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Emma @ The Movies (1786 KP) rated Fisherman's Friends (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I'm a sucker for this sort of film. There's a soothing consistency to them that makes for an entertaining and wholesome watch.
Daniel Mays as Danny us just adorable, he's always good for an amusing role. If you haven't caught Swimming With Men then you probably should. Danny isn't quite the same as his music exec counterparts, while he has the bullshitting down to a t he also cares much more for others than he does himself. I absolutely love the way he is with Alwyn and her daughter.
One thing that concerns me about this film is that it made me aware that James Purefoy is now old enough to be cast as someone's grandad. When did that happen? Purefoy along with all the other actors in the gang are a vision of camaraderie. There's a great scene where they head out to London, it's funny from start to finish and filled with toe-tapping enjoyment.
As much as I loved Noel Clarke when he was in Doctor Who it can't rescue him from the stereotypical American exec role. That accent was like a punch in the face every time I heard it. Has any American ever genuinely sounded like that or is it just reserved for British actors putting on American accents?
Obviously a lot of this film is dedicated to music, the sea shanties have me goosebumps as soon as they all started singing. It doesn't necessarily matter what they're singing about, the crescendos of it are just so beautiful. I will admit that generally I wouldn't be able to tell you if films had music in the background, unless it's bad or amazing it will largely pass me by, but Fisherman's Friends had one of those rare occasions where I noticed.
There are a lot of things happening in the film, several of the main characters have something going on around them but at no point did it feel like anything was surplus to requirements. In films with a larger cast it can often end up missing or skipping over a storyline but all of them seemed to be tied up neatly at the end of this.
The ending has a very emotional sequence in it, I spent a significant amount of it crying into my cuffs. James Purefoy and Daniel Mays manage to have an incredibly powerful moment together. There was so much emotion in it that just recalling it now is making me well up as I write.
While I might not buy this one I would certainly watch it again. It's a film that I'm certain almost anyone would enjoy, you'll certainly learn a few life lessons while you watch it.
What you should do
Definitely one to see, I know not everyone is a fan of musical numbers but there's plenty to go on to keep you amused.
Movie thing you wish you could take home
Where do I get myself a group to sing with? I miss a good old fashioned singalong.
Daniel Mays as Danny us just adorable, he's always good for an amusing role. If you haven't caught Swimming With Men then you probably should. Danny isn't quite the same as his music exec counterparts, while he has the bullshitting down to a t he also cares much more for others than he does himself. I absolutely love the way he is with Alwyn and her daughter.
One thing that concerns me about this film is that it made me aware that James Purefoy is now old enough to be cast as someone's grandad. When did that happen? Purefoy along with all the other actors in the gang are a vision of camaraderie. There's a great scene where they head out to London, it's funny from start to finish and filled with toe-tapping enjoyment.
As much as I loved Noel Clarke when he was in Doctor Who it can't rescue him from the stereotypical American exec role. That accent was like a punch in the face every time I heard it. Has any American ever genuinely sounded like that or is it just reserved for British actors putting on American accents?
Obviously a lot of this film is dedicated to music, the sea shanties have me goosebumps as soon as they all started singing. It doesn't necessarily matter what they're singing about, the crescendos of it are just so beautiful. I will admit that generally I wouldn't be able to tell you if films had music in the background, unless it's bad or amazing it will largely pass me by, but Fisherman's Friends had one of those rare occasions where I noticed.
There are a lot of things happening in the film, several of the main characters have something going on around them but at no point did it feel like anything was surplus to requirements. In films with a larger cast it can often end up missing or skipping over a storyline but all of them seemed to be tied up neatly at the end of this.
The ending has a very emotional sequence in it, I spent a significant amount of it crying into my cuffs. James Purefoy and Daniel Mays manage to have an incredibly powerful moment together. There was so much emotion in it that just recalling it now is making me well up as I write.
While I might not buy this one I would certainly watch it again. It's a film that I'm certain almost anyone would enjoy, you'll certainly learn a few life lessons while you watch it.
What you should do
Definitely one to see, I know not everyone is a fan of musical numbers but there's plenty to go on to keep you amused.
Movie thing you wish you could take home
Where do I get myself a group to sing with? I miss a good old fashioned singalong.
