Search
Search results
Bob Mann (459 KP) rated The Invisible Man (2020) in Movies
Jan 9, 2021
Elisabeth Moss - excellent performance (1 more)
Slowly creeping tension - clever camera work
Have you seen "The Invisible Man"?
Cecilia Kass (Elisabeth Moss) is trapped in a highly controlling and violent relationship with technology mogul Adrian Griffin (Oliver Jackson-Cohen). Escaping from his fortress-like home, she lives in fear of his retribution. So she is much relieved, if a little surprised, at the report of his suicide. Now living with old friend James Lanier (Aldis Hodge) and his teenage daughter Sydney (Storm Reid), Cecilia can finally start to relax. But as strange things start to happen, is the ghost of Griffin back to haunt her? Or is it really all in her rapidly disintegrating mind, as her sister Emily (Harriet Dyer) and James suspect?
Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!
When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.
Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.
This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.
It's a rollicking action flick that had my attention throughout. However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.
There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.
All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.
For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/01/09/have-you-seen-the-invisible-man/ .
Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!
When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.
Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.
This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.
It's a rollicking action flick that had my attention throughout. However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.
There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.
All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.
For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/01/09/have-you-seen-the-invisible-man/ .
Lee (2222 KP) rated Wonder Woman (2017) in Movies
Jul 14, 2017
After a pretty lengthy drought, we finally get another decent DC movie
As the DC TV universe continues to go from strength to strength, the DC movie universe is gradually going downhill. Don’t get me wrong, I really liked Man of Steel, despite the overloaded CGI destruction at the end. I didn’t mind Batman Vs Superman either, even with Jesse Eisenberg doing his very best to try and ruin it. But, despite successfully introducing two other major DC heavyweight characters (and not so successfully introducing a few others) and picking up steam in the final act, the movie struggled. Suicide Squad then managed to take bad to a completely new level, and was just a complete train-wreck.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
Neon's Nerd Nexus (360 KP) rated Hellboy (2019) in Movies
May 13, 2019
More like Hellno
#hellboy is an #abomination, a brain dead overlong shit show of bad decisions & sheer laziness. I can honestly say i was so pumped for this film but it was such a monstrosoty that i considered walking out after just 30mins. Lets kick this off so i can at least pretend i havent wasted my night with this dross. To sum the film up its a cross between #eastenders & #kingsman (no not the good kingsman either that dire sequel #kingsmanthegoldencircle) & as you can imagine it doesnt work at all. Its not gritty, its not #funny, its not #stylish & its not well made, in fact its also not even half as good as it seems to think it is either coming across so #happy & smug with itself its practically flipping you the middle finger the entire run time. Tacky is a great word i would use to describe this movie, tacky & childish with #humour that wouldn't go a miss in a kids tv program (eg burp jokes, dribble jokes & #jokes about kissing old ladies). Acting is poor everyone just looks & talks half arsed like they can't be bothered, delivering emotionless lines without conviction making dialog a bland back & forth chore. I hope you like bickering too because theres a #hell of alot of pointless bickering scenes that just feel unnecessary. Not one character is developed or likeable not even hellboy himself with the #villain #millajovovich feeling like a bad guy in a stage play just minus the hissing. Cgi is so woefully bad is downright embarrassing sticking out like a saw thumb ruining the forgettable action scenes. Camera work is choppy & the film is badly edited with disorienting quick cuts. Sets & #creatures are bland/unimaginative & prosthetics feel cheaply made (even hellboys face feels off round the eyes). Plot was so paint by numbers i lost interest midway & put my head in my hands when the terrible climax hit (Talk about build up with no pay off). Hellboy ultimatly prooves filling a film with #violence, swearing, popular #music & #popculture references doesnt make your film cool if everything else around it lacks. Lazy forgettable boring poorly made shite. Avoid. #odeon #odeonlimitless #superhero #ronperlman #strangerthings #dc #guillermodeltoro #demons #horror #gore #comic
LoganCrews (2861 KP) rated Halloween (2007) in Movies
Nov 1, 2020 (Updated Nov 26, 2020)
An interesting experiment, to be sure - but one which only ends up being adequate. A fragmented, weird, messy experience (which certainly isn't always bad) but compared to today's shit throwaway remakes that we see every other week now this seems much more nuanced than we gave it credit for, in retrospect. Still feels like two totally different movies - first you have the sort of scuffed backstory stuff which, yes, I agree does devalue the mystery of this character a bit but it's peppered graciously with Zombie's greasy, raunchy flavor and is the most genuinely brutal part of the film in comparison to the CliffNotes remake portion which seems a lot more confusingly sterile, frustratingly cutting away from most of the stabs and pulling out knives with no blood on them - stuff like that. Perhaps I'm spoiled by the likes of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 but like many I wish this stuck with being a Rob Zombie movie rather than just doing an express retread of the original where all the characters are grating jerkwads who hate each other. Often not a bad emulation and it's sort of interesting seeing these once formal characters now going around saying harmful expletives all the time - it's still suitably grimy after all but the new additions seem senseless while the returning characters/aspects are given nothing to do. The saving grace of this back portion is Tyler Mane's hulking behemoth Myers - just eating bullets, stabs, and blunt trauma one after the other as if someone's flicking spitballs at him while delivering effortless violence in his wake. And come on that revamped mask is so damn cool. In these moments it's clear that nobody roots for the bad guy(s) and revels in the abject misfortune of the innocent quite like Zombie - and that his movies are at their best when they focus acutely on the sort of writhes, convulsions, and pleads the human body does when it's faced with inhuman destruction by the hands of those who live by it. I still have no idea why they gave him this franchise though when his trailer park spectacle aesthetic is practically *gift-wrapped* for the 𝘛𝘦𝘹𝘢𝘴 𝘊𝘩𝘢𝘪𝘯𝘴𝘢𝘸 series.
