Search
Eleanor (1463 KP) rated The Mercies in Books
Jan 23, 2020 (Updated Jan 23, 2020)
A Chilling Tale of Witch Hunting
Throughout this book, I felt cold and kept having to pile on the blankets. The writing so effectively evoked the feelings of being in a remote Norway setting in the 17th Century - burrrrrr. The writing style took a little getting used to but it really added to the atmosphere in terms of the historical and geographical setting making for an engrossing historical fiction.
The book begins with a freak storm killing most (all the able-bodied) men who were fishing from the small village of Vardo. (This is based on a true story - the storm thing really did happen to a village of that time.) It’s a horrific tragedy and the women left behind have to work out how to survive without their husbands and sons. From the village, the tale is told from the perspective of Maren who loses her father, brother and betrothed.
With news of the circumstances of the village spreading a commissioner is appointed and travels from Scotland to oversee the village (because God only knows what could happen if you left women to sort stuff out themselves!!) It being the 17th Century, travel takes a long time and he stops off to get himself a wife on the way (must-have travel accessory) so the village gets by for many a year without oversight. With the arrival of the commissioner and his wife (Ursa) life again gets turned on its head as it turns out the new Commissioner has a knack for witch-hunting.
Although I found the pace a bit too slow for my liking it had a great feel and really evoked the frustration for the world women lived in at the time. With at times graphic descriptions of the way witch hunts were operated it’s at times a hard read. With the slow build, I did find the ending a bit rushed and unsatisfying but was left with plenty to reflect upon.
Many thanks to the author, publisher, and NetGalley for the ARC in exchange for an honest review.
The book begins with a freak storm killing most (all the able-bodied) men who were fishing from the small village of Vardo. (This is based on a true story - the storm thing really did happen to a village of that time.) It’s a horrific tragedy and the women left behind have to work out how to survive without their husbands and sons. From the village, the tale is told from the perspective of Maren who loses her father, brother and betrothed.
With news of the circumstances of the village spreading a commissioner is appointed and travels from Scotland to oversee the village (because God only knows what could happen if you left women to sort stuff out themselves!!) It being the 17th Century, travel takes a long time and he stops off to get himself a wife on the way (must-have travel accessory) so the village gets by for many a year without oversight. With the arrival of the commissioner and his wife (Ursa) life again gets turned on its head as it turns out the new Commissioner has a knack for witch-hunting.
Although I found the pace a bit too slow for my liking it had a great feel and really evoked the frustration for the world women lived in at the time. With at times graphic descriptions of the way witch hunts were operated it’s at times a hard read. With the slow build, I did find the ending a bit rushed and unsatisfying but was left with plenty to reflect upon.
Many thanks to the author, publisher, and NetGalley for the ARC in exchange for an honest review.
Kristy H (1252 KP) rated The Word Game in Books
Feb 13, 2018
Due to a traumatic event in her past, mom Alyson Ward keeps a protective and close watch over her ten-year-old daughter, Lyla. So when she allows Lyla to go on her first sleepover--to another friend's house--it's a big deal for Aly. Her fears are somewhat calmed by the fact that Lyla will be staying with Aly's sister Tricia and a group of her friends from dance class. All in all, it seems like a fun sleepover. But after Aly picks Lyla up, she has some troubling things to tell her Mom. Have Aly's worst fears come true after all?
This book was a quick read with a timely plot. It's always horrific to read about abuse, especially at it relates to children. In many ways, I would have enjoyed this book more if Aly was simply an overprotective parent and the story unfolded based on what happened at the sleepover, without involving Aly and Tricia's past. The novel unwinds from both their perspectives, as well as that of their mother, Ida, and their friend, Myah, who teaches the girls' dance class. For me, the messed up family tale involving Aly, Tricia, and Ida simply became too much after a while - the constant bickering and allusions "to things in the past." When all is revealed, it's shocking and horrible yes, but really just poorly overshadows what was otherwise a fairly well-written and interesting (albeit sad and horrific) story about the women's daughters.
Also, while we get a lot of arguing among the elder sisters and their mom, and whispers about their troublesome upbringing and childhood, there's no real character development, so I wound up feeling more annoyed by them (especially Tricia and her mom) versus sympathetic. It seems especially appalling that no one listens to Aly -- you'd think one would rather be safe than sorry when the subject is potential child abuse.
I'm giving this three stars for the story that focuses more on the younger generation and Myah, but feel the book needed to better deal with Alyson and Tricia's backstory and character development.
This book was a quick read with a timely plot. It's always horrific to read about abuse, especially at it relates to children. In many ways, I would have enjoyed this book more if Aly was simply an overprotective parent and the story unfolded based on what happened at the sleepover, without involving Aly and Tricia's past. The novel unwinds from both their perspectives, as well as that of their mother, Ida, and their friend, Myah, who teaches the girls' dance class. For me, the messed up family tale involving Aly, Tricia, and Ida simply became too much after a while - the constant bickering and allusions "to things in the past." When all is revealed, it's shocking and horrible yes, but really just poorly overshadows what was otherwise a fairly well-written and interesting (albeit sad and horrific) story about the women's daughters.
