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Jason Williamson recommended Only Built 4 Cuban Linx by Raekwon in Music (curated)
Hazel (1853 KP) rated A Piece Of The World in Books
May 30, 2018
I received this book for free through Goodreads First Reads.
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, A Piece of the World is written around a single painting in the Museum of Modern Art, New York: Christina’s World (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be Charcot-Marie-Tooth disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting Christina’s World, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
A Piece of the World is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, A Piece of the World is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, A Piece of the World is written around a single painting in the Museum of Modern Art, New York: Christina’s World (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be Charcot-Marie-Tooth disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting Christina’s World, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
A Piece of the World is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, A Piece of the World is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
Hazel (1853 KP) rated A Piece Of The World in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
<imgsrc="https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=33c151dba7f8de4c"width="100"height="40"alt="ChristinasWorld"/>;
Until reading Christina Baker Kline’s note at the end of the book, it is impossible to guess that it is based on real people, although, admittedly, it is a little strange to name the main character after oneself. In fact, <i>A Piece of the World</i> is written around a single painting in the Museum of Modern Art, New York: <i>Christina’s World</i> (1948) by Andrew Wyeth, a man who appears and paints this work in the story.
Baker Cline researched thoroughly into the background story of the painting. Christina Olson, the main character of this book, was a real person who posed for Wyeth as he painted this striking picture. Although the overall story is a work of fiction, the dates and key characters are biographically accurate. Beginning in 1939, the narrative weaves too and fro, from Christina’s present day to her childhood and back again. Christina is an ageing woman who can barely walk and lives in a dilapidated cottage with her brother on a hill in the village of Cushing, Maine. Having lived in this state for so long, it is a welcome surprise to be visited by the young Andrew Wyeth who falls in love with the cottage and regularly comes to work on his canvases in their upper rooms. Through their peaceful relationship and flashbacks to her past, Christina’s character development is investigated and knitted together to explain why she has become this recluse on a hill.
Christina had problems from a very young age. After almost dying from a fever, she developed an undiagnosed degenerative disease that slowly ate away at the nerves in her arms and legs. Today, neurologists believe this to be <i>Charcot-Marie-Tooth</i> disease but there were no doctors able to provide this diagnosis at the time. Christina suffered aches and pains growing up and could barely walk in a straight line. Her determination to keep going is admirable and makes her a strong female protagonist.
One day in her early twenties, Christina meets a boy who pays her the kind of attention that she has never received before. Believing his promises that they will be together forever, she dares to dream of having a normal life. The reader, however, knows that the future Christina is alone with only her brother for company, making it heartbreaking to read of their developing romance knowing that it is not going to last.
There is no “happy-ever-after” to this story, nor is there a sad ending. It is an account of a woman who had been dealt a raw deal in life but continued getting on despite it. The end result, the painting <i>Christina’s World</i>, shows Christina as she sees herself. She may not be able to walk but she is still a woman; she made the most of her childhood, she never complained. This painting is her “letter to the World that never wrote to [Her].”
<i>A Piece of the World</i> is a powerful novel about purpose and determination. Christina may not have had a typical, successful life or become famous but she had her daily achievements: crawling through a field for an hour to visit a friend, cooking dinners despite not being able to stand up, carrying on after the end of a romantic relationship …
Written as gracefully as the brushstrokes of a painting with elements of Emily Dickinson thrown in here and there, </i>A Piece of the World</i> is a beautiful piece of work. It is something that can be enjoyed as you are mentally drawn into the storyline, leaving you wondering what happens to Christina and her brother after the completion of the painting. It is a novel the author can be proud of.
<imgsrc="https://www.moma.org/media/W1siZiIsIjE2NTQ1NyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=33c151dba7f8de4c"width="100"height="40"alt="ChristinasWorld"/>;
Bob Mann (459 KP) rated Denial (2016) in Movies
Sep 29, 2021
Jewry Trial.
