity to read this book I recommend you do it's not to be missed.
Amanda I loved this book from start to finish thank you for the opportunity to read it I hope to see more of this wonderful character
A Parfait Crime
8.0
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Set in a quaint Chesapeake Bay town, the latest novel in Maya Corrigan’s Five-Ingredient Mysteries...
The Monogram Murders: The New Hercule Poirot Mystery
Agatha Christie and Sophie Hannah
8.0
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The new Hercule Poirot novel - another brilliant murder mystery that can only be solved by the...
BankofMarquis (1832 KP) rated Death on the Nile (2022) in Movies
Mar 16, 2022
Well Done
The old adage “they don’t make movies like this anymore” is no truer than when one is speaking about large budget, big name cast murder mysteries and with what must surely be a disappointing box office for DEATH ON THE NILE, they just might not try again.
And that is too bad for the latest Kenneth Branagh Hercule Poirot mystery DEATH ON THE NILE with Branagh starring, again, as the great Agatha Christie Belgian Detective is the stuff that makes going to movies fun - big characters, major stars, gorgeous scenery and a plot that will keep one guessing until the end.
Branagh’s previous work as Director and star of MURDER OF THE ORIENT EXPRESS was a bit of a disappointment as it was gorgeous and well cast - but the pacing of the film dragged and Branagh decided, inexplicably, to add an action scene to a drawing room mystery.
In DEATH ON THE NILE, Branagh (who Directed this film from an screenplay by Michael Green who adapted the Agatha Christie novel), corrected these mistakes and the film moves along spritely with the actors chewing the scenery - but quickly - making this a very enjoyable movie-going experience.
Branagh, in his second go-around as Poirot, seems much more relaxed and comfortable with his character. This is, perhaps, because they add a backstory to Poirot, so he has much more to set his character upon. On the surface, purists of the the Agatha Christie character will blanche at the thought of adding a backstory, but I’ll be darned if it doesn’t work and adds a layer of depth to the character and the film that I wasn’t expecting.
The All-Star cast knows what type of film they are in - and what is expected of them - and they deliver. Gal Gadot, Armie Hammmer, Rose Leslie, Letitia Wright, Jennifer Saunders, Sophie Okonedo and, surprisingly, Russell Brand all shine brightly in their “moment” that their character gets with Poirot. Special notice needs to be made of Annette Bening’s performance. It was GREAT to see this wonderful actress get a role she could sink her teeth into.
As always, with this type of film, the settings and costumes take a prominent position and they do not disappoint. Cinematographer Haris Zambarloukos should be hired by the Egyptian Chamber of Commerce for he lovingly shows the sites along the Nile River (circa ‘1930’s) in a beautiful poetic way while the Costumes by Pago Delgado are gorgeous and ornate - without being over-the-top.
If you get a chance to see DEATH ON THE NILE on the big screen, do so, you will be well rewarded for your efforts - and just might help get another of these big budget, big star mysteries made. If not, make sure to check this film out when it starts streaming near you - it’s a ton of fun.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is too bad for the latest Kenneth Branagh Hercule Poirot mystery DEATH ON THE NILE with Branagh starring, again, as the great Agatha Christie Belgian Detective is the stuff that makes going to movies fun - big characters, major stars, gorgeous scenery and a plot that will keep one guessing until the end.
Branagh’s previous work as Director and star of MURDER OF THE ORIENT EXPRESS was a bit of a disappointment as it was gorgeous and well cast - but the pacing of the film dragged and Branagh decided, inexplicably, to add an action scene to a drawing room mystery.
In DEATH ON THE NILE, Branagh (who Directed this film from an screenplay by Michael Green who adapted the Agatha Christie novel), corrected these mistakes and the film moves along spritely with the actors chewing the scenery - but quickly - making this a very enjoyable movie-going experience.
Branagh, in his second go-around as Poirot, seems much more relaxed and comfortable with his character. This is, perhaps, because they add a backstory to Poirot, so he has much more to set his character upon. On the surface, purists of the the Agatha Christie character will blanche at the thought of adding a backstory, but I’ll be darned if it doesn’t work and adds a layer of depth to the character and the film that I wasn’t expecting.
The All-Star cast knows what type of film they are in - and what is expected of them - and they deliver. Gal Gadot, Armie Hammmer, Rose Leslie, Letitia Wright, Jennifer Saunders, Sophie Okonedo and, surprisingly, Russell Brand all shine brightly in their “moment” that their character gets with Poirot. Special notice needs to be made of Annette Bening’s performance. It was GREAT to see this wonderful actress get a role she could sink her teeth into.
As always, with this type of film, the settings and costumes take a prominent position and they do not disappoint. Cinematographer Haris Zambarloukos should be hired by the Egyptian Chamber of Commerce for he lovingly shows the sites along the Nile River (circa ‘1930’s) in a beautiful poetic way while the Costumes by Pago Delgado are gorgeous and ornate - without being over-the-top.
If you get a chance to see DEATH ON THE NILE on the big screen, do so, you will be well rewarded for your efforts - and just might help get another of these big budget, big star mysteries made. If not, make sure to check this film out when it starts streaming near you - it’s a ton of fun.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (5667 KP) rated The Death of Mrs Westaway in Books
Jul 6, 2018
You'll be on the edge of your seat!
Suspenseful. This is my first Ruth Ware novel, and it was definitely suspenseful. It reminded me a lot of the Agatha Christie films - a family shut away in a big old house with a mystery to solve. But this has a very modern edge to it. The house is still spooky though: I expected it to go full on James Herbert (it didn't)!
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
The Monogram Murders
Agatha Christie and Sophie Hannah
6.0
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The new Hercule Poirot novel - another brilliant murder mystery that can only be solved by the...
BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
Deborah (162 KP) rated Sidney Chambers and the Shadow of Death in Books
Dec 19, 2018
First off, I expected this to be a novel, so when I got about 70 pages in and it seemed to be winding up the mystery, I was a bit confused. It's actually a series of 6 stories which are different mysteries that Cannon Sidney Chambers finds himself getting involved in. Also, except for the division into stories, there are no chapter breaks.
Of the six stories here, I thought that some worked better than others. The first ones were a little more genteel whereas the later ones, particularly perhaps the penultimate story, were a little more dark and disturbing.
I'm too young to remember this period, so I can't comment on how accurate it is, but I didn't feel that I got a really strong sense of the period. The geographical setting is mainly around Cambridge, with several jaunts up to London. Perhaps the author thought this was just the sort of thing to appeal to those readers of Agatha Christie, because the solutions to no less than three of her books are revealed here - good job I'd read them already....
Altogether, there's enough going on to sustain the interest and I see that the author is proposing a total of six volumes, taking us right up to the early 1980s.
Of the six stories here, I thought that some worked better than others. The first ones were a little more genteel whereas the later ones, particularly perhaps the penultimate story, were a little more dark and disturbing.
I'm too young to remember this period, so I can't comment on how accurate it is, but I didn't feel that I got a really strong sense of the period. The geographical setting is mainly around Cambridge, with several jaunts up to London. Perhaps the author thought this was just the sort of thing to appeal to those readers of Agatha Christie, because the solutions to no less than three of her books are revealed here - good job I'd read them already....
Altogether, there's enough going on to sustain the interest and I see that the author is proposing a total of six volumes, taking us right up to the early 1980s.