Also, while we get a lot of arguing among the elder sisters and their mom, and whispers about their troublesome upbringing and childhood, there's no real character development, so I wound up feeling more annoyed by them (especially Tricia and her mom) versus sympathetic. It seems especially appalling that no one listens to Aly -- you'd think one would rather be safe than sorry when the subject is potential child abuse.
I'm giving this three stars for the story that focuses more on the younger generation and Myah, but feel the book needed to better deal with Alyson and Tricia's backstory and character development.
Gareth von Kallenbach (977 KP) rated A Christmas Carol (2009) in Movies
Aug 9, 2019
The timeless classic A Christmas Carol by Charles Dickens has been one of the most beloved and adapted stories in history. There have been numerous movies, plays, radio, and television shows that have told the story for several generations as well as adapted films such as “Scrooged” and “Ghosts of Girlfriends Past” which were inspired by the timeless tale of redemption.
The latest version of the film was created by Director Robert Zemeckis (who also wrote the screenplay for the film.) and presents it with stunning 3D effects.
The clever use of animation based on motion capture of the actors brings a new and unique look and style to the film that makes it contemporary yet does not diminish the Victorian England setting of the story.
In case you are one of the few that are not familiar with the tale, the story centers on a miserly curmudgeon, named Ebenezer Scrooge (Jim Carrey), who is so tight with a penny that he keeps the coal in his office locked up, forcing his employee Bob Crachit (Gary Oldman), to make do with one tiny piece a day during the cold of winter.
Scrooge has no love for anyone or anything aside from his work, and he spends his life in working and dispensing venom for all those that dare come into his world.
When he is invited to Christmas dinner by his nephew Fred (Colin Firth), Scrooge declines the offer abruptly and berates his nephew about the pointless nature of Christmas and how it serves no purpose. As if he was just getting warmed up, Scrooge then unleashes his fury on a local charity and informs them that if the needy were to die, then perhaps there would be less surplus population in the world.
Alone in his home on Christmas Eve, Scrooge is visited by the ghost of his old associate Jacob Marley, (Gary Oldman), who passed away seven years earlier. Marley is bound by the long chains he created in his life, and warns Scrooge not to make the mistakes he did and that there is still time for him to find redemption.
Scrooge is visited by the ghosts of Christmas past, present, and future who take Scrooge on a journey through his life, and show him the folly of his ways, and offer him a second chance to lead a better life with caring and compassion to all.
The solid cast really shines and many play multiple roles in the film. Carrey gives a strong performance and manages to reign in his over the top energy during the more dramatic parts of the film, and lets it out where appropriate. He subtly infuses comedy into the story without it ever taking the focus from the story.
The 3D effects were a real treat and it truly seemed like it was snowing in the theater and the numerous shots of London were truly amazing. While some may see it as a more modern adaptation, I found the film to be very true to the story, and was not only very entertaining, but a version that even Scrooge himself would enjoy as this is a new holiday classic that sets the bar for future adaptations of the story to aspire to.
The latest version of the film was created by Director Robert Zemeckis (who also wrote the screenplay for the film.) and presents it with stunning 3D effects.
The clever use of animation based on motion capture of the actors brings a new and unique look and style to the film that makes it contemporary yet does not diminish the Victorian England setting of the story.
In case you are one of the few that are not familiar with the tale, the story centers on a miserly curmudgeon, named Ebenezer Scrooge (Jim Carrey), who is so tight with a penny that he keeps the coal in his office locked up, forcing his employee Bob Crachit (Gary Oldman), to make do with one tiny piece a day during the cold of winter.
Scrooge has no love for anyone or anything aside from his work, and he spends his life in working and dispensing venom for all those that dare come into his world.
When he is invited to Christmas dinner by his nephew Fred (Colin Firth), Scrooge declines the offer abruptly and berates his nephew about the pointless nature of Christmas and how it serves no purpose. As if he was just getting warmed up, Scrooge then unleashes his fury on a local charity and informs them that if the needy were to die, then perhaps there would be less surplus population in the world.
Alone in his home on Christmas Eve, Scrooge is visited by the ghost of his old associate Jacob Marley, (Gary Oldman), who passed away seven years earlier. Marley is bound by the long chains he created in his life, and warns Scrooge not to make the mistakes he did and that there is still time for him to find redemption.
Scrooge is visited by the ghosts of Christmas past, present, and future who take Scrooge on a journey through his life, and show him the folly of his ways, and offer him a second chance to lead a better life with caring and compassion to all.
The solid cast really shines and many play multiple roles in the film. Carrey gives a strong performance and manages to reign in his over the top energy during the more dramatic parts of the film, and lets it out where appropriate. He subtly infuses comedy into the story without it ever taking the focus from the story.
The 3D effects were a real treat and it truly seemed like it was snowing in the theater and the numerous shots of London were truly amazing. While some may see it as a more modern adaptation, I found the film to be very true to the story, and was not only very entertaining, but a version that even Scrooge himself would enjoy as this is a new holiday classic that sets the bar for future adaptations of the story to aspire to.