Darren (64 KP) rated Midnight Run (1988) in Movies
Oct 28, 2019
An under-rated Masterpiece
Midnight Run is an Action/Comedy masterpiece.
A modest hit at the box office way back in 1988, Midnight Run, Is the perfect buddy buddy movie. Robert De NIro stars as Jack Walsh, an ex Chicago cop turned bounty hunter, who is hire by his slimy bail bondsman Eddie Moscone (played by Joe Pantoliano) to bring in Jonathan Mardukas aka The Duke ~(fantastically played by Charles Grodin) a former mafia accountant who has jumped bail and is wanted by the FBI and the Mafia themselves.
Walsh succeeds in easily finding The Duke in New York which embarrasses the FBI. Walsh plans to bring back "The Duke" on a plane but, An incident on the plane leads Jack having just 5 days to travel cross country to bring in Mardukas from New York.
Moscone, not sure that Walsh can deliver Mardukas in 5 days, hires another bounty hunter Marvin Dorfler ( John Ashton) to take Mardukas from Walsh. Not only is Marvin trying to Mardukas for a payday but Walsh also has FBI agent Alonzo Mosely (Yaphet Kotto) on his tail so that they can bring him in.
On top of all of that, Mafia Boss Jimmy Serrano (The late great Dennis Farina) has his guys hunting Walsh and Mardukas so, they can have them dead before reaching LA as Mardukas was Jimmy's accountant and has damning evidence which can land Jimmy and his pals in prison for a very long time.
I really can't say enough good things about Midnight Run. Never at any point do you get bored or fed up of this film. In fact, at 2hrs and 6mins i wished it had gone on a little more.
How many films can you say that about?
De Niro and Grodin play off each other wonderfully. Their relationship goes from hunter and hunted to a nicely played out bromance of mutual respect.
John Ashton as Marvin, always thinking he's one step ahead of Walsh when he is actually one step behind. Joe Pantoliano is a fine character actor and here once again, As Eddie Moscone he plays slimy brilliantly. Yaphet Kotto never puts in a bad performance and finally, Dennis Farina as Jimmy Serrano has some of the best lines in the film.
Martin Brest delivers an absolute all time classic as director. It's a shame that after Gigli he decided to never direct again. Understandable i suppose because of the reviews but, Lets not forget he did bring us Beverley Hills Cop and Scent of A Woman and only ever directed 9 films in his career.
As for the 18 rating, That was down to the language! There are a lot of FUCKS in this film and it really isn't a violent film.
If you have not seen it, I implore you to take a chance! I promise you will not be disappointed.
A modest hit at the box office way back in 1988, Midnight Run, Is the perfect buddy buddy movie. Robert De NIro stars as Jack Walsh, an ex Chicago cop turned bounty hunter, who is hire by his slimy bail bondsman Eddie Moscone (played by Joe Pantoliano) to bring in Jonathan Mardukas aka The Duke ~(fantastically played by Charles Grodin) a former mafia accountant who has jumped bail and is wanted by the FBI and the Mafia themselves.
Walsh succeeds in easily finding The Duke in New York which embarrasses the FBI. Walsh plans to bring back "The Duke" on a plane but, An incident on the plane leads Jack having just 5 days to travel cross country to bring in Mardukas from New York.
Moscone, not sure that Walsh can deliver Mardukas in 5 days, hires another bounty hunter Marvin Dorfler ( John Ashton) to take Mardukas from Walsh. Not only is Marvin trying to Mardukas for a payday but Walsh also has FBI agent Alonzo Mosely (Yaphet Kotto) on his tail so that they can bring him in.
On top of all of that, Mafia Boss Jimmy Serrano (The late great Dennis Farina) has his guys hunting Walsh and Mardukas so, they can have them dead before reaching LA as Mardukas was Jimmy's accountant and has damning evidence which can land Jimmy and his pals in prison for a very long time.
I really can't say enough good things about Midnight Run. Never at any point do you get bored or fed up of this film. In fact, at 2hrs and 6mins i wished it had gone on a little more.
How many films can you say that about?
De Niro and Grodin play off each other wonderfully. Their relationship goes from hunter and hunted to a nicely played out bromance of mutual respect.
John Ashton as Marvin, always thinking he's one step ahead of Walsh when he is actually one step behind. Joe Pantoliano is a fine character actor and here once again, As Eddie Moscone he plays slimy brilliantly. Yaphet Kotto never puts in a bad performance and finally, Dennis Farina as Jimmy Serrano has some of the best lines in the film.