It’s the mid-90’s and Deborah Lipstadt (Rachael Weisz, “The Lobster“), an American professor of Holocaust studies at a US university has written a book naming and shaming David Irving (Timothy Spall, “Mr Turner”) as a Nazi-apologist who denies that the Holocaust ever happened. Filing a law suit against Penguin Books and Lipstadt in the UK, Lipstadt chooses to fight rather than settle and takes the case to the High Courts in a much publicised trial.
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
ArecRain (8 KP) rated Blackmailed (Blackmailed #1) in Books
Jan 18, 2018
Wow, what to say about this novel. I found it so completely ridiculous in so many ways. I'll start with how Brianna came into her position in the first place. Her father, Andrew Wyatt, blackmails his own daughter, Brianna, into being Cole Master's whore so that she can produce an heir for Wyatt. How does he blackmail daughter of legal age into doing his bidding? By threatening her brother, his son. Apparently, that is enough to turn his daughter into a breeding mule. Normally, I would find it hard to believe that anyone would act like such a neanderthal in this day and age, but I have been wrong before.
When Wyatt brings his daughter to Cole, who agrees to this all out of curiosity, Cole is immediately protective of the plain girl. The best way I can explain it is lust at first sight. For some reason, Cole feels protective of Brianna and cannot wait to sexually awaken her....and then share her with his head of security, Tyler Cannon. Cole isn't gay, but he is consumed with thoughts of sharing her with his lifelong friend. What I found most disturbing is that the day after Cole pops Brianna's cherry (also the first day they met), he gets his wish of sharing his new charge. How he does it actually infuriates me. After Brianna's first time, she falls asleep in Cole's bed, only to wake blindfolded and tied to the bed so Tyler can do whatever he wants with her. If I was in the same position, I would furious, not turned on.
And so their sexual activities continue and Cole obtains custody of Brianna's birthday. Cole asks Brianna to marry him, Wyatt becomes furious, Cole shuts him down. Pretty simple yet insane plot line.
On a lighter note, the erotic scenes were fantastic although I could do without the dirty talk. For some reason, talking during sex is always more exciting when you are actually doing the deed. Reading about it is...well awkward.
An entertaining novel despite plot.
When Wyatt brings his daughter to Cole, who agrees to this all out of curiosity, Cole is immediately protective of the plain girl. The best way I can explain it is lust at first sight. For some reason, Cole feels protective of Brianna and cannot wait to sexually awaken her....and then share her with his head of security, Tyler Cannon. Cole isn't gay, but he is consumed with thoughts of sharing her with his lifelong friend. What I found most disturbing is that the day after Cole pops Brianna's cherry (also the first day they met), he gets his wish of sharing his new charge. How he does it actually infuriates me. After Brianna's first time, she falls asleep in Cole's bed, only to wake blindfolded and tied to the bed so Tyler can do whatever he wants with her. If I was in the same position, I would furious, not turned on.
And so their sexual activities continue and Cole obtains custody of Brianna's birthday. Cole asks Brianna to marry him, Wyatt becomes furious, Cole shuts him down. Pretty simple yet insane plot line.
On a lighter note, the erotic scenes were fantastic although I could do without the dirty talk. For some reason, talking during sex is always more exciting when you are actually doing the deed. Reading about it is...well awkward.
An entertaining novel despite plot.
Phil Leader (619 KP) rated Deadly Harm in Books
Nov 25, 2019
Mackenzie is a survivor. She has survived a brutal kidnap ordeal and now runs a refuge for women who need to escape domestic violence. But when she has to turn a young woman away only for her husband to kill her, Mackenzie blames herself and resolves that she will do anything to prevent anything like that happening again. It isn't long before she must test her resolve. She has survived before. What will she do to survive now?
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
Once again Mullen demonstrates his credentials as one of the best crime writers out there, throwing a couple of extra murders into the mix and once again having dogged and dog-eared policeman Andrew Geddes play a large part, not only as an upholder of the law but also as Mackenzie's potential love interest. But how can a man who lives in terms of black and white cope when his girlfriend lives in the grey areas? The moral choices made by the leading characters may be questioned by the reader, but their motivations are always clear.
