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Alien (1979)
Alien (1979)
1979 | Horror, Sci-Fi
A masterpiece through and through
Alien is simply put is on of the most perfect horror movies ever committed to film. Decades worth of sequels, prequels, and spin offs don't match it (although Aliens comes pretty damn close) and that is a true testament to the quality of Alien.

The plot is straightforward, and immediately gripping, as a merchant space vessel called The Nostromo, and it's crew, pick up an unidentified distress signal from a nearby moon.
Upon arrival, one of the Crue is attacked by an alien lifeform, and accidentally smuggles something back onto the ship with him, resulting in the infamous chest bursting scene, and a crew trapped floating through space, whilst being hunted one by one.
Said chest bursting scene is one of the single most disturbing scenes in horror, with genuine reactions of surprise by the cast, and horrific practical effects.

Once the plot kicks in, we're presented with a master class of tension. The shadowy setting hides the Xenomorph alien for most of the runtime, offering fleeting glimpses, and occasional bursts of violence.
H. R. Gigers design of the creature is of course iconic, abrasive, and terrifying.

Sigourney Weaver offers a strong female lead in Ellen Ripley, a character that remains a highlight, even throughout the later underwhelming sequels.
Even though Ripley is thrown front and centre in the aftermath of Alien, during this film, she is part of a crew that don't boast any heroes. Everyone aboard feels like real people, way out of their depth in what they're dealing with, and it just adds to the already unsettled surroundings.

Ridley Scott's directing and camera work in Alien manages to be claustrophobic, atmospheric and isolating all at, combining uneasy sound cues with amazing visuals to create a sci-fi horror like no other.

Alien is a film I never tire of watching. As far as this genre goes, it's near perfect.
  
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Mark @ Carstairs Considers (2322 KP) rated A Distant Grave in Books

Jun 23, 2021 (Updated Jun 23, 2021)  
A Distant Grave
A Distant Grave
Sarah Stewart Taylor | 2021 | Mystery
10
10.0 (1 Ratings)
Book Rating
Maggie Faces a Case that Crosses the Ocean
Maggie D’arcy’ latest case as a homicide detective on Long Island involves a man on one of the beaches. He’s been shot and robbed, making identifying him the first priority. It is looking like a random homicide, which are always difficult to solve, when Maggie gets an ID. The man is an Irish national. Maggie begins to wonder why the victim was on Long Island in the middle of February. With a trip to Ireland already planned to visit her boyfriend, Conor, Maggie decides to do a little digging. Will she uncover a motive for murder across the Atlantic?

After the first book, I’d wondered how Maggie would once again find herself in a case involving Long Island and Ireland, and the set up for this book was perfect. The plot unravels wonderfully, with Maggie following a logical trail of clues until she reaches the satisfying climax. The book does spoil the events of the first in the series, so be aware of that before you pick this one up. We need that information since some of the character growth in this book flows out of what happened in before. It was wonderful to catch up with Maggie and the other returning characters, and the new characters were just as strong. This book is definitely darker than the cozies I typically read, but it wasn’t overly dark for me, and I didn’t find the violence or language excessive. The writing is wonderful, bringing Maggie’s world to full atmospheric life without slowing down the story. The book is mostly written from Maggie’s first-person present tense point of view, but we do get occasional third-person past tense passages. It’s always easy to see them apart. I got so engrossed in the story that I finished the book faster than I expected to, and I loved every page of it. This is a strong second book, and I’m looking forward to visiting Maggie again soon.
  
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