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Before the Devil Breaks You: Diviners Series
9.3
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Book
The Diviners are back in this thrilling and eerie third installment by #1 New York Times bestselling...
Fantasy Young Adults
Hunter's Moon (Wildeward Academy #1)
8.0
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Book
They call it the Golden Age. An age of sorcery and gaslight. The magical and the mundane. The gifted...
Reverse Harem Paranormal Romance Historical
Steve Fearon (84 KP) rated Halloween (1978) in Movies
Sep 5, 2018 (Updated Sep 5, 2018)
John Carpenter's Slasher still stands tallest
Contains spoilers, click to show
That theme song starts.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
Edge of the Orison: In the Traces of John Clare's Journey Out of Essex
Book
In Edge of the Orison the visionary Iain Sinclair walks in the steps of poet John Clare. In 1841 the...
The Surreal Life of Leonora Carrington
Book
In 2006 journalist Joanna Moorhead discovered that her father's cousin, Prim, who had disappeared...
Turner: The Extraordinary Life and Momentous Times of J. M. W. Turner
Book
The extraordinary life of J. M. W Turner, one of Britain's most admired, misunderstood and...
RE
Re-Enchanting Education and Spiritual Wellbeing: Fostering Belonging and Meaning-Making for Global Citizens
Marian De Souza and Anna Halafoff
Book
Education is in a constant state of renewal internationally where it responds to a number of...
Merissa (12051 KP) rated The Fulbourn (Pitch & Sickle, #5) in Books
Apr 18, 2023
THE FULBOURN is the fifth book in the Pitch & Sickle series and oh, man. Hold on to your seatbelt as you're in for a bumpy ride!!
I said in my review of The Greensward that it was the best one. Well, let me rephrase that. It was the best one up to that point! THE FULBOURN takes Pitch and Silas' story to another level and I loved every single word.
Pitch and Silas are now close to realising just how much the other one means and it is so well-written! Their relationship may seem gruff to some but that is only until they know them. The bonds between the two are there to see and I'm loving it. The slow burn that started them off is now moving to steamy - whenever their lives give them a moment's peace. And sometimes, you just have to make the time!
Not only is their relationship changing, but the overall story arc is moving along swiftly too. You honestly don't get a chance to catch your breath. Filled with characters from previous books, Pitch and Silas are on the hunt for Charlie and Edward. It takes them to London and Cambridgeshire. The descriptions of the asylum are horrific - exactly as they are supposed to be during that time.
Absolutely gripping, I am thoroughly loving every book in this series and have no hesitation in recommending any of them. Just make sure you start at the beginning or you will miss the full effect.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 17, 2023
I said in my review of The Greensward that it was the best one. Well, let me rephrase that. It was the best one up to that point! THE FULBOURN takes Pitch and Silas' story to another level and I loved every single word.
Pitch and Silas are now close to realising just how much the other one means and it is so well-written! Their relationship may seem gruff to some but that is only until they know them. The bonds between the two are there to see and I'm loving it. The slow burn that started them off is now moving to steamy - whenever their lives give them a moment's peace. And sometimes, you just have to make the time!
Not only is their relationship changing, but the overall story arc is moving along swiftly too. You honestly don't get a chance to catch your breath. Filled with characters from previous books, Pitch and Silas are on the hunt for Charlie and Edward. It takes them to London and Cambridgeshire. The descriptions of the asylum are horrific - exactly as they are supposed to be during that time.
Absolutely gripping, I am thoroughly loving every book in this series and have no hesitation in recommending any of them. Just make sure you start at the beginning or you will miss the full effect.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 17, 2023
ClareR (5721 KP) rated Learned by Heart in Books
Sep 20, 2023
Learned by Heart is the fictionalised account of two women who really did exist: Eliza Raine and Anne Lister (also known as Gentleman Jack). I listened to the audiobook, and the narrator Shiromi Arserio, really brought the characters, all teenage girls for the most part, to life. Together with Emma Donoghue’s impeccable, compassionate writing, it made for an emotional and heartbreaking novel.
Both girls are outsiders: Eliza is an orphan of an English doctor and an Indian mother. Anne isn’t like any of the other girls, and doesn’t want to conform to expectations. They end up sharing a room and forge a close friendship. They eventually fall in love.