And what a cast of characters. The beauty of this is that everyone - Mackenzie, Geddes, the women at the refuge and killer Malkie Boyle - are all damaged from their lives and experiences. Even when Mullen's clean-cut private investigator Charlie Cameron crops up, it only serves to cast a light that reveals the shadows around the others. Everybody rings very true and the whole plot is very believable, and could be playing out at this moment.
And speaking of the plot, as usual this moves along at a breezy pace, introducing characters as it goes without slowing its momentum. This isn't a classic 'whodunnit' - it is clear exactly who did what - but isn't without twists and surprises, several plots simmering along next to each other and coming to the boil perfectly throughout the book.
Another fantastic read from simply one of the best authors there is. Very highly recommended
JT (287 KP) rated 1917 (2020) in Movies
Mar 3, 2020
Brilliant cinematography (2 more)
Great score
Fantastic central characters
A stunning film which hits hard both physically and emotionally
particular emphasis on cinematography. The World War I film is made to look like one continuous shot by director Sam Mendes whose one-shot opening of Spectre gave us a taste of things to come.
The film swept awards season with the film winning Best Drama Motion Picture at the Golden Globes, not to mention cleaning up at the BAFTAs. This was a strong indication that Mendes might have a hand on a couple of Oscars.
1917 tells the story of two Lance Corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay) who are tasked with hand-delivering a message to another battalion who are inadvertently walking into a trap – Blake’s brother among them. If they fail then 1,600 men will lose their lives.
Blake and Schofield have been through a lot. When we first meet them they are relaxing beneath a tree, taking a break trying to enjoy the peaceful surroundings.
Without so much as a thought the pair salute General Erinmore (Colin Firth) and start the first part of their harrowing journey crossing no man’s land. The film is gripping in every sense of the word and you feel as if you are making the treacherous journey with them.
The scenery is devastatingly realistic, particularly the trip across no man’s land where charred bodies are buried deep in bombed-out craters of mud, their faces starring out in a look of shock.
The cast is limited to a few big-name cameos which aren’t blink and you miss them. Joining Firth is Andrew Scott, Mark Strong and Benedict Cumberbatch who make a significant impression in key scenes. The film flows incredibly well and never takes a back step, quite literally.
This is a journey that rivals Saving Private Ryan for it’s impactfulness, and why the memories of those who fought in the great war should always be forever remembered as true heroes.
The film swept awards season with the film winning Best Drama Motion Picture at the Golden Globes, not to mention cleaning up at the BAFTAs. This was a strong indication that Mendes might have a hand on a couple of Oscars.
1917 tells the story of two Lance Corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay) who are tasked with hand-delivering a message to another battalion who are inadvertently walking into a trap – Blake’s brother among them. If they fail then 1,600 men will lose their lives.
Blake and Schofield have been through a lot. When we first meet them they are relaxing beneath a tree, taking a break trying to enjoy the peaceful surroundings.
Without so much as a thought the pair salute General Erinmore (Colin Firth) and start the first part of their harrowing journey crossing no man’s land. The film is gripping in every sense of the word and you feel as if you are making the treacherous journey with them.
The scenery is devastatingly realistic, particularly the trip across no man’s land where charred bodies are buried deep in bombed-out craters of mud, their faces starring out in a look of shock.
The cast is limited to a few big-name cameos which aren’t blink and you miss them. Joining Firth is Andrew Scott, Mark Strong and Benedict Cumberbatch who make a significant impression in key scenes. The film flows incredibly well and never takes a back step, quite literally.
This is a journey that rivals Saving Private Ryan for it’s impactfulness, and why the memories of those who fought in the great war should always be forever remembered as true heroes.
Ali A (78 KP) rated When We Were Vikings in Books
Mar 4, 2020
When We Were Vikings is about Zelda, a high functioning 21 year old diagnosed with fetal alcohol syndrome, who is a Viking enthusiast trying to figure out her life quest. Zelda lives with her brother Gert after both of their parents died when they were young. Gert and his on again/off again girlfriend Annie, whom Zelda calls AK47, make up Zelda's main tribe. Together, they try to figure out their legacies.