Darren (1599 KP) rated Black Water (2008) in Movies
Jul 25, 2019
Story: Black Water starts when Grace (Glenn) her husband Adam (Rodoreda) and her younger sister Lee (Dermody) are off on an adventure across Northern Australia, visiting a crocodile farm before heading out into the black water for a fishing day with guide Jim (Oxenbould).
When their small boat is capsized by a crocodile the family find themselves hiding in the trees waiting to see if the crocodile has gone before making their decision on how to escape.
Thoughts on Black Water
Characters – Grace is the married pregnant old sister, she is using the trip to make the announcement to her husband, once the attack happens she wants to protect her younger sister, while trying to think of a logical way out of the situation. Lee is the younger sister that is on the trip for her first adventure, she doesn’t have anything about her to make her feel unique other than that she seems to sleep a lot. Adam is the husband that suggest the trip, once trapped he wants to use the quick option to safety which might be the more dangerous one.
Performances – When we look at the performances we must start with the negatives, it doesn’t help that the characters are written very weakly, which gives the three main stars very little to work with, must of what they need to do is sit in a tree have the same conversation.
Story – The story here is simple, we follow three people that get trapped by a crocodile in the middle is the North Australian waters, they must figure out how to survive and this is sold on based on a true story. there are plenty of things which don’t help the story here, first we don’t get a chance to get to know the characters well enough, they are mostly just generic because we don’t know enough to care about them. We get the same conversation about what is the best idea for seemingly ages without any action being followed. We do get to follow the normal animal attack story which mostly revolves around screaming over anything else.
Action/Horror – The action isn’t shot with the best style, we know what is happening, its just most of the action is off camera which makes it hard to believe the crocodile attacks.
Settings – The film puts us in the middle of the black water in North Australia which is does put our characters in a place where rescue isn’t an option and escaping isn’t one either.
Special Effects – The effects for the after attacks look like good strong practical effects, when we start seeing the attack in progress we lose something about what we are seeing.
Scene of the Movie – The feeding night.
That Moment That Annoyed Me – We see to have the same conversation 4 or 5 times.
Final Thoughts – This is a simple animal attack movie that lacks that extra quality to make us truly disturbed by what we are seeing, we have dull characters and poorly shot action.
Overall: Simple animal attack film.
When their small boat is capsized by a crocodile the family find themselves hiding in the trees waiting to see if the crocodile has gone before making their decision on how to escape.
Thoughts on Black Water
Characters – Grace is the married pregnant old sister, she is using the trip to make the announcement to her husband, once the attack happens she wants to protect her younger sister, while trying to think of a logical way out of the situation. Lee is the younger sister that is on the trip for her first adventure, she doesn’t have anything about her to make her feel unique other than that she seems to sleep a lot. Adam is the husband that suggest the trip, once trapped he wants to use the quick option to safety which might be the more dangerous one.
Performances – When we look at the performances we must start with the negatives, it doesn’t help that the characters are written very weakly, which gives the three main stars very little to work with, must of what they need to do is sit in a tree have the same conversation.
Story – The story here is simple, we follow three people that get trapped by a crocodile in the middle is the North Australian waters, they must figure out how to survive and this is sold on based on a true story. there are plenty of things which don’t help the story here, first we don’t get a chance to get to know the characters well enough, they are mostly just generic because we don’t know enough to care about them. We get the same conversation about what is the best idea for seemingly ages without any action being followed. We do get to follow the normal animal attack story which mostly revolves around screaming over anything else.
Action/Horror – The action isn’t shot with the best style, we know what is happening, its just most of the action is off camera which makes it hard to believe the crocodile attacks.
Settings – The film puts us in the middle of the black water in North Australia which is does put our characters in a place where rescue isn’t an option and escaping isn’t one either.
Special Effects – The effects for the after attacks look like good strong practical effects, when we start seeing the attack in progress we lose something about what we are seeing.
Scene of the Movie – The feeding night.
That Moment That Annoyed Me – We see to have the same conversation 4 or 5 times.
Final Thoughts – This is a simple animal attack movie that lacks that extra quality to make us truly disturbed by what we are seeing, we have dull characters and poorly shot action.
Overall: Simple animal attack film.
RəX Regent (349 KP) rated The Sound of Music (1965) in Movies
Mar 7, 2019
The hills are alive...
Contains spoilers, click to show
The film opens with a long travelogue styled flight through the Alps, with little music and just the wind and the clear air for company, until we end up on that now famous hill top, where the sound of music soars high and loud. This was shot in one of the many rival formats of the day, in this case, TODD-AO, a dynamic 70mm frame, and projected onto a massive screen, to great effect.
It is on that hilltop that we meet Maria, Julie Andrews, as she sings her way around the hills and Austria, unable to contain her musical aspiration or free spirit. We soon learn that she is finding it difficult to find her way as a nun, and is sent to work as a governess for Christopher Plummer's, Capatin von Trapp's, seven children.
