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Take Your Breath Away
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A missing woman. A husband suspected. The truth will … Take Your Breath Away It’s always...
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Featured by Apple on numerous occasions, critically acclaimed by Fantasy Premier League managers and...
BankofMarquis (1832 KP) rated The Intern (2015) in Movies
Jun 6, 2018
In a word...charming
Like most of you, I did not make it to the movie theaters in September, 2015 to catch the Nancy Meyers "fish-out-of-water" comedy THE INTERN about a 70-ish man (Robert DeNiro) who goes to work at an Internet Start-up company headed by a a driven Millennial (Anne Hathaway). It seemed that this film was just going to be another Robert DeNiro phone-it-in "paycheck" comedy and not worth our time.
Boy, was I wrong.
In a word, I would call this film...charming. Hathaway is charming, the other workers and Interns at the start-up are charming and DeNiro (believe it or not) is the most charming of all.
Starring as Ben - a widower who is just withering away with inactivity and boredom who decides to go back to work - DeNiro shows he "still has it". His Ben is a strong character, as nuanced as one can be in this type of film and...yes...EXTREMELY charming. DeNiro most definitely is NOT phoning this one in - he gives it a very good effort (maybe not A+, but...) and it shows. He is on screen for almost every scene and holds our attention throughout.
Proving to be a worthy partner in this film is Anne Hathaway's driven Internet sensation, Jules. She spars with DeNiro throughout and the two make a fun pairing.
Also joining in on the fun is Rene Russo as a masseuse (and love interest for DeNiro and Andrew Rannels as Jules' ass't. But it is the trio of Adam Devine, Zack Pearlman and Jason Orley that almost steals this film as 3 knuckleheads that work with - and are mentored by - DeNiro's Yoda-like Intern. I almost would have preferred to see a film about these 4.
Nothing in this film is revolutionary or new and Director/Writer Meyers keeps it that way. It's like pulling on an old, comfortable sweater or a really well worn-in pair of shoes. It won't win any awards, but it is fun..and, yes...charming just the same.
THE INTERN is now streaming on NETFLIX and AMAZON PRIME, if you are looking for a...I'll say it one more time...charming...way to spend an evening - look no further than here.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Boy, was I wrong.
In a word, I would call this film...charming. Hathaway is charming, the other workers and Interns at the start-up are charming and DeNiro (believe it or not) is the most charming of all.
Starring as Ben - a widower who is just withering away with inactivity and boredom who decides to go back to work - DeNiro shows he "still has it". His Ben is a strong character, as nuanced as one can be in this type of film and...yes...EXTREMELY charming. DeNiro most definitely is NOT phoning this one in - he gives it a very good effort (maybe not A+, but...) and it shows. He is on screen for almost every scene and holds our attention throughout.
Proving to be a worthy partner in this film is Anne Hathaway's driven Internet sensation, Jules. She spars with DeNiro throughout and the two make a fun pairing.
Also joining in on the fun is Rene Russo as a masseuse (and love interest for DeNiro and Andrew Rannels as Jules' ass't. But it is the trio of Adam Devine, Zack Pearlman and Jason Orley that almost steals this film as 3 knuckleheads that work with - and are mentored by - DeNiro's Yoda-like Intern. I almost would have preferred to see a film about these 4.
Nothing in this film is revolutionary or new and Director/Writer Meyers keeps it that way. It's like pulling on an old, comfortable sweater or a really well worn-in pair of shoes. It won't win any awards, but it is fun..and, yes...charming just the same.
THE INTERN is now streaming on NETFLIX and AMAZON PRIME, if you are looking for a...I'll say it one more time...charming...way to spend an evening - look no further than here.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Great Journeys: Travel the World's Most Spectacular Routes
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Lonely Planet: The world's leading travel guide publisher* Travel the World's Most Spectacular...
Strong Words: Modern Poets on Modern Poetry
by W. N. Herbert (Editor), W.N. Herbert (Editor)
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Poetry has never been so rigorous and diverse, nor has its audience been so numerous and engaged....
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Doctor Socrates: Footballer, Philosopher, Legend
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'Compelling from start to finish...Downie does full justice to an extraordinary life' Pete Davies,...