Andrew David MacDonald delivered an amazing story. I absolutely adored the character of Zelda. The way she loved Vikings and applied the Viking culture to make it through life's difficulties was endearing. I loved Zelda and I just wanted her to succeed. Her blunt, unembellished language was easy to read and refreshing. Whether it's telling off thugs or talking about sex and periods, Zelda says what she thinks.
Her brother Gert also tried to figure out how to not only live his life and figure the world out, but also tried to help Zelda figure hers out. He attempted to work with the cards he'd been dealt, but in all honesty, he seemed to constantly grab from the pile ones that just made life harder - he was always making messes that others were cleaning up after, even Zelda herself. I just wanted to sit him down and tell him to get it together and keep it together.
This book had a lot of concepts in it that worked for me. The characters are both quirky and realistic. It's endearing and heartwarming; it's full of love and hate. Some portions of the book made me laugh out loud while others made me want to slam the book shut out of frustration. It had some light themes but also some pretty dark themes. When We Were Vikings earned a spot on my Recommended Fiction List.
"...The point is you're willing to give it a try. That's what makes someone a legend."
Andrew David MacDonald delivered an amazing story. I absolutely adored the character of Zelda. The way she loved Vikings and applied the Viking culture to make it through life's difficulties was endearing. I loved Zelda and I just wanted her to succeed. Her blunt, unembellished language was easy to read and refreshing. Whether it's telling off thugs or talking about sex and periods, Zelda says what she thinks.
Her brother Gert also tried to figure out how to not only live his life and figure the world out, but also tried to help Zelda figure hers out. He attempted to work with the cards he'd been dealt, but in all honesty, he seemed to constantly grab from the pile ones that just made life harder - he was always making messes that others were cleaning up after, even Zelda herself. I just wanted to sit him down and tell him to get it together and keep it together.
This book had a lot of concepts in it that worked for me. The characters are both quirky and realistic. It's endearing and heartwarming; it's full of love and hate. Some portions of the book made me laugh out loud while others made me want to slam the book shut out of frustration. It had some light themes but also some pretty dark themes. When We Were Vikings earned a spot on my Recommended Fiction List.
"...The point is you're willing to give it a try. That's what makes someone a legend."
Phillip McSween (751 KP) rated Under Siege (1992) in Movies
Jan 25, 2021
Cheesy But Leaves An Impact
A short order cook on a navy ship has to fight off terrorists that have taken control.
Acting: 6
When I think acting chops, please believe I’m not referring to Steven Seagal. It’s rough watching him spit out lines. The majority of the other actors aren’t really any better save for an underrated performance by Tommy Lee Jones. If you’re looking for quality thespians, look elsewhere.
Beginning: 6
Characters: 7
Cinematography/Visuals: 6
There are some quality shots here, although things are a bit jumbled at times. I do have to give credit to Andrew Davis as I’m sure it was a challenge doing a movie solely below deck of a ship. I definitely wouldn’t want that challenge. Not much to be desired, I appreciated he did the best he could with the little he was given.
Conflict: 10
Entertainment Value: 7
Memorability: 7
Cheesy, but definitely leaves enough of an impact where I would watch it again. It’s a great movie to check out while folding clothes or doing any other mindless task. Steven Seagal definitely leaves behind some fun action moments that make the movie worthwhile.
Pace: 7
Plot: 7
Cheesy? Sure. Original? Absolutely. It sounds ridiculous but I have to give the story credit for trying to branch out and try something new, especially during the early 90’s when martial arts movies were all the rage. It’s not winning any Oscars, but I’ve seen worse stories from movies that have tried harder.
Resolution: 10
Great ending that brings the movie to a nice close. I like that it fits perfectly in line with the rest of the cheesiness of the movie. Great way to wrap things up.
Overall: 73
For what it’s worth, Under Siege doesn’t do anything exceptionally well, but it doesn’t do anything terribly bad either. It’s a fun movie if you have time to kill. Definitely one of my favorite Tommy Lee Jones roles.
Acting: 6
When I think acting chops, please believe I’m not referring to Steven Seagal. It’s rough watching him spit out lines. The majority of the other actors aren’t really any better save for an underrated performance by Tommy Lee Jones. If you’re looking for quality thespians, look elsewhere.