Martin Brest delivers an absolute all time classic as director. It's a shame that after Gigli he decided to never direct again. Understandable i suppose because of the reviews but, Lets not forget he did bring us Beverley Hills Cop and Scent of A Woman and only ever directed 9 films in his career.
As for the 18 rating, That was down to the language! There are a lot of FUCKS in this film and it really isn't a violent film.
If you have not seen it, I implore you to take a chance! I promise you will not be disappointed.
Darren (1599 KP) rated The Possession of Hannah Grace (2018) in Movies
Oct 24, 2019
Characters – Megan Reed is a former cop that has been through rehab after struggling after her own experience in the field, cleaned up, she looks to get back into work on a graveyard shift at the morgue. Megan does start to have strange visits while on duty and becomes convinced strange things are going on, she is left to wonder whether she is having a bad experience from her drugs or is something supernatural going on. Andrew is the ex-boyfriend and fellow cop of Megan, he was left no choice, but to leave her, but will support her through her struggles. Hannah Grace is the young woman that went through the exorcism, she hasn’t remained dead though, searching for more victims in her afterlife. Randy is the friendly paramedic that offers support for Megan because of his own past.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
BankofMarquis (1832 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 24, 2019
"Satisfying Enough" Conclusion
I am a fan of the STAR WARS films. Ever since I first went to a place A LONG TIME AGO IN A GALAXY FAR, FAR AWAY I have enjoyed the adventures of the ragtag group of rebels taking on the evil Galactic Empire. Like most folks, I was blown away by the first STAR WARS film, LOVED the sequel, THE EMPIRE STRIKES BACK, thought the concluding film in the original trilogy, RETURN OF THE JEDI was "good enough", hated the prequels and have been cautiously optimistic when both THE FORCE AWAKENS and ROGUE ONE were good films. Finally, of course, I was disappointed (like everyone else) with THE LAST JEDI and SOLO. So...I was going to go to THE RISE OF SKYWALKER no matter what anyone else says.
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Neon's Nerd Nexus (360 KP) rated Weathering with You (2019) in Movies
Feb 1, 2020 (Updated Feb 1, 2020)
Change The World
Weathering With You is such an original and blissfully delightful tale that it successfully draws you in and immerses you into its breathtakingly realistic world the moment you enter it. I think we can all safely say that when Makoto Shinkai makes a movie he turns heads because he's without a doubt up there with Studio Ghibli in regards to quality, imagination, beauty and magic. Whats great about Weathering with you is just how grounded in reality it is and as we meet our lead character we get to see/feel just how tuff life can be for a young adult trying to live/survive in the world especially with no help, guidence or someone to look up to. This really helps form an instant connection to him as a character and while some of his actions maybe considered bad you sympathies and relate to him on a personal level just the same. As the film plays out a more spiritual/fantasy like plot starts to unfold and at first I did struggle to grasp what the film was actually trying to say over all but this does become clear the further in you get. To me its a story about pressure/burdens we ourselves and the world put on our heads which eventually/inevitably will lead to anxiety, emotions running wild, stress, depression and in some cases giving a person such a warped negative outlook on life that they may be lead to believe that their existence is what is causing the pain and misery of everyone else. Surprisingly climate change is a big theme here too and this has become a huge stress in its self weighing down on not only us but on our characters heads equally. However the film does have a lovely way of looking at this issue towards the end which helps manifest a more positive way of dealing with/coming to terms with this huge problem helping to take some of that pressure off us and giving us peace of mind. As you can imagine all this does get extremely heavy at times but it gives what moments of happiness we get such power and weight that by the time they appear I guarantee you will be struggling to contain your emotions as they try to escape from you. With clear influences from the likes of Spirited Away Weathering with you is animated flawlessly and is so beautiful to watch that it even makes simple actions such as preparing food absolutely captivating. Huge cassical scores gracefully a company the striking visualls too but every so often these pices distort, fracture and skip giving them a more modern/slightly futuristic feel to them which i was really impressed by. Makoto Shinkai has done it again and its nice to see his films are getting the attention they deserve with every seat filled in our showing. Honestly go see this film it really is a perfect example of animation at its absolute finest.