Once there, she manages to endear herself to the family and well, the rest is history. The film is based on a true story but there a are several differences, mainly surrounding the political situation to added effect and the names and ages of the children to name but a few.
In the end the film looks great, with the von Trapp's villa set in a glorious location in Austria, relaxing a peaceful. There is a great sense of the family's interaction and growing bonds, both with the children and the Captain, whilst there is a gentle threat and tension from the baroness, the third party in the love triangle within the film, but there is little nastiness within the film, with the exception of the Nazi element, obviously.
With memorable songs, beautiful surroundings and great direction from Robert Wise, this has more than earned its place within the annuls of Hollywood greatness and will no doubt continue to flourish for generations to come, as timeless is not the word.
It is on that hilltop that we meet Maria, Julie Andrews, as she sings her way around the hills and Austria, unable to contain her musical aspiration or free spirit. We soon learn that she is finding it difficult to find her way as a nun, and is sent to work as a governess for Christopher Plummer's, Capatin von Trapp's, seven children.
Once there, she manages to endear herself to the family and well, the rest is history. The film is based on a true story but there a are several differences, mainly surrounding the political situation to added effect and the names and ages of the children to name but a few.
In the end the film looks great, with the von Trapp's villa set in a glorious location in Austria, relaxing a peaceful. There is a great sense of the family's interaction and growing bonds, both with the children and the Captain, whilst there is a gentle threat and tension from the baroness, the third party in the love triangle within the film, but there is little nastiness within the film, with the exception of the Nazi element, obviously.
With memorable songs, beautiful surroundings and great direction from Robert Wise, this has more than earned its place within the annuls of Hollywood greatness and will no doubt continue to flourish for generations to come, as timeless is not the word.
A very uncomfortable read.
We know straight from the very first page what has happened and who committed the murder of 2 small children: it’s the nanny. This book is far more to do with the ‘why’ of it. Why exactly did she do it? Were there any mitigating circumstances?
This short novel shows a middle-aged woman who is very lonely, poor and under-educated. She does the work she loves though, looking after children in their own homes. She becomes very attached to all of her charges, and it seems that they all adore her.
This isn’t a story with a nice explanation or reason for a murder. It’s a lot like real life in that way: sometimes people become overwhelmed and can’t cope. It seemed obvious to me from early in that the nanny, Louise, had mental health problems. She seemed to be given full responsibility of two small children for a large part of the day, whilst their parents worked really long hours. I think the changing opinions of the parents don’t help her: one minute she can do no wrong and is an integral part of the family, the next, she’s ‘just’ the hired help. The ending isn’t wrapped up all nicely with a resolution. There’s no happy ending for any of them. Just like real life. I wasn’t surprised to learn that this could actually be based on the true story of a nanny murdering her employers children in much the same way, which made it all the more chilling.
If you’re not ok with reading about child murders, I’d steer well clear of this book, otherwise, it’s a very compelling read.
This short novel shows a middle-aged woman who is very lonely, poor and under-educated. She does the work she loves though, looking after children in their own homes. She becomes very attached to all of her charges, and it seems that they all adore her.
This isn’t a story with a nice explanation or reason for a murder. It’s a lot like real life in that way: sometimes people become overwhelmed and can’t cope. It seemed obvious to me from early in that the nanny, Louise, had mental health problems. She seemed to be given full responsibility of two small children for a large part of the day, whilst their parents worked really long hours. I think the changing opinions of the parents don’t help her: one minute she can do no wrong and is an integral part of the family, the next, she’s ‘just’ the hired help. The ending isn’t wrapped up all nicely with a resolution. There’s no happy ending for any of them. Just like real life. I wasn’t surprised to learn that this could actually be based on the true story of a nanny murdering her employers children in much the same way, which made it all the more chilling.
If you’re not ok with reading about child murders, I’d steer well clear of this book, otherwise, it’s a very compelling read.
Suswatibasu (1701 KP) rated Loving (2016) in Movies
Nov 8, 2017 (Updated Nov 8, 2017)
Rather stunning, poignant film
What makes this beautiful story so wonderful is the fact that it crosses boundaries in an unpretentious way. Based on a true story, there were ample chances to go over the top. However, there is no civil rights action, or major protestations, as portrayed in some other Hollywood films, keeping court scenes to a minimum.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
Cyn Armistead (14 KP) rated Carniepunk in Books
Mar 1, 2018
As soon as I read about this collection on Kevin Hearne's Facebook, I knew I would be buying it. I don't care for carnivals at all, and every story will be related to one in some way - but there was just no way I was going to miss an Atticus and Oberon story! I even pre-ordered the book on Amazon, the first time I've ever done that. It was SO hard not to skip right ahead and read Hearne's contribution the moment the book was in my hot little hands, but I managed some discipline.
Rob Thurman's "Painted Love" opens the book. It is dark, but to be fair it isn't quite as dark as the only Thurman novel I've read, from the Cal Leandros series. I rather liked the twist. I adored the fiercely protective older sister, especially the way she is described. I'll rate this one at three.