Anne is the person that Eliza is too shy to be. Eliza looks different - she’s darker skinned, and everyone knows that she was Indian. So she tries to avoid too much notice. Anne doesn’t care what anyone thinks of her. Together they are able to make school more bearable.
Interspersed in the story of their time at school are Eliza’s letters written to Anne. Letters that are never sent. Eliza is in an asylum at a point in the future, and she doesn’t want the doctors to know about her relationship with Anne. These were such desperately sad parts - Eliza has lost Anne, perhaps partly due to her illness.
I thought the writing reflected the emotional inner life of teenagers so well. The overwhelming emotions and the fact that these were still children who were being forced to act as adult women in a regimented, emotionless setting.
I loved this. It was meticulously researched, and this enriched the story right up to its heartbreaking end. This really is well worth a read (or a listen!).
Both girls are outsiders: Eliza is an orphan of an English doctor and an Indian mother. Anne isn’t like any of the other girls, and doesn’t want to conform to expectations. They end up sharing a room and forge a close friendship. They eventually fall in love.
Anne is the person that Eliza is too shy to be. Eliza looks different - she’s darker skinned, and everyone knows that she was Indian. So she tries to avoid too much notice. Anne doesn’t care what anyone thinks of her. Together they are able to make school more bearable.
Interspersed in the story of their time at school are Eliza’s letters written to Anne. Letters that are never sent. Eliza is in an asylum at a point in the future, and she doesn’t want the doctors to know about her relationship with Anne. These were such desperately sad parts - Eliza has lost Anne, perhaps partly due to her illness.
I thought the writing reflected the emotional inner life of teenagers so well. The overwhelming emotions and the fact that these were still children who were being forced to act as adult women in a regimented, emotionless setting.
I loved this. It was meticulously researched, and this enriched the story right up to its heartbreaking end. This really is well worth a read (or a listen!).
ClareR (5721 KP) rated The Kingdoms in Books
Mar 6, 2022
I’m writing this review two weeks after finishing ‘The Kingdoms’, and I realise that I haven’t actually stopped thinking about it (off and on, obviously. I’m not THAT obsessed!). It’s one of those books that has really caught my imagination, and I’m certain that I’ll have to read it again at some point.
Basically (and I warn you: there’s nothing basic about this storyline!), Joe Tournier finds himself at a London train station, and realises that he doesn’t know how he got there, or who he is. A kind stranger takes him to the hospital where he’s diagnosed with amnesia. After a week at an asylum, his owner and his wife come to claim him. His French owner. He is a slave in Londres, which is occupied by the French after they won the Napoleonic Wars. But none of this feels right to him.
A month or so later, he receives a postcard written in illegal English, from a lighthouse in rebel Scotland - written 100 years ago. After gaining his freedom as a slave, Joe becomes an engineer, and is sent to the same lighthouse to make repairs. And that’s all I’ll say, because I really don’t want to spoil the story. I will say that there’s some jumping around in time, and it shows that if you change a small thing in the past, there can be huge ramifications in the future.
I loved the characters, the plot, the setting - just everything about it really appealed to me. I can’t say as I’ve read many books set mainly on boats, naval or otherwise. The rules and the running of the ships were really interesting, and the sea battles were gripping.
It’s a fabulous book, and I’d most definitely recommend it. Thanks to The Pigeonhole for the serialisation!
Basically (and I warn you: there’s nothing basic about this storyline!), Joe Tournier finds himself at a London train station, and realises that he doesn’t know how he got there, or who he is. A kind stranger takes him to the hospital where he’s diagnosed with amnesia. After a week at an asylum, his owner and his wife come to claim him. His French owner. He is a slave in Londres, which is occupied by the French after they won the Napoleonic Wars. But none of this feels right to him.
A month or so later, he receives a postcard written in illegal English, from a lighthouse in rebel Scotland - written 100 years ago. After gaining his freedom as a slave, Joe becomes an engineer, and is sent to the same lighthouse to make repairs. And that’s all I’ll say, because I really don’t want to spoil the story. I will say that there’s some jumping around in time, and it shows that if you change a small thing in the past, there can be huge ramifications in the future.
I loved the characters, the plot, the setting - just everything about it really appealed to me. I can’t say as I’ve read many books set mainly on boats, naval or otherwise. The rules and the running of the ships were really interesting, and the sea battles were gripping.
It’s a fabulous book, and I’d most definitely recommend it. Thanks to The Pigeonhole for the serialisation!