Sarah (7798 KP) rated Cats (2019) in Movies
Jan 15, 2020
Stuff of nightmares
From the moment I saw the trailer, I knew I wasn't going to like this film. Having never seen the stage show, I went into this completely blind and to be honest, after 100 minutes of this nonsense I wish I was blind.
Usually I'll try to find something good to say about a film, but I'm really struggling with this. I feel like giving it a 2 is rather generous. Other than appreciating the amount of effort on the CGI and the song Memory, I really cannot identify any other good points whatsoever.
Now where do I start on the bad? The cats themselves are beyond disturbing. People dressed as cats in the stage show I can understand. Human features on cat bodies is just crazy and looks ridiculous. The fact that they alternate between 2 and 4 legged with human features, it beggars belief. I hoped I might get used to it, but i really didnt especially when they start hissing, preening and acting like real cats - it's terrifying and laughable all at once. The scaling of the cats against the scenery also looks a little misjudged, especially when they stand up.
The story and rest of the film doesn't fare much better. The songs (except for Memory) are surprisingly poor for an Andrew Lloyd Webber musical, and no others are particularly memorable. The plot itself is also very thin and has barely any substance, the fact that they've managed to drag this out to 100 minutes is impressive. I also couldn't stand the words "Jellicle" and "Heaviside" - they sound like something from a kids cartoon and they began to grate on me very quickly. And the cast: James Corden, Rebel Wilson and Ray Winstone - just no. They are all so cringingly bad I could barely watch. And even acting royalty like Ian McKellen and Judi Dench don't survive this car crash intact. The final song and scenes with the direct address to camera is possibly the most embarrassingly cringeworthy thing I've seen in a long time.
It may only be January, but I doubt anything else I see in 2020 will be worse than this. I would have happily walked out of this 15 minutes in and never thought twice. The fact that I've sat through the entire thing made me want to claw my eyes out. I cannot unsee this.
If you want to watch a film musical about cats, watch The Aristocats. Do not waste your time on this!
Usually I'll try to find something good to say about a film, but I'm really struggling with this. I feel like giving it a 2 is rather generous. Other than appreciating the amount of effort on the CGI and the song Memory, I really cannot identify any other good points whatsoever.
Now where do I start on the bad? The cats themselves are beyond disturbing. People dressed as cats in the stage show I can understand. Human features on cat bodies is just crazy and looks ridiculous. The fact that they alternate between 2 and 4 legged with human features, it beggars belief. I hoped I might get used to it, but i really didnt especially when they start hissing, preening and acting like real cats - it's terrifying and laughable all at once. The scaling of the cats against the scenery also looks a little misjudged, especially when they stand up.
The story and rest of the film doesn't fare much better. The songs (except for Memory) are surprisingly poor for an Andrew Lloyd Webber musical, and no others are particularly memorable. The plot itself is also very thin and has barely any substance, the fact that they've managed to drag this out to 100 minutes is impressive. I also couldn't stand the words "Jellicle" and "Heaviside" - they sound like something from a kids cartoon and they began to grate on me very quickly. And the cast: James Corden, Rebel Wilson and Ray Winstone - just no. They are all so cringingly bad I could barely watch. And even acting royalty like Ian McKellen and Judi Dench don't survive this car crash intact. The final song and scenes with the direct address to camera is possibly the most embarrassingly cringeworthy thing I've seen in a long time.
It may only be January, but I doubt anything else I see in 2020 will be worse than this. I would have happily walked out of this 15 minutes in and never thought twice. The fact that I've sat through the entire thing made me want to claw my eyes out. I cannot unsee this.
If you want to watch a film musical about cats, watch The Aristocats. Do not waste your time on this!
ArecRain (8 KP) rated Blackmailed (Blackmailed #1) in Books
Jan 18, 2018
Wow, what to say about this novel. I found it so completely ridiculous in so many ways. I'll start with how Brianna came into her position in the first place. Her father, Andrew Wyatt, blackmails his own daughter, Brianna, into being Cole Master's whore so that she can produce an heir for Wyatt. How does he blackmail daughter of legal age into doing his bidding? By threatening her brother, his son. Apparently, that is enough to turn his daughter into a breeding mule. Normally, I would find it hard to believe that anyone would act like such a neanderthal in this day and age, but I have been wrong before.