I don't believe I've ever read anything by Delilah S. Dawson before, certainly not anything in the Blud universe, so I had no idea what to expect from "The Three Lives of Lydia." It was a far darker story than I would generally choose to read. I found the male love interest highly appealing. The portrayal of mental illness was horrific. I found it interesting that Dawson is an Atlantan as well as a fellow geeky mom, but I'm sure that I've never heard of her before. She does have a book coming out next year that looks promising, so I may give it a read. This one's a two.
Then there is the Iron Druid story! "The Demon Barker of Wheat Street" is set a few books back in the series' chronology (two weeks after "Two Ravens and One Crow"), so Granuaille isn't yet a full Druid. To make things even more interesting, Atticus accidentally offended the local elemental many years ago, so his magic doesn't work as well as usual in the area. The story isn't vital to the series, and knowledge of the series isn't necessary for enjoying it. Hearne's fans definitely won't want to miss it, though, and it could be used as a nice little taste of his style for new readers. Definitely a five.
I couldn't make it through "The Sweeter the Juice" by Mark Henry. Zombies are disgusting, but I was way squicked before the first walking dead even appeared on the scene. A one, just because there are no zeroes.
Jaye Wells is another new-to-me author, as far as I can remember at the moment. I didn't really like "The Werewife," to be honest. There was no joy anywhere in this story. There wasn't even a hint that perhaps the couple in the story had been happy together at one time. Both of them seemed pretty miserable, and I didn't like the way it ended. It didn't seem like there was any way to give them a happy ending, but that ending didn't feel "true." It gets a two, and that's only to set it apart from the previous story.
"The Cold Girl" by Rachel Caine is about an abusive teen relationship. Oh, and vampires. I'm not a Caine fan, but this story was better than some of her other work. Again, too dark for my tastes. If half stars were possible, it would have one. I'll be nice and round up to three.
The name Allison Pang sounds familiar, so maybe I've read something by her in the past. If I did, I'm certain that it wasn't set in the same world as "A Duet With Darkness," which says it is an Abby Sinclair story. I found the main character to be an annoying, immature twit, but I'm a sucker for fiction with musical influences. The music is well-done here. I don't know if I will read anything more by Ms. Pang or not - I suppose that depends on whether or not her other work has better characters and is also musical. This one gets a four.
I found "Recession of the Divine" by Hillary Jacques fascinating. The Greek inspiration was unusual. I didn't really buy the customers being quite so unquestioning of Ophelia's state, but it wasn't a major complaint overall. I was highly disappointed to find nothing but a credit in another anthology for her. But! Reading the author profiles at the end of the book pays off, because that's how I learned that she also writes as Regan Summers. Now her works published under that name are on my to-read shelf. Another five.
Jennifer Estep's "Parlor Tricks" was actually released free on Amazon a little while back to promote Carniepunk, so it was the first story I read. I enjoy the Elemental Assassin series in general, and this story is no exception. Again, knowledge of the series is not required to understand the story, and the story is not vital to the series. It is a nice little sample, though, and I enjoyed seeing Gin and Bria having a sisterly outing. I'm probably biased, but it gets a five.
I liked Kelly Meding's "Freak House" a lot, and her name sounded familiar, but the story was set in the "Strays" universe, which I was certain I had never heard of before. I actually stirred myself to look her up, and learned that I've had one of her books on my to-read list for ages, and Strays is a new series she's just starting. Djinn, werewolves, vampires, pixies, harpies, leprechauns, skinwalkers, and more, some "out" to humans, some living hidden - what's not to love? This one gets a four.
Nicole Peeler us yet another author who sounded vaguely familiar to me, and yep, there is one of her books on my to-read list (yes, it is massive, why do you ask?). It is, in fact, the first of the Jane True books, and "The Inside Man" is set in that world. Peeler's writing style dies not flow for me, but I liked Capitola Jones and her friends Shar and Moo. As clowns are indisputably evil, I had little to complain about in the story. It gets a three.
Succubus (former?) Jezzie is the main character in Jackie Kessler's story "A Chance in Hell." Obviously, the story is set her Hell on Earth series. I had to look that up, though, because while I know you're shocked, her name did not ring any bells for me. I don't actually have ALL the urban fantasy books on my to-read or read lists! The piece opens with a confusing remark about a demon eating Jezebel's face, when that definitely is not the anatomy in question. If that's a common euphemism, it is wholly new to me. Within the next couple of pages there are multiple references to the fact that she has fallen in love with a human since becoming mortal, but absolutely no explanation of how she would reconcile sex with an incubus with her human love. As much as I would prefer that it were not the case, the default assumption in our society is that people are monogamous. Therefore, when there is a deviation from that norm, the reader expects - something. Is it supposed to demonstrate that the fictional society is different? Is the character in an explicitly non-monogamous relationship? Is her love unrequited? Is the guy dead? Do demons not count? Is she just a skanky ho? Then this great love isn't mentioned again for the rest of the story, so none of the questions raised are answered. Oh. There is, in fact, a plot here, but I was so annoyed by that stuff that I almost failed to notice it. Demonic circus, yo. The whole demon thing reminds me too much of another series I've read in the past. I can't even remember the author's name, much less the title, right now, but Kessler's work feels derivative. She gets a two.