Emma @ The Movies (1786 KP) rated Queen & Slim (2019) in Movies
Feb 2, 2020
Queen and Slim share a nice, if odd, first date. Driving her home after dinner their night takes a turn as they're pulled over by a police officer. It's clear that he's less than happy, and when he asks Slim to step out of the car with no real reason Queen, as a lawyer, tries to stand for what's right. What happens next leaves them both changed and they need to escape what's coming, but neither are prepared for what it'll lead them to.
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Emma @ The Movies (1786 KP) rated The Mitchells vs The Machines (2021) in Movies
Aug 11, 2021
I was originally going to post a round up of films I'd seen a just give a quick overview of my thoughts. But as I started writing, this review got longer and longer as I realised that it was okay for me to bore you with me frothing at the mouth with excitement.
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Joe Goodhart (27 KP) rated X-Force, Volume 1: Angels And Demons in Books
Nov 30, 2020
When X-FORCE relaunched in 2009, I was on board for the first couple issues. Clayton Crain's sombre-hued, v art was perfectly suited to the new incarnation of the team: essentially, they were being re-crafted as a mutant Black Ops team. This was the book that got me into the character of Laura Kinney/X-23, and since that time, I have gobbled everything related to her backstory (both the well-written stuff and the not-so-well-written stuff).
Unfortunately, I was trying to read X-FORCE at a darker point (no pun intended) in my life. Long story short, I dropped the series after the third issue.
Fast forward to now.. I am at a better place mentally/emotionally (for the most part. Some days are better/worse than others). In I went, gobbling it up at a brisker pace than I could have imagined, bearing witness to a hitherto unheard of trail of carnage in an X-related book!
Craig Kyle and Christopher Yost were responsible for the creation of the character of X-23, where she first appeared in the animated series X-MEN: EVOLUTION back in the early 2000's, so I had an inkling of what to expect. However, the animated series was tame as heck compared what went down. If you have had the opportunity to see the movie LOGAN, it was that kind of intensity that was going on in these pages!
From the start, it was a team that Logan did not believe in, and he told Cyclops that in so many words (and a punch to the jaw!). However, as Cyclops told him, these are dark times, and to combat what is about to come, a "no rules" team, one that would be off-the-books is necessary! Logan does not agree with the team as whole, but he goes along with their first mission, as he feels the need to keep an eye on them, as well as watching out for Laura (Cyclops' assigning her to the team earns him the sock on the jaw!).
A lot of blood, a boatload of hurt, and a whole lot of things you mostly likely will not be able to unseen. All in the name of making it safe to be a mutant!
Kyle and Yost's characterizations are spot on, never wavering or disappointing. The characterization for Logan is particularly good, as are that of the Purifiers, the series', and mutantkind's, Big Bad. From the art to the writing, everything about this book, and clearly the series as a whole, is one hundred percent!
I won't lie, this is probably one of the darkest X-books you will ever read! The only one darker that I can think of is OLD MAN LOGAN. However, if you can handle angst-heavy, zero happy endings, then this is definitely for you! I can't recommend it enough!
Unfortunately, I was trying to read X-FORCE at a darker point (no pun intended) in my life. Long story short, I dropped the series after the third issue.
Fast forward to now.. I am at a better place mentally/emotionally (for the most part. Some days are better/worse than others). In I went, gobbling it up at a brisker pace than I could have imagined, bearing witness to a hitherto unheard of trail of carnage in an X-related book!
Craig Kyle and Christopher Yost were responsible for the creation of the character of X-23, where she first appeared in the animated series X-MEN: EVOLUTION back in the early 2000's, so I had an inkling of what to expect. However, the animated series was tame as heck compared what went down. If you have had the opportunity to see the movie LOGAN, it was that kind of intensity that was going on in these pages!
From the start, it was a team that Logan did not believe in, and he told Cyclops that in so many words (and a punch to the jaw!). However, as Cyclops told him, these are dark times, and to combat what is about to come, a "no rules" team, one that would be off-the-books is necessary! Logan does not agree with the team as whole, but he goes along with their first mission, as he feels the need to keep an eye on them, as well as watching out for Laura (Cyclops' assigning her to the team earns him the sock on the jaw!).
A lot of blood, a boatload of hurt, and a whole lot of things you mostly likely will not be able to unseen. All in the name of making it safe to be a mutant!