Emma @ The Movies (1786 KP) rated Mortal Kombat (2021) in Movies
Aug 21, 2021
Potentially, I'm one of the only people to have enjoyed Mortal Kombat Annihilation. Admittedly it was a long time ago that I saw it, but I remember good memories of it.
I'm going to skip over the extended synopsis, firstly because the short one sums it up, and secondly because if I put much more in it the whole plot will be ruined.
While I watched the film I was generally entertained, but when I came out there were some points that festered in my brain a bit. And those thoughts seem to have been reflected in podcasts and reviews I've come across.
This is probably exactly what you'd expect from A] a video game film and B] a Mortal Kombat film... it's both good and bad in varying degrees.
What is sad about this review is that I can't really tell you anything good about it... or just anything about it at all. Everything was instantly forgettable. I can tell you the woman from The Meg & Black Water Abyss is in it (because of course I can). I can tell you that there are bad guys fighting the good guys... or the less bad guys...
Effects, there are some of those too. Vague recollections of them being okay. I could certainly embrace the fantasy angle and forgive some things.
At this point I'd like to apologise for such a half arsed review, but it does perfectly illustrate the film... waffle with no real purpose. Although actually, the film does have a purpose. To set up for a sequel. Because some random comic violence and odd powers are generally entertaining.
As a sign off for this review, I would like to say sorry for this trash (the review and the film). I just think it perfectly sums up how I felt about this film: I've wasted your time, you'll never get it back, but I've (hopefully) given you some brief moments of entertainment. But on the plus side, if you've read this review before seeing the film then I might have saved you the 1 hour and 50 minutes (oh my god, I don't even know how I sat through that) of viewing time.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/mortal-kombat-movie-review.html
I'm going to skip over the extended synopsis, firstly because the short one sums it up, and secondly because if I put much more in it the whole plot will be ruined.
While I watched the film I was generally entertained, but when I came out there were some points that festered in my brain a bit. And those thoughts seem to have been reflected in podcasts and reviews I've come across.
This is probably exactly what you'd expect from A] a video game film and B] a Mortal Kombat film... it's both good and bad in varying degrees.
What is sad about this review is that I can't really tell you anything good about it... or just anything about it at all. Everything was instantly forgettable. I can tell you the woman from The Meg & Black Water Abyss is in it (because of course I can). I can tell you that there are bad guys fighting the good guys... or the less bad guys...
Effects, there are some of those too. Vague recollections of them being okay. I could certainly embrace the fantasy angle and forgive some things.
At this point I'd like to apologise for such a half arsed review, but it does perfectly illustrate the film... waffle with no real purpose. Although actually, the film does have a purpose. To set up for a sequel. Because some random comic violence and odd powers are generally entertaining.
As a sign off for this review, I would like to say sorry for this trash (the review and the film). I just think it perfectly sums up how I felt about this film: I've wasted your time, you'll never get it back, but I've (hopefully) given you some brief moments of entertainment. But on the plus side, if you've read this review before seeing the film then I might have saved you the 1 hour and 50 minutes (oh my god, I don't even know how I sat through that) of viewing time.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/mortal-kombat-movie-review.html
Gareth von Kallenbach (980 KP) rated Brick Mansions (2014) in Movies
Aug 6, 2019
3 weeks ago, I had never heard of this movie. I happened upon the commercial as I was watching TV
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
Charlie Cobra Reviews (1840 KP) rated Black Widow (2021) in Movies
Sep 6, 2021
Good casting, Scarlett and Florence felt like actual sisters. (1 more)
Good chemistry and acting from David Harbour and Rachel Weisz.