When Wyatt brings his daughter to Cole, who agrees to this all out of curiosity, Cole is immediately protective of the plain girl. The best way I can explain it is lust at first sight. For some reason, Cole feels protective of Brianna and cannot wait to sexually awaken her....and then share her with his head of security, Tyler Cannon. Cole isn't gay, but he is consumed with thoughts of sharing her with his lifelong friend. What I found most disturbing is that the day after Cole pops Brianna's cherry (also the first day they met), he gets his wish of sharing his new charge. How he does it actually infuriates me. After Brianna's first time, she falls asleep in Cole's bed, only to wake blindfolded and tied to the bed so Tyler can do whatever he wants with her. If I was in the same position, I would furious, not turned on.
And so their sexual activities continue and Cole obtains custody of Brianna's birthday. Cole asks Brianna to marry him, Wyatt becomes furious, Cole shuts him down. Pretty simple yet insane plot line.
On a lighter note, the erotic scenes were fantastic although I could do without the dirty talk. For some reason, talking during sex is always more exciting when you are actually doing the deed. Reading about it is...well awkward.
An entertaining novel despite plot.
When Wyatt brings his daughter to Cole, who agrees to this all out of curiosity, Cole is immediately protective of the plain girl. The best way I can explain it is lust at first sight. For some reason, Cole feels protective of Brianna and cannot wait to sexually awaken her....and then share her with his head of security, Tyler Cannon. Cole isn't gay, but he is consumed with thoughts of sharing her with his lifelong friend. What I found most disturbing is that the day after Cole pops Brianna's cherry (also the first day they met), he gets his wish of sharing his new charge. How he does it actually infuriates me. After Brianna's first time, she falls asleep in Cole's bed, only to wake blindfolded and tied to the bed so Tyler can do whatever he wants with her. If I was in the same position, I would furious, not turned on.
And so their sexual activities continue and Cole obtains custody of Brianna's birthday. Cole asks Brianna to marry him, Wyatt becomes furious, Cole shuts him down. Pretty simple yet insane plot line.
On a lighter note, the erotic scenes were fantastic although I could do without the dirty talk. For some reason, talking during sex is always more exciting when you are actually doing the deed. Reading about it is...well awkward.
An entertaining novel despite plot.
JT (287 KP) rated 1917 (2020) in Movies
Mar 3, 2020
Brilliant cinematography (2 more)
Great score
Fantastic central characters
A stunning film which hits hard both physically and emotionally
particular emphasis on cinematography. The World War I film is made to look like one continuous shot by director Sam Mendes whose one-shot opening of Spectre gave us a taste of things to come.
The film swept awards season with the film winning Best Drama Motion Picture at the Golden Globes, not to mention cleaning up at the BAFTAs. This was a strong indication that Mendes might have a hand on a couple of Oscars.
1917 tells the story of two Lance Corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay) who are tasked with hand-delivering a message to another battalion who are inadvertently walking into a trap – Blake’s brother among them. If they fail then 1,600 men will lose their lives.
Blake and Schofield have been through a lot. When we first meet them they are relaxing beneath a tree, taking a break trying to enjoy the peaceful surroundings.
Without so much as a thought the pair salute General Erinmore (Colin Firth) and start the first part of their harrowing journey crossing no man’s land. The film is gripping in every sense of the word and you feel as if you are making the treacherous journey with them.
The scenery is devastatingly realistic, particularly the trip across no man’s land where charred bodies are buried deep in bombed-out craters of mud, their faces starring out in a look of shock.
The cast is limited to a few big-name cameos which aren’t blink and you miss them. Joining Firth is Andrew Scott, Mark Strong and Benedict Cumberbatch who make a significant impression in key scenes. The film flows incredibly well and never takes a back step, quite literally.
This is a journey that rivals Saving Private Ryan for it’s impactfulness, and why the memories of those who fought in the great war should always be forever remembered as true heroes.