Kyle and Yost's characterizations are spot on, never wavering or disappointing. The characterization for Logan is particularly good, as are that of the Purifiers, the series', and mutantkind's, Big Bad. From the art to the writing, everything about this book, and clearly the series as a whole, is one hundred percent!
I won't lie, this is probably one of the darkest X-books you will ever read! The only one darker that I can think of is OLD MAN LOGAN. However, if you can handle angst-heavy, zero happy endings, then this is definitely for you! I can't recommend it enough!
Emma @ The Movies (1786 KP) rated Herself (2020) in Movies
Oct 6, 2020
I was keen to see this from recommendations I'd spotted online, but I wasn't overly enthused by the description... boy am I glad that the internet has great taste in movies.
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Darren (1599 KP) rated The Pining (2019) in Movies
Sep 26, 2019
Characters – Joe is a disabled photographer, he used to be an athlete before his accident too, this saw his life change overnight with him still feeling the effects of what happened to him, he has built up a reputation for his skills with a camera too and just when he starts getting help, he starts to see unusual things happen to him too. Father William is the man that held the support group meeting, he is trying to help people get over the trauma in their lives, but he becomes one of the suspects when the bodies start piling up. Detective Harris has been investigating the bodies, some seem like clear murders, others look like accidents, she believes there is a connection between the support group meeting and wants to get to the bottom of it.
Performances – Diogo Hausen is the best of the performers, he does show us how the character does feel like he has been a victim and showing the strength to carry on. Tom Sizemore is an actor we expect so much more from, he doesn’t get a chance to shine in this one, while Jackie Dallas does well with her scenes.
Story – The story here follows a string of cases that involve the members of a support group being involved in murders or strange accidents, we see how one detective is trying put the pieces together, while trying to save one of the final living members of the group. This is an interesting spin on the idea of victim selection, it does work for making the characters seem like they have been selected to play into their strengths and weaknesses. With this strong idea, comes a weaker way of telling the story, which doesn’t seem to make many of the scenes feel connected, or get to a targeting moments, which could bring about motivation to light until way too late in the film. This is a story that could be a lot more intense only it fails to capture the moments well enough.
Thriller – This film does try to keep us guessing to what will happen next, the problems comes with the fact we only have one scene that feels unpredictable with most just being a cut and dry version of the incidents.
Settings – This film is set in one city where the victims have all been around one locations which could make them the potential latest victim to what is going on, it shows how people don’t know everybody’s stories in life.
Scene of the Movie – Grace’s bad date.
That Moment That Annoyed Me – The film spends too much time on Joe, when it seems like we should be investigating the murders.
Final Thoughts – This is a thriller that doesn’t manage to hit the levels it could do, it has an interesting idea, only it never gives it the full focus it should.
Overall: Thriller that misses the edgy side.
Performances – Diogo Hausen is the best of the performers, he does show us how the character does feel like he has been a victim and showing the strength to carry on. Tom Sizemore is an actor we expect so much more from, he doesn’t get a chance to shine in this one, while Jackie Dallas does well with her scenes.
Story – The story here follows a string of cases that involve the members of a support group being involved in murders or strange accidents, we see how one detective is trying put the pieces together, while trying to save one of the final living members of the group. This is an interesting spin on the idea of victim selection, it does work for making the characters seem like they have been selected to play into their strengths and weaknesses. With this strong idea, comes a weaker way of telling the story, which doesn’t seem to make many of the scenes feel connected, or get to a targeting moments, which could bring about motivation to light until way too late in the film. This is a story that could be a lot more intense only it fails to capture the moments well enough.
Thriller – This film does try to keep us guessing to what will happen next, the problems comes with the fact we only have one scene that feels unpredictable with most just being a cut and dry version of the incidents.
Settings – This film is set in one city where the victims have all been around one locations which could make them the potential latest victim to what is going on, it shows how people don’t know everybody’s stories in life.
Scene of the Movie – Grace’s bad date.
That Moment That Annoyed Me – The film spends too much time on Joe, when it seems like we should be investigating the murders.
Final Thoughts – This is a thriller that doesn’t manage to hit the levels it could do, it has an interesting idea, only it never gives it the full focus it should.
Overall: Thriller that misses the edgy side.