Not much of a thriller or thinker for a spy movie. (1 more)
One actor was greatly wasted in their role.
Scarlett's Swan Song Had Plenty of Action With A Decent StoryNatasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and
Natasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and father, Alexei Shostakov (David Harbour) when suddenly they must leave the country. They are all Russian undercover agents and Alexei, the super-soldier known as Red Guardian, has stolen intel from S.H.I.E.L.D. They flee to Cuba where the sisters are forcibly taken to the "Red Room" for training after they've met General Dreykov (Ray Winstone), their boss. Now in 2016 after the events of Captain America: Civil War, Natasha finds herself a fugitive on the run from U.S. Secretary of State Thaddeus Ross (William Hurt) after violating the Sokovia Accords. She's attacked by an incredibly skilled assassin called the Taskmaster and finds that she's not his target but rather a package she had with her. After learning the package originated from Budapest she heads there where she finds her sister Yelena and learns of a plot that not only jeopardizes the safety of those trained in the "Red Room" but possibly the whole world.
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
Steven Sklansky (231 KP) rated John Wick: Chapter 2 (2017) in Movies
Dec 27, 2017
Well wasn't this a fun and violent movie. John Wick always seems to bring the pain or the death, wherever he goes. Everyone just has to make him upset. First they kill his puppy, then they steal his car and now they want him death because he kill this guys sister. Which by the way he made him do.
I don't think anyone in this organization is very smart. Since they all know he is the best assassin out there. Also doing the smallest thing to him sets him off. This organization does seem like a rather large network across the world. It seems everyone is a hitman. But being part of this organization does have a lot of perks. Tailor on hand, weapons expert, library full of blueprints and desert. The only thing they don't have is fun gadgets and cars, but maybe that would be too James Bond.
I am really glad they decided to keep his dog alive this time. It would have been very sad to see another one go. Although a dog without a name would be hard to feel bad for. Hopefully in Chapter 3 he gives him a name.
Wow so much blood and bullets. I don't think though the entire movie there was 5 minutes where someone didn't get shot. Except when he killed 3 guys with a pencil (that was awesome). Violence has to be done just right to make it watchable for 2 hours and they did just that. I really liked the scenes done in the mirror maze. I am sure it took a lot of hard work to shoot that just right.
Well if you haven't seen Chapter 1, shame on you. Go see it now. Then see Chapter 2 immediately. If you have seen Chapter 1 good for you, you probably have seen Chapter 2. If not because you don't trust sequels, which I am sometimes in the same boat. This is not a bad one. Go see it and let me know what you think. And as always, enjoy the show.
I don't think anyone in this organization is very smart. Since they all know he is the best assassin out there. Also doing the smallest thing to him sets him off. This organization does seem like a rather large network across the world. It seems everyone is a hitman. But being part of this organization does have a lot of perks. Tailor on hand, weapons expert, library full of blueprints and desert. The only thing they don't have is fun gadgets and cars, but maybe that would be too James Bond.
I am really glad they decided to keep his dog alive this time. It would have been very sad to see another one go. Although a dog without a name would be hard to feel bad for. Hopefully in Chapter 3 he gives him a name.
Wow so much blood and bullets. I don't think though the entire movie there was 5 minutes where someone didn't get shot. Except when he killed 3 guys with a pencil (that was awesome). Violence has to be done just right to make it watchable for 2 hours and they did just that. I really liked the scenes done in the mirror maze. I am sure it took a lot of hard work to shoot that just right.
Well if you haven't seen Chapter 1, shame on you. Go see it now. Then see Chapter 2 immediately. If you have seen Chapter 1 good for you, you probably have seen Chapter 2. If not because you don't trust sequels, which I am sometimes in the same boat. This is not a bad one. Go see it and let me know what you think. And as always, enjoy the show.
Lee Richmond (19 KP) rated Eaten Alive (1977) in Movies
Mar 2, 2019 (Updated Mar 2, 2019)
He's out there and he's got murder on his mind!
When a films opening line, said with a southern drawl, is "My name is Buck and I'm rarin to fuck", you know you're in for a treat. The actor responsible for it's delivery is a pre Freddy Krueger, Robert Englund who's main aim is to screw women in a very uncomfortable place, and I don't mean in the back of a VW. This opening line obviously made an impression on Quentin Tarantino as he later stole it for the equally unpleasant coma rapist, Buck in Kill Bill Vol 1. Either that or he had overheard Harvey Weinstien whisper it to a pot plant.