Next up is Kelly Gay - Hey look! Another author whose name I don't recognize! - with "Hell's Menagerie," a Charlie Madigan short story. Okay, this series is set in an alternate Atlanta. As an Atlanta girl, that certainly gets my attention. And Charlie is a single mother. I don't recall any other single mothers in the UF world right off. (Kate Daniels doesn't quite count, because she adopted her daughter as a teen. Although it is interesting to note that Kate is also Atlanta-based.) I was ready to like this one, based solely on what I knew of the series. Then there was a grammatical error on the second page of the story that set my teeth on edge, one which could not be chalked up to a character's voice. Add in the fact that we get a fast, "and also, Jim" style introduction to Charlie (who isn't even present in the story!), Rex, and Emma in less than two pages, and I am officially annoyed. It isn't an old matinee movie, so surely that information could have been worked in a little more naturally? Emma won me over. Mostly. There's some, "Not another super-gifted kid," reaction, but I guess if the mother is supposed to be all that it's to be expected that the daughter might be special, too. Hmm. A three.
The last piece is Seaman McGuire's "Daughter of the Midway, the Mermaid, and the Open, Lonely, Sea." Is that title a mouthful, or what? It has the feel of a Toby Daye story, although it isn't subtitled as such, and there are no fae so maybe it isn't in that universe at all. As there are other stories in the book that are set in the same world as their author's series, yet not marked in any way, lack of a subtitle can't be taken as a negative indicator, though. In any case, the story is poignant, which I've come to expect from McGuire. I didn't really like it, but I didn't dislike it, either. I couldn't "feel" Ada in any true sense. I have the same problem with Toby. A three at best.
Overall, the book was decent. The ratings only average out to 3.21, but I'm very glad to have read the stories by Hearne and Estep. Discovering Jacques/Summers was absolutely worthwhile. I really hate that I read as much of Henry's story as I did. If I could delete that from my memory, it would probably raise the rating for everything else.
Rob Thurman's "Painted Love" opens the book. It is dark, but to be fair it isn't quite as dark as the only Thurman novel I've read, from the Cal Leandros series. I rather liked the twist. I adored the fiercely protective older sister, especially the way she is described. I'll rate this one at three.
I don't believe I've ever read anything by Delilah S. Dawson before, certainly not anything in the Blud universe, so I had no idea what to expect from "The Three Lives of Lydia." It was a far darker story than I would generally choose to read. I found the male love interest highly appealing. The portrayal of mental illness was horrific. I found it interesting that Dawson is an Atlantan as well as a fellow geeky mom, but I'm sure that I've never heard of her before. She does have a book coming out next year that looks promising, so I may give it a read. This one's a two.
Then there is the Iron Druid story! "The Demon Barker of Wheat Street" is set a few books back in the series' chronology (two weeks after "Two Ravens and One Crow"), so Granuaille isn't yet a full Druid. To make things even more interesting, Atticus accidentally offended the local elemental many years ago, so his magic doesn't work as well as usual in the area. The story isn't vital to the series, and knowledge of the series isn't necessary for enjoying it. Hearne's fans definitely won't want to miss it, though, and it could be used as a nice little taste of his style for new readers. Definitely a five.
I couldn't make it through "The Sweeter the Juice" by Mark Henry. Zombies are disgusting, but I was way squicked before the first walking dead even appeared on the scene. A one, just because there are no zeroes.
Jaye Wells is another new-to-me author, as far as I can remember at the moment. I didn't really like "The Werewife," to be honest. There was no joy anywhere in this story. There wasn't even a hint that perhaps the couple in the story had been happy together at one time. Both of them seemed pretty miserable, and I didn't like the way it ended. It didn't seem like there was any way to give them a happy ending, but that ending didn't feel "true." It gets a two, and that's only to set it apart from the previous story.
"The Cold Girl" by Rachel Caine is about an abusive teen relationship. Oh, and vampires. I'm not a Caine fan, but this story was better than some of her other work. Again, too dark for my tastes. If half stars were possible, it would have one. I'll be nice and round up to three.
The name Allison Pang sounds familiar, so maybe I've read something by her in the past. If I did, I'm certain that it wasn't set in the same world as "A Duet With Darkness," which says it is an Abby Sinclair story. I found the main character to be an annoying, immature twit, but I'm a sucker for fiction with musical influences. The music is well-done here. I don't know if I will read anything more by Ms. Pang or not - I suppose that depends on whether or not her other work has better characters and is also musical. This one gets a four.
I found "Recession of the Divine" by Hillary Jacques fascinating. The Greek inspiration was unusual. I didn't really buy the customers being quite so unquestioning of Ophelia's state, but it wasn't a major complaint overall. I was highly disappointed to find nothing but a credit in another anthology for her. But! Reading the author profiles at the end of the book pays off, because that's how I learned that she also writes as Regan Summers. Now her works published under that name are on my to-read shelf. Another five.