Beginning: 6
Characters: 7
Cinematography/Visuals: 6
There are some quality shots here, although things are a bit jumbled at times. I do have to give credit to Andrew Davis as I’m sure it was a challenge doing a movie solely below deck of a ship. I definitely wouldn’t want that challenge. Not much to be desired, I appreciated he did the best he could with the little he was given.
Conflict: 10
Entertainment Value: 7
Memorability: 7
Cheesy, but definitely leaves enough of an impact where I would watch it again. It’s a great movie to check out while folding clothes or doing any other mindless task. Steven Seagal definitely leaves behind some fun action moments that make the movie worthwhile.
Pace: 7
Plot: 7
Cheesy? Sure. Original? Absolutely. It sounds ridiculous but I have to give the story credit for trying to branch out and try something new, especially during the early 90’s when martial arts movies were all the rage. It’s not winning any Oscars, but I’ve seen worse stories from movies that have tried harder.
Resolution: 10
Great ending that brings the movie to a nice close. I like that it fits perfectly in line with the rest of the cheesiness of the movie. Great way to wrap things up.
Overall: 73
For what it’s worth, Under Siege doesn’t do anything exceptionally well, but it doesn’t do anything terribly bad either. It’s a fun movie if you have time to kill. Definitely one of my favorite Tommy Lee Jones roles.
Logan Eccles (135 KP) rated Hellboy (2019) in Movies
Oct 1, 2020 (Updated Oct 2, 2020)
For TRUE Hellboy fans
Ok, I know I didn't give this a super high rating but I did rate it higher than IMDBs' 5.2. Now being a fan of "Stranger Things" I was super excited when David Harbour(Hopper) was cast as Hellboy. And boy did he nail it! All the cast and crew nailed it. You could tell what they were going for as soon as the movie started.
Before I go on with my Review fans of the Ron Pearlman Hellboy who are expecting this one to be the same especially after the first official trailer came out and it did just look like the same movie. It is not. I repeat IT IS NOT. Director Neil Marshall and screenplay writer Andrew Cosby made a movie more based on Mike Mignolas' comic. I know, I know, some of you are reading this going "so did Guillermo idiot!" And yes you are right but this film is Centered around the work from start to finish. I felt like I was watching a comic. As soon as it starts black and Wight with only red popping out it gives that Hellboy comic tone. Even the makeup and structure of Hellboy in this film look more like the comic.
Though the story is somewhat similar to the original movie it is just enough different to set it apart. The ensemble of characters does a good job of that. The set up of the new characters is great and they feel like they belong as opposed to just being replacements like I thought theywould be. Sasha Lanes' Alice and Daniel Dae Kims' Major Ben Daimio are great and different. When they finally come together as a full-fledged team, in the end, I was ready for more. As unlikely as that is I hope they do get a sequel because it showed potential for one and it was really fun. However, I am sorta glad I didn't see it in theaters I feel like its a better-enjoyed movie for home.
Before I go on with my Review fans of the Ron Pearlman Hellboy who are expecting this one to be the same especially after the first official trailer came out and it did just look like the same movie. It is not. I repeat IT IS NOT. Director Neil Marshall and screenplay writer Andrew Cosby made a movie more based on Mike Mignolas' comic. I know, I know, some of you are reading this going "so did Guillermo idiot!" And yes you are right but this film is Centered around the work from start to finish. I felt like I was watching a comic. As soon as it starts black and Wight with only red popping out it gives that Hellboy comic tone. Even the makeup and structure of Hellboy in this film look more like the comic.
Though the story is somewhat similar to the original movie it is just enough different to set it apart. The ensemble of characters does a good job of that. The set up of the new characters is great and they feel like they belong as opposed to just being replacements like I thought theywould be. Sasha Lanes' Alice and Daniel Dae Kims' Major Ben Daimio are great and different. When they finally come together as a full-fledged team, in the end, I was ready for more. As unlikely as that is I hope they do get a sequel because it showed potential for one and it was really fun. However, I am sorta glad I didn't see it in theaters I feel like its a better-enjoyed movie for home.