Director Tobe Hooper once again sticks it to the southern redneck after having painted them as cannibal, inbred, power tool enthusiasts in his previous film, The Texas Chain Saw Massacre.
The basic premise of this movie is a guy who runs a B&B and isn't too fond of the local brothel and consequently likes to feed it's clients to his pet Crocodile. Yep you heard me. Crocodile, not alligator... Crocodile. And that really is it in a nutshell.
Unlike Texas Chain Saw which, while not especially gory but very gritty and full of moments of tension, (see the drawn out dinner table, hammer scene), this is more straight up gore flick and lacks almost everything that made Hoopers earlier film top of most people's 10 best horror movie list.
I'm not saying that this film isn't worth your time. It does have a silly charm all of its own and while pretty whacky I do tend to enjoy it. Robert Englund appears to be having fun building on that nasty streak that he will later put to such good use in A Nightmare on Elm Street. The film also stars Texas Chain Saw final girl Marilyn Burns.
Don't watch this expecting great things because this isn't Texas Chain Saw. It isn't even Texas Chain Saw 2, (that film had Leatherface and Dennis Hopper square off in a Chainsaw sword fight so I won't hear a bad word against it).
Not brilliant but certainly not bad so give it a watch.
Director Tobe Hooper once again sticks it to the southern redneck after having painted them as cannibal, inbred, power tool enthusiasts in his previous film, The Texas Chain Saw Massacre.
The basic premise of this movie is a guy who runs a B&B and isn't too fond of the local brothel and consequently likes to feed it's clients to his pet Crocodile. Yep you heard me. Crocodile, not alligator... Crocodile. And that really is it in a nutshell.
Unlike Texas Chain Saw which, while not especially gory but very gritty and full of moments of tension, (see the drawn out dinner table, hammer scene), this is more straight up gore flick and lacks almost everything that made Hoopers earlier film top of most people's 10 best horror movie list.
I'm not saying that this film isn't worth your time. It does have a silly charm all of its own and while pretty whacky I do tend to enjoy it. Robert Englund appears to be having fun building on that nasty streak that he will later put to such good use in A Nightmare on Elm Street. The film also stars Texas Chain Saw final girl Marilyn Burns.
Don't watch this expecting great things because this isn't Texas Chain Saw. It isn't even Texas Chain Saw 2, (that film had Leatherface and Dennis Hopper square off in a Chainsaw sword fight so I won't hear a bad word against it).
Not brilliant but certainly not bad so give it a watch.
Neon's Nerd Nexus (360 KP) rated Venom (2018) in Movies
May 13, 2019
We arnt Venom
#venom is this years biggest flop. Inconsistent, #boring, generic & makes even #spiderman 3 look good in comparison. What wound me up most is the characters/the acting, every single person in this film underreacts not only to situations but to each others presence too. There's simply no #emotion towards anyone or anything, #sadness, shock, #horror & #panic all feel missing from everyone giving each of them a hollow & cartoonish feel. Characters also lack #motivation for any of their actions making a good chunk of them completely disposable. Tone wise its a mess with the sparce #horrific/#dark scenes edge taken away instantly because they are followed by such a #childish/out of place slapstick #comedy vibe. Infact Venoms tone felt more like watching #Jumanji rather than a 15 certificate #film with most of its runtime feeling like an over simplified dumbed down #family film. There's so many inconsistencies too like relationships going from hostile to fine with no explanation, characters figuring things out first time without having found evidence, people appear out of seemingly nowhere on multiple occasions & nobody ever notices any of the #death/destruction being caused around the city. Its all so obvious that it feels like either huge chunks of the film is either missing or someone was really bad at editing & keeping consistency. Action is poor, forgettable, generic & anticlimactic & the cgi #feels cheap, #lazy & unimaginative like a straight to dvd #movie. Plot is borderline offensive its that basic with so many early visual cues to whats going to happen that its really #inteligence insulting at times. #tomhardy is great as always & really seems like he's giving it his all but the bad writing & awful script kill what #charm & likability his character has completely & the interaction between him & Venom lacks punch & believability too. #Upgrade proved this year that you dont need a big budget to make a great film about losing control of yourself & yet Venom with all its backing doesnt even come close to doing anything right. Last years #life would of made a far better venom movie than this. #wednesdaywisdom #filmcritic #stanlee #mcu #comic #marvel