Jennifer Estep's "Parlor Tricks" was actually released free on Amazon a little while back to promote Carniepunk, so it was the first story I read. I enjoy the Elemental Assassin series in general, and this story is no exception. Again, knowledge of the series is not required to understand the story, and the story is not vital to the series. It is a nice little sample, though, and I enjoyed seeing Gin and Bria having a sisterly outing. I'm probably biased, but it gets a five.
I liked Kelly Meding's "Freak House" a lot, and her name sounded familiar, but the story was set in the "Strays" universe, which I was certain I had never heard of before. I actually stirred myself to look her up, and learned that I've had one of her books on my to-read list for ages, and Strays is a new series she's just starting. Djinn, werewolves, vampires, pixies, harpies, leprechauns, skinwalkers, and more, some "out" to humans, some living hidden - what's not to love? This one gets a four.
Nicole Peeler us yet another author who sounded vaguely familiar to me, and yep, there is one of her books on my to-read list (yes, it is massive, why do you ask?). It is, in fact, the first of the Jane True books, and "The Inside Man" is set in that world. Peeler's writing style dies not flow for me, but I liked Capitola Jones and her friends Shar and Moo. As clowns are indisputably evil, I had little to complain about in the story. It gets a three.
Succubus (former?) Jezzie is the main character in Jackie Kessler's story "A Chance in Hell." Obviously, the story is set her Hell on Earth series. I had to look that up, though, because while I know you're shocked, her name did not ring any bells for me. I don't actually have ALL the urban fantasy books on my to-read or read lists! The piece opens with a confusing remark about a demon eating Jezebel's face, when that definitely is not the anatomy in question. If that's a common euphemism, it is wholly new to me. Within the next couple of pages there are multiple references to the fact that she has fallen in love with a human since becoming mortal, but absolutely no explanation of how she would reconcile sex with an incubus with her human love. As much as I would prefer that it were not the case, the default assumption in our society is that people are monogamous. Therefore, when there is a deviation from that norm, the reader expects - something. Is it supposed to demonstrate that the fictional society is different? Is the character in an explicitly non-monogamous relationship? Is her love unrequited? Is the guy dead? Do demons not count? Is she just a skanky ho? Then this great love isn't mentioned again for the rest of the story, so none of the questions raised are answered. Oh. There is, in fact, a plot here, but I was so annoyed by that stuff that I almost failed to notice it. Demonic circus, yo. The whole demon thing reminds me too much of another series I've read in the past. I can't even remember the author's name, much less the title, right now, but Kessler's work feels derivative. She gets a two.
Next up is Kelly Gay - Hey look! Another author whose name I don't recognize! - with "Hell's Menagerie," a Charlie Madigan short story. Okay, this series is set in an alternate Atlanta. As an Atlanta girl, that certainly gets my attention. And Charlie is a single mother. I don't recall any other single mothers in the UF world right off. (Kate Daniels doesn't quite count, because she adopted her daughter as a teen. Although it is interesting to note that Kate is also Atlanta-based.) I was ready to like this one, based solely on what I knew of the series. Then there was a grammatical error on the second page of the story that set my teeth on edge, one which could not be chalked up to a character's voice. Add in the fact that we get a fast, "and also, Jim" style introduction to Charlie (who isn't even present in the story!), Rex, and Emma in less than two pages, and I am officially annoyed. It isn't an old matinee movie, so surely that information could have been worked in a little more naturally? Emma won me over. Mostly. There's some, "Not another super-gifted kid," reaction, but I guess if the mother is supposed to be all that it's to be expected that the daughter might be special, too. Hmm. A three.
The last piece is Seaman McGuire's "Daughter of the Midway, the Mermaid, and the Open, Lonely, Sea." Is that title a mouthful, or what? It has the feel of a Toby Daye story, although it isn't subtitled as such, and there are no fae so maybe it isn't in that universe at all. As there are other stories in the book that are set in the same world as their author's series, yet not marked in any way, lack of a subtitle can't be taken as a negative indicator, though. In any case, the story is poignant, which I've come to expect from McGuire. I didn't really like it, but I didn't dislike it, either. I couldn't "feel" Ada in any true sense. I have the same problem with Toby. A three at best.
Overall, the book was decent. The ratings only average out to 3.21, but I'm very glad to have read the stories by Hearne and Estep. Discovering Jacques/Summers was absolutely worthwhile. I really hate that I read as much of Henry's story as I did. If I could delete that from my memory, it would probably raise the rating for everything else.
Gareth von Kallenbach (977 KP) rated Detroit (2017) in Movies
Jul 11, 2019
“Detroit” tells the story of the Algiers Motel incident that took place during the massive 12th Street Riot in 1967 Detroit, Michigan. Director Kathryn Bigelow and writer Mark Boal have created a stunning film that will suck the audience into a historical moment of horror.
The film, based on what is known about true events, takes viewers into a world of absolute terror as the streets of Detroit become a warzone filled with racial hatred and violence. After a police raid, looters took to the streets vandalizing and robbing local storefronts.