The film swept awards season with the film winning Best Drama Motion Picture at the Golden Globes, not to mention cleaning up at the BAFTAs. This was a strong indication that Mendes might have a hand on a couple of Oscars.
1917 tells the story of two Lance Corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay) who are tasked with hand-delivering a message to another battalion who are inadvertently walking into a trap – Blake’s brother among them. If they fail then 1,600 men will lose their lives.
Blake and Schofield have been through a lot. When we first meet them they are relaxing beneath a tree, taking a break trying to enjoy the peaceful surroundings.
Without so much as a thought the pair salute General Erinmore (Colin Firth) and start the first part of their harrowing journey crossing no man’s land. The film is gripping in every sense of the word and you feel as if you are making the treacherous journey with them.
The scenery is devastatingly realistic, particularly the trip across no man’s land where charred bodies are buried deep in bombed-out craters of mud, their faces starring out in a look of shock.
The cast is limited to a few big-name cameos which aren’t blink and you miss them. Joining Firth is Andrew Scott, Mark Strong and Benedict Cumberbatch who make a significant impression in key scenes. The film flows incredibly well and never takes a back step, quite literally.
This is a journey that rivals Saving Private Ryan for it’s impactfulness, and why the memories of those who fought in the great war should always be forever remembered as true heroes.
Logan Eccles (135 KP) rated Hellboy (2019) in Movies
Oct 1, 2020 (Updated Oct 2, 2020)
For TRUE Hellboy fans
Ok, I know I didn't give this a super high rating but I did rate it higher than IMDBs' 5.2. Now being a fan of "Stranger Things" I was super excited when David Harbour(Hopper) was cast as Hellboy. And boy did he nail it! All the cast and crew nailed it. You could tell what they were going for as soon as the movie started.
Before I go on with my Review fans of the Ron Pearlman Hellboy who are expecting this one to be the same especially after the first official trailer came out and it did just look like the same movie. It is not. I repeat IT IS NOT. Director Neil Marshall and screenplay writer Andrew Cosby made a movie more based on Mike Mignolas' comic. I know, I know, some of you are reading this going "so did Guillermo idiot!" And yes you are right but this film is Centered around the work from start to finish. I felt like I was watching a comic. As soon as it starts black and Wight with only red popping out it gives that Hellboy comic tone. Even the makeup and structure of Hellboy in this film look more like the comic.
Though the story is somewhat similar to the original movie it is just enough different to set it apart. The ensemble of characters does a good job of that. The set up of the new characters is great and they feel like they belong as opposed to just being replacements like I thought theywould be. Sasha Lanes' Alice and Daniel Dae Kims' Major Ben Daimio are great and different. When they finally come together as a full-fledged team, in the end, I was ready for more. As unlikely as that is I hope they do get a sequel because it showed potential for one and it was really fun. However, I am sorta glad I didn't see it in theaters I feel like its a better-enjoyed movie for home.
Before I go on with my Review fans of the Ron Pearlman Hellboy who are expecting this one to be the same especially after the first official trailer came out and it did just look like the same movie. It is not. I repeat IT IS NOT. Director Neil Marshall and screenplay writer Andrew Cosby made a movie more based on Mike Mignolas' comic. I know, I know, some of you are reading this going "so did Guillermo idiot!" And yes you are right but this film is Centered around the work from start to finish. I felt like I was watching a comic. As soon as it starts black and Wight with only red popping out it gives that Hellboy comic tone. Even the makeup and structure of Hellboy in this film look more like the comic.
Though the story is somewhat similar to the original movie it is just enough different to set it apart. The ensemble of characters does a good job of that. The set up of the new characters is great and they feel like they belong as opposed to just being replacements like I thought theywould be. Sasha Lanes' Alice and Daniel Dae Kims' Major Ben Daimio are great and different. When they finally come together as a full-fledged team, in the end, I was ready for more. As unlikely as that is I hope they do get a sequel because it showed potential for one and it was really fun. However, I am sorta glad I didn't see it in theaters I feel like its a better-enjoyed movie for home.