Rapidly, the police response grew into extreme reactionary violence and fueled the fire of the riot. The national guard is called in and rather than getting the situation under control, the city devolves into what looks like a warzone in a foreign land.
The film has a great build up and the characters are developed quite well by the time the thick of the plot gets started around the Algiers Motel Incident, an event that resulted in the deaths of three black men and the torture of nine other people.
The entire cast is amazing. Heart strings are pulled by the characters portraying Larry Reed (Algee Smith) and Fred (Jacob Latimore), two musicians that are caught in a horrific nightmare simply by being in the wrong place at the wrong time.
John Boyega also delivers a heart wrenching performance as Melvin Dismukes, a black man who tries at great length to stay safe and keep the peace. His character is portrayed as caught in the cross fires of morality and necessity.
Will Poulter plays a real-life villain as blood thirsty and racist police officer, Phillip Krauss. His portrayal of Krauss is terrifying.
The film as a film, is gripping, an amazing cinematic feat. But, the story is painful to watch. Scarier than any horror film, “Detroit” brings to light one of the darkest sides of the human species and a bloody stain on American history.
The film, based on what is known about true events, takes viewers into a world of absolute terror as the streets of Detroit become a warzone filled with racial hatred and violence. After a police raid, looters took to the streets vandalizing and robbing local storefronts.
Rapidly, the police response grew into extreme reactionary violence and fueled the fire of the riot. The national guard is called in and rather than getting the situation under control, the city devolves into what looks like a warzone in a foreign land.
The film has a great build up and the characters are developed quite well by the time the thick of the plot gets started around the Algiers Motel Incident, an event that resulted in the deaths of three black men and the torture of nine other people.
The entire cast is amazing. Heart strings are pulled by the characters portraying Larry Reed (Algee Smith) and Fred (Jacob Latimore), two musicians that are caught in a horrific nightmare simply by being in the wrong place at the wrong time.
John Boyega also delivers a heart wrenching performance as Melvin Dismukes, a black man who tries at great length to stay safe and keep the peace. His character is portrayed as caught in the cross fires of morality and necessity.
Will Poulter plays a real-life villain as blood thirsty and racist police officer, Phillip Krauss. His portrayal of Krauss is terrifying.
The film as a film, is gripping, an amazing cinematic feat. But, the story is painful to watch. Scarier than any horror film, “Detroit” brings to light one of the darkest sides of the human species and a bloody stain on American history.
Ross (3284 KP) rated Perfect Remains: A Gripping Thriller That Will Leave You Breathless in Books
Aug 30, 2018 (Updated Aug 30, 2018)
Very good, gripping crime novel based in Edinburgh. Recently arrived French detective Luc Callanach finds himself at the wheel of the force's biggest crime, while still trying to find his feet in his new city.
As the reader is made aware of the "murderer"'s identity from very early on, this feels more like an early Mark Billingham book than an Ian Rankin or Ed James. Not a true whodunit, more of a case of watching the story unfold, which is thrilling and you get to see the criminal and the detective's view of the events, but may put others off.
While the story is very well crafted, the pacing is top notch and the action exciting, a few aspects irritated me at times. Luc Callanach seems to have coped very well with his change in circumstances, and at times it is almost like he (or the author) has forgotten he is French completely! And also the attitude and conclusions of what was supposed to be a very experienced psychological profiler just didn't feel plausible. And finally, as so often happens with "detective x crime series" books - if the main character didn't see it, it didn't happen. This means that Callanach has to abandon his massive case and oddly decide to go off with another detective in order to discuss something, purely as a plot device - i.e. he has to be involved in it for it to be an important part of the story. In places this worked, and got to the point, but at other times his actions just seemed so unusual as to be ludicrous, just to meet a plot point. Why the lesser characters can't have a PoV chapter is beyond me. It works perfectly well in fantasy fiction, why not in crime?!
However these were minor quibbles, an otherwise great book.
As the reader is made aware of the "murderer"'s identity from very early on, this feels more like an early Mark Billingham book than an Ian Rankin or Ed James. Not a true whodunit, more of a case of watching the story unfold, which is thrilling and you get to see the criminal and the detective's view of the events, but may put others off.
While the story is very well crafted, the pacing is top notch and the action exciting, a few aspects irritated me at times. Luc Callanach seems to have coped very well with his change in circumstances, and at times it is almost like he (or the author) has forgotten he is French completely! And also the attitude and conclusions of what was supposed to be a very experienced psychological profiler just didn't feel plausible. And finally, as so often happens with "detective x crime series" books - if the main character didn't see it, it didn't happen. This means that Callanach has to abandon his massive case and oddly decide to go off with another detective in order to discuss something, purely as a plot device - i.e. he has to be involved in it for it to be an important part of the story. In places this worked, and got to the point, but at other times his actions just seemed so unusual as to be ludicrous, just to meet a plot point. Why the lesser characters can't have a PoV chapter is beyond me. It works perfectly well in fantasy fiction, why not in crime?!
However these were minor quibbles, an otherwise great book.
ClareR (5674 KP) Jan 23, 2020
Eleanor (1463 KP) Jan